Relevant bibliographies by topics / Woolf

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
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Academic literature on the topic 'Woolf'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 September 2024

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Journal articles on the topic "Woolf"

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Siyuan, Li. "The Stream-of-Consciousness in The Mark on the Wall." Communications in Humanities Research 27, no. 1 (January 3, 2024): 120–25. http://dx.doi.org/10.54254/2753-7064/27/20232148.

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The chaos and destruction brought about by World War I prompted people to seek new forms of expression. In the 20th century when Woolf lived, women were greatly constrained, and they had almost no time of their own. However, this was also the period when the first wave of feminism began to emerge. By studying Woolf's work, we can see that the pioneers of modernism and feminism had completely different views and perspectives from people who hold traditional techniques. Woolf is famous for her stream-of-consciousness technique; therefore, it is necessary to examine how she uses this technique to express her thoughts in The Mark on the Wall, her first venture into the realm of stream-of-consciousness. This paper examines Woolfs attenuation of narrative time and her use of a single character, I. In addition, I suggest that the images and personal pronouns used by Woolf also demonstrate her pursuit of freedom and her feminism. Studying Woolf's first stream-of-consciousness short story The Mark on the Wall is essential for understanding Woolfs early writing as well as tracing her evolution as a writer.
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Abbott, H. Porter. "Character and Modernism: Reading Woolf Writing Woolf." New Literary History 24, no. 2 (1993): 393. http://dx.doi.org/10.2307/469412.

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Pinho, Davi. "O CONTO DE VIRGINIA WOOLF – OU FICÇÃO, UMA CASA ASSOMBRADA." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 23, no. 2 (December 4, 2019): 03–17. http://dx.doi.org/10.34019/1982-0836.2019.v23.29176.

