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Journal articles on the topic 'Written intimacy'
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Charles, Nickie. "Written and spoken words: representations of animals and intimacy." Sociological Review 65, no. 1 (April 22, 2016): 117–33. http://dx.doi.org/10.1111/1467-954x.12376.
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In this paper I explore the differences in the ways people write and talk about their relationships with animals, focusing on those they regard as kin and with whom they live. I draw on responses to the Animals and Humans Mass Observation directive, which was sent out in the summer of 2009, and 21 in-depth interviews with people who share their domestic space with animals. I suggest that writing about relationships with animals produces a particularly intimate representation which is almost confessional, while talking to another person about similar relationships renders the intimacy less obvious and represents human-animal relations in a different way. I argue that this is because the written accounts are composed with a particular audience in mind, the information divulged is not mediated by another human being and, as a result, normative constraints are less pervasive. Interview data, in contrast, are co-constructed in conversation with another person, there is the possibility of judgment during the course of the interview and normative expectations shape the discursive representation of human-animal intimacy. I reflect on the methodological implications of these findings for developing an understanding of intimacy across the species barrier.
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Hägerdal, Hans. "Beyond Bali. Subaltern Citizens and Post-Colonial Intimacy, written by Ana Dragojlovic." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 173, no. 1 (January 1, 2017): 140–41. http://dx.doi.org/10.1163/22134379-17301010.
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Brown-Coronel, Margie. "Intimacy and Family in the California Borderlands." Pacific Historical Review 89, no. 1 (2020): 74–96. http://dx.doi.org/10.1525/phr.2020.89.1.74.
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Using personal and family letters written between 1876 and 1896, this article charts the life of a post-conquest Californiana, Josefa del Valle Forster (1861–1943). It argues that the industrial and commercial development that took place in Southern California after 1850 reconfigured family relationships and gender dynamics, shifting understandings of intimacies for del Valle Forster. This discussion of an era and community often overlooked in California history contributes to a fuller picture of how Californianas experienced the late nineteenth century, and it highlights the significance of letters as a historical source for understanding how individuals and families negotiated the transformations wrought by war and conquest.
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Henrique, Márcio Couto. "The queen and the general: a Foucaultian reading on Couto de Magalhães' intimate diary." Varia Historia 25, no. 42 (December 2009): 579–96. http://dx.doi.org/10.1590/s0104-87752009000200011.
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This article discusses the contributions of Michel Foucault's work for the understanding of the intimate registrations that the Brazilian general José Vieira Couto of Magalhães did on his own diary, written in its majority in London, in the second half of XIX century, time supposedly marked by the repressive rigidities of the Victorian morals. When registering his intimacy, their erotic hetero and homossexual dreams erotic in full details, as well as conducts and sexual passions considered to that time as diverted of the normality, the intimate diary of Couto of Magalhães constitutes a reinforcement of the critic to the "repressive hypothesis" developed by Foucault in his project of a history of the sexuality. On the other hand, the legitimacy of the intimate diaries is evidenced while research source in the social sciences.
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Gibbard, Paul. "Intimacy and Distance: Conflicting Cultures in Nineteenth-Century France, written by Lewis, Philippa." Emotions: History, Culture, Society 3, no. 1 (June 6, 2019): 174–75. http://dx.doi.org/10.1163/2208522x-02010048.
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Matory, J. Lorand. "Book review: Witchcraft, Intimacy & Trust: Africa in Comparison, written by Geschiere, Peter." Journal of Religion in Africa 44, no. 3-4 (March 20, 2014): 423–27. http://dx.doi.org/10.1163/15700666-12340016.
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Colby, Frederick S. "Book review: Sufi Narratives of Intimacy: Ibn ʿArabī, Gender, and Sexuality, written by Saʿdiyya Shaikh." Journal of Sufi Studies 3, no. 2 (November 20, 2014): 221–24. http://dx.doi.org/10.1163/22105956-12341270.
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Bagby, Lewis. "The Poetics of Impudence and Intimacy in the Age of Pushkin, written by Joe Peschio." Canadian-American Slavic Studies 49, no. 4 (2015): 520–22. http://dx.doi.org/10.1163/22102396-04904027.
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Gale, Ken, Ronald J. Pelias, Larry Russell, Tami Spry, and Jonathan Wyatt. "Darkness and Silence." International Review of Qualitative Research 5, no. 4 (February 2012): 407–26. http://dx.doi.org/10.1525/irqr.2012.5.4.407.
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Having written as a group for four years, we continue with an emblematic methodology of writing into the dark, writing into a space that has become an intensive, maturing, messy, ethically caring, collaborative venture of changing composition. Our collective self writes into a tentative anticipating trust in our presence though we are shaded in uncertainty. We have written with desire and labor, intimacy and work, stuttering and stumbling our way through what has been a vibrant and aging transatlantic writing group. And now we have come to the perhaps inevitable question about whether we want to continue writing together. This installment traces the complexity of that question.
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Delice, Serkan. "Friendship, sociability, and masculinity in the Ottoman Empire: An essay confronting the ghosts of historicism." New Perspectives on Turkey 42 (2010): 103–25. http://dx.doi.org/10.1017/s0896634600005598.
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AbstractThis paper explores the historical transformation of masculinity and male intimacy in the Ottoman Empire, with a special emphasis on ethnic, class and gender subtexts of same-sex relationships. Focusing on two significant historical narratives—one written by the historian Mustafâ Âlî in the late sixteenth century, the other by the nineteenth-century historian Cevdet Paşa—I will discuss the ways in which both historians produced narratives of transition and decadence and deployed a problematic historicism that does identify same-sex intimacy. Coming to terms with the inadequacies of both essentialist/identity-based and constructivist approaches for understanding historically specific gender and sexual identifications, I will argue for a new set of concepts that will allow us to appreciate the continuing instrumental significance of same-sex intimacy in a wider discussion of friendship, masculinity and conduct. I will also interrogate the extent to which we might read historical narratives, in spite of their historicist, silencing effects, from a new perspective on subjectivity—a perspective that accounts for the potential of historical subjects to weave webs of identification and sociability, as well as to create relational modes that escape the regulatory, hetero-normalizing agenda of historicism.
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Dow, Nardeen. "Homosocial or homoerotic: A re-reading of gender and sexuality in Harry Potter through fanfiction." Queer Studies in Media & Popular Culture 5, no. 1 (March 1, 2020): 27–47. http://dx.doi.org/10.1386/qsmpc_00023_1.
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The Harry Potter novels present their readers with traditional views of masculinity, male dominance and, by extension, female subjugation. Although the books may appear to portray female characters as strong and independent, the text focuses on outmoded ideas of male heroism. While many critics have discussed related topics like female power and sexuality in Rowling’s novels, this article focuses on the power structure at play and on the underlying homoerotic subtexts in the source text by making use of Eve Kosofsky Sedgwick’s concept of homosociality. In addition, the article relies on fanfiction stories to shed light on the hidden homoerotic subtexts in the novels and examines the ways in which fanfiction allows and promotes a fluidity between homosocial and homosexual bonds between men. This article attempts to find answers to how fanfiction enables the readers to imagine male intimacy and what premises these stories consider. The article claims that fanfiction stories broaden Sedgwick’s term by combining male homosocial relationships with intimacy and non-homophobia and exposing the homosexual continuum in already written texts. The article further suggests that fanfiction can be considered a utopian place/space where male intimacy can be imagined.
