Log in

Relevant bibliographies by topics / World dance culture / Books

Books on the topic 'World dance culture'

To see the other types of publications on this topic, follow the link: World dance culture.

Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 books for your research on the topic 'World dance culture.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Impossible dance: Club culture and queer world-making. Middletown, Conn: Wesleyan University Press, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Bielby, Denise D. Exporting television and culture in the world market. New York: New York University Press, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Swinging the machine: Modernity, technology, and African American culture between the World Wars. Amherst: University of Massachusetts Press, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Keeping together in time: Dance and drill in human history. Cambridge, Mass: Harvard University Press, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Stemple, Heidi E. Y. Dance the world! Cambridge, MA: Barefoot Books, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

World dances. Vero Beach, Fla: Rourke Press, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Waldman, Carl. Word dance: The language of Native American culture. New York: Facts on File, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Stemple, Heidi E. Y. Tales from the world of dance. Cambridge, MA: Barefoot Books, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

K, Stewart Robert, ed. CNN: Making news in the global market. Luton, Bedfordshire, U.K: University of Luton Press, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Society of Dance History Scholars (U.S.). Conference. Dance in Hispanic cultures: Proceedings of the Society of Dance History Scholars : Fourteenth Annual Conference, New World School of the Arts, Miami, Florida, 8-10 February 1991. [Riverside, Calif.]: Society of Dance History Scholars, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

Kessel, Tamara. Foreign Cultural Policy in the Interbellum. NL Amsterdam: Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9789089648778.

Full text

Abstract:

This book considers the growing awareness in the wake of World War I that culture could play an effective political role in international relations. Tamara van Kessel shows how the British created the British Council in support of those cultural aims, which took on particular urgency in light of the rise of fascist dictatorships in Europe. Van Kessel focuses in particular on the activities of the British Council and the Italian Dante Alighieri Society in the Mediterranean area, where their respective country's strategic and ideological interests most evidently clashed.

APA, Harvard, Vancouver, ISO, and other styles

12

McNeill, William Hardy. Keeping together in time: Dance and drill in human history. New York, USA: ACLS History E-Book, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

Buckland, Fiona. Impossible Dance: Club Culture and Queer World-Making. Wesleyan University Press, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

Buckland, Fiona. Impossible Dance: Club Culture and Queer World-Making. Wesleyan, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Buckland, Fiona. Impossible Dance: Club Culture and Queer World-Making. Wesleyan University Press, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

Penucquem Speaks: A Look at Our World From a Different Culture. BookSurge Publishing, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

Ethno Identity Dance for Sex, Fun and Profit: Staging Popular Dances Around the World. Palgrave Macmillan, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

Shay, Anthony. Ethno Identity Dance for Sex, Fun and Profit: Staging Popular Dances Around the World. Palgrave Macmillan, 2018.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

Ethno Identity Dance for Sex, Fun and Profit: Staging Popular Dances Around the World. Palgrave Macmillan, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

Dickinson, Edward Ross. Dancing in the Blood: Modern Dance and European Culture on the Eve of the First World War. Cambridge University Press, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

21

Dancing in the Blood: Modern Dance and European Culture on the Eve of the First World War. Cambridge University Press, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

22

Dickinson, Edward Ross. Dancing in the Blood: Modern Dance and European Culture on the Eve of the First World War. Cambridge University Press, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

Dickinson, Edward Ross. Dancing in the Blood: Modern Dance and European Culture on the Eve of the First World War. Cambridge University Press, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

1968-, St John Graham, ed. The local scenes and global culture of psytrance. New York: Routledge, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

25

Harrington, C., and Denise Bielby. Global TV: Exporting Television and Culture in the World Market. NYU Press, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

26

Manning, Susan. Modern Dance in the Third Reich, Redux. Edited by Rebekah J. Kowal, Gerald Siegmund, and Randy Martin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199928187.013.36.

Full text

Abstract:

This chapter reviews the literature on modern dance in Germany under National Socialism (1933–1945). In the current consensus, three interrelated explanations are advanced for why so many modern dancers collaborated with the National Socialists: shared roots in the life reform and physical culture movement at the turn of the twentieth century; crises during the Weimar Republic that culminated in the Great Depression; and the changing cultural policy of Goebbels’s Cultural Ministry. This chapter probes varied interpretations of how and why Mary Wigman, Rudolf Laban, and other modern dancers adapted their mode of Ausdruckstanz as Deutscher Tanz (“German dance”) and poses new research questions. The complex question of modern dance in the Third Reich is viewed in relation to changing historiographic models for understanding Germany between the two world wars.

APA, Harvard, Vancouver, ISO, and other styles

27

Beaman, Patricia Leigh. World Dance Cultures. Routledge, 2017. http://dx.doi.org/10.4324/9781315694931.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Clayton, Jace. Uproot: Travels in 21st-Century Music and Digital Culture. Farrar, Straus & Giroux, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

29

Deagon, Andrea. Orientalism and the American Belly Dancer. Edited by Anthony Shay and Barbara Sellers-Young. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199754281.013.011.