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O presente artigo se debruça sobre o conto “Casa Assombrada”, coletado no único volume de contos que Virginia Woolf publicou em vida, Monday or Tuesday (1921), para investigar de que maneira seus contos intensificam a crise dos gêneros literários que seus romances encenam, por um lado; e para entender como tal crise é análoga à questão política que assombra toda sua obra, por outro lado: o gênero enquanto questão identitária. Em diálogo com a filosofia e com a crítica woolfiana, este estudo articula essa “crise dos gêneros” (gender x genre) e, ao mesmo tempo, produz uma contextualização histórico-cultural dos contos de Virginia Woolf. Palavras-chave: Virginia Woolf. Conto. Gênero literário. Questões de gênero. Referências AGAMBEN, Giorgio. Elogio da profanação. In: AGAMBEN, Giorgio. Profanações. Tradução Selvino Assman. São Paulo: Boitempo, 2007. p. 65-81 BENJAMIN, Walter. Sobre a linguagem em geral e sobre a linguagem humana. In: Linguagem, tradução, literatura. Tradução João Barrento. Belo Horizonte: Autêntica, 2018 [1916]. p. 9-27. BENZEL, Kathryn N.; HOBERMAN, Ruth. Trespassing boundaries: Virginia Woolf’s Short Fiction. New York: Palgrave MacMillan, 2004. BRAIDOTTI, Rosi. Nomadic theory: The portable Rosi Braidotti. New York: Columbia University, 2011. BRIGGS, Julia. Virginia Woolf, an Inner Life. Londres: Harcourt Brace, 2005. CIXOUS, Hélène. First names of no one. In: SELLERS, Susan (org.). The Hélène Cixous Reader. Londres: Routledge, 1994 [1974]. p. 25-35. DELEUZE, Gilles; GUATTARI, Félix. 28 de novembro de 1947 – Como criar para si um corpo sem órgãos?. Tradução Aurélio Guerra Neto. In: DELEUZE, Gilles; GUATTARI, Félix. Mil Platôs. São Paulo: 34, 1996 [1980]. v. 3. p. 11-34. FOUCAULT, Michel. Docile bodies. In: FOUCAULT, Michel; RABINOW, Paul (ed.). The Foucault reader. Toronto: Penguin, 1984a. p. 179-187. FOUCAULT, Michel. The body of the condemned. In: FOUCAULT, Michel; RABINOW, Paul (ed.). The Foucault reader. Toronto: Penguin, 1984b. p. 170-178. GOLDMAN, Jane. Modernism, 1910-1945, Image to apocalypse. Basingstoke: Palgrave Macmillan, 2004. GOLDMAN, Jane. The Cambridge introduction to Virginia Woolf. Cambridge: Cambridge University, 2006. HARRIS, Wendell. Vision and form: the English novel and the emergence of the story. In: MAY, Charles (ed.). The new short story theories. Athens, Ohio: Ohio University, 1994. p. 181-191. KRISTEVA, Julia. Stabat mater. Tradução A. Goldhammer. In: MOI, Toril (ed.). The Kristeva reader. Oxford: Blackwell, 1986 [1977]. p. 160-187. MATTHEWS, Brander. The philosophy of the short-story. Londres: Forgotten, 2015. [1901]. PEREIRA, Lucia Miguel. Dualidade de Virginia Woolf. In: ______. Escritos da maturidade. Rio de Janeiro: Graphia, 2005. [1944] p. 106-110. SELLERS, Susan (ed.). The Cambridge Companion to Virginia Woolf. 2. ed. Cambridge: Cambridge University, 2010. WOOLF, Leonard. Beginning again: an autobiography of the years 1911 to 1918. New York: Harvest, 1975. [1964] WOOLF, Leonard. Editorial Preface. In: WOOLF, Virginia; WOOLF, Leonard (eds.). Granite and rainbow. Londres: Harcourt, 1958. p. 7-8. WOOLF, Leonard. Foreword. In: WOOLF, Virginia; WOOLF, Leonard (eds.). A haunted house and other stories. Londres: Harcourt, 1944. p. v-vi. WOOLF, Virginia. A haunted house. In: WOOLF, Virginia; WOOLF, Leonard (eds.). A haunted house and other stories. Londres: Harcourt, 1944 [1921]. p. 3-5. WOOLF, Virginia. A room of one’s own & Three guineas. Londres: Oxford University, 1992 [1929] [1938]. WOOLF, Virginia. A sketch of the past. In: WOOLF, Virginia; SCHULKIND, Jeanne (eds.). Moments of being. London: Harcourt Brace, 1985 [1976]. p. 64-159. WOOLF, Virginia. Casa assombrada. In: WOOLF, Virginia. Contos completos. Tradução Leonardo Fróes. São Paulo: Cosac Naify, 2005 [1921]. p. 162-165. WOOLF, Virginia. Granite and rainbow, ed. Leonard Woolf. Londres: Harcourt, 1958. WOOLF, Virginia. Jacob’s room. Oxford: Oxford University, 2008 [1922]. WOOLF, Virginia. Kew gardens. In: WOOLF, Virginia; WOOLF, Leonard (eds.). A haunted house and other stories. Londres: Harcourt, 1944 [1919]. p. 28-36. WOOLF, Virginia. Men and women. In: WOOLF, Virginia; BARRETT, Michele (eds.). Women and writing. Londres: Harcourt, 1979 [1920]. p. 64-68. WOOLF, Virginia. Modern fiction. In: WOOLF, Virginia. The common reader: first series. Londres: Vintage, 2003 [1925]. p. 146-154. WOOLF, Virginia. Monday or Tuesday. Londres: The Hogarth, 1921. WOOLF, Virginia. Night and day. ed. Michael Whitworth. Cambridge: Cambridge University, 2018. WOOLF, Virginia. Professions for women. In: WOOLF, Virginia; WOOLF, Leonard (eds.). The death of the moth and other essays. Londres: Harcourt, 1942 [1931]. WOOLF, Virginia. The complete shorter fiction of Virginia Woolf. ed. Susan Dick. Orlando: Harcourt, 2006 [1985]. WOOLF, Virginia. The diary of Virginia Woolf, ed. Anne Olivier Bell, 5 vols. New York: Penguin, 1979-1985 [1977-1984]. WOOLF, Virginia. The letters of Virginia Woolf, ed. Nigel Nicolson, 6 vols. Londres: The Hogarth, 1975-1980. WOOLF, Virginia. The mark on the wall. In: WOOLF, Virginia; WOOLF, Leonard (eds.). A haunted house and other stories. Londres: Harcourt, 1944 [1921]. p. 37-47. WOOLF, Virginia. Thoughts on peace in an air raid. In: ______. The death of the moth and other essays, ed. Leonard Woolf. Londres: Harcourt Brace Jovanovich, 1942. [1940] WOOLF, Virginia. The voyage out. Oxford: Oxford University, 2009 [1915]. WOOLF, Virginia. The waves. Oxford: Oxford University, 1992 [1931].
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Bartkuvienė, Linara. "Russian paradigm in Virginia Woolf’s (non)fiction: reading Dostoevsky." Literatūra 50, no. 5 (January 1, 2008): 22. http://dx.doi.org/10.15388/litera.2008.5.7798.