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Vera Cruz, Germano. "Comparing Mozambican and French People’s Conceptualization of Romantic Love." Universitas Psychologica 18, no. 1 (January 20, 2019): 1–7. http://dx.doi.org/10.11144/javeriana.upsy18-1.cmfp.
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The study compared the way Mozambican and French people conceptualize romantic love. Two subsamples of 238 Mozambican adults and 250 French adults were presented with 27 cards containing vignettes (scenarios) that described the characteristics of someone’s relationship regarding degree of passion, the degree of intimacy, and degree of commitment. Participants assessed the intensity of romantic love experienced by the characters in the scenarios using a continuous scale. The way people from both cultures conceptualized romantic love was not entirely similar, but the differences were very subtle. The impact of each component on the judged intensity of love was similar. In both samples, passion and intimacy explained most of the variance. The algebraic structure of the judgment rule was, however, different. Among French participants, the findings were consistent with an equal-weight averaging rule as suggested by previous authors. Among Mozambican participants, the patterns of rating were, however, consistent with a more complex judgment rule. In this rule, the impact of each factor depended on the level of the other factors: A differential weight averaging rule was proposed that can be written Love = wic Passion + w’pc Intimacy + w”pi Commitment / wic + w’pc + w”pi
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Garth, Hanna. "After Love: Queer Intimacy and Erotic Economies in Post-Soviet Cuba, written by Noelle M. Stout." New West Indian Guide 91, no. 1-2 (2017): 125–26. http://dx.doi.org/10.1163/22134360-09101024.
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Driscoll, Beth, and DeNel Rehberg Sedo. "Faraway, So Close: Seeing the Intimacy in Goodreads Reviews." Qualitative Inquiry 25, no. 3 (September 26, 2018): 248–59. http://dx.doi.org/10.1177/1077800418801375.
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Book reviews written by readers and published on digital sites such as Goodreads are a new force in contemporary book culture. This article uses feminist standpoint theory to investigate the language used in Goodreads reviews to better understand how these reviewers articulate intimate reading experiences. A total of 692 reviews of seven bestselling fiction and nonfiction books are analyzed by two methods. The first, thematic content analysis, involves close reading of the reviews. The second, sentiment analysis, is an automated “distant reading” process. These methods prompt us, as researchers, to reflect on the way they foster or inhibit a sense of proximity to readers, even as they reveal predominant features of Goodreads reviews. Together, the methods reveal that 86.1% of Goodreads reviews describe a reading experience, and 68% specifically mention an emotional reaction to the book, with the emotion most intense in reviews of fiction. Reviews also create social connections by mentioning other readers, authors, characters, and people from the reviewer’s life. Through their emotional language and sociality, Goodreads reviews present distinctive, intimate reading practices, constituting a new cultural phenomenon, and a unique opportunity for investigation.
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Paden, William D., and Frances Freeman Paden. "Swollen Woman, Shifting Canon: A Midwife's Charm and the Birth of Secular Romance Lyric." PMLA/Publications of the Modern Language Association of America 125, no. 2 (March 2010): 306–21. http://dx.doi.org/10.1632/pmla.2010.125.2.306.
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In “Tomida femina” (“A swollen woman”), a tenth-century charm written in Occitan, the vernacular of the south of France, a birthing woman and her helpers intone magical language during the most intense moments of childbirth. The poem permits us, with brief but uncommon intimacy, to imagine the lives of women long ago. It takes its place in a European tradition of birthing charms, including others written in Latin, German, and English. These charms, and in particular “Tomida femina,” provide an image of vigorous medieval women in childbirth that precedes the images of women in other secular Romance lyrics—young girls in love in the Mozarabic kharjas, idealized ladies in troubadour songs, and passionate aristocratic women in the poetry of the Occitan trobairitz.
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Sherrard-Johnson, Cherene. "The Mulatta Concubine: Terror, Intimacy, Freedom, and Desire in the Black Transatlantic, written by Lisa Ze Winters." New West Indian Guide 91, no. 3-4 (2017): 337–38. http://dx.doi.org/10.1163/22134360-09103056.
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Woods, Faye. "Too Close for Comfort: Direct Address and the Affective Pull of the Confessional Comic Woman in Chewing Gum and Fleabag." Communication, Culture and Critique 12, no. 2 (April 12, 2019): 194–212. http://dx.doi.org/10.1093/ccc/tcz014.
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Abstract The 2010s saw a boom in television comedies, created by, written, and starring women, that explored the bawdy and chaotic lives of protagonists who were experiencing some form of arrested development. These comedies sought to build intimate connections with their imagined audiences by crossing boundaries—social, bodily, and physical—to produce comedies of discomfort. Drawing in part on Rebecca Wanzo’s consideration of “precarious-girl comedy” (2016) I examine how two British television comedies intensified these intimate connections through the use of direct address, binding the audience tightly to the sexual and social misadventures of their twenty-something female protagonists. Michaela Coel’s Chewing Gum (E4, 2015–2017) follows naïve and desperately horny black working-class Londoner Tracey in her quest for sexual experience, and Phoebe-Waller Bridges’ Fleabag (BBC Three, 2016–) documents an unnamed upper-middle-class white woman’s sharply misanthropic journey through grief. In both programmes direct address serves to intensify the embrace of bodily affect and intimate access to interiority found in the “precarious-girl comedy” (Wanzo, 2016), producing moments of comic and emotional repulsion. Each program uses direct address’s blend of directness and distance to different ends, but both draw audiences at times uncomfortably close to the singular perspective of their protagonists, creating an intensely affective comic intimacy.
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Flatt, Emma. "Practicing Friendship: Epistolary Constructions of Social Intimacy in the Bahmani Sultanate." Studies in History 33, no. 1 (February 2017): 61–81. http://dx.doi.org/10.1177/0257643016677445.
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This article considers epistolary friendships in the fifteenth-century Bahmani Sultanate. Focusing on letters written by the Bahmani Vizier, Mahmud Gavan, to distant friends in other parts of the Persianate world, including the Timurid Sufi-poet Jami, I examine how friendship could be constituted through the practice of letter-writing. I argue that despite common assumptions about the rule-bound and formulaic nature of the genre of inshāʿ (letter-writing), correspondents could subtly mobilize the generic rules to conjure up unique and potent metaphorical declarations of friendship. Second, I argue that the dense semiotic field created by the recurrent use of similar images and chains of metaphors to symbolize friendship in letters reified certain practices as constitutive of friendship, and thus actually contributed to friendship practices in the ‘real’ world. Finally, I suggest that the metaphorical language used in inshāʿ is not merely an ornamental flourish, but actually an attempt to constitute an alternative reality: By writing to each other in terms which evoked the friendship practices of physically proximate friends, two friends separated by distance could metaphorically undertake those practices together.
