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1

Forstbauer, Nikolai B. Christian Wulffen. Ostfildern: Cantz, 1995.

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2

Wulffen, Amelie von. Amelie von Wulffen. Paris: Centre Georges Pompidou, 2005.

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3

Laskowski, Aleksander. Lutosławski, skrywany wulkan. Kraków: Polskie Wydawnictwo Muzyczne, 2013.

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4

1966-, Wulffen Amelie von, Knoll, Valérie, writer of added text, Kröner, Tonio, 1984- writer of added text, Draxler, Helmut, writer of added text, Kunsthalle Bern, and Établissement d'en face (Brussels, Belgium), eds. Amelie von Wulffen: Ausstellungen = exhibitions : 2018-2022. Cologne: Walther Koenig, 2022.

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5

Berlin, Kunst-Werke, ed. Amelie von Wulffen: Collected comics 2011-2020. Berlin: KW Institute for Contemporary Art, 2020.

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6

Samson, Jack. Lee Wulff. Portland, Or: Frank Amato, 1995.

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7

Tanjung, Alex. Mei wulan. Tangerang: Penerbit D3M KAIL, 2013.

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8

Wulff, Katharina. Katharina Wulff. Dublin: Douglas Hyde Gallery, 2006.

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9

Deliang, Wei, ed. Wulin fan zhi. Hangzhou Shi: Hangzhou chu ban she, 2006.

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10

editor, Hong Jianming, ed. Wulin yi su. Hangzhou Shi: Hangzhou chu ban she, 2011.

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11

Wulian Xian di fang shi zhi bian zuan wei yuan hui. Wulian Xian zhi (1989-2005). Beijing Shi: Zhong gong dang shi chu ban she, 2010.

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12

Wulian Xian (China). Ren min fa yuan. Bian shen wei yuan hui. Wulian Xian fa yuan zhi. Beijing Shi: Zhong gong dang shi chu ban she, 2010.

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13

Wulian Xian (China). Cai zheng ju. Wulian Xian cai zheng zhi. Xianggang: Zhongguo guo ji wen hua chu ban she, 2013.

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14

1964-, Baer Monika, Eggerer Thomas 1963-, Augarten Contemporary, and Österreichische Galerie Belvedere, eds. Form und Grund: [Thomas Eggerer, Amelie von Wulffen, Monika Baer]. Wien: Belvedere, 2008.

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15

Harris, Steve. Wulf. London: BCA, 1991.

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16

Harris, Steve. Wulf. London: Headline Book, 1991.

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17

Crossley-Holland, Kevin. Wulf. London: Faber, 1988.

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18

Germany), Wilhelm-Morgner-Haus (Soest, and LWL-Museumsamt für Westfalen Münster, eds. Wilhelm Wulff: 1891 - 1980. Münster: LWL-Museumsamt für Westfalen, 2011.

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19

Wulff, Thomas. Helsinski-Romanka: Thomas Wulff. [Helsinki]: Söderström, 1990.

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20

Fuhrer, Armin. Christian Wulff: Der Marathonmann. München: Olzog, 2006.

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21

Wulff, Wilhelm. Wilhelm Wulff, 1891-1980. Soest: Westfälische Verlagsbuchh., 1991.

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22

Yongdan, Xiang, ed. Wulin jie xiang zhi. Hangzhou: Hangzhou chu ban she, 2008.

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23

Kempter, Klaus. Joseph Wulf. Göttingen: Vandenhoeck & Ruprecht, 2014. http://dx.doi.org/10.13109/9783666369650.

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24

Wulf & Partner., ed. Wulf & Partner. Berlin: Jovis, 2007.

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25

Bugatti, Wulf. Wulf Bugatti. Linz: Neue Galerie, 1986.

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26

Camilla. Rumer & wulf. Maynila, Pilipinas: Precious Pages Corporation, 2008.

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27

Pruys, Karl Hugo. Christian Wulff: Deutschland kommt voran. Berlin: Bebra, 2006.

