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Relevant bibliographies by topics / Works, choral

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Academic literature on the topic 'Works, choral'

Author: Grafiati

Published: 29 July 2024

Last updated: 30 July 2024

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Journal articles on the topic "Works, choral"

1

Imre, János Zsolt. "Coloristic Tonal and Harmonic Compositional Techniques in Zoltán Gárdonyi’s Choral Works for Organ." Studia Universitatis Babeş-Bolyai Musica 68, Sp.Iss. 2 (August 10, 2023): 315–25. http://dx.doi.org/10.24193/subbmusica.2023.spiss2.20.

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"The topic of this paper is an analysis of two choral works for organ by Zoltán Gárdonyi. The purpose of this work is to reveal the compositional methods and tools used to create coloristic and fascinating tonal and harmonic movements in those two choral works. Alongside, how he crafts his works based on cantus firmus melodies and creates the organ chorals. Keyword: Gárdonyi Zoltán, coloristic compositional technique, leitmotif-like cell, coloristic harmony, organ choral. "

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Smith, Richard Langham, Netherlands Chamber Choir, Christie, Koopman, Phillips, Boeke, Heereweghe, and De Hevel. "Sweelinck: Choral Works." Musical Times 135, no. 1820 (October 1994): 652. http://dx.doi.org/10.2307/1003144.

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Kitchen, J. "Bach choral works." Early Music 37, no. 1 (February 1, 2009): 138–41. http://dx.doi.org/10.1093/em/can136.

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Grazia, Donna M. Di, Hector Berlioz, and Ian Rumbold. "Choral Works with Keyboard." Notes 54, no. 3 (March 1998): 767. http://dx.doi.org/10.2307/899919.

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Zhu, Keyi. "The historical evolution path of Chinese folk choral works creation." OOO "Zhurnal "Voprosy Istorii" 2023, no. 5-1 (May 1, 2023): 236–43. http://dx.doi.org/10.31166/voprosyistorii202305statyi09.

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This article attempts to discuss the historical stages of Chinese choral art development, the embodiment of ethnicity in choral works at each stage of development, and the “innovative” path of Chinese contemporary ethnic choral works creation.

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Almăşanu, Carmen. "Values of neo-protestant choral works in Romania." Artes. Journal of Musicology 20, no. 1 (March 1, 2019): 265–79. http://dx.doi.org/10.2478/ajm-2019-0016.

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Abstract Borne from the relevant and efficient expression in the context of contemporary culture, neo-protestant choral spirituality uses a diversified and meaningful language. From the very beginning of the existence of neo-protestant cults on the territory of our country, the establishment of a liturgical repertoire intended for common intonation or by various choral or vocal-instrumental bands has been one of the primordial preoccupations. Along with choral creations translated from the universal literature, there is a significant number of original works created by Romanian composers within the religious services. Due to extremely diverse themes and extrovert character, neo-protestant choral music includes different styles specific to the great tradition of classical, romantic or modern music as well as influences from the extra-European sphere. The text of these creations, which has biblical inspiration or created by the composer, is a means of great diversification in the reproduction of the sound material. Composers and arrangers with high quality music training and a profound understanding of biblical truths, through sound art wanted to contribute to the enrichment of contemporary neo-protestant choral music repertoire, leaving posterity a significant amount of valuable choral pages as inheritance.

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Roccasalvo, Joan L., Sergei Rachmaninoff, and Vladimir Morosan. "The Complete Sacred Choral Works." Notes 54, no. 4 (June 1998): 993. http://dx.doi.org/10.2307/900101.

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Langford, Jeffrey, Hector Berlioz, and Julian Rushton. "Choral Works with Orchestra (I)." Notes 50, no. 1 (September 1993): 378. http://dx.doi.org/10.2307/898773.

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Ivanova, Y. "Children’s choir in the works of Valentyna Drobiazhina." Culture of Ukraine, no. 83 (March 21, 2024): 67–74. http://dx.doi.org/10.31516/2410-5325.083.07.