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Große, Sybille, and Lena Sowada. "Socialisation écrite et rédaction épistolaire de scripteurs moins expérimentés – lettres des soldats de la Grande Guerre." Romanistisches Jahrbuch 71, no. 1 (November 18, 2020): 82–129. http://dx.doi.org/10.1515/roja-2020-0003.
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AbstractJust recently, documents written by less skilled writers constitute an object of investigation in linguistics of different philologies. This contribution valorizes private letters as testimonies from writers of varying social status, as opposed to the elite, and furthermore describes the process and the context of their production. In this perspective, it is important to distinguish the process of acquisition of the written language and the complex cognitive and social process of writing. Dealing with private correspondence of writers with less experience, we focus on circumstances of the writing production in a familial and individual context. We investigate different influences on these texts: the writers’ specific writing socialization, an interrupted process of written language acquisition, specificities of colloquial everyday language as well as a lack of epistolary and writing experience. In order to realize the different writing tasks and to evoke intimacy, less-skilled writers acquire an inventory of creative tricks by following oral representations, by imitating strategies from the immediate communication and by using different linguistic and discursive routines.
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Voeltz, Richard Andrew. "Howard Hughes and the Cold War Aviation Film Jet Pilot (1957)." CINEJ Cinema Journal 5, no. 2 (October 11, 2016): 28–52. http://dx.doi.org/10.5195/cinej.2016.133.
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Some historians argue that heaps of weaponry along with stealth and deception stand as emblems of the Cold War. But sexual intimacy, conspicuous consumption, and aviation technology also inserted themselves into the perfect safetly of American domestic bliss. This paper will analyze how the eccentric Cold War romantic comedy Jet Pilot (1957) so associated with the compulsiveness of Howard Hughes, produced and written by Jules Furthman, directed ( partially) by Josef von Sternburg and starring John Wayne and Janet Leigh, reflects all these themes making it the paradigmatic Cold Film that remains a camp classic from the American popular cultyre of the 1950s.
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Hubmann, Sandra. "„Ich werde dich immer Mr. Knightley nennen“." Lebende Sprachen 49, no. 5 (October 8, 2020): 257–77. http://dx.doi.org/10.1515/les-2020-0017.
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AbstractTranslating you into German means deciding between different pronouns of address, a choice that can express either hierarchy, formality or intimacy between speaker and listener. This paper analyses to what extent the pronominal address is used to characterise fictional relationships in the eight German translations of Jane Austen’s novel Emma by comparing them with original German literature written around 1815, the year when the English novel was first published. While the selected parallel texts highlight special relationships like close friendships or romantic love with the pronominal address, the paper shows that this is less frequently the case in the translations.
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Asimakoulas, Dimitris. "How Balkan Am I? Translation and Cultural Intimacy Through an Albanian-Greek Lens." Meta 61, no. 2 (October 26, 2016): 439–58. http://dx.doi.org/10.7202/1037767ar.
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Historiographers, anthropologists and cultural studies experts have shown that discussions of identity in or about the Balkans have been traditionally linked to a sense of ‘deficiency.’ Given the history of conflict, the drive towards greater European integration and the effects of the current economic crisis in the region, there is an urgency to deconstruct such ideologies. This article shows how Herzfeld’s (2002; 2005) approach to Balkan marginality may be productively extended to cover cultural and translation critique. Thus his concept ofcultural intimacyis applied to stories of migration. Two Greek works are examined: Gazmend Kapllani’s semi-autobiographic novelA Short Border Diary(2006), translated into English by Marie Stanton-Ife, and Filippos Tsitos’ filmPlato’s Academy(2009), subtitled into English. Both works have set a precedent in terms of audience reception and as documents of a historical cycle, the migration of thousands of Albanians to Greece after the collapse of communism. Translation and subtitling into English respectively show that the written and the audiovisual medium present different opportunities for conveying Balkan otherness.
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COEN, DEBORAH R. "THE COMMON WORLD: HISTORIES OF SCIENCE AND DOMESTIC INTIMACY." Modern Intellectual History 11, no. 2 (June 26, 2014): 417–38. http://dx.doi.org/10.1017/s1479244314000079.
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Let us begin by considering a series of letters written in 1863 by Max Vigne, a humble imperial surveyor in India, to his wife at home in England. In the course of his affectionate and finely observed correspondence, Vigne comes to think of himself for the first time as a naturalist. He recounts his growing fascination with botany, particularly the new field of plant geography, and he expresses a keen desire to share this new knowledge—and his newfound identity—with his faraway wife, Clara.Everything I am seeing and doing is sonew. . . When I lie down to sleep everything spins in my brain. I can only make sense of my life the way I have made sense of everything, since we first met: by describing it to you. That great gift you have always had oflistening, asking such excellent questions—when I tell you enough to let you imagine me clearly, then I can imagine myself.In these lines Vigne is proposing what might strike us at first as a surprising connection between scientific observation and private life. He seems to derive his standard of clear description—the backbone of his scientific work as a naturalist—not from professional norms or philosophical reflections, but rather from an ideal of intimacy. In subsequent letters Vigne makes clear that his study of the geographical relations among plants is part of a more personal quest for knowledge: an attempt to make sense of the persistence of his own identity during his transformative experiences of travel. “Only now do I begin to grasp the principles of growth and change in the plants I learned to name in the woods, those we have grown at home—there is ascienceto this. Something that transcends mere identification.” He likens the plant's essential and enduring form to the bond he shares with Clara:The point, dear heart, is that through all these transformations one can still discern the original morphology; the original character is altered yet not lost. In our separation our lives are changing, our bond to each other is changing. Yet still we are essentially the same.These letters never reached Vigne's wife, because neither he, nor Clara, nor the letters themselves ever really existed. They are fictions, penned not by a nineteenth-century naturalist but by the twenty-first-century novelist, Andrea Barrett. Why begin a historiographical essay with fiction? In part because in very few cases have historians yet gone to the trouble of reconstructing such profound resonances between familial and scientific experiences. As historians, we are not yet sure how to read domestic documents as sources for the history of knowledge production. “Flimsy lists of things to do, large parchment mortgages, ‘private letters of no consequence’”—these are among the historical documents that we need to learn to read for their clues to intellectual history.
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Wagner, Mark S. "Muslim-Jewish Sexual Liaisons Remembered and Imagined in 20th-Century Yemen." International Journal of Middle East Studies 53, no. 1 (February 2021): 39–55. http://dx.doi.org/10.1017/s0020743820001105.
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AbstractDespite mutual taboos against exogamy, memoirs and similar materials written by Jews from Yemen contain a number of anecdotes describing love affairs and sexual encounters between Muslims and Jews prior to the mass migration of the vast majority of Yemen's Jews to Israel in 1949–50. These stories associate these liaisons with vulnerability, poverty, and marginalization. In them, sex and conversion to Islam are intrinsically connected, yet this interreligious intimacy leads not to resolution but to ongoing identity crises that persist beyond the community's realignment with a majority-Jewish society. The staging of the anecdotes in rural areas where shariʿa norms held only nominal sway, in watering places and hostels where strangers might interact, and at dusk, when identity is difficult to discern, heightened their ambiguity.