Full text

Abstract:

Belly dance was introduced into America by Turkish and Arab dancers, who established the structure and aesthetics of the dance. Appropriated by non-Arab dancers for recreation and personal growth, belly dance has promulgated sensualized Orientalism and gained public notoriety that is problematic and even offensive to those whose culture it apparently represents. This chapter explores three manifestations of belly dance in America: recreational, in which “Arab” aspects are obscured or romanticized; tribal, which entangles the “Arab” and the “primitive” using Middle Eastern elements to evoke an archetypal tribe; and “Arab-centered” (Egyptian),based on the styles and aesthetics of Arab dancers. In the twenty-first century, America’s sensual, fantasy Orientalism fuels the expansion of recreational belly dance beyond the Western world. This appropriated, hybridized dance both fosters the misrepresentation of Arab culture and offers the potential for genuine artistic and cultural exchange with the Arab cultures that inspired it.

APA, Harvard, Vancouver, ISO, and other styles

30

Harlig, Alexandra. Communities of Practice. Edited by Melissa Blanco Borelli. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199897827.013.002.

Full text

Abstract:

This chapter considers three moments in early twentieth-century American social dance history in which the popular screen had a particularly large impact, spreading local forms across the country and propelling dance forms from their communities of origin to wider communities of practice. This chapter focuses on Vernon and Irene Castle’s filmed representations of ragtime partner dances pre–World War I, the flapper film and newsreel representations of the Charleston throughout the 1920s, and television dance party shows likeAmerican Bandstandbroadcasting the Twist and other new dances in the 1950s and 60s. This contribution illustrates how these media facilitated the embodiment and consumption of movement and meaning of music, steps, and bodies across racial and social lines by demonstrating how cycles of dissemination, development, and mediation connected geographically and socio-economically disparate groups. The embodied practice of dance and the ritual of watching led to the formation of a consumer-based youth culture centered on music and dance.

APA, Harvard, Vancouver, ISO, and other styles

31

Uproot: Travels in twenty-first-century music and digital culture. Farrar, Straus and Giroux, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

32

(Illustrator), Gian Paolo Faleschini, Antonella Pastorelli (Illustrator), Paola Ravaglia (Illustrator), Studio Stalio (Illustrator), and Ivan Stalio (Illustrator), eds. Music and Dance (Discovering World Cultures). Crabtree Publishing Company, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

33

Morris, Neil. Music and Dance (Discovering World Cultures). Crabtree Publishing Company, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

34

Beamann, Patricia. World Dance Cultures: From Ritual to Spectacle. Taylor & Francis Group, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

35

World Dance Cultures: From Ritual to Spectacle. Taylor & Francis Group, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

36

Hillis, Crusader; Dawkins Urszula. Green Mill Papers- New Dance from Old Cultures: World Dance '96: New Dance from Old Cultures. Australian Dance Council - Ausdance Incorporated., 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

37

Beaman, Patricia. World Dance Cultures: From Ritual to Spectacle. Taylor & Francis Group, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

38

Beaman, Patricia. World Dance Cultures: From Ritual to Spectacle. Taylor & Francis Group, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

39

Beaman, Patricia. World Dance Cultures: From Ritual to Spectacle. Taylor & Francis Group, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

40

Beaman, Patricia. World Dance Cultures: From Ritual to Spectacle. Taylor & Francis Group, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

41

Akombo, David. Unity of Music and Dance in World Cultures. McFarland & Company, Incorporated Publishers, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

42

Phillips, Miriam. Spectacles of Ethnicities. Edited by Anthony Shay and Barbara Sellers-Young. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199754281.013.030.

Full text

Abstract:

Performing arts festivals featuring artists representing distinct world dance traditions have proliferated in American cities since the 1980s. Often arranged in a potpourri format, these performances demonstrate a city’s multicultural make-up and proclaim dance to show unity between diverse populations. However, what happens when these dances each with distinct production and performance standards get placed with other dances onto a stage dominated by Western theatrical aesthetics? How do culturally specific production values become skewed and how do power relations play out when people outside the cultures represented produce the performances? Using one of America’s more prominent festivals, The San Francisco Ethnic Dance Festival as a case study, this chapter explores issues around the politics of representation and highlights some misconceptions about diversity that are presumed in these types of multicultural spectacles. The chapter also considers possible methods to create more culturally appropriate world dance events.

APA, Harvard, Vancouver, ISO, and other styles

43

Vissicaro, Pegge. Studying Dance Cultures Around the World: An Introduction to Multicultural Dance Education. Kendall Hunt Publishing Company, 2019.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

44

Studying Dance Cultures around the World: An Introduction to Multicultural Dance Education. Kendall/Hunt Publishing Company, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

45

Crusader, Hillis, and Dawkins Urszula, eds. World dance '96: New dance from old cultures : Green Mill papers 1996. Australia: Ausdance, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

46

Akombo, David. The Unity of Music and Dance in World Cultures. McFarland & Company, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

47

Waldman, Carl. Word Dance: The Language of Native American Culture. Facts on File, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

48

Waldman, Carl. Word Dance: The Language of Native American Culture. DIANE Publishing Company, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

49

(Illustrator), Molly Braun, ed. Word Dance: The Language of Native American Culture. Replica Books, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

50

Kowal, Rebekah J. Dancing the World Smaller. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190265311.001.0001.

Full text

Abstract:

Mark Franko, Series Editor French Moves: The Cultural Politics of le hip hop Felicia McCarren Watching Weimar Dance Kate Elswit Poetics of Dance: Body, Image, and Space in the Historical Avant-Gardes Gabriele Brandstetter Dance as Text: Ideologies of the Baroque Body,...

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!