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Relevance of the research topic. Music for children’s choir is represented by a significant layer in the creative heritage of Ukrainian composers. However, children’s choral music has hardly been considered in musicolo-gical research. Among the composers of the Kharkiv region, the choral works of V. Drobiazhina received special recognition. The lack of musicological research on the composer’s work has determined the relevance of this work. The purpose of the article is to analyze the peculiarities of the artistic aesthetics and compositional style of V. Drobiazhina’s choral music for children. The methodology of the theoretical analysis combines fundamental methods and approaches to modeling a holistic picture of the composer’s children’s choral heritage: genre-stylistic; functional-structural; systemic. The results. The first collection “Merry Songs” for junior children’s choir, was published in 1976. Jazz rhythms and harmonies, alternating recitation and singing, consonant intonation characterize this cycle. “In the Forest Workshop” is the most popular one among V. Drobiazhina’s works, and it is performed by many children’s choirs in Ukraine. The choir imitates the sounds of the winter forest and creates a premonition of spring. “Spring” is one of V. Drobiazhina’s last compositions. The artist’s extremely delicate sensual soul, passionate love for Ukraine and its musical culture are fully reflected here. The scientific novelty of the research. The genre-stylistic aspect of V. Drobiazhina’s choral music for children, the peculiarities of aesthetics and composer’s style are highlighted in the article for the first time. The practical significance of the article lies in the fact that these materials can be used in the courses “Choral Literature” and “History and Theory of Choral Performance”. Conclusions. Music for children’s choir is one of the most outstanding pages of V. Drobiazhina’s composi-tional heritage. The uniqueness of V. Drobiazhina’s children’s choral music lies in the combination of the extraordinary richness of the musical material with accessibility both for perception and performance. The composer’s music organically combines Ukrainian national traditions with modern means of expression.

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Trukhanova, Alexandra G. "The Characteristic Features of Vassily Titov’s Choral Music." ICONI, no. 1 (2021): 61–67. http://dx.doi.org/10.33779/2658-4824.2021.1.061-067.

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Among the Russian composers of the turn of the 17th and 18th centuries a special position is held by the sacred choral works of Vassily Titov (ca. 1650 — ca. 1715), one of the bright representatives of the polyphonic part singing, in which the originality of the Russian Baroque musical culture. The music of Vassily Titov, an outstanding master of choral writing, is diverse in terms of its genres, it comprises nearly two hundred compositions, many of which predominated in the church music repertoire of Russian churches during the course of the 18th century. A study of Vassily Titov’s choral works has made it possible to disclose the characteristic features of the composer’s polyphonic style. The latter include the multi-choral presentation with its bright spatial effects, the antiphonic juxtapositions of large choral masses, the principles of concertizing based on the succession of solo voices and tutti, on the juxtaposition of the chordal-harmonic and the polyphonic exposition, as well as the skillful mastery of imitational counterpoint, up to polyphonic variation. Features of national originality reveal themselves most vividly in the musical thematicism of the compositions, where along with the ornamental design of the intertwining melodic lines and turns of an instrumental type, use is made of intonations of folk songs, cants and church chants. In his musical oeuvres Vassily Titov revised and reevaluated the basic characteristic traits and forms of Western European Baroque music in correspondence with the particularities of Russian musical culture, thereby preserving and enriching the traditions of the Russian national style.

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Dissertations / Theses on the topic "Works, choral"

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Kang, Hyojin. "Choral music of Kirke Mechem : an analytical approach to his choral cycles and representative choral works /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/11432.

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Karna, Duane Richard, and Duane Richard Karna. "THE CHRISTMAS CHORAL WORKS OF ARNOLD BAX." Diss., The University of Arizona, 1986. http://hdl.handle.net/10150/626515.

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Wordelman, Peter Dale. "Daniel Moe's choral works with brass accompaniment." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185475.

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Many twentieth-century American composers have written works for chorus with brass accompaniment. This study focuses on the compositional techniques Daniel Moe applies to his brass and choral works and the musical and religious influences that aided in the development of Moe's composition language. Eight of Daniel Moe's works for brass and chorus are analyzed to determine the influences and techniques employed in his style of composition. The analysis reveals: the choir and brass remain independent and never dominate each other, the brass consistently play at their loudest dynamic levels while the choir is not singing, the heights of the choral phrases are unaccompanied, and final cadences are voiced with the highest pitches in the choral writing which allows an equality of forces. As a conductor, Moe has encountered many Venetian and contemporary works for brass and chorus that had a direct result on the techniques he applied to his brass and choral works. The evidence suggests that Daniel Moe's choral works with brass accompaniment involve a combination of twentieth-century harmonies and rhythms, Biblical and liturgical texts influenced by his strong Lutheran heritage, and a style of transparent scoring which carefully integrates the brass instruments into the overall texture of his compositions.

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Mott, Maxine Elizabeth. "The choral works of Robert Schumann (1810-56)." Thesis, University of Birmingham, 1991. http://etheses.bham.ac.uk//id/eprint/261/.