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Miles, Malcolm. "Herbert Marcuse and the Promesse Du Bonheur." Cultural Politics 13, no. 1 (March 1, 2017): 34–47. http://dx.doi.org/10.1215/17432197-3755168.
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In an essay on French literature in the period of Nazi occupation, Herbert Marcuse argues that a literature of intimacy—love poems and romantic novels—is the last resort of freedom in totalitarian conditions. Written in 1945 and revised in the 1970s, Marcuse’s essay argues that in the face of totalitarianism, a literature of intimacy opens a realm of human experience that is outside the control of the regime. Because it carries a memory of joy, it is radically other to the ethos of the regime. Later, in The Aesthetic Dimension (1978), Marcuse returns to the role of aesthetics when political change is unlikely to occur. The article revisits Marcuse’s 1945 essay and his reading of the poetry of Charles Baudelaire and Paul Eluard. It begins by relating Marcuse’s interest in love poetry to the work of other critical theorists who see a radical role for aesthetics and the pursuit of happiness in periods when political change is blocked. It examines the 1945 essay, puts it in context of Marcuse’s work for the US intelligence services in the 1940s, and looks at the similarities between the 1945 essay and Marcuse’s later writing. Finally, it asks whether Marcuse’s arguments matter today (as the dreams for which the New Left of the 1960s went in search appear as remote as ever).
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Baross, Zsuzsa. "Lessons to Live (1): Posthumous Fragments, for Jacques Derrida." Derrida Today 1, no. 2 (November 2008): 247–65. http://dx.doi.org/10.3366/e1754850008000274.
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Written as a last, long posthumous letter to Jacques Derrida, the essay turns to the philosopher's last and, for the living, most important lesson – on ‘learning to live.’ In particular, it addresses – as constitutive of his unique ‘heterodidactics’ – two discrete communications on the subject. The first, in Spectres de Marx (1993), declares the lesson to be at once impossible and necessary, that is, ‘ethics itself’; in the second, the last interview ‘Je suis en guerre contre moi-même’ published just before his death in 2004, Derrida confesses to ‘have remained uneducable’ on the subject. The essay reflects on the performative significance of this contradiction in the context of Derrida's intimacy with death, his taste for mourning, and his practice of writing as an experience of dying and resurrection.
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Deren, Jennifer. "Revolting Sympathies in Mary Shelley’s The Last Man." Nineteenth-Century Literature 72, no. 2 (September 1, 2017): 135–60. http://dx.doi.org/10.1525/ncl.2017.72.2.135.
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Jennifer Deren, “Revolting Sympathies in Mary Shelley’s The Last Man” (pp. 135–160) Building on recent scholarship that explores Mary Shelley’s advocacy for sympathy in The Last Man (1826), this essay traces the complexity of interpersonal and reader-text relations as they play out in the novel and in the experience of reading it. I argue that moments of intimacy explicitly called “sympathy” in the novel are often idealizations that turn “revolting” as sympathy becomes something other than the beneficial exchange that participants expect of it. These scenes delineate a politics of sympathy that challenges the dominant model with a portrayal of human intimacy as uncontrollable, amoral, and infectious. Shelley encodes in the novel’s infamous plague her concern that the experience of sympathy that underlies nineteenth-century politics of community- and nation-formation can and sometimes does generate violence, discord, and inequality alongside mutually beneficial relationships. Exploring readers’ uncertain responses to the novel alongside the novel’s representation of sympathy as revolting, I suggest that the novel’s framing “Introduction” reveals an aesthetics of sympathy in which reader-text relations are constitutively unstable. Readers’ resistance to Lionel’s effusive narration is a revolting response written into the novel’s sympathetic design. By making sympathetic reading a revolting experience, Shelley advances a revision of sympathy that forces us to rethink the possibilities and the consequences of human relationships and invites us to reimagine a communal future that makes room for those realities.
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Richardson, Michael. "Ghosting Politics: Speechwriters, Speechmakers and the (Re)crafting of Identity." Cultural Studies Review 23, no. 2 (November 27, 2017): 3–17. http://dx.doi.org/10.5130/csr.v23i2.5472.
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Despite public awareness of their role, speechwriters occupy an anxiously liminal position within the political process. As the ongoing dispute between former Australian prime minister Paul Keating and Don Watson over the Redfern Speech suggests, the authorship and ownership of speeches can be a fraught proposition, no matter the professional codes. Crafting and re-crafting identity places speechwriter and speechmaker in a relation of intense intimacy, one in which neither party may be comfortable and from which both may well emerge changed. Having written speeches for Jack Layton, former leader of the New Democratic Party of Canada, I know just how complex, uncertain and productive that relation can be. This article conceives of identity as transindividual, formed in the intensity and flux of encounter, and weaves together the personal and the critical to examine politics’ speechwriting ghost.
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Adler Berg, Freja Sørine. "The value of authenticity and intimacy: A case study of the Danish independent podcast Fries before Guys’ utilization of Instagram." Radio Journal:International Studies in Broadcast & Audio Media 19, no. 1 (April 1, 2021): 155–73. http://dx.doi.org/10.1386/rjao_00039_1.
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The article addresses podcasting as a social media activity, considering independent podcasters’ ‐ an emerging but understudied category of Pro-Ams ‐ utilization of social media. This was done by conducting qualitative interviews (Brinkmann and Kvale 2001) with the Danish podcast phenomenon, Fries before Guys, and their main sponsor. To study the online interaction between listeners and podcasters, an inductive open coding of the podcast’s Instagram account was carried out, focusing on the ten most-liked Instagram posts and the user comments written underneath. Since Instagram is the podcasters’ primary means of communication in engaging socially with their mainly young female listeners, the aim was to explore how the digital infrastructure between Instagram and the podcast medium unfolds. The study shows that social media activity, besides providing emotional support through posts, comments and direct messages, is essential to independent podcasters to make revenue.
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Haryono, Akhmad, and Bambang Wibisono. "The Use of Speech Level in Socio Cultural Perspetive of Tapal Kuda Madurese Ethnic Society." PAROLE: Journal of Linguistics and Education 8, no. 2 (December 31, 2018): 57. http://dx.doi.org/10.14710/parole.v8i2.57-65.
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Madurese society at Tapal Kuda regions has a unique cultural tradition because of cultural acculturation with other ethnics. This research aims at describing the speech level use in socio cultural perspective of Madurese ethnic society in Tapal Kuda regions. The method used to reach the research aims is a qualitative method with an ethnographic approach. The data were collected through participatory and non-participatory observations, interviews, note-taking, and recording. The data collected were transcribed into the written data and then analysed with pragmatic theory. The use of BM with E-E, Ng-E, and È-B variation in the perspective of Madurese ethnic in Tapal Kuda is as the politeness implementation form and formal relationship among speech participants, whereas variation of BM E-I (ngoko: Javanese) in family is used to keep intimacy and closed relationship between parents and children in order not to be too formal.
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Schoenberger, Christina. "“You” Reconstructing the Past." Mnemosyne, no. 10 (October 15, 2018): 10. http://dx.doi.org/10.14428/mnemosyne.v0i10.14093.