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Šiame pranešime nagrinėjama Dostojevskio kūrybos įtaka V. Woolf kūrybai. Nors Woolf atsargiai vertino Dostojevskio pasirinktą metodą – anot rašytojos, chaotišką, sunkiai valdomą – dostojevskiškasis polifoniškumas, vis dėlto, įvairiomis formomis įsitvirtino Woolf romanuose, pirmiausia suponuodamas naują personažo kūrimo formą, naują požiūrį į veikėją. Dostojevskio ir Woolf meninių pasaulių dialoge tampa akivaizdu, kad nei Dostojevskio, nei Woolf veikėjas nedomina kaip socialinis ar psichofiziologinis tipas ir individualus charakteris, susidedantis iš įvairių bruožų, leidžiančių skaitytojui atsakyti į klausimą, kas ir koks yra veikėjas, kokia jo socialinė padėtis, ir t. t. Woolf veikėjas domina kaip požiūris, t. y. kaip požiūris į pasaulį ir į save. Toks požiūris į veikėją reikalauja ypatingų vaizdavimo metodų. Kaip Dostojevskiui, taip ir Woolf svarbiau paties veikėjo refleksijos, „savimonės funkcija“. Abu rašytojai kiekvieną veikėjo bruožą įveda į jo paties – t. y. veikėjo – akiratį, „sumeta į jo savimonės tiglį“. Be to, tiek Woolf, tiek ir Dostojevskio skaitytojas mato ne pačią veikėjo tikrovę, bet kaip jis tą tikrovę suvokia. Woolf romanuose, kaip ir Dostojevskio kūryboje, veikėjo paveikslas nėra įprastinis „objektinio veikėjo paveikslas“. Dostojevskio ir Woolf veikėjai yra neįprastai savarankiški romano struktūroje, jų balsai „skamba tartum šalia autoriaus žodžio ir savitai santykiauja su juo bei su tokiais pat pilnakraujais kitų veikėjų balsais“. Tačiau būtų neteisinga sakyti, kad Woolf tiesiogiai perėmė Dostojevskio polifoniškumo principą. Woolf buvo kūrėja, estetė; ji jokiais būdais nebuvo imitatorė. Ji buvo inovatorė. Kita vertus, būtų ne visiškai teisinga sakyti ir tai, kad Dostojevskio polifoniškumas nebuvo viena ar kita forma asimiliuotas Woolf meniniame pasaulyje. Manytume, kad Dostojevskis, kuriuo buvo žavimasi ne tik Rusijoje, bet ir Vakarų Europoje bei Amerikoje buvo stiprus užnugaris Woolf literatūriniams eksperimentams.
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Humm, Maggie. "Virginia Woolf and photography." Comunicação e Sociedade 32 (December 29, 2017): 387–96. http://dx.doi.org/10.17231/comsoc.32(2017).2768.

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From 2000, criticism on Woolf and the visual has quadrupled in volume. The research work about a photographic Woolf – which include other photographers’ interaction with Woolf such as Gisèle Freund or my own analysis of Woolf and Bell’s personal photo albums – shows how these newer issues of Woolf and photography are now absolutely central in any consideration of Virginia Woolf studies, gaining a noticeable importance when we consider the interdisciplinary issue of photography and gender.
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Ha, Sujeong. "Two Cities Seen by Flâneur and Flâneuse: Benjamins’ Paris and Woolf’s London." British and American Language and Literature Association of Korea 147 (December 31, 2022): 1–20. http://dx.doi.org/10.21297/ballak.2022.147.1.