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Schumann's choral music provides a focus for an account of his later compositional career. Various original contributions to research are made. The Handelian influence behind his early choral writing is identified in Das Paradies und die Peri. An account of Schumann's choral societies gives an insight into the smaller-scale works. The Manfred music and the Corsar fragment show his use of melodrama. The Faustscenen are illuminated by the occasions which inspired them, especially the 1849 Goethe Festival. The unachieved oratorio Luther is described; and in Der Rose Pilgerfahrt the Biedermeier influence on Schumann is demonstrated. The Mass and Requiem show his response to Dusseldorf liturgical practice, and the four choral ballads stand on the threshold of opera, if not music drama. Consideration of Schumann's libretti shows his obsession for a type of redemption drama, possibly influenced by his struggle in the late 1830s to marry Clara Wieck. Appendices contain a worklist and select list of MS. sources; relevant diary entries; synopses of the narrative works; transcriptions of unpublished or unavailable works from 1847 and 1848; a transcription of Schumann's Luther scenario; the repertoire of his choral societies; and information on the size of his orchestra.

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Işık, Arda Çıkış Şeniz. "Choral works in architecture in terms of hermeneutics/." [s.l.]: [s.n.], 2003. http://library.iyte.edu.tr/tezler/master/mimarlik/T000288.rar.

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Imrie, Sally. "Analysis of selected choral works by John Tavener with particular reference to the post-1977 works." Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002307.

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This thesis deals with sacred choral music written by John Tavener, a British composer born in 1944. It touches briefly on the background of Tavener and his early works (i.e. from about 1960-1976) - two works from that period have been selected for analysis, Celtic Requiem and Nomine Jesu. The main body of the thesis is concerned with those works composed,.after 1977, which show the influence of the Orthodox Church and Byzantine hymnography on Tavener's stylistic development. The selected works from this period to be analysed are: Ode of St Andrew of Crete, Two Hymns to the Mother of God, Magnificat, Nunc Dimittis, The Uncreated Eros, Eonia and We Shall See Him As Heis.

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MORGAN, JENNIFER SUSAN. "A CONDUCTOR'S GUIDE TO SELECTED CHORAL-ORCHESTRAL WORKS OF EMMA LOU DIEMER." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1115393701.

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Teal, Terri Denise. "Tempo Determination in the Choral Works of Francis Poulenc." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc500725/.

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Though Poulenc marks choral compositions with metronomic indications, there are problems concerning tempo. The purpose of this paper is to determine guidelines for dealing with choral tempo. Chapter II relates biographical information pertinent to the study. Style Is examined In Chapter III, determining aspects that call tempo marks into question and influence tempo determination. In Chapter IV, the manner in which Poulenc uses tempo indications in the choral works is analysed and the relationship between form and tempo examined. Chapter V records Information bearing upon tempo from Poulenc's collaboration with conductors, as well as examining recordings of Poulenc's music in which he played or with which he expressed approval. Guidelines for determining tempo are stated in Chapter VI.

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Hintze, Richard Robert. "Kent A. Newbury: A Study of His Choral Works." Diss., The University of Arizona, 2016. http://hdl.handle.net/10150/596086.

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Kent Alan Newbury is an American composer who was born in Chicago in 1925, and currently resides in Scottsdale, Arizona. He has composed over 550 works and has had 282 choral works published. His first published piece was Psalm 150 (1955) and his latest publication was Praise the Lord, All Ye People (2013). Thirty-nine of his published choral pieces are still in print. At this time, the unpublished manuscripts include 204 choral pieces, four solo works, four instrumental works for dance, thirty-seven brass or band works, six woodwind pieces, and nineteen string or orchestra works. Newbury's complete catalog is included as Appendix B. During his Initial Period (1955-1965), Newbury had eighteen pieces published. In his Developmental Period (1966-1985), 247 pieces were published. That is an average of twelve pieces published per year. During his Mature Period (1986-present), he has had seventeen pieces published. This is the first published work documenting Newbury's life and music. It is hoped this study will introduce more choral directors to Newbury's music and encourage the performance of his music by more college, church, and school choirs. Analysis of Newbury's published choral works reveals the consistent inclusion of four stylistic traits: syncopation, text painting, parallelism, and textural layering. This study demonstrates how the use of these stylistic traits develops through his compositional career, both in terms of the frequency of usage and the progression of the technique. Syncopation is plentiful throughout Newbury's three periods. Syncopation and rhythmic displacement are found in 37% of published pieces in his Developmental Period and in 100% of published pieces in his Mature Period. The syncopation ranges from simple to complex, and it is sewn into the inner fabric of his compositional style. Text painting is used a great deal in Newbury's Initial Period, but the frequency diminishes in his later periods. Instead, he approaches his composition as he is inspired by the text, and the music reflects the text, in its totality if not in detail. Parallelism is a favored stylistic trait. Newbury composes with parallel fifths and fourths, and parallel chords moving in similar motion (planing) as well as contrary motion (the omnibus progression). Despite his teachers' objections to the use of parallel fifths, this is a consistent element throughout his career. Textural layering is a technique in which notes are added or repeated to call attention to the text or to build harmonic structures. As with text painting, the frequency of usage is most prevalent in his earlier periods.