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Autobiographical writing has been an integral part of literary research for decades. Which innovations does contemporary life writing contribute to the narration of the past? This paper focuses on the impact of narratological characteristics on the reconstruction of memory and self in Paul Auster’s Winter Journal (2012), an innovative autobiographical work which deviates from traditional life writing in that it is written in the second person. Considering Lejeune’s and Genette’s takes on second-person autobiography, this paper examines how the narrative situation in Winter Journal shapes subjectivity and temporality. As both protagonist and observer, the narratee oscillates between a distanced state of (critical) self-reflection and intimacy. This paper argues that by « reliving » the past through a dynamic dialogue with the self and the simultaneously addressed reader, the appellative function and the predominant use of the present tense enable a telescopic encounter with the past.
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McDonnell, Liz, Susie Scott, and Matt Dawson. "A multidimensional view? Evaluating the different and combined contributions of diaries and interviews in an exploration of asexual identities and intimacies." Qualitative Research 17, no. 5 (November 11, 2016): 520–36. http://dx.doi.org/10.1177/1468794116676516.
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This article evaluates the relative contributions of diaries and interviews in multiple methods qualitative research exploring asexual identities and intimacies. Differentiated by three core differences: reflective time-frame (the day just had/lifetime), context (alone/with researcher) and mode (written/verbal), these methods had the potential to generate a multidimensional view of our topics. Using five cases in which data from both interviews and diaries were collected, this article explores how the intermeshed issues of identity and intimacy were constructed in each method, as well as reflecting on what was gained by their combination. Our analysis leads us to conclude that multiple methods do not always produce a fuller or a more rounded picture of individual participants’ lives. Nevertheless, the decision to collect data using different strategies did increase our chances of finding a method that suited individual participants, whether in style or focus.
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Lee, Juhee, and Jayoung Song. "The impact of group composition and task design on foreign language learners’ interactions in mobile-based intercultural exchanges." ReCALL 32, no. 1 (July 2, 2019): 63–84. http://dx.doi.org/10.1017/s0958344019000119.
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AbstractThis study examines the impact of group composition (one-on-one vs. multiple-to-multiple) and task design (student-selected vs. teacher-assigned) on undergraduate foreign language learners’ interactions in a mobile-based intercultural exchange. The participants, 27 Korean students learning English as a foreign language and 27 American students learning Korean as a foreign language, interacted in pairs and groups via mobile phones to complete weekly tasks for eight weeks. This study used mixed methods to analyze the data from mobile chat scripts, questionnaires, and interviews. The results indicated that the one-on-one and multiple-to-multiple groups did not differ significantly regarding contact frequency or number of written chats. However, one-on-one and multiple-to-multiple interactions did differ with regard to the quality of the interactions, reflecting the unique nature of each group composition. A one-on-one relationship promoted a higher level of intimacy and friendship, thus rendering it appropriate for providing linguistic and emotional support in learning foreign languages. In contrast, multiple-to-multiple communications were found to be more beneficial for learning about different perspectives on the target cultures. In terms of task design, teacher-assigned tasks guided students to engage in productive interactions effectively, whereas student-selected tasks elicited their personal investment in the tasks. Supporting social interdependence theory (Johnson & Johnson, 1989, 2009), we argue that the establishment of intimate relationships among group members may be the key to quality interactions in mobile-based intercultural exchanges.
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Ruxton, Sandy. "Masculinity, Intimacy, and Mourning: A Father’s Memoir of His Son Killed in Action in World War II." Genealogy 4, no. 2 (May 15, 2020): 59. http://dx.doi.org/10.3390/genealogy4020059.
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Emotional restraint was the norm for the bereaved during and after the Second World War. Displays of individual grief were discouraged, and overshadowed by a wider concern for mass bereavement. There is limited archival evidence of the suffering that fathers of sons killed in action endured. This article draws upon and analyses a powerful memoir written by my grandfather, lamenting the death of his only son killed in action near the end of the War. While most men contained their emotions in such circumstances, this extended lament expresses a range of deep feelings: Love and care for the departed son, tenderness towards other family members, guilt at sending his son away to boarding school, loss of faith in (Christian) religion, and a sense of worthlessness and personal failure. Of particular interest is the impact of geographical distance over which this narrative is played out, and what it reveals about the experience of one white British middle-class family living overseas, but strongly interconnected with ‘home’ (and specifically Scotland). It also documents the pain of prolonged absence as a result of war; often boys sent ‘home’ to board were separated from their parents for much of their childhood, and were forced to ‘become men’—but not as their parents had envisaged. The article concludes by exploring the implications of this private memoir and what it reveals about memoir, masculinity, and subjectivity; gender and grieving; connections with ‘home’; and constructing meaning after trauma.
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Sitompul, Rizki Nurhidayah, M. Manugeren, and Purwarno Purwarno. "LOVE IN ILANA TAN’S NOVEL AUTUMN IN PARIS." JOURNAL OF LANGUAGE 1, no. 2 (April 21, 2020): 128–36. http://dx.doi.org/10.30743/jol.v1i2.2454.
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The research is concerned with types of love faced by Tara Dupont, the main character of the novel Autumn in Paris, written by Ilana Tan. The types of love: friendship, infatuated love, romantic love and consummate love are the main focus of the study. The objective is to find out how Tara Dupont implements the types of love in relationship with people around her. One of the theories used in the research is Robert Sternberg’s Triangular Theory of Love which states that love has three components: intimacy, passion and commitment and these three components are to be applied to obtain or run real love. Qualitative descriptive method is applied for the whole analysis. The finding shows that types of love are found in the novel Autumn in Paris. Friendship appears in a relationship between Tara, Sebastien and Tatsuya. Romantic love and infatuated love are the dominant types of love and consummate love is the rarest.
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Moitra, Swati. "A nineteenth-century bengali housewife and her Robinson Crusoe days: Travel and intimacy in Kailashbashini Debi’s The diary of a certain housewife." Feminismo/s, no. 36 (December 3, 2020): 49. http://dx.doi.org/10.14198/2020.36.03.
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Kailashbashini Debi’s Janaika Grihabadhu’r Diary (The Diary of a Certain Housewife; written between 1847 and 1873, serialised almost a century later in the monthly Basumati in 1952) chronicles her travels along the waterways of eastern Bengal. Her travels are firmly centred around her husband’s work; in his absence, she is Robinson Crusoe, marooned in the hinterlands of Bengal with only her daughter.Bearing in mind the gendered limitations on travel in the nineteenth century for upper-caste Bengali women, this essay investigates Kailashbashini Debi’s narration of her travels and the utopic vision of the modern housewife that Kailashbashini constructs for herself. The essay looks into the audacious nature of Kailashbashini’s effort: to claim a space in public memory alongside her husband. In the process, the essay seeks to address the restructuring of domestic life made possible by the experience of travel, and explore the contours of women’s travel writing in nineteenth-century India
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Moitra, Swati. "A nineteenth-century bengali housewife and her Robinson Crusoe days: Travel and intimacy in Kailashbashini Debi’s The diary of a certain housewife." Feminismo/s, no. 36 (December 3, 2020): 49. http://dx.doi.org/10.14198/fem.2020.36.03.
