Dissertations / Theses: 'Works of J.H'

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Langwith, Mark J. "'A far green country' : an anlaysis of the presentation of nature in works of early mythopoeic fantasy fiction /." St Andrews, 2007. http://hdl.handle.net/10023/313.

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Howard, Beverly A. (Beverly Ann). "Texture in Selected Twentieth-Century Program Music for Trumpet and Organ, A Lecture Recital, Together with Three Recitals of Selected Works of J. Alain, J.S. Bach, G. Bohm, N. Degrigny, H. Distler, M. Durufle, J. Guillou, A. Heiller, W.A. Mozart, E. Raxache, M. Reger, L. Vierne." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc330759/.

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This dissertation is concerned with the relationship between the trumpet and organ in twentieth-century music for this ensemble and how that relationship effects performance with regard to organ registration and synchronization. The compositions discussed include "The Other Voices of the Trumpet," by Daniel Pinkham (1971); "Jericho: Battle Music," by William Albright (1976); "Three Pictures of Satan," by Jere Hutcheson (1975); and "Okna," by Petr Eben (1980). The theoretical writings of Pierre Boulez, Robert Erickson, and Donald Cogan deal with developing a contemporary concept of texture. This dissertation applies their theory that texture exists in two dimensions: vertical and horizontal. Stratification and blending of timbres comprise the vertical dimension. The succession of textures, governed by tempo, creates the second dimension. Chapter I provides an historical setting for the genre, introduces the theory of Boulez, Erickson, and Cogan, and supplies the programmatic content of the four works chosen for analysis. In Chapter II , the vertical elements of texture in these four works are isolated and examined. Chapter III deals with Pierre Boulez's theory that the succession of textures, governed by tempo, shapes the work. Each work is examined with regard to tempo, either mobile (fluctuating) or fixed. In Chapter IV the analysis is related to performance. Stratified textures, fused ensemble timbres, and their horizontal progression present problems for the ensemble in organ registration and synchronization. There are general guidelines given for registration as well as specific registration problems encountered in stratified textures and fused ensemble timbres. Synchronization, or coordination of events is the second challenge presented by the horizontal progression of textures.

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Bolthouse, Colleen R. "Was Ist Silvia? Englanderin Oder Deutsche? Restoring the Orignial English Texts to Songs Schubert Set in Translation, a Lecture Recital, Together with Three Recitals of Selected Works of H. Purcell, G. F. Handel, W. A. Mozart, F. Schubert, J. Brahms, H. Wolf, F. Poulenc and Others." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc279276/.

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Because of the lack of information concerning the success or failure of Schubert's bilingual edition and concerning the relationship between the English texts and Schubert's settings, most performers take the conservative route of performing both the songs from Lady of the Lake and the rest of Schubert's English song repertoire only with the German translations. Because of the desirability of performing this repertoire in English for English-speaking audiences, this study examines all of the English songs of Schubert to determine whether the original poems can be successfully substituted for the German translations. Editions of the settings that can be effectively performed with the English texts are included in the appendix, in order to make available editions which reflect Schubert's ambition to make his songs easily accessible to non-German-speaking audiences.

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Spies, David Edward. "A Stylistic Analysis of Fabrics, a Brass Quintet by John Stevens, a Lecture Recital, Together With Three Recitals of Selected Works of E. Gregson, B. Broughton, P. Hindemith, V. Holmboe, H. Stevens, J. S. Bach, and Others." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc935640/.

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A stylistic analysis of John Stevens' second brass quintet, Fabrics, which discusses the composer's use of orchestration, harmonic language, rhythmic activity, melodic and formal considerations, and performance practice issues. Collaboration between composer and performer is investigated, particularly through Stevens' status as member of the Wisconsin Brass Quintet, the ensemble for which Fabrics was composed. Biographical information about Stevens and the Wisconsin Brass Quintet is provided, with appendices providing information regarding Stevens' activities as composer and performer and the activities of the Wisconsin Brass Quintet. Stevens was extensively interviewed as source material for this dissertation.

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Langwith, Mark J. "'A far green country' : an analysis of the presentation of nature in works of early mythopoeic fantasy fiction." Thesis, University of St Andrews, 2007. http://hdl.handle.net/10023/313.