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Pahel, Timothy Allen. "The choral works for mixed voices by Jaakko Mäntyjärvi." Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/5035.

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This thesis is an examination of the choral works for mixed voices of Jaakko Mäntyäjrvi. It includes biographical information about him, an overview of his works, compositional style, and major influences, in addition to a detailed analysis of four of his pieces. The first chapter is devoted to biographical information and the influences that shaped him as an artist, including the composers and musical styles that were most significant in his development. The second chapter includes a detailed examination of salient characteristics of Mäntyjärvi's output, including his compositional techniques, text setting, and elements borrowed from Finnish folk music and musical styles of earlier periods. In Chapter Three, four compositions are examined in detail (Canticum Calamitatis Maritimae, Kosijat, Die Stimme des Kindes, and Ecce Magnus Presbiter), followed by suggestions for further research.

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Books on the topic "Works, choral"

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Palestrina, Giovanni Pierluigi da. Choral works. Franklin, Tenn: Naxos, 1995.

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Pärt, Arvo. Collected choral works. [Wien]: Universal Edition, 1999.

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National Federation of Music Societies. Catalogue of choral works. 5th ed. London: National Federation of Music Societies, 1985.

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Francis, Tovey Donald. Concertos and choral works. Oxford [England]: Oxford University Press, 1989.

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Madrid, Renato E. Handumanan: Choral works in Cebuano. Cebu City, [Philippines]: Diamond Press, 1995.

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Szilárd, Biernaczky, ed. Contemporary Hungarian composers of choral works. Budapest: Kórusok Országos Tanácsa, 1988.

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Green, Jonathan D. A conductor's guide to choral-orchestral works. Metuchen, N.J: Scarecrow Press, 1994.

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Christina, Prucha, ed. American Choral Directors Association. Chicago, IL: Arcadia Pub. Inc., 2009.

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Mott, Maxine Elizabeth. The choral works of Robert Schumann (1810-56). Birmingham: University ofBirmingham, 1991.

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1951-, Kenyon Nicholas, ed. The BBC Proms guide to great choral works. London: Faber, 2004.

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Book chapters on the topic "Works, choral"

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Dixon, Gavin. "Choral Works." In The Routledge Handbook to the Music of Alfred Schnittke, 72–89. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429274046-3.

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Simeone, Nigel, John Tyrrell, and Alena Němcová. "Choral." In Janáěek’s Works, 99–150. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198164463.003.0004.

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Abstract The first edition, authorized by the composer, states that this is ‘the first choral composition by Janácek’. This is almost certainly true as far as secular choral works are concerned since his appointment as chorus master of the choral society Svatopluk, for which Orání was written, took place on 13 Feb 1873, and Orání was given at the first concert he conducted (see Notes: INCLUSION IN A CYCLE).

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Watson, Derek. "Choral works." In Liszt, 291–303. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198164999.003.0015.

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Abstract Part-songs for male voices were popular in mid-nineteenth century Germany and contributions to this aspect of Romanticism were made by Schubert, Schumann, Mendelssohn, Bruckner and Cornelius. From 1839 until the mid-1850s Liszt composed over thirty male voice choruses, either unaccompanied or with piano.

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Simeone, Nigel, John Tyrrell, and Alena Němcová. "Choral-Orchestral." In Janáěek’s Works, 75–96. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198164463.003.0003.

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Abstract The MS of Naše píseň [ 1J was given a new title; Janácek crossed out the old title and text, added new ones, and made a few other minor adjustments. These changes were made before the material was recycled again in 1891, when it was adapted, with yet another text, as the final number in Poccitek romcinu. See Pocáitek romáinu 1/3; Naše pisen [2] IV/21.

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DE’ATH, LESLIE. "The Choral Works." In The Cyril Scott Companion, 239–76. Boydell & Brewer, 2018. http://dx.doi.org/10.2307/j.ctvd58s6s.24.

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De'Ath, Leslie. "The Choral Works." In The Cyril Scott Companion, 239–76. Boydell and Brewer Limited, 2018. http://dx.doi.org/10.1017/9781787446298.017.