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Kailashbashini Debi’s Janaika Grihabadhu’r Diary (The Diary of a Certain Housewife; written between 1847 and 1873, serialised almost a century later in the monthly Basumati in 1952) chronicles her travels along the waterways of eastern Bengal. Her travels are firmly centred around her husband’s work; in his absence, she is Robinson Crusoe, marooned in the hinterlands of Bengal with only her daughter.Bearing in mind the gendered limitations on travel in the nineteenth century for upper-caste Bengali women, this essay investigates Kailashbashini Debi’s narration of her travels and the utopic vision of the modern housewife that Kailashbashini constructs for herself. The essay looks into the audacious nature of Kailashbashini’s effort: to claim a space in public memory alongside her husband. In the process, the essay seeks to address the restructuring of domestic life made possible by the experience of travel, and explore the contours of women’s travel writing in nineteenth-century India
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Bignall, Simone, and Mark Galliford. "Reconciling Replicas: The Second Coming of the Duyfken." Cultural Studies Review 9, no. 2 (September 13, 2013): 37–64. http://dx.doi.org/10.5130/csr.v9i2.3562.
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Until recently, history as written by the ‘victors’ has been nothing more than repeated efforts to capture a certain slant of truth in order to (re)territorialise the position of ‘white’ dominance in this country. The re-enactment of historical events can be instrumental in the re-presentation of this privileged history. The re-enacted landing of the replica ship Duyfken in August 2000 was marked by an important shift in attitude for at least one of the leading protagonists in the event. In this respect, this particular re-enactment has offered some interesting ways of viewing history/ies in a postcolonial context and for appraising the concept of reconciliation. This essay considers three aspects of the re-enactment: the introduction of a historical discontinuity in Australian ‘race’ relations through the cultivation of a certain type of cultural intimacy during the journey; the (hi)story behind the re-enactment and some reflections on historiography; and, subsequently, an analysis of how the event of the landing could imply an expanded expression of reconciliation, potentially freeing it from its current constraints.
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Panos, Leah. "Trevor Griffiths' ‘Absolute Beginners’: Socialist Humanism and the Television Studio." Journal of British Cinema and Television 10, no. 1 (January 2013): 151–70. http://dx.doi.org/10.3366/jbctv.2013.0127.
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This article examines how conventional studio production strategies were active in the construction of political meaning in the 1974 television play ‘Absolute Beginners’, written by Trevor Griffiths. Produced for the BBC anthology series Fall of Eagles, the play dramatises Lenin's involvement with the Russian Social Democratic Workers Party (RSDWP) and explores the contradictions between personal ethics and political necessity. Through close textual analysis and contextual discussion of other plays in the series, this piece demonstrates how shot patterns and spatial and performative devices in ‘Absolute Beginners’ supported the drama's socialist-humanist and feminist themes. Drawing on existing writing about the studio mode, it argues that the qualities of intimacy and presentational distance that it engendered were highly appropriate for the personal and the political dialectic in ‘Absolute Beginners’. While using authorship as a convenient category for referring to the coherence of Griffiths' thematic concerns and dramatic structure during this period, the article complicates notions of the television dramatist as author by arguing for the importance of visual style and showing how ‘ordinary’ studio form was operational in the play's political meanings.
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Wistreich, Richard. "PHILIPPE DE MONTE: NEW AUTOBIOGRAPHICAL DOCUMENTS." Early Music History 25 (August 17, 2006): 257–308. http://dx.doi.org/10.1017/s0261127906000167.
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In a letter written in the year he died, the novelist Italo Calvino spoke of his unease with the writing of the story of his own life: ‘Each time I see my life fixed and objectified I am seized with anxiety, especially when it is notes that I myself have supplied … by repeating the same things [but] using different words I always hope to get round my neurotic relationship with autobiography.’ Such testimony from a still-living creative artist is a valuable reminder of the historiographical conundrums of even the most apparently ‘authentic’ biographical narrative. Those of us who read, research and write the stories of long-dead artists, relying as we must on the contents of documents both written and preserved for all kinds of forgotten and quite likely unfathomable reasons, have learnt to be cautious, if not a little anxious, in our relationships with what they seem to be saying to us. The more consciously autobiographical such writings appear to be, the more circumspectly we tend to tread, trying to temper the seductive pleasure of a time-dissolving intimacy with our subjects which such texts seem to promise with our historians' sense of their Siren dangers. Nevertheless, in the case of the still largely unknown story of Philippe de Monte, whose scarce documentary sources, apart from a rich but small handful of private letters, consist of the often enigmatic prefaces to his published music, the addition of two new, very substantial and intensely autobiographical documents can hardly fail to excite expectations of increased access to ‘the man himself’.
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Festino, Cielo Griselda. "Across community barriers: female characters in Vimala Devi’s short stories." Acta Scientiarum. Language and Culture 41, no. 2 (October 1, 2019): e45888. http://dx.doi.org/10.4025/actascilangcult.v41i2.45888.
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This article brings a reading of the short-story collection Monção [Monsoon] ( 2003) by the Goan writer Vimala Devi (1932-). The collection can be read as a short-story cycle, a group of stories related by locality, Goa, character, Goans, from all walks of life, and theme, in particular women´s milieu, among other literary categories. In her book, written from her self-imposed exile in Portugal, Devi recreates Goa, former Portuguese colony, in the 1950s, before its annexation to India. A member of the Catholic gentry, Devi portrays the four hundred years of conflictive intimacy between Catholics and Hindus. Our main argument is that Devi´s empathy for her culture becomes even more explicit in Monção when her voice becomes one with that of all her women characters. Though they might be at odds, due to differences of caste, class and religion, Devi makes a point of showing that they are all part of the same cultural identity constantly remade through their own acts of refusal and recognition. This discussion will be framed in terms of Sidonie Smith and Julia Watson’s theory of autobiography (2001) as well as the studies on Goan women by the Goan critics Propércia Correia Afonso (1928-1931), Maria Aurora Couto (2005) and Fátima da Silva Gracias (2007).
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Snowber, Celeste. "Dancesong." Dance, Movement & Spiritualities 7, no. 1-2 (November 1, 2020): 27–34. http://dx.doi.org/10.1386/dmas_00014_1.
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Dancesong is a reflective article that explores the author’s somatic and dance practice in times of isolation in a pandemic: walking, dancing and writing in sites in proximity to her home. On the edge of wild and urban landscapes as well as the inner landscape of fragility, she takes her feet walking as a way of opening up attention and exploring the intimacy of embodied ways of inquiry. Mud, sea, soil and flora become the terrain where these somatic and poetic reflections occur. In a collaboration with creation, the invitation is to respond to the moment through tiny dances and inhabiting the fullness of what it means to be present. As an arts-based researcher, this article is written in poetic and visceral language, honouring the relationship between language emerging from the breath and syntax of flesh and blood, bone and ligaments. Poetic language and poetry are central to responding to creation and being recreated as a way of articulating. Peppered through this short piece is poetry, images and videos of movement practices that evoke a call and response in creation. The reader is invited to open to the wisdom of embodied knowing and be recreated through their own somatic practices.
