Books on the topic 'Writing Center Training'

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1

Gray, James. Teachers at the center: A memoir of the early years of the National Writing Project. Berkeley, Calif: National Writing Project, 2000.

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2

Hart, D. J. The development of a French language writing test, pilot phase: Final report to the French Training and Evaluation Centre. [Toronto]: Modern Language Centre, O.I.S.E., 1989.

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3

Cohen, Elizabeth Storr, and Margaret Louise Reeves, eds. The Youth of Early Modern Women. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462984325.

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Through fifteen essays that work from a rich array of primary sources, this collection makes the novel claim that early modern European women, like men, had a youth. European culture recognised that, between childhood and full adulthood, early modern women experienced distinctive physiological, social, and psychological transformations. Drawing on two mutually shaped layers of inquiry — cultural constructions of youth and lived experiences — these essays exploit a wide variety of sources, including literary and autobiographical works, conduct literature, judicial and asylum records, drawings, and material culture. The geographical and temporal ranges traverse England, Ireland, Italy, France, the Netherlands, Switzerland, Spain, and Mexico from the sixteenth to the eighteenth century. This volume brings fresh attention to representations of female youth, their own life writings, young women’s training for adulthood, courtship, and the emergent sexual lives of young unmarried women.
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4

Roen, Duane. Views from the Center: The CCCC Chairs' Addresses, 1977-2005. Bedford/St. Martin's, 2006.

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5

H, Roen Duane, ed. Views from the center: The CCCC chairs' addresses 1977-2005. Boston: Bedford/St.Martin's, 2006.

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6

Keller, Ella. Handwriting and Drawing Training Book for Kids: Preschool Handwriting Workbook /Paper with Wide Lines, Dotted Center, Space for Drawing ,Practice Writing Letters, Pen Control Inches. Independently Published, 2020.

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7

zczc, M. Unicorn Kindergarten Writing Paper 120 Pages: Handwriting Practice Sheets for Kids to Training Correctly on Alphabet ABC and Numbers 123,Attractive Cover Design for Girls Using Unicorn Shapes, Outlines and Dotted Center. Independently Published, 2020.

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8

Rafoth, Ben. Multilingual Writers and Writing Centers. University Press of Colorado, 2015.

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9

Rafoth, Ben. Multilingual Writers and Writing Centers. University Press of Colorado, 2015.

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10

Rafoth, Ben. Multilingual Writers and Writing Centers. University Press of Colorado, 2014.

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11

Rafoth, Ben. Multilingual Writers and Writing Centers. University Press of Colorado, 2015.

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12

Rafoth, Ben. Multilingual Writers and Writing Centers. University Press of Colorado, 2014.

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13

Wills, Anne Blue. “An Odd Kind of Cross to Bear”. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190683528.003.0011.

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It is no understatement to say that Ruth Bell Graham significantly shaped her husband. This chapter appraises her creativity and theological vision by examining several distinctive ways that Ruth publicly served God with Billy: her direct involvement in the crusades; her editing and writing work; her public appearances and board service; and her advocacy of particular projects, such as the Cove Training Center. Moreover, media outlets regularly covered Ruth’s domestic life, endowing it with public significance. This chapter examines what Ruth represented for Billy’s followers, especially with respect to Ruth’s final public episode, the 2007 controversy over her burial place. Ruth’s life epitomizes the challenges and opportunities of being a “private woman” married to a “public man.” In exploring her impact on Billy, this chapter examines the dynamics of clergy marriages and contributes to a more historically textured story about twentieth-century marriage and gender.
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14

Lang, Birgit. ‘Writing back’: literary satire and Oskar Panizza’s Psichopatia criminalis (1898). Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9780719099434.003.0004.

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Late nineteenth-century and fin-de-siècle writers first engaged with the case study genre in its psychiatric and psychoanalytic manifestations by means of satire, as recounted in Chapter 3. This chapter contrasts the interpretative powers of modern sexual publics and professional elites with the agency of the writer. It does so through enquiry into Panizza’s satirical and delusional negotiation of the boundaries between the two ‘cultures’ of art and science (pace C. P. Snow). Panizza’s first exposure to the case study genre was in the context of his training as a psychiatrist. More than a decade before Freud’s elaborations on the psychoanalytic case, Panizza made the human case study a central form in his literary oeuvre. Panizza anti-psychiatric dystopian work Psichopatia criminalis, represents the only persiflage of a medical case study compilation in European literature. Yet his engagement with the case study genre remains haunted by his own unruly psyche.
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15

Carter, Sarah Anne. Thinking with Things. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190225032.003.0003.