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"8 Choral Works." In Inside Conducting, 32–34. Boydell and Brewer, 2013. http://dx.doi.org/10.1515/9781580468305-011.

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Radcliffe, Philip. "Other choral works." In Mendelssohn, 125–31. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198164937.003.0015.

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Abstract Apart from the oratorios the most interesting choral work is undoubtedly the setting of Goethe’s Die erste Walpurgisnacht. It dates from 1831-2, but was subsequently revised in 1842—3. It is not all equally good, but the finest things in it are a notable expansion of a mood that appeared on a smaller scale in the songs Hexelied and Neue Liebe, dealing with the more formidable aspects of fairyland. For the overture Mendelssohn, influenced perhaps by Haydn’s The Seasons., wrote a stormy movement entitled Das schlechie Wetter which leads to a quieter passage depicting the approach of spring and eventually leading into the first chorus.

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Evans, Peter. "Later Choral Works." In The Music of Benjamin Britten, 419–49. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198165903.003.0018.

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Abstract In his cantata, Saint Nicolas, Britten had been able to create a sense of unity across a succession of heterogeneous movements both by the unfolding narrative and by carefully ordered key relationships (see Chapter 13). The choral and orchestral work which he completed a year later, in June 1949, might seem to have contained in its title of’ Spring Symphony’ the promise of a still more rigorously unified musical structure, though the narrative thread had been abandoned in favour of a poetic anthology.

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"Studies of Individual Composers and Works." In Choral Music, 212–49. Routledge, 2012. http://dx.doi.org/10.4324/9780203891216-11.

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Conference papers on the topic "Works, choral"

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Maltseva, O. V., and I. A. Temchenko. "SECTION 8. Performing possibilities of vocal jazz improvisation (on the example of the performance of works: Tom Jones “Fly me to the Moon”, Michael Bublé “Feeling Good”)." In VOCAL AND CHORAL ART AND EDUCATION: HISTORICAL RESEARCH, PERFORMANCE CONCEPTS, MODERN TRENDS. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-391-0-8.

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Roman, Iulia. "Interpretive vision on the work habanera for violin and piano by the romanian composer Dumitru Capoianu." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.06.

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The composer Dumitru Capoianu is part of the romanian composers who have given valuable works to contemporary music. His creation includes theater music, film music, symphonic music, vocal-symphonic music, choral music, chamber music. Habanera for violin and piano is the work that belongs to the genre of instrumental miniature, a composition in which the elements of jazz café concert blend harmoniously with passages of virtuosity.

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Moshugi, Kgomotso. "A Musical History Through Vocal Expressions at the Abbey Cindi Cosmology Concert." In Arts Research Africa 2022 Conference Proceedings. Arts Research Africa, 2022. http://dx.doi.org/10.54223/10539/35900.

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This paper reports on a research project that culminated in a concert honoring South African musician and activist Bra Abbey Cindi. The project involved reissuing Cindi’s album, forming a band of young musicians to perform his music, and creating a vocal group called No Limits to reinterpret Cindi’s earlier South African choral works. The paper proposes the use of music to explore the past, present, and future, linking generations and addressing social issues. It discusses specific compositions, their lyrical and musical merits, and the process of arranging them for vocal performance. The paper also highlights the role of community engagement and the value of reimagining historical musical works.

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Kuchurivsky, Yu S. "SECTION 7. Requiem in composer's work 20th – early 21st centuries." In VOCAL AND CHORAL ART AND EDUCATION: HISTORICAL RESEARCH, PERFORMANCE CONCEPTS, MODERN TRENDS. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-391-0-7.

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Bermes, I. L. "SECTION 3. Choir in the life and work of Mykola Leontovych." In VOCAL AND CHORAL ART AND EDUCATION: HISTORICAL RESEARCH, PERFORMANCE CONCEPTS, MODERN TRENDS. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-391-0-3.

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SEATON, RK, DN PIM, and D. SHARP. "PITCH DRIFT IN A CAPPELLA CHORAL SINGING - WORK IN PROGRESS REPORT." In SPRING CONFERENCE ACOUSTICS 2013. Institute of Acoustics, 2023. http://dx.doi.org/10.25144/16373.

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Chamakhud, D. V. "THE THEME OF THE VIRGIN CANTOS IN THE CHORAL WORK OF YAKIV YATSYNEVYCH." In АКТУАЛЬНІ ПРОБЛЕМИ РОЗВИТКУ УКРАЇНСЬКОГО ТА ЗАРУБІЖНОГО МИСТЕЦТВ: КУЛЬТУРОЛОГІЧНИЙ, МИСТЕЦТВОЗНАВЧИЙ, ПЕДАГОГІЧНИЙ АСПЕКТИ. Liha-Pres, 2023. http://dx.doi.org/10.36059/978-966-397-317-3-17.