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Yonata, Fadhila. "Negotiation of Meaning of Indonesian EFL Learners in Casual Conversation: An SFL Study." ELE Reviews: English Language Education Reviews 1, no. 1 (May 31, 2021): 41–53. http://dx.doi.org/10.22515/ele-reviews.v1i1.3528.
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Communicative interaction is demanded by all levels of EFL learners. To prepare them to comply with this purpose, engaging them to deal with the real-life conversation using the target language may have beneficial effects on their second language acquisition process. However, the way learners negotiating meaning in an understandable way and how they position themselves as the appropriate role of the speakers are still rarely studied, especially in the Indonesian teaching and learning context. This study aims to reveal what type of commodity is being exchanged by graduate learners (3 females and 1 male) when they are assigned to have an unplanned casual conversation. The study further analyzes the nature of the exchange structure of EFL learners' casual conversation seen from the Systemic Functional Linguistics perspective. The data were taken from audio recordings of casual conversations and then transcribed as the written data. The conversation was then divided into clauses as the unit of analysis. In employing a spoken discourse analysis framework, interactive analysis was implemented to discover exchange structure. The results show the exchanged commodity is information through statements. It indicates that as magister students, they always show their knowledge off, and intimacy sometimes matters as the reason for informative conversations. The speakers' role also has been successfully achieved by the speakers since their ability to position themselves as initiators or responders to keep the conversational flow.
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Mirowska, Paulina. "Eroticism and Justice: Harold Pinter’s Screenplay of Ian McEwan’s "The Comfort of Strangers"." Text Matters, no. 3 (November 1, 2013): 171–85. http://dx.doi.org/10.2478/texmat-2013-0033.
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A careful analysis of Harold Pinter’s screenplays, notably those written in the 1980s and early 1990s, renders an illustration of how the artist’s cinematic projects supplemented, and often heightened, the focus of his dramatic output, his resolute exploration of the workings of power, love and destruction at various levels of social interaction and bold revision of received values. It seems, however, that few of the scripts did so in such a subtle yet effective manner as Pinter’s intriguing fusion of the erotic, violence and ethical concerns in the film The Comfort of Strangers (1990), directed by Paul Schrader and based on Ian McEwan’s 1981 novel of the same name. The article centres upon Pinter’s creative adaptation of McEwan’s deeply allusive and disquieting text probing, amongst others, the intricacies and tensions of gender relations and sexual intimacy. It examines the screenplay—regarded by many critics as not merely an adaptation of the novel but another, very powerful work of art—addressing Pinter’s method as an adapter and highlighting the artist’s imaginative attempts at fostering a better appreciation of the connections between authoritarian impulses, love and justice. Similarly to a number of other Pinter filmscripts and plays of the 1980s and 1990s, the erotic and the lethal alarmingly intersect in this screenplay where the ostensibly innocent—an unmarried English couple on a holiday in Venice, who are manipulated, victimized and, ultimately, destroyed—are subtly depicted as partly complicit in their own fates.
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Hersh, Nicholas. "Challenges to Assessing Same-Sex Relationships under Refugee Law in Canada." McGill Law Journal 60, no. 3 (August 18, 2015): 527–71. http://dx.doi.org/10.7202/1032678ar.
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This article suggests that there are reasons to be concerned about the way relationship history impacts credibility assessments for refugee claims based on sexual orientation. Decision makers’ written assessments often reveal insufficient consideration of the psychosocial barriers that may impinge on sexual minority refugees’ ability to testify on their relationships. The multinational and multicultural setting of refugee-status proceedings poses unique challenges for sexual minority refugee claimants in having their membership in a particular social group established. Understanding and expressing sexual identity spans cultural divides, and therefore, a claimant’s expressed identity may not match the decision maker’s expectations. Notions of love and intimacy may also be culturally construed, and therefore expectations of how these notions manifest in long-term relationships may be inappropriate in the context of refugee status determination. This article emphasizes that implausibility findings concerning claimants’ relationships should be made cautiously. Decision makers should not assume that sexual minorities in countries in which homosexuality is stigmatized or criminalized are devoid of the volition to have same-sex partners. Nor should they assume that sexual minority refugees are necessarily willing to embrace same-sex relationships soon after arriving in Canada. Evaluating same-sex relationships according to the Cass Staged-Identity model can lead to persistent doubts about claimants’ credibility. In sum, this article attempts to canvass the potential pitfalls of Canadian adjudication methods in cases of sexual minority refugee claimants, and to propose recommendations for evaluating testimony and evidence of these relationships.
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Weiss, Jernej. "Anton Foerster's 'Gorenjski slavček': Slovenia's first national opera?" New Sound, no. 46 (2015): 151–69. http://dx.doi.org/10.5937/newso1545151w.
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Particularly at the end of the 19th century, the constantly rising Slovenian national consciousness saw a great opportunity in theatre and opera, which became the centre of a national movement with which the young bourgeoisie identified. Gorenjski slavček (The Nightingale of Upper Carniola), an operetta by Anton Foerster, one of the leading Czech composers in Slovenia, was staged for the first time in Ljubljana in 1872 by the Dramatic Society and, after being adapted for the operatic stage in 1896, soon became the most popular and most frequently performed Slovenian stage-music composition. This warm reception led the Slovenian bourgeoisie of that time to believe that Gorenjski slavček could become the first Slovenian national opera. Considering the overall image of Foerster's Gorenjski slavček in music history and the social and political issues of the time when it was written, the composition seems more like a warm and rather undemanding expression of intimacy than a national opera in the true sense of the word. For adequate aesthetic consideration, it is therefore necessary to understand the opera primarily as a document of its time and the circumstances of its origin, in all its simplicity and naivety. Although from today's perspective the opera does not attain an above-average standard and so could not be successful on foreign opera stages, it is still interesting because of the specific role it played as a national agitator in the period discussed.
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Batmang, NFN. "EKSPRESI AMIR HAMZAH DAN CHAIRIL ANWAR DALAM PUISI-PUISI PERCINTAAN (The Expression of Amir Hamzah and Chairil Anwar in Romantic-Poetry)." Kandai 15, no. 2 (December 1, 2019): 185. http://dx.doi.org/10.26499/jk.v15i2.939.