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This chapter examines what happened when object lessons were implemented in the United States, particularly through the development of the Oswego Normal School in New York. E. A. Sheldon developed a rigorous curriculum based on the work of M. E. M. Jones and Elizabeth Mayo that trained pupil-teachers to give object lesson. The intent was to train students how to think and observe rather than to rely on students’ rote memorization of knowledge. His work transformed Oswego into the center of object teaching in the 1860s. Critiques of the practice at Oswego as well as the details of its classroom implementations help to explain what this practice actually looked like and what it meant for the ways students and teachers understood the material world. It also considers the ways object lessons could be used for instruction in composition and historical writing as well as moral training.
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16

Karzmark, C. J., Robert J. Morton, and James Lamb. A Primer on Theory and Operation of Linear Accelerators in Radiation Therapy. Medical Physics Publishing, 2017. http://dx.doi.org/10.54947/9781930524965.

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By the mid-1950s, a linear accelerator suitable for treating deep-seated tumors was built in the Stanford Microwave Laboratory and installed at Stanford Hospital. It served as a prototype for commercial units that were built later. Since that time, medical linear accelerators gained in popularity as major radiation therapy devices, but few basic training materials on their operation had been produced for use by medical professionals. C.J. Karzmark, a radiological physicist at Stanford University, was involved with medical linacs since their development, and he agreed to collaborate with Robert Morton of the Center for Devices and Radiological Health (formerly the Bureau of Radiological Health), U.S. Food and Drug Administration, in writing the first edition of this primer. Since its first appearance, this book has become a classic. This third edition takes into account the significant advances occurring in radiotherapy linacs since the second edition was published in 1998. Again, the level of treating these advances is simplified so that the audience of radiation therapists as well as physicians, engineers, and physicists can benefit.
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17

Marín, Yarí Pérez. Marvels of Medicine. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789622508.001.0001.

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Marvels of Medicine makes a compelling case for including sixteenth century medical and surgical writing in the critical frameworks we now use to think about a genealogy of cultural expression in Latin America. Focusing on a small group of practitioners who differed in their levels of training, but who shared the common experience of having left Spain to join colonial societies in the making, this book analyses the paths their texts charted to attitudes and political positions that would come to characterize a criollo mode of enunciation. Unlike the accounts of first explorers, which sought to amaze audiences back in Europe with descriptions of strange and astonishing lands, these texts instead engaged the marvellous in an effort to supersede it, stressing the value of sensorial experience and of verifying information through repetition and demonstration. Vernacular medical writing became an unlikely early platform for a new form of regionally anchored discourse that demanded participation in a global intellectual conversation yet found itself increasingly relegated to the margins. In responding to that challenge, anatomical treatises, natural histories and surgical manuals exceeded the bounds set by earlier templates becoming rich, hybrid narratives that were as concerned with science as with portraying the lives and sensibilities of women and men in early colonial Mexico.
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18

Gooley, Dana. Schumann and the Economization of Musical Labor. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190633585.003.0005.

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Chapter 4 details Robert Schumann’s evolution from an eager and fluent improviser into a composer who advocated writing music away from the piano entirely. His evolution demonstrates the growing polarization between improvisation and composition, modes of music-making that were generally viewed as mutually beneficial until the 1830s. His early, piano-centered output provides clues into how certain transitional and rhetorical strategies were rooted in keyboard improvisational practices, but consciously invested with a “depth” or “psychology” that gave them a romantic cast. The chapter’s interpretive lens is then broadened to consider how Schumann’s anxiety over improvisation was shaped by an “ethos of economy” then common to the educated classes. Improvisation thrived on certain anti-economic impulses—a dilated sense of temporal unfolding, a strenuous type of performer training, a risk of inefficacious communication—that ran counter to bourgeois ethical codes such as the containment of excess and the rational ordering of available resources.
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19

Kwame Harrison, Anthony. Ethnography. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199371785.001.0001.