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This paper explores how Walter Benjamin and Virginia Woolf reflected on metropolitan city life in early modern period as a flâneur and a flâneuse . In Arcades Project, Benjamin attempts to reassemble ‘thought images’ from former century’s historical fragments in Paris streets of the 1920s and the 1930s and make a new literary montage. As a flâneur, he observes the streets flooded with people and the products to get his insights on the consumerism of capitalist production. Virginia Woolf, on the other hand, describes in her essay “Street Haunting: A London Adventure” a flâneuse who comes to intuitively grasp the two faces of the metropolis where wealth and poverty coexist. In “The Docks of London,” she criticizes surging merchandises of New imperialist capitalism which are born and domesticated by relentless human desire. While street walking enables Benjamin to embody thought images, it gets Woolf to feel freedom as an imaginative individual being. Benjamin searches for the meaning of phantasmagoric ‘merchandises’ on Paris street, but Wolf glances deserted ‘lives of people’ veiled with glittering city lights.
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Kord, Catherine, and Hermione Lee. "Virginia Woolf." Antioch Review 56, no. 2 (1998): 242. http://dx.doi.org/10.2307/4613689.

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Nadel, Ira. "Oriental Woolf." Affirmations: of the modern 4, no. 1 (November 19, 2016): 65. http://dx.doi.org/10.57009/am.37.

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Schenk, Leslie, and Hermione Lee. "Virginia Woolf." World Literature Today 71, no. 4 (1997): 797. http://dx.doi.org/10.2307/40153385.

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London, Bette, Pamela L. Caughie, and Patricia Ondek Laurence. "Postmodern Woolf." NOVEL: A Forum on Fiction 26, no. 2 (1993): 237. http://dx.doi.org/10.2307/1345694.

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Dissertations / Theses on the topic "Woolf"

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Frotscher, Mirjam M. "Virginia Woolf." Technische Universität Dresden, 2015. https://ul.qucosa.de/id/qucosa%3A15358.

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Virginia Woolf (1882–1941) war eine englische Schriftstellerin, Verlegerin, Essayistin, Tagebuchverfasserin, sowie Literatur- und Kulturkritikerin, die als Wegbereiterin der literarischen Moderne gilt. In zahlreichen kritischen Essays und Romanen reflektiert sie die geteilten Lebens- und Bildungssphären der Geschlechter und kritisiert die materiellen Umstände der durch das Geschlecht determinierten sozialen Rolle. Eine genderfokussierte kritische Rezeption von Woolfs Texten, welche sich mit weiblichem Schreiben und Lesen, Frauengeschichtsschreibung und weiblicher Ästhetik befassen, findet seit Mitte der 1970er Jahre statt.
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Frotscher, Mirjam M. "Virginia Woolf." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-219530.

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Virginia Woolf (1882–1941) war eine englische Schriftstellerin, Verlegerin, Essayistin, Tagebuchverfasserin, sowie Literatur- und Kulturkritikerin, die als Wegbereiterin der literarischen Moderne gilt. In zahlreichen kritischen Essays und Romanen reflektiert sie die geteilten Lebens- und Bildungssphären der Geschlechter und kritisiert die materiellen Umstände der durch das Geschlecht determinierten sozialen Rolle. Eine genderfokussierte kritische Rezeption von Woolfs Texten, welche sich mit weiblichem Schreiben und Lesen, Frauengeschichtsschreibung und weiblicher Ästhetik befassen, findet seit Mitte der 1970er Jahre statt.
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Katayama, Aki. "History repeats itself : Woolf, Green, Rhys and Woolf again." Thesis, University of East Anglia, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327501.

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Bas, Judith Hall. "Post-Impressionist Woolf." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1998. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.A.)--Kutztown University of Pennsylvania, 1998.
Source: Masters Abstracts International, Volume: 45-06, page: 2840. Typescript. Abstract precedes thesis as preliminary leaves [1]-2. Includes bibliographical references (leaves 104-106).
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Vondrak, Amy Margaret Edmunds Susan. "Strange things: Hemingway, Woolf, and the fetish (Ernest Hemingway, Virginia Woolf)." Related Electronic Resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2003. http://wwwlib.umi.com/cr/syr/main.

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Adams, Kat Russell Richard Rankin. ""More attachment to life & larger" Orlando and Woolf's theories of fiction /." Waco, Tex. : Baylor University, 2008. http://hdl.handle.net/2104/5282.

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Murrie, Greg. "The death of Rachel Vinrace : a psychological and sociological study of Virginia Woolf's The voyage out /." Title page, contents and abstract only, 1990. http://web4.library.adelaide.edu.au/theses/09ARM/09armm984.pdf.