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Penelitian ini bertujuan untuk mengkaji konsep kekasih dalam puisi Amir Hamzah “Dalam Matamu” dan puisi Chairil Anwar “Sajak Putih” serta konsep pengkhianatan kekasih dalam puisi “Kusangka” karya Amir Hamzah dan puisi “Penerimaan” karya Chairil Anwar. Penelitian ini menggunakan jenis penelitian kualitatif dengan menggunakan metode studi kasus. Data penelitian diperoleh dengan observasi dan studi dokumen. Analisis data dilakukan dengan cara membandingkan puisi hipogram Amir Hamzah dan puisi transformasi Chairil Anwar. Hasil penelitian menunjukkan bahwa konsep kekasih dalam karya Amir Hamzah dan Chairil Anwar dipandang sebagai pembawa kebahagiaan, ketenteraman, keindahan, harapan, dan kemesraan dalam suasana romantis. Namun ekspresi kedua penyair berbeda. Penyair pertama cenderung demokratis karena memandang kekasih itu sebagai ibunya, sedangkan penyair kedua cenderung individualistis karena memandang kekasih sebagai urusan pribadi. Kemudian, dalam memandang pengkhianatan kekasih, Amir Hamzah menganggapnya sebagai sesuatu yang membawa kekecewaan, kehancuran hati, dan rasa was-was sehingga sulit untuk dimaafkan, sedangkan Chairil Anwar memandangnya sebagai sesuatu yang realistis, harus diterima karena itu kenyataan hidup.(This study aims to examine the concept of lovers in the poem “Dalam Matamu” written by Amir Hamzah and “Sajak Putih” written by Chairil Anwar and the concept of betrayal of lovers in Amir Hamzah’s "Kusangka" and Chairil Anwar's "Penerimaan" poems. This study used a type of qualitative research using a case study method. Source data was obtained by observation and study of documents. Data analysis were conducted by comparing the poetry of Amir Hamzah and Chairil Anwar. The results showed that the concept of lover in the work of Amir Hamzah and Chairil Anwar was seen as a bearer of happiness, peace, beauty, hope, and intimacy in romantic situations. But, the expression of the two poets are different. The first poet tends to be democratic because he views the lover as his mother, while the second poet tends to be individualistic because he views lover as a private matter. Then, in view of betrayal of lovers, Amir Hamzah considers it as something that brings disappointment, heartbreak, and anxiety so that it is difficult to be forgiven, while Chairil Anwar sees it as something realistic, but should be accepted because it is a fact of life.)
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Beltran, Fr Benigno P. "Earth stewardship, economic justice, and world mission: The teachings of Laudato Si’." Missiology: An International Review 48, no. 1 (January 2020): 39–56. http://dx.doi.org/10.1177/0091829619897432.
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The article provides a synopsis of the encyclical Laudato Si’, written for everyone living in this degraded planet by Pope Francis. Our common home, Planet Earth, calls us to intimacy and communion with everything that is. Rediscovering this call and mission is the key to the flourishing of the community of diverse life-forms in the biosphere. We are all called to heal, protect and care of the planet to save the ecological systems on which life depends and assure future generations of a sustainable future. The article also details the concrete programs being done, in the light of ecological conversion called for in Laudato Si’, through a covenant of a sustainable development community of people and organizations which connect, converge, share, learn and collaborate in projects to the planting of a billion bamboo by 2030 to combat the dire effects of the climate crisis and build up the bamboo industry to provide jobs for the poor; networking a million organic farmers through an e-commerce platform to make production and marketing of organic products more efficient and sustainable;, and, provide online education to a million school dropouts to enable them to obtain a high school diploma so that they can proceed to college, obtain jobs, or put up their own businesses - all these by 2030. Inspired by Laudato Si’, the members of the covenant also share resources, strategies and innovative approaches to meet the challenges of sustainable development in the Philippines and in the entire planet by the year 2030.
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Jug Došler, Anita, Petra Petročnik, Ana Polona Mivšek, Teja Zakšek, and Metka Skubic. "Neonatal Prophylaxis: Prevention of Vitamin K Deficiency Haemorrhage and Neonatal Ophthalmia / Neonatalna Profilaksa: Preprečevanje Krvavitev Zaradi Pomanjkanja Vitamina K in Neonatalne Oftalmije." Slovenian Journal of Public Health 54, no. 3 (September 1, 2015): 184–93. http://dx.doi.org/10.1515/sjph-2015-0027.
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Abstract Introduction. The aim of the study was to explore two aspects of neonatal prophylaxis: the application of the vitamin K injection to the newborns and the prophylaxis against chlamydial and gonococcal eye infections, comparing Slovenian and Croatian practices. Methods. A causal non-experimental method of quantitative empirical approach was used. The data was collected by means of predesigned questionnaires. The questionnaires were sent to 14 Slovenian and 32 Croatian birth hospitals. The data wasanalysed with descriptive statistics and the Kullback test. Results. Vitamin K is applied to all newborns in 9 (out of 14) Slovene and 22 (out of 32) Croatian birth hospitals that returned the questionnaire. The prophylaxis against chlamydial gonococcal eye infections is applied to all newborns in 9 Slovene and 16 Croatian birth hospitals that offered answers to the questionnaire. The majority of Slovene and Croatian birth hospitals perform these procedures in the first hour after birth. The majority of Slovene birth hospitals still apply vitamin K in the gluteal muscle, whereas the majority of Croatian birth hospitals usually use the thigh as an injection site. In Slovenia, 1 % Targesin is used for the prophylaxis against chlamydial and gonococcal eye infections, whereas in Croatia the prevailing medicine is Erythromycin. Conclusions. The possibility of oral vitamin K application should be offered to parents, and pain management in practice should be discussed. The form of written informed consent could be offered to parents. Health professionals should provide intimacy and exclude routine procedures in the first couple of hours after birth. However, more research is needed as delayed administration might be related to lower efficacy and, as a consequence of that, the safety of newborns is questionable.
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Cook, Manuela. "Da lingüística à literatura: a segunda pessoa em Michaëlis de Vasconcelos e em Nemésio." Revista do Centro de Estudos Portugueses 21, no. 29 (December 31, 2001): 49. http://dx.doi.org/10.17851/2359-0076.21.29.49-62.
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<p>No estudo de formas de tratamento, impôem-se dois aspectos distintos que, não obstante, se entrelaçam no acto de comunicação: o significado de teor social e o mecanismo morfo-sintáctico que lhe serve de veículo lingüístico. A língua portuguesa goza de uma rica gama de opções, em parte devido à existência de dois sistemas para a segunda pessoa: um recebido directamente do latim, e outro de estabelecimento mais tardio. Este último é hoje o sistema dominante. No entanto, as formas antigas ainda exercem um certo fascínio. Elas são usadas para casos especiais, os quais incluem a expressão de relacionamento de intimidade.Apresente discussão baseia-se num conjunto de versos quinhentistas e mais antigos, analisados pela filóloga Carolina Michaëlis de Vasconcelos, e numa célebre composição poética que foi escrita por Vitorino Nemésio na segunda metade do século vinte.</p> <p> </p> <p>The study of forms of addrcss requires a rwo-fold approach. In question are two distinct facets which, however, become intertwined in the act of communication: the social production of meaning and the morphosyntactic mechanism through which it is constructed. The Portuguese language enjoys a rich range of options, partly due to its two systems for the second person: one received directly from Latin and a subsequent system. Today the latter is the dominant one. Nevertheless, the old forms still exert a certain fascination. They are used for special cases, which include the conveying of intimacy. This discussion is based on a set of poetic lines dating back to the sixteenth century and earlier, which were analysed by philologist Carolina Michaélis de Vasconcelos, and on a celcbrated põem written by Vitorino Nemésio in the second half of the rwentieth century.</p>