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This study undertakes an examination of the representation of nature in works of literature that it regards as early British ‘mythopoeic fantasy’. By this term the thesis understands that fantasy fiction which is fundamentally concerned with myth or myth-making. It is the contention of the study that the connection of these works with myth or the idea of myth is integral to their presentation of nature. Specifically, this study identifies a connection between the idea of nature presented in these novels and the thought of the late-Victorian era regarding nature, primitivism, myth and the impulse behind mythopoesis. It is argued that this conceptual background is responsible for the notion of nature as a virtuous force of spiritual redemption in opposition to modernity and in particular to the dominant modern ideological model of scientific materialism. The thesis begins by examining late-Victorian sensibilities regarding myth and nature, before exposing correlative ideas in selected case studies of authors whose work it posits to be primarily mythopoeic in intent. The first of these studies considers the work of Henry Rider Haggard, the second examines Scottish writer David Lindsay, and the third looks at the mythopoeic endeavours of J. R. R. Tolkien, the latter standing alone among the authors considered in these central case studies in producing fiction under a fully developed theory of mythopoesis. The perspective is then widened in the final chapter, allowing consideration of authors such as William Morris and H. G. Wells. The study attempts to demonstrate the prevalence of an identifiable conceptual model of nature in the period it considers to constitute the age of early mythopoeic fantasy fiction, which it conceives to date from the late-Victorian era to the apotheosis of Tolkien’s work.

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Chae, Eunhee. "Jules Massenet's Musical Prosody Focusing on His Eight Song Cycles And A Collection, Expressions Lyriques: A Lecture Recital, Together with Recitals of Selected Works of W. A. Mozart, F. Schubert, C. Debussy, R. Strauss, D. Argento, V. Bellini, J. Marx, W. Walton, C. Gounod, A. Scarlatti, G. Fauré, J. Rodrigo, H. Wolf, and Others." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2727/.

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Jules Massenet's mélodies feature a distinct vocal treatment regarding musical prosody through his eight song cycles, including Poëme d'Avril, Poëme Pastoral, Poëme du Souvenir, Poëme d'Amour, Poëme d'Hiver, Poëme d'un Soir, and Quelques Chansons Mauves, and a collection, Expressions Lyriques. These mélodies show the influence of the trend of salon music and the high-level poetry from the poetic movements of romanticism, Parnassianism, and symbolism. This study deals with Massenet's mélodies relating to the prosody idea, which is conspicuous in his vocal treatment. His melodic styles feature four distinct aspects of vocal treatment including lyrical, recitative or parlando, melodramatic, and déclamation rhythmée, and represent the idea of musical prosody of phonetic, syntactic, and semantic aspects. Massenet's other musical idioms such as harmony, form, and piano treatment, are also closely related to the prosody matter as a semantic aspect, reinforcing the poetic mood and content. In this study, each melodic style related to French versification is examined in detail. The musical analysis regarding the other musical idioms on selected examples presents the semantic feature of prosody idea. The brief review of French versification and opinions regarding the performance are included. Massenet's contribution to the genre of mélodie, with the prose melody and treatment of piano as an equal partner of voice line, is clearly demonstrated. With this contribution, Massenet should be recognized as the most influential composer to the climatic time of French mélodie led by Fauré, and Debussy, and Duparc.

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Germany, Samuel R. "The Solo Vocal Collections of Gerald R. Finzi Suitable for Performance by the High Male Voice, a lecture recital together with three recitals of selected works of J.S. Bach, H. Wolf, R. Vaughan Williams, A. Jolivet, F.J. Haydn, J. Brahms, L.V. Beethoven, R. Strauss, J.P. Rameau, M. Ravel, S. Barber, G. Faure." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc277863/.

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A primary purpose of the study was to articulate the significance of these compositions to the twentieth century repertoire, with special attention given to Dies Natalis, recognized as an outstanding contribution to English music literature. Overviews and specific analyses, with pertinent performance applications and background data, fulfill this purpose and provide information of merit for the programming and performance of Finzi's songs for high male voice.

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Aranguiz, R. Patricio, C. Heidi Bilbao, and F. Antonieta Parra. "J. D. Salinger: his life and works." Tesis, Universidad de Chile, 2003. http://repositorio.uchile.cl/handle/2250/133437.

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Meijers, Johanna Jacoba Maria. "J. H. Leopold als klassiek filoloog /." 's-Gravenhage : Koninklijke Drukkerij De Swart, 1995. http://catalogue.bnf.fr/ark:/12148/cb37045511d.

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Dorstewitz, Annika Verfasser], Niko H. J. [Akademischer Betreuer] Zantl, and Jürgen E. [Akademischer Betreuer] [Gschwend. "Penisfraktur - Management und Langzeitergebnisse / Annika Dorstewitz. Gutachter: Jürgen E. Gschwend ; Niko H. J. Zantl. Betreuer: Niko H. J. Zantl." München : Universitätsbibliothek der TU München, 2014. http://d-nb.info/1064976484/34.

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Adam, Huguette. "Les romans préhistoriques de J.-H. Rosny Aîné /." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65470.

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De, Felici Roberta. "Le roman préhistorique de J. -H Rosny Aîné." Paris 3, 1995. http://www.theses.fr/1996PA030100.