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Guest, Dorinda. "Virginia Woolf : Embracing Death." Thesis, University of Kent, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.499842.

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Hastings, Sarah. "Sex, gender, and androgyny in Virginia Woolf's mock-biographies "Friendships Gallery" and Orlando." Cleveland, Ohio : Cleveland State University, 2008.

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Thesis (M.A.)--Cleveland State University, 2008.
Abstract. Title from PDF t.p. (Mar. 17, 2009). Includes bibliographical references (p. 48-49). Available online via the OhioLINK ETD Center. Also available in print.
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Cheng, Oi-yee. "Marriage and women's identity in the novels of Virginia Woolf." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21161471.

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Books on the topic "Woolf"

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Pégon-Davison, Claire, and Anne-Marie Smith-Di Biasio. Contemporary Woolf: Woolf contemporaine. Montpellier: Presses universitaires de la Méditerranée, 2014.

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Hanson, Clare. Virginia Woolf. New York: St. Martin's Press, 1994.

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Haule, James M., and J. H. Stape, eds. Virginia Woolf. Basingstoke: Palgrave Macmillan, 2002. http://dx.doi.org/10.1057/9780230523326.

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Peach, Linden. Virginia Woolf. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1057/978-1-137-15294-7.

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Snaith, Anna, and Michael H. Whitworth, eds. Locating Woolf. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230223011.

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Acheson, James. Virginia Woolf. London: Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-43083-0.

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Fernald, Anne E. Virginia Woolf. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780230600874.

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Mepham, John. Virginia Woolf. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-14145-6.

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Hanson, Clare. Virginia Woolf. London: Macmillan Education UK, 1994. http://dx.doi.org/10.1007/978-1-349-23381-6.

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Stape, J. H., ed. Virginia Woolf. London: Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-23807-1.

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Book chapters on the topic "Woolf"

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Smith, George. "Virginia Woolf and the Wolf Man." In The Artist-Philosopher and Poetic Hermeneutics, 93–147. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780367815479-5.

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Hussey, Mark. "Digital Woolf." In A Companion to Virginia Woolf, 263–75. Chichester, UK: John Wiley & Sons, Ltd, 2016. http://dx.doi.org/10.1002/9781118457917.ch19.

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Caughie, Pamela L. "Feminist Woolf." In A Companion to Virginia Woolf, 305–17. Chichester, UK: John Wiley & Sons, Ltd, 2016. http://dx.doi.org/10.1002/9781118457917.ch22.

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Scott, Bonnie Kime. "Ecocritical Woolf." In A Companion to Virginia Woolf, 319–31. Chichester, UK: John Wiley & Sons, Ltd, 2016. http://dx.doi.org/10.1002/9781118457917.ch23.

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Micir, Melanie. "Queer Woolf." In A Companion to Virginia Woolf, 347–58. Chichester, UK: John Wiley & Sons, Ltd, 2016. http://dx.doi.org/10.1002/9781118457917.ch25.

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Corbett, Mary Jean. "Woolf, Virginia." In The Palgrave Encyclopedia of Victorian Women's Writing, 1–8. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02721-6_85-1.

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Nünning, Vera. "Woolf, Virginia." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17425-1.

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Corbett, Mary Jean. "Woolf, Virginia." In The Palgrave Encyclopedia of Victorian Women’s Writing, 1718–26. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78318-1_85.

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Hargreaves, Tracy. "Virginia Woolf." In Androgyny in Modern Literature, 68–96. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230510579_4.

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Nünning, Vera. "Virginia Woolf." In Kindler Kompakt Englische Literatur 20. Jahrhundert, 50–55. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05526-2_7.

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Conference papers on the topic "Woolf"

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Liu, BO. "Virginia Woolf and a Room of One's Own." In 3d International Conference on Applied Social Science Research (ICASSR 2015). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icassr-15.2016.144.

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Kabirova, Ekaterina. "THE PROBLEM OF TRADITION AND INNOVATION IN THE CREATIVITY CONCEPT OF VIRGINIA WOOLF." In World literature Cultural Codes. Baskir State University, 2021. http://dx.doi.org/10.33184/kkml-2021-11-19.10.