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Ali, Alonso, and Orlando Lee. "A new sufficient condition for the existence of 3-kernels." In Encontro de Teoria da Computação. Sociedade Brasileira de Computação - SBC, 2020. http://dx.doi.org/10.5753/etc.2020.11083.

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Let D be a digraph and k be a positive integer. We say a subset N of V(D) is a k-kernel of D if it is both k-independent and (k − 1)-absorbent. A short chord of a closed trail C = (v0, v1, . . . , vt) is an arc a = (vi, vj) which does not belong to C and the distance from vi to vj in C is exactly two. The spacing between two chords e = (u, v) and f = (x, y) in C is the distance from u to x in C. A set of chords in a closed trail C has an odd spacing if at least two chords have an odd spacing. In this work, we prove that if D is a strongly connected digraph where every odd cycle has a short chord and every even closed trail has three short chords with an odd spacing, then D has a 3-kernel.

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Raušerová, Andrea. "Mystical experience in late works by Julius Zeyer." In The Figurativeness of the Language of Mystical Experience. Brno: Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-7.

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Mystical experience is connected with ineffability. This paper proves it in works by various authors. It mentions some common phenomena associated with mysticism, such as stigma, levitation, appearance of light, religious anorexia, etc. Some of them are observed in late works by Julius Zeyer, a Czech novelist and poet, which represent the core of the analysis. Christine the Miraculous and The Three Memoirs of Vít Choráz both reflect mystical experience experienced by the main characters. The paper refers to accompanying aspects of the behaviour of the characters related to ineffable.

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Aziz, Haris, Hau Chan, and Bo Li. "Weighted Maxmin Fair Share Allocation of Indivisible Chores." In Twenty-Eighth International Joint Conference on Artificial Intelligence {IJCAI-19}. California: International Joint Conferences on Artificial Intelligence Organization, 2019. http://dx.doi.org/10.24963/ijcai.2019/7.

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We initiate the study of indivisible chore allocation for agents with asymmetric shares. The fairness concept we focus on is the weighted natural generalization of maxmin share: WMMS fairness and OWMMS fairness. We first highlight the fact that commonly-used algorithms that work well for allocation of goods to asymmetric agents, and even for chores to symmetric agents do not provide good approximations for allocation of chores to asymmetric agents under WMMS. As a consequence, we present a novel polynomial-time constant-approximation algorithm, via linear program, for OWMMS. For two special cases: the binary valuation case and the 2-agent case, we provide exact or better constant-approximation algorithms.

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Reports on the topic "Works, choral"

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Pedersen, Gjertrud. Symphonies Reframed. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.481294.

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Symphonies Reframed recreates symphonies as chamber music. The project aims to capture the features that are unique for chamber music, at the juncture between the “soloistic small” and the “orchestral large”. A new ensemble model, the “triharmonic ensemble” with 7-9 musicians, has been created to serve this purpose. By choosing this size range, we are looking to facilitate group interplay without the need of a conductor. We also want to facilitate a richness of sound colours by involving piano, strings and winds. The exact combination of instruments is chosen in accordance with the features of the original score. The ensemble setup may take two forms: nonet with piano, wind quartet and string quartet (with double bass) or septet with piano, wind trio and string trio. As a group, these instruments have a rich tonal range with continuous and partly overlapping registers. This paper will illuminate three core questions: What artistic features emerge when changing from large orchestral structures to mid-sized chamber groups? How do the performers reflect on their musical roles in the chamber ensemble? What educational value might the reframing unfold? Since its inception in 2014, the project has evolved to include works with vocal, choral and soloistic parts, as well as sonata literature. Ensembles of students and professors have rehearsed, interpreted and performed our transcriptions of works by Brahms, Schumann and Mozart. We have also carried out interviews and critical discussions with the students, on their experiences of the concrete projects and on their reflections on own learning processes in general. Chamber ensembles and orchestras are exponents of different original repertoire. The difference in artistic output thus hinges upon both ensemble structure and the composition at hand. Symphonies Reframed seeks to enable an assessment of the qualities that are specific to the performing corpus and not beholden to any particular piece of music. Our transcriptions have enabled comparisons and reflections, using original compositions as a reference point. Some of our ensemble musicians have had first-hand experience with performing the original works as well. Others have encountered the works for the first time through our productions. This has enabled a multi-angled approach to the three central themes of our research. This text is produced in 2018.