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Comme la plupart de ss contemportains, rosny a (18569-1940) donne une grande importance a la science. Dans ses romans prehistoriques, il transplante et adapte son erudition sur la prehistoire. D'ou l'importance du document qui rapproche ce genre romanesque du roman naturaliste ou historique. Il raconte l'evolution de l'hominide a l'homme en mettant l'accent sur les valeurs intrinseques (la force, l'energie, la francheur, la sante) de ce monde adamique. L'auteur aspire a faire revivree ces qualites chez l'homme moderne dont il reveiller une conscience collective et solidaire. Il s'agit d'un "roman a theses"> cela signifie qu'il n'appartient pas a la liteerature ludique, mais qu'il s'agit d'un type de texte romanesque fonctionnel, autrement dit il revele l'intention de signifier. Ce genre romanesque se structure autour d'une figure centrale, le heros axe portant de l'histoire et aussi lieu textuel a forte valeur ideologique. La structure est plutot simplifiee et elmle rappelle d'autre genres litteraires tels que le recit de voyage, l'epopee, etc. En tant que recitr d'un depart, le roman prehistorique donne lieu a de nombreuses descriptions de lieux. La representation de la naissance de l'amour et de l'effort de la communication verbale et gesqtuelle entre des etres differents y tient aussi une grande importance. Au niveau formel, le roman prehistorique ne se differencie pas du roman realistenaturaliste. On y retrouve le meme gout pour le detail et le mot technique. Rosny adopte a la fois une ecriture exacte et artiste, un style realiste et visionnaire. Pour son contenu et pour sa forme, le roman prehistorique ne s'eloigne pas des tendances litteraires, artistiques, scientiiques et philosophiques du xixe siecle
Following his time, j-h rosny a (1856-1940) gives a great importance to science and to documentary method. His prehistoric novels show his deep erudition about prehistory and they tel the human evolution from homininds to the actual man, stressing about some qualities such as force, energy, health, and so on the author longs for rediscovering these qualities in modern humanity arising its conscience of colloectivity and solidarity. The prehistoric novel is a functional text reveraling rosny's dualistic vision, according to which there is a positive pole and a negative one, a good pole and a bad one. This narrative genre is built about a central figure, the hero, having both a narrative and ideological role. Its structure is very simple and similar to other traditional literary genres such as "recit de voyage" and the epic. As a travelling tale, the prehistoric novel presents a lot of spatial descriptions. Really, this narrative genre is not very different from realistic and naturalistic novel. You can find a lot of details and technical language. Rosny uses, at the same time, a realistic and visionary style. For its form and content, rosny's prehistoric novel reflects the literary, artistic, scientific and philosophical tendencies of xix century

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Chung, Kwok-wai Michael. "Zen Buddhism in selected works of J.D. Salinger." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31577593.

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Galle, Jan Niklas [Verfasser], J. H. [Akademischer Betreuer] Hegemann, and J. H. [Gutachter] Hegemann. "Die Rolle des LIPP Proteins in einer Chlamydia pneumoniae Infektion / Jan Niklas Galle ; Gutachter: J. H. Hegemann ; Betreuer: J. H. Hegemann." Düsseldorf : Universitäts- und Landesbibliothek der Heinrich-Heine-Universität Düsseldorf, 2018. http://d-nb.info/1150918705/34.

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Wagner, Kai [Verfasser], H. [Akademischer Betreuer] Schultheiss, H. [Gutachter] Schultheiss, J. [Akademischer Betreuer] Fassbender, J. [Gutachter] Fassbender, and B. [Gutachter] Hillebrands. "Spin-wave generation and transport in magnetic microstructures / Kai Wagner ; Gutachter: H. Schultheiss, J. Fassbender, B. Hillebrands ; H. Schultheiss, J. Fassbender." Dresden : Technische Universität Dresden, 2019. http://d-nb.info/1226898653/34.

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Khumalo, Hlonpha Pamela Vivienne, and Linda Loretta Kwatsha. "Perspectives of the historical–biographical criticism In the creative works of J. J. R. Jolobe." Thesis, Nelson Mandela Metropolitan University, 2016. http://hdl.handle.net/10948/21983.