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Ethnography (Understanding Qualitative Research) provides a comprehensive guide to understanding, conceptualizing, and critically assessing ethnographic research and its resultant texts. Through a series of discussions and illustrations, utilizing both classic and contemporary examples, the book highlights distinct features of ethnography as both a research methodology and a writing tradition. It emphasizes the importance of training—including familiarity with culture as an anthropologically derived concept and critical awareness of the history of ethnography. To this end, it introduces the notion of ethnographic comportment, which serves as a standard for engaging and gauging ethnography. Indeed, ethnographic comportment issues from a familiarity with ethnography’s problematic past and inspires a disposition of accountability for one’s role in advancing ethnographic practices. Following an introductory chapter outlining the emergence and character of ethnography as a professionalized field, subsequent chapters conceptualize ethnographic research design, consider the practices of representing research methodologies, discuss the crafting of accurate and evocative ethnographic texts, and explain the different ways in which research and writing gets evaluated. While foregrounding interpretive and literary qualities that have gained prominence since the late twentieth century, the book properly situates ethnography at the nexus of the social sciences and the humanities. Ethnography (Understanding Qualitative Research) presents novice ethnographers with clear examples and illustrations of how to go about conducting, analyzing, and representing their research; its primary purpose, however, is to introduce readers to effective practices for understanding and evaluating the quality of ethnography.
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20

Caplan, Louis R. C. Miller Fisher. Oxford University Press, 2020. http://dx.doi.org/10.1093/med/9780190603656.001.0001.

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Abstract: When Charles Miller Fisher was born in 1913, there was little scientific knowledge about brain diseases and their treatment. Views of stroke, one of the most common and most feared among brain conditions, almost completely flip-flopped during the 20th century. At the midpoint of the century, when Fisher began his career, there was little public or medical interest in stroke. By the end of the century, stroke care and research were among the most intensely active areas within all of medicine. This book is the story of that change and of one physician, Dr. C. Miller Fisher, a main architect and driver of that change. Fisher’s university and medical training occurred in Canada. After a medical internship, he enlisted in the Canadian Navy, early during World War II. After his ship was sunk, he spent 3½ years in a prisoner-of-war camp in Germany. He became interested in stroke during postdoctoral studies in Boston. During a half-century career in Montreal and at Massachusetts General Hospital in Boston, he devoted his career to stroke. Much of the change in the care of patients with stroke and cerebrovascular disease can be directly attributable to his research, his writings, and his teachings and to the physicians he mentored lovingly during his long and fruitful career.
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21

Copeland, Rita. Emotion and the History of Rhetoric in the Middle Ages. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192845122.001.0001.

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Rhetoric is an engine of social discourse and the art charged with generating and swaying emotion. The history of rhetoric provides a continuous structure by which we can measure how emotions were understood, articulated, and mobilized under various historical circumstances and social contracts. This book is about how rhetoric in the West from Late Antiquity to the later Middle Ages represented the role of emotion in shaping persuasions. It is the first book-length study of medieval rhetoric and the emotions, coloring in what has largely been a blank space between about 600 CE and the cusp of early modernity. Rhetoric in the Middle Ages, as in other periods, constituted the gateway training for anyone engaged in emotionally persuasive writing. Medieval rhetorical thought on emotion has multiple strands of influence and sedimentations of practice. The earliest and most persistent tradition treated emotional persuasion as a property of surface stylistic effect, which can be seen in the medieval rhetorics of poetry and prose, and in literary production. But the impact of Aristotelian rhetoric, which reached the Latin West in the thirteenth century, gave emotional persuasion a core role in reasoning, incorporating it into the key device of proof, the enthymeme. In Aristotle, medieval teachers and writers found a new rhetorical language to explain the social and psychological factors that affect an audience. With Aristotelian rhetoric, the emotions became political. The impact of Aristotle’s rhetorical approach to emotions was to be felt in medieval political treatises, in poetry, and in preaching.
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22

author, Söderman Johan, ed. Hip-hop within and without the academy. 2014.

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