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28

Mardiyanto. Wulan Lumeno dilamar ular belang. [Jakarta]: Pusat Bahasa, Departemen Pendidikan Nasional, 2001.

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29

1925-, Winsnes Selena Axelrod, and Behrens Carl 1867-, eds. A Danish Jew in West Africa: Wulff Joseph Wulff, biography and letters, 1836-1842. Trondheim: Faculty of Arts, Norwegian University of Science and Technology, 2004.

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30

Winsnes, Selena Axelrod, 1925- translation. writer of added commentary, ed. A Danish Jew in West Africa: Wulff Joseph Wulff : biography and letters 1836-1842. Legon-Accra, Ghana: Sub-Saharan Publishers, 2013.

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31

Wulian Xian jun shi zhi bian zuan wei yuan hui. Wulian Xian jun shi zhi (1840-2005 nian). [China]: [Publisher not identified], 2011.

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32

Legacy of the Wulfen. Games Workshop, 2017.

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33

Annandale, David. Curse of the Wulfen. Games Workshop, 2016.

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34

Delaney, Joseph. Brother Wulf: Wulf's Bane. Penguin Books, Limited, 2021.

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35

Delaney, Joseph. Brother Wulf: Wulf's War. Penguin Books, Limited, 2023.

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36

Wulfe Untamed. HarperCollins Publishers Inc, 2014.

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37

Passmore, L. N. Wayward Wulves Beware (Eye of the Wulf) (Volume 1). CreateSpace Independent Publishing Platform, 2017.

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38

Hermes, Manfred, and Amelie Von Wulffen. Amelie Von Wulffen. Hatje Cantz Publishers, 2005.

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39

Amelie Von Wulffen. Aspen Art Museum, 2013.

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40

Tabke, Karin. Wulfson. Tabke, Karin, 2019.

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41

Wulf's tracks. New York: Berkley Books, 2010.

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42

Wulf's Bane. Penguin Books, Limited, 2021.

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43

Wulf's Tracks. New York: Penguin USA, Inc., 2010.

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44

Lehmann, Matthew. Wulf's Gate. Xlibris Corporation LLC, 2010.

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45

Hale, Selevan. Wulfran: Dawn. Independently Published, 2021.

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46

(Illustrator), Sulamith Wulfing, ed. SULAMITH WULFING. Sulamith Wulfing BV, 1992.

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47

Wulf's Tracks. Thorndike Press, 2010.

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48

Verlag, Kehrer. Christian Wulffen: Zum Beispiel Oder Spielen. Kehrer Verlag Heidelberg, 2003.

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49

Palmer, Pamela. Wulfe Untamed: A Feral Warriors Novel. Avon, 2014.

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50

Lang, Birgit. Erich Wulffen and the case of the criminal. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9780719099434.003.0005.

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State Prosecutor and legal reformer Erich Wulffen used the case study genre for legal and largely didactic purposes. Chapter 4 illustrates the adoption of the conventions of sexological case writing by the legal fraternity in twentieth-century Central Europe, and ways in which Wulffen brought the case study genre from the hidden world of the court to the wider public. In doing this, Wulffen carved a niche for himself as an expert in legal reform and sexology in Wilhelmine and Weimar Germany. He embraced different kinds of case modalities over the course of his professional career, targeting professional, middle-class audiences and the wider reading public during his thirty years in the role of prosecutor. The changing success of Wulffen’s publications highlights the intensifying crisis of the expert case study as a modality able to ‘speak the truth’ about modern sexuality and deviance. While Wulffen’s expert case studies about con men and other criminals were highly successful during the Wilhelmine era, the same approach and model for case writing met a more critical audience after 1918. Wulffen embraced the challenge of a new democratic environment by writing implicitly didactical popular crime novels. However, eventually his criminal subjects literally ‘wrote back’ after their sensationalised trials, using case studies in an attempt to narrate their own versions of events. The accounts of these criminals-turned-writers such as convicted paedophile Edith Cadivec. Thus the popularisation of sensationalist case studies, written, for instance, by perpetrators of crime, was an important factor in the case study genre’s loss of respectability.
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