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Olu phando lohlalutyo lukwaluncomo-gxeko lwemisebenzi kaJolobe, injongo yalo kukubonisa ukuba lukho uqhagamshelwano phakathi kobomi bakhe jikelele kunye noncwadi lwakhe. Ulwazi olunjalo lungathi lube luncedo kwiphulo elibalulekileyo ekuncediseni kulwazi lokubhala ibhayografi yakhe. Kubonakele kufanelekile ukuba iphulo elinjalo lenziwe ukukhumbula imisebenzi emikhulu eyenziwe ngamaqhawe abantu abaNtsundu abathe banegalelo elikhulu ekuphakanyiswni koncwadi lwemvelo kwakunye nenkuqubela phambili kwimfundo yabantu abangama-Afrika beli lizwe. Umzekelo uJolobe ulusebenzele ukuba uncwadi lwakhe ukuxwayisa abantu bakowabo abaNtsundu ngemfundo nolwazi olwakhaya. Ukwalusebenzise uncwadi lwakhe ukuvusa abantu ama-Afrika balumke kwingozi zemimoya yocinezelo lwabo ngurhulumente ocalule abantu abaNtsundu kuba bebantsundu ngebala. Nangona uncwadi lwakhe ulenze lwabasisonwabiso kodwa ikhakhulu ulusebenzise kwanokunika intuthuzelo, ithemba kwanokomelela kubantu abathe bacinezelwe zimeko zobomi ukuba bangalahli ithemba loluzuza impumelelo, kuba izinto zingatshintsha ebomini babo ngokuhamba kwamaxesha. Kwakhona ukongeza uncwadi lwakhe ulusebenzise ukuphakamisa nokuhambisela phambili ulwimi lwemveli, inkcubeko, imbali ngokusebenzisa isixhobo esiluncwadi lwakhe ukuze ezi ngongoma zikhankanyisweyo zihlale ezincwadini zakhe ezithe zazisele zolwazi, zingabi nakuze zife kuba zililifa lesizwe esiNtsundu, Uninzi loncwadi olubhalwe nguJolobe luthe lwaxoxwa kwesi sifundo, kodwa kuye kwaphonongwa ikakhulu uncwadi lwemibongo, inoveli idrama kuba kubonakele ukuba lo msebenzi ubanzi kakhulu kwaye esi sifundo kubonakele ukuba kungabanzima ukuba singagqibeka lula, kodwa ke uJolobe ubengumntu okhutheleyo. Ubhale incwadi eziliqela ngenxa yothando lwakhe lobhalo loncwadi oluqhutywe ngumbono wakhe wobuthandazwe, wokubona kubalulekile ukuba inani loncwadi olubhaliweyo esiXhoseni linyuke kwaye libe kwizinga eliphezulu, ukuze umzi wasemaXhoseni nowamanye ama-Afrika ngokubanzi ungalambathi ngoncwadi lokufunda ujongelwe phantsi ngokuba semva kwinkqubela phambili zezinye izizwe Ingokuphandle uncwadi lukaJolobe lubonakela luyinxenye yobomi bakhe. Kulunye uncwadi kwakhe kufumaniseka ukuba ukubhale endululwe zizinto ezithe azamphatha kakuhle ebomini bakhe zazaza ezo zinto zawuphazamisa umoya wakhe, nentlalo yakhe wada waqanda ukuba makabhale aphokoze okukuphuphuma kwengcinga zakhe ukuzithuthuzela kwanokuphilisa kwanabanye abantu abathe badibana neenzima ezinjalo zobomi. Umzekelo: iimeko zopolitiko zeli lizwe zithe zabuchaphazela ubomi bakhe, oko kubesisiphumo sokuba abhale incwadi yakhe yedrama apho adiza ngeemeko zokuphatheka kwabantu baseBhayi kwilokishi eyathi yabelwa bona ngurhulumnte wobandlululo, apho ebexelenga khona njengetitshala kwanoMfundisi weliZwi. Kanti noncwadi apho athe wabonisa ukuvuya khona olo luvuyo olusukela kwinto ethe yamvuyisa emalunga nobomi bakhe, izimvo zakhe kwanenkolo yakhe njengomntu, kwanendlela akhule ngayo. Umzekelo, uJolobe uye wazisa abafundi bakhe ukuba iimbalo zakhe zisukele kwizinto ezithe zamchukumisa ebomini bakhe. Ngoko ke kwabonakala ukuba olu phando luluncedo ekusungulweni kweprojekti yokubhalwa kwebhayografi kaJolobe neya kuba luncedo kwimisebenzi yophando olubalulekileyo kuncwadi kuba iincwadi ezinje zityebile ngolwazi olubalulekileyo ekungena kucingelwa ukuba lunokufunyanwa kulo.

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Urstad, Tone Dagny Sundt. "The works of Sir Charles Hanbury Williams." Thesis, University of Cambridge, 1988. https://www.repository.cam.ac.uk/handle/1810/250916.

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What little work has been done in the past on the life of Sir Charles Hanbury Williams has been only marginally concerned with his literary activities. These deserve notice, however, because of the consistent way in which his works were used as political propoganda, and his willingness to change their political contents for reasons of political expediency. In bibliographical notes it is occasionally stated that the oeuvre of Sir Charles Hanbury Williams as presented in the only fairly comprehensive edition of his works, published in 1822, is unreliable. Commentators have very seldom attempted to be more specific than that, however. The aim of this thesis is to separate the incorrect from the correct attributions, and, where external evidence is lacking, to indicate whether certain works can be considered as likely or unlikely attributions on the basis of their political contents. The search for the context within which the works of Sir Charles Hanbury Williams were written has involved the study of how literature was used for political purposes in the years following the fall of Sir Robert Walpole. This thesis is therefore partially concerned with the nature of political parties in the mid-eighteenth century which has engaged the attention of so many modern historians of the period.