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Maruggi, Maria. "L'eau comme élément symbolique dans La Chartreuse de Parme de Stendhal, Les Années de Virginia Woolf et dans Le Guépard de Tomasi di Lampedusa." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3132.

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Dans La Chartreuse de Parme de Stendhal, Les Années de Virginia Woolf et dans Le Guépard de Tomasi di Lampedusa, l'eau est présente en tant qu'élément symbolique et se charge de significations profondes. Dans La Chartreuse de Parme l'eau renvoie à la nostalgie de la patrie idéalisée, l'Italie. En particulier le souvenir de la vue du lac de Côme, avant que l'écrivain quitte l'Italie en 1821, revient dans le texte à plusieurs reprises. Ce lac est « sublime » aux yeux de Fabrice, pour qui « rien d'aussi beau ne peut se voir au monde ». L'eau, dans La Chartreuse, se manifeste ainsi sous forme de larmes ; les personnages pleurent sans cesse, exprimant les sentiments les plus profonds de leur âme, voire la joie ou le malheur. Comme l’a montré Gaston Bachelard, l'eau, peut assumer un double caractère, maternel et de rêverie. L’œuvre de Stendhal en est la parfaite illustration. Dans Les Années, les personnages, en regardant l'eau, semblent revivre les mêmes expériences intérieures que l'écrivaine avait vécues et décrites dans son journal intime. De l'eau émergent les images du passé de Rose. Il s'agit d'un passé désormais enseveli mais douloureux. Ainsi, l'eau fascine les personnages qui s’arrêtent et contemplent, comme hypnotisés, cet élément naturel. Dans Le Guépard, l'eau se charge de fonctions symboliques mais elle est ainsi présente au niveau du style. Lorsque le prince Salina meurt dans sa chambre d’hôtel située au bord de la mer, la description intérieure de sa mort se fait par des images aquatiques : « Ce n'était plus un fleuve qui déferlait de lui, mais un océan, en tempête, hérissé d'écume et de grosses vagues déchaînées... ». À travers une lecture comparée, nous verrons comment Stendhal, Tomasi di Lampedusa et Virginia Woolf, ont représenté dans leurs romans la nostalgie, la profondeur de l’âme ainsi que le binôme vie-mort à travers l'eau. DOI: http://dx.doi.org/10.4995/XXVColloqueAFUE.2016.3132
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Chen, Zhen. "Comparative Analysis on Female Images and Discourse Power of Feminism between Woolf and Beauvoir." In 2016 4th International Education, Economics, Social Science, Arts, Sports and Management Engineering Conference (IEESASM 2016). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/ieesasm-16.2016.290.

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Boci, Flutura. "Differences and Similarities of Style, Values, Challenges and Achievements between Doris Lessing and Virginia Woolf." In 3rd International Conference on Social Science, Humanities and Education. Acavent, 2020. http://dx.doi.org/10.33422/3rd.icshe.2020.03.16.

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Boci, Flutura. "Differences and Similarities of Style, Values, Challenges and Achievements between Doris Lessing and Virginia Woolf." In 3rd International Conference on Social Science, Humanities and Education. Acavent, 2020. http://dx.doi.org/10.33422/3rd.icshe.2020.03.16.

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Ge, J., B. Jacobsen, J. R. P. Angel, N. Woolfv, J. H. Black, M. Lloyd-Hart, P. Gray, and R. Q. Fugate. "An Optical Ultrahigh Resolution Spectrograph with the Adaptive Optics." In Adaptive Optics. Washington, D.C.: Optica Publishing Group, 1996. http://dx.doi.org/10.1364/adop.1996.atub.5.

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A prototype optical wavelength ultrahigh resolution echelle cross-dispersed spectrograph has been tested at the Starfire Optical Range (SOR) 1.5 m telescope (Woolf et al. 1995; Ge et al. 1996). To our knowledge this is the first high resolution spectrograph to take advantage of the diffraction limited images produced by an adaptive optics system. Because of the sharpened images produced by the adaptive optics at visible wavelength, about r0/D ~ 1/15 in the seeing-dominant domain, the narrow slits necessary for high resolution can be used without a large loss of light. This is a great advantage when compared with conventional high resolution spectrographs (e.g. Lambert et al. 1990; Diego et al. 1995). In addition, the smaller image widths inherent with the adaptive optics system allow the orders to be spaced closer together on the chip, allowing more orders to be observed simultaneously.
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Hillman, John J., and Ravi Deepres. "Entrelacé: How technology, movement and visuals are interlaced in the film design for The Royal Ballet’s Woolf Works." In Electronic Visualisation and the Arts. BCS Learning & Development, 2018. http://dx.doi.org/10.14236/ewic/eva2018.56.