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Bernal, Carolina, and Razvan Vlaicu. Research Insights: Can Financial Inclusion Reduce Extreme Weather Impacts on Rural Children? Inter-American Development Bank, November 2023. http://dx.doi.org/10.18235/0005297.

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Extreme rainfall induces rural households to choose immediate benefits over long-run investments in education by increasing the incidence of child labor and household chores at the expense of school attendance. Over-indebtedness through pre-existing formal loans reinforces the likelihood that a child works due to rainfall shocks. Asset insurance, foreign remittances, and natural disaster aid reduce or eliminate the shock-induced shift toward domestic activities and away from schooling.

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Bustelo, Monserrat, Agustina Suaya, Mariana Viollaz, and Karen Martinez. Incorporating Men into Caregiving Tasks: Dismantling Barriers and Reframing Roles in Latin America and the Caribbean. Inter-American Development Bank, February 2024. http://dx.doi.org/10.18235/0005665.

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Deeply entrenched cultural norms in the LAC society tend to dictate that women should bear the primary responsibility for domestic tasks and caregiving. This social perception results in an unequal distribution of chores, not only within households but also in the broader work environment. This policy brief offers a thorough review of robust academic studies on men's involvement in caregiving and examines specific cases where further research is warranted. It particularly focuses on assessing the effectiveness of various public policies that encourage men's engagement in caregiving at home and in their professional lives, emphasizing the pressing need for a critical approach to this issue through rigorous evaluations and detailed research.

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Bernal, CArolina, and Razvan Vlaicu. Child Labor, Rainfall Shocks, and Financial Inclusion: Evidence from Rural Households. Inter-American Development Bank, August 2023. http://dx.doi.org/10.18235/0005058.

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This paper examines how rural households cope with climate change related rainfall shocks by re-allocating childrens time between domestic activities and school attendance. Households affected by an unanticipated rainfall shock face an inter-temporal trade-off between current household income and future potential earnings. Financial inclusion may mitigate or exacerbate the human capital impacts of rainfall shocks depending on whether it relaxes or constrains household budgets. The data come from a three-round panel household survey in rural Colombia collected between 2010-2016. The main findings are that rainfall shocks induce households to choose immediate benefits over long-run investments in education by increasing the incidence of child labor and household chores at the expense of school attendance. Over-indebtedness through pre-existing formal loans reinforces the likelihood that a child works due to rainfall shocks, whereas asset insurance, foreign remittances, and natural disaster aid mitigate or eliminate the shock-induced shift toward domestic activities and away from schooling.

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Scheffer, Raquel. Another Turn of the Screw The COVID-19 Crisis and the Reinforced Separation of Capital and Care. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, September 2022. http://dx.doi.org/10.46877/rojas.2022.48.

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In most Latin American countries, the upper and middle classes tend to meet their care needs through the market, resorting to options such as private schools and care centres, as well as the labour of domestic workers. However, these practices were affected by the COVID-19 pandemic and its containment measures. Drawing on a series of interviews with employers of domestic workers in Paraguay, this paper analyses the changes in convivial relations and arrangements regarding the distribution of care within households that outsource domestic chores and had to adapt to lockdown measures. By doing so, I seek to highlight not only changes in the routine of family members but also the exacerbation of inequalities regarding the social organisation of care, and the discourses provided for justifying and naturalising these inequalities. I argue that while at first glance, lockdown measures seemed to have contested the separation of the world of work and family, they produced a rebound effect that translated into a reinforced separation of capital and care, expressed through a deepening of the privatisation, feminisation and commodification of care.

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Bozek, Michael, and Tani Hubbard. Greater Yellowstone Network amphibian monitoring protocol science review: A summary of reviewers’ responses. National Park Service, June 2022. http://dx.doi.org/10.36967/nrr-2293614.