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Fischer, Tobias [Verfasser]. "Ethische Aspekte der Donogenen Insemination / Tobias H. J. Fischer." Kassel : Kassel University Press, 2012. http://d-nb.info/1034558722/34.

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Mühle, Hans-Werner [Verfasser], H. [Gutachter] Augustin, H. J. [Gutachter] Schnittler, and N. [Gutachter] Suttorp. "Das Zytoskelett der Endothelzelle / Hans-Werner Mühle ; Gutachter: H. Augustin, H.-J. Schnittler, N. Suttorp." Berlin : Humboldt-Universität zu Berlin, 2004. http://d-nb.info/1207662712/34.

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Patrick, Jonathan. "Sickness, pain and realism in the works of J.-K. Huysmans." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324307.

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Zatolokin, Alexander. "Stylistic approaches for oboists in the operatic works of J. Hasse." Thesis, California State University, Long Beach, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=1606057.

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This thesis investigates the relationship of the eighteenth-century German born composer, Johann Adolf Hasse, to the oboe. It highlights Hasse’s use of the oboe in ways ranging from veiled in the texture, to “singing” a duet with the singer in an important aria. It presents examples of an important aria from Hasse’s masterwork, Cleofide, which are ornamented by Hasse’s wife, Faustina Bordoni Hasse. These examples are presented with the oboist in mind, providing a means to learn improved ornamentation for the works of Hasse. It also presents an example of Hasse’s use of oboe in duet with mezzo-soprano, in the recording of Piange Quel Fonte from Numa Pompilio. The reader is encouraged to listen to a suggested recording featuring the American mezzo-soprano, Vivica Genaux. It explores the music of J. Hasse as highly relevant to the oboist looking for new repertoire, and worthy of a genuine consideration of proper style.

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Riedel, Frank [Verfasser], Fritz-V. [Gutachter] Kohl, H. J. [Gutachter] Peter, and J. [Gutachter] Witte. "Prävalenz schlafbezogener Atmungsstörungen bei Herzschrittmacherpatienten / Frank Riedel ; Gutachter: Fritz-V. Kohl, H. J. Peter, J. Witte." Berlin : Humboldt-Universität zu Berlin, 1998. http://d-nb.info/1207641383/34.

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Schwella, Nimrod [Verfasser], B. [Gutachter] Kubanek, and H. J. [Gutachter] Kolb. "Periphere Blutstammzellen / Nimrod Schwella ; Gutachter: B. Kubanek, H. J. Kolb." Berlin : Humboldt-Universität zu Berlin, 2000. http://d-nb.info/1207668060/34.

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Beattie, Elaine Kathleen. "An investigation of H. J. Eysenck's incubation theory of neurosis." Thesis, Goldsmiths College (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.417381.

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Töws, Dietrich [Verfasser], and Blaß H. [Akademischer Betreuer] J. "Holztafelbau mit klebstofffreien Beplankungen / Dietrich Töws ; Betreuer: H. J. Blaß." Karlsruhe : KIT-Bibliothek, 2016. http://d-nb.info/1122461623/34.

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Tempel, Hermann [Verfasser], J. J. [Akademischer Betreuer] Schneider, and H. J. [Akademischer Betreuer] Kleebe. "Synthese, Charakterisierung von geordneten 1D-Nanomaterialien und ihre photokatalytischen sowie elektrochemischen Funktionseigenschaften. / Hermann Tempel. Betreuer: J. J. Schneider ; H. J. Kleebe." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2013. http://d-nb.info/1110901194/34.

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Neumeyer, Rita [Verfasser], H. [Gutachter] Guski, H. von [Gutachter] Domarus, and H. J. [Gutachter] Neumann. "Metastasierungsverhalten und Prognose von verrukösen Karzinomen -Literaturübersicht und retrospektive Studie- / Rita Neumeyer ; Gutachter: H. Guski, H. von Domarus, H.-J. Neumann." Berlin : Humboldt-Universität zu Berlin, 1998. http://d-nb.info/1207676438/34.

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Debarre, Dominique. "Dynamique de la photodissociation de H₂CO : détermination de la distribution de H₂ (v. J) par DRASC, relaxation rotationnelle de H₂." Paris 11, 1987. http://www.theses.fr/1987PA112215.

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Le formaldéhyde (H2 CO), molécule tétraatomique simple, est photodissocié par un rayonnement UV en H2 + CO. Ces fragments se séparent très rapidement, empêchant les échanges d'énergie entre différents degrés de liberté. Ainsi, la détermination de l'état interne des fragments donne une image de l'état de transition. Du fait de leur comportement dissymétrique, les fragments ont des distributions différentes. L'excitation rotationnelle de CO est très élevée et celle de H2 plus modeste alors que la vibration de H2 est très excitée et celle de CO pratiquement pas. L'étude de la dissociation rovibrationnelle de l'hydrogène, objet de ce mémoire ne peut se faire à l'heure actuelle que par DRASC (Diffusion anti-Stokes cohérente). L'énergie interne élevée du fragment a permis en outre d'étudier expérimentalement pour la première fois la relaxation rotationnelle de l'orthohydrogène par l'hélium (v= 1, 2 et 3, J ≤ 7). Malgré le retard de 150 ns entre l'impulsion de photolyse et la mesure imposée par le mécanisme prédissociatif, et malgré le refroidissement de la translation par un ajout d'hélium requis pour améliorer la sensibilité, il est montré que les distributions mesurées sont peu affectées par la relaxation. Un calcul simple des sections efficaces Raman a été également mis au point pour les molécules diatomiques
Formaldehyde (H2 CO) is dissociated by UV radiation into H2+co. The fragments of this simple tetraatomic molecule separate very quickly, preventing energy transfer between different degrees of freedom. Thus the determination of the fragments internal state allows us to describe the transition state. Due to their asymmetric behavior, the fragments have different distributions. Co has very high rotational and nearly no vibrational excitations while H2 has modest vibrational and high vibrational ones. The H rovibrational 2 for the time being, only be distribution studied in this dissertation, can determined by CARS (Coherent anti-Stokes Raman Scattering). Moreover, the high to study experimentally for orthohydrogen by helium, internal energy of this fragment the first time the rotational (v = 1, 2 and 3, J≤7). Bas allowed us relaxation of Despite the 150 ns delay between photolysis and CARS pulses due to the predissociative mechanism, and despite the helium translational cooling required to increase sensitivity, it can be proved that the distributions measured are unchanged by the relaxation (within experimental uncertainties). A simple calculation of Raman cross sections has also been derived for diatomics molecules

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Majeed, J. "Orientalism, Utalitarianism and British India : James Mill's 'The History of British India' and the romantic Orient." Thesis, University of Oxford, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.234313.

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Carnell, Monique Marie. "The life and works of Maritime architect J. C. Dumaresq (1840-1906)." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1993. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq23851.pdf.

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Franklin, Don O. "Articulation in the Cembalo Works of J. S. Bach: A Notational Study." Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A38353.

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32

Majschak, Jens-Peter [Verfasser], H. [Akademischer Betreuer] Goldhahn, J. [Akademischer Betreuer] Klose, and H. [Akademischer Betreuer] Linde. "Rechnerunterstützung für die Suche nach verarbeitungstechnischen Prinziplösungen / Jens-Peter Majschak. Gutachter: H. Goldhahn ; J. Klose ; H. Linde." Dresden : Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2013. http://d-nb.info/1068151536/34.

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Tolley, Rebecca. "Review of Encyclopedia of The U.S. Census: From The Constitution To The American Community Survey ed. by Margo J. Anderson, Constance F. Citro, and Joseph J. Salvo." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/5643.

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Stelzer, Torsten [Verfasser], J. [Akademischer Betreuer] Ulrich, and H. [Akademischer Betreuer] Lorenz. "Produktentwicklung eines kristallinen Düngers / Torsten Stelzer. Betreuer: J. Ulrich ; H. Lorenz." Halle, Saale : Universitäts- und Landesbibliothek Sachsen-Anhalt, 2009. http://d-nb.info/102485955X/34.

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Johansson, Birgitta. "The engineering of being : an ontological approach to J. H. Prynne /." Umeå (Sweden) : Umeå university, 1997. http://catalogue.bnf.fr/ark:/12148/cb37620000s.

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Reid, Matthew M. "Branching fraction measurements of B0(s) -> J/ψK0Sh+h(')- decays." Thesis, University of Warwick, 2014. http://wrap.warwick.ac.uk/64115/.

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This thesis presents the branching fractions measurements of B0(s) -> J/ψK0Sh+h(')− (h(') = K,π) decays, corresponding to an integrated luminosity of 1.0 fb−1 of data recorded at a centre-of-mass energy of √s = 7TeV collected with the LHCb detector at CERN Large Hadron Collider (LHC) during 2011. The first observation of the B0s -> J/ψK0SK±π-+ decay is reported, with a significance greater than 10 standard deviations. The B0 -> J/ψK0SK+K− decay is also observed for the first time. The branching fraction of B0 -> J/ψK0Sπ+π− is determined, to significantly better precision than previous measurements, using B0 -> J/ψK0S as a normalisation channel. Branching fractions and upper limits of the other B0(s) -> J/ψK0Sh+h(')− modes are determined relative to that of the B0 -> J/ψK0Sπ+π− decay. The findings of this thesis have been submitted to JHEP as detailed in Ref. [1].