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Science reviews are an essential cornerstone of all excellent science programs and are a requirement of monitoring programs within the Inventory and Monitoring Division of the National Park Service (NPS). Science reviews provide necessary professional critique of objectives, study design, data collection, analysis, scientific interpretation, and how effectively information is transferred to target audiences. Additionally, reviews can help identify opportunities to cooperate more effectively with interested and vested partners to expand the impacts of collective findings across larger landscapes. In December 2020, seven biologists from USGS, USFWS, and NPS provided a critical review of the Greater Yellowstone Network Amphibian Monitoring Protocol for monitoring Columbia spotted frogs (Rana luteiventris), boreal chorus frogs (Pseudacris maculata), western toads (Anaxyrus boreas), western tiger salamanders (Ambystoma mavortium), and environmental conditions at wetland sites clustered within watershed units in Yellowstone and Grand Teton national parks. This review followed sixteen years of GRYN amphibian and wetland monitoring, allowing us to evaluate the impact of the work thus far and to discuss potential improvements to the protocol. Reviewers were asked to assess the following amphibian monitoring objectives per Bennetts et al. (2013, Cooperative amphibian monitoring protocol for the Greater Yellowstone Network: Narrative, version 1.0, https://irma.nps.gov/DataStore/Reference/Profile/2194571) and to assess the degree to which GRYN is meeting the objectives based on the current sampling, analyses, and reporting: Objective 1: Estimate the proportion of catchments and wetland sites used for breeding by each of the four common, native amphibian species annually, and estimate the rate at which their use is changing over time. Objective 2: Determine the total number of wetlands within sampled catchments that are suitable for amphibian breeding (i.e., have standing water during the breeding season) annually. Objective 3: For western toads, estimate the proportion of previously identified breeding areas that are used annually, and estimate the rate at which their use may be changing over time. Generally, reviewers commended the GRYN Amphibian Monitoring Program, including the design, the statistical rigor of current analytical approaches, the large number of monitoring reports and publications, and the audiences reached. Reviewers unanimously felt that the first two objectives of this protocol are being met for two species (Columbia spotted frogs and boreal chorus frogs) in medium- and high-quality catchments, and all but one reviewer also felt these objectives are being met for western tiger salamanders. It was universally recognized that objective 3 for western toads is not being met but reviewers attributed this to issues related to funding and capacity rather than design flaws. Reviewers felt the current design provides an adequate base for parlaying additional work and offered suggestions focused on increasing efficiencies, maximizing information that can be collected in the field, strengthening analyses, and improving scientific outreach. In this document, we summarize reviewers' comments and include their full written reviews in Appendix B.

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Rivera-Casillas, Peter, and Ian Dettwiller. Neural Ordinary Differential Equations for rotorcraft aerodynamics. Engineer Research and Development Center (U.S.), April 2024. http://dx.doi.org/10.21079/11681/48420.

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High-fidelity computational simulations of aerodynamics and structural dynamics on rotorcraft are essential for helicopter design, testing, and evaluation. These simulations usually entail a high computational cost even with modern high-performance computing resources. Reduced order models can significantly reduce the computational cost of simulating rotor revolutions. However, reduced order models are less accurate than traditional numerical modeling approaches, making them unsuitable for research and design purposes. This study explores the use of a new modified Neural Ordinary Differential Equation (NODE) approach as a machine learning alternative to reduced order models in rotorcraft applications—specifically to predict the pitching moment on a rotor blade section from an initial condition, mach number, chord velocity and normal velocity. The results indicate that NODEs cannot outperform traditional reduced order models, but in some cases they can outperform simple multilayer perceptron networks. Additionally, the mathematical structure provided by NODEs seems to favor time-dependent predictions. We demonstrate how this mathematical structure can be easily modified to tackle more complex problems. The work presented in this report is intended to establish an initial evaluation of the usability of the modified NODE approach for time-dependent modeling of complex dynamics over seen and unseen domains.

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APPLICATION OF HYDRAULIC SYNCHRONOUS LIFTING TECHNOLOGY IN THE CONSTRUCTION OF LONG-SPAN HYBRID STEEL STRUCTURES. The Hong Kong Institute of Steel Construction, August 2022. http://dx.doi.org/10.18057/icass2020.p.070.

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The aim of this study was to solve technical problems, such as uneven structures, multiple lifting points, high accuracy control requirements, and multi-disciplinary collaborative work, in the process of lifting and hoisting long-span hybrid steel structures based on the lifting work of a steel roof and steel beams of the Hunan Radio and Television studio F. First, after conducting research on the comparison and selection of the construction scheme, lifting process, quality control and other aspects, a floor assembly + hydraulic lifting + overhead supplementary bar construction plan was proposed. The large-section steel beam and truss hybrid structure system with different bottom chord elevations was divided into two units for synchronous lifting, with weights of 715 tons and 340 tons, lifting heights of 21.5 metres and 15 metres, and a maximum span of 50.4 metres , Second, the maximum vertical displacement, maximum stress ratio of the members, lifting reaction force frame and overall stability of the hybrid structure during the lifting process were analysed, and the results showed that they all met the requirements. Finally, the monitoring data of the field construction process were in good agreement with the numerical calculation results, further verifying the rationality and feasibility of hydraulic synchronous lifting technology, which can provide guidance and a reference for the construction of similar long-span hybrid steel structures.

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