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Wandner, Hendrik [Verfasser], D. [Gutachter] Schumann, H. J. [Gutachter] Neumann, and J. [Gutachter] Michel. "Computergestützte Dokumentation von Patienten mit Lippen-Kiefer-Gaumenspalten / Hendrik Wandner ; Gutachter: D. Schumann, H.-J. Neumann, J. Michel." Berlin : Humboldt-Universität zu Berlin, 1997. http://d-nb.info/1207669628/34.

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Chow, Shuk-han. "Opposition and reconciliation in the works of J.M. Coetzee and Nadine Gordimer." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31577441.

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Adam, Sandra [Verfasser], H. J. [Akademischer Betreuer] Brömme, M. [Akademischer Betreuer] Steiner, and R. [Akademischer Betreuer] Horstkorte. "Carboyproxyl (CP-H) - ein Marker für oxidativen Stress / Sandra Adam. Betreuer: H. J. Brömme ; M. Steiner ; R. Horstkorte." Halle, Saale : Universitäts- und Landesbibliothek Sachsen-Anhalt, 2011. http://d-nb.info/102513494X/34.

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Schmedes, Susanne [Verfasser], J. M. [Akademischer Betreuer] Setz, H. G. [Akademischer Betreuer] Schaller, and H. [Akademischer Betreuer] Lilie. "Analyse von Gerichtsverfahren mit zahnärztlich-prothetischem Bezug / Susanne Schmedes. Betreuer: J. M. Setz ; H.-G. Schaller ; H. Lilie." Halle, Saale : Universitäts- und Landesbibliothek Sachsen-Anhalt, 2014. http://d-nb.info/1049687566/34.

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Francis, Samuel William. "A critical reading of 'inner space' in selected works of J. G. Ballard." Thesis, University of Leeds, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.432291.

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Cuddeford, Tara. "Performance techniques for selected works of: J.S. Bach, J. Brahms and E. Elgar /." St. Lucia, Qld, 2002. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16408.pdf.

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Schädle, Patrick [Verfasser], and H. J. [Akademischer Betreuer] Blaß. "Innovative Wandbausysteme aus Holz unter Erdbebeneinwirkungen / Patrick Schädle ; Betreuer: H. J. Blaß." Karlsruhe : KIT Scientific Publishing, 2012. http://d-nb.info/1184493375/34.

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Gebhardt, Gunnar [Verfasser], and H. J. [Akademischer Betreuer] Blaß. "Holzfaserdämmplatten als aussteifende Beplankung von Holztafeln / Gunnar Gebhardt ; Betreuer: H. J. Blaß." Karlsruhe : KIT Scientific Publishing, 2012. http://d-nb.info/1184492433/34.

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Pröll, Johannes [Verfasser], and H. J. [Akademischer Betreuer] Seifert. "Lasergestützte Modifikation von Lithiummanganoxid und Lithiumnickelmangankobaltoxid / Johannes Pröll. Betreuer: H. J. Seifert." Karlsruhe : KIT-Bibliothek, 2014. http://d-nb.info/1054989435/34.

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Braun, Erik [Verfasser], and H. J. [Akademischer Betreuer] Bauer. "Ein Beitrag zur Formoptimierung von Labyrinthdichtungen / Erik Braun. Betreuer: H.-J. Bauer." Karlsruhe : KIT-Bibliothek, 2016. http://d-nb.info/1113109262/34.

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Schwitzke, Martin [Verfasser], and H. J. [Akademischer Betreuer] Bauer. "Aerodynamische Anregung resonanter Schaufelschwingungen in Radialturbinen / Martin Schwitzke. Betreuer: H.-J. Bauer." Karlsruhe : KIT-Bibliothek, 2015. http://d-nb.info/107725119X/34.

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Kneubühler, Suzanne. "L'Evolution de la Passion en musique de J. Walter à H. Schutz /." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37606631r.

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Galand, David. "Poétique de l'élégie moderne, de C.-H. de Millevoye à J. Reda." Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCA066/document.

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L’élégie connaît une vogue manifeste à l’aube de notre modernité, au sein de ce qu’il est convenu d’appeler le préromantisme et le romantisme. Mais cet engouement ne va pas sans susciter de profondes interrogations sur la dimension générique de l’élégie. En effet, depuis son acclimatation en français, l’élégie ne peut plus être définie par le seul critère formel, devenu douteux. En outre, dès l’âge classique, deux dangers minent le genre : sa variété thématique qui gêne sa définition et une évolution sclérosante qui le fige en clichés. Émerge donc le souci de rédimer un certain babélisme de l’élégie et d’en refonder le pouvoir expressif par le recours à la notion plus souple d’ « élégiaque ». La modernité de l’élégie s’adosse à cet héritage problématique et réclame une perspective d’étude résolument historique : la vitalité de l’élégie au seuil du XIXe siècle s’autorise d’une nouvelle saisie du genre, qui promeut l’élégiaque au rang de critère premier, ramenant peu à peu l’étiquette d’élégie à la portion congrue. L’œuvre de Millevoye permet de dater ce point de bascule, qui ouvre la voie à l’élégie romantique, attachée à la notion naissante de « lyrisme » et magnifiée par Lamartine sous les auspices de la méditation. Mais en refondant l’élégie sur l’expressivité élégiaque, la modernité romantique l’a soumise aux aléas des sollicitations du sujet par l’histoire, qui le déstabilisent. D’où un déplacement de l’écriture élégiaque durant la seconde moitié du XIXe siècle, dans le repliement intimiste, le dédoublement parodique et humoristique, ou encore la polyphonie, manifestations diverses d’une remise en cause de la source subjective de la plainte élégiaque. Quand revient à la surface du champ littéraire l’élégie revendiquée comme telle, à l’occasion du traumatisme de la Seconde Guerre mondiale, c’est pour cristalliser en un genre labile les doutes, les deuils et les sourires d’un lyrisme incertain de son propre chant comme de l’existence du sujet qui le hante plus qu’il ne le chante
The elegy was fashionable at the dawn of modernity, during the periods which are known as Pre-Romanticism and Romanticism. But this infatuation with elegy was not without raising deep questioning on its generic dimension. Indeed since the French had appropriated the genre, the elegy can no longer be just defined by a formal criterion which has become disputable. Furthermore, as early as the classical period, two dangers have been subverting the genre: its wide range of themes which is an obstacle to our grasping its quintessence and an evolution at a standstill condemning it to stereotyped perceptions. And from this came the worry to amend the confusion existing around the elegy as well as the urge to revivify its expressive power around the more flexible notion of "elegiac". The modernity of the elegy relies on this problematic heritage and requires a study in historical perspective: the vitality of the elegy at the beginning of the XIXth century allowed itself to provide a new interpretation of its genre that promoted the elegiac as a decisive criterion. Millevoye’s works enables us to date this turning point which paved the way to the romantic elegy linked to the rising notion of "lyricism" and glorified by Lamartine under the auspices of meditation. But while revivifying the elegy on elegiac expressiveness, romantic modernity compelled with the subject having to respond to historical vagaries that were eventually unsettling. Hence a shifting away from elegiac writing during the second half of the XIXth century into intimist withdrawal, parodic splitting or polyphony, all of them being various utterances of a questioning of the elegiac complaint’s subjective source. When the elegy as such resurfaced the literary scene owing to the trauma of the Second World War, it featured a shifting genre to crystallize the doubts, mournings and smiles of a lyricism as uncertain of its own song as the very existence of a subject that haunted its lines more than he inhabited them

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Delgutte, Michèle. "L'évolution de la Passion luthérienne de H. Schütz à J. S. Bach." Paris 4, 1995. http://www.theses.fr/1994PA040193.

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Cette thèse étudie l'évolution de la forme musicale de la passion luthérienne depuis l'exemple des passion-repons de H. Schutz jusqu'aux passions-oratorio de J. S. Bach. A travers l'analyse de partitions, elle considère la transformation du langage musical pendant la période 1650-1750, soit par l’apport d'éléments nouveaux (instruments, chorals, airs. . . ), soit par l'apparition de nouvelles structures (création de l'oratorio de la passion en 1704). Elle observe également les mouvements théologiques (piétisme) et littéraires (poésie religieuse, livrets) qui ont influencé la passion. Elle illustre l'importance de cette forme par l'établissement d'un corpus recensant 308 passions composées à cette période, et par la restitution de partitions inédites
This work studies the evolution and the development of the musical form of the Lutheran passion, from the responsorial passions of H. Schutz, to the oratorio-passions of J. S. Bach. Through the analysis of several scores, it considers the transformation of the musical language, during the 1650-1750 period, either by the introduction of new elements (instruments, chorals, airs. . . ), or by the apparition of other structures (creation of the passion oratorio in 1704). It observes the evolution of theological (pietism), and literary (religious poetry, librettos) movements, which have directly influenced the passion. It also illustrates the life of this musical form through the study of a corpus of 308 passions composed at this period, and the transcriptions of original scores

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Dissertations / Theses on the topic 'Works of J.H'

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