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Bollinger, Elena. "“Different Ways of Telling a Story”: Memories as Representations and Representations of Memories in Barnes, Woolf and Tolstoy." In 7th International Conference on New Findings in Humanities and Social Sciences. Acavent, 2022. http://dx.doi.org/10.33422/7th.hsconf.2022.04.015.

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Wing, Mark, and Richard Woolf. "Radnor Bridge." In Footbridge 2022 (Madrid): Creating Experience. Madrid, Spain: Asociación Española de Ingeniería Estructural, 2021. http://dx.doi.org/10.24904/footbridge2022.229.

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<p>Two residents of southwest London living either side of the River Thames, Richard Woolf (architect) and Mark Wing (creative strategist) continue to drive an initiative to convert the community’s ‘need’ for a footbridge into a ‘desire’ to see it realised. Described in their initial paper which Mark delivered at Footbridge 2014 in London, the aim is to build a cycle and pedestrian bridge within the London Borough of Richmond upon Thames to connect two sides of the River Thames, separated by only 100m of water, namely;</p> <ul><li>On the east side (Surrey station) is Ham Lands – inaccessible, with leisure walks, nature reserves, heritage sites, polo grounds and sailing clubs, but with poor access to transport links. <li>On the west side (Middlesex station) is Strawberry Hill and Twickenham – densely populated, served well by major transport systems, with busy roads and places for education and work, but limited access to outdoor amenity space.</ul>
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Reports on the topic "Woolf"

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Woolf, Amy. The Past and Future of Bilateral Nuclear Arms Control. UNIDIR, March 2023. http://dx.doi.org/10.37559/wmd/23/ddac/01.

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In this publication, Amy Woolf deconstructs more than 50 years of arms control process between Moscow and Washington to answer what lies ahead for the two largest nuclear powers. The report looks back at the history of bilateral arms control beyond the formal legally binding treaties, depicts the current state of affairs from the point of view of the two parties, and offers a tripartite strategy for the future.
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Ragalwar, Ketan, William Heard, Brett Williams, Dhanendra Kumar, and Ravi Ranade. On enhancing the mechanical behavior of ultra-high performance concrete through multi-scale fiber reinforcement. Engineer Research and Development Center (U.S.), September 2021. http://dx.doi.org/10.21079/11681/41940.

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Steel fibers are typically used in ultra-high performance concretes (UHPC) to impart flexural ductility and increase fracture toughness. However, the mechanical properties of the steel fibers are underutilized in UHPC, as evidenced by the fact that most of the steel fibers pull out of a UHPC matrix largely undamaged during tensile or flexural tests. This research aims to improve the bond between steel fibers and a UHPC matrix by using steel wool. The underlying mechanism for fiber-matrix bond improvement is the reinforcement of the matrix tunnel, surrounding the steel fibers, by steel wool. Single fiber pullout tests were performed to quantify the effect of steel wool content in UHPC on the fiber-matrix bond. Microscopic observations of pulled-out fibers were used to investigate the fiber-matrix interface. Compared to the control UHPC mixture with no steel wool, significant improvement in the flexural behavior was observed in the UHPC mixtures with steel wool. Thus, the addition of steel wool in steel fiber-reinforced UHPC provides multi-scale reinforcement that leads to significant improvement in fiber-matrix bond and mechanical properties of UHPC.
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Björk, Nils Folke. Studies of hygrothermal processes in a façade by long term high resolution measurements. Department of the Built Environment, 2023. http://dx.doi.org/10.54337/aau541637898.

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Processes for moisture concentration and temperature at different depths in a rather thick wall with mineral wool insulation are studied with a resolution of 1 minute. Damp processes in walls with thick layers of mineral wool differs a lot depending on the weather conditions. Any modelling of heat and moisture in building constructions need to consider this. The fact that the peaks in moisture concentration in some cases come hours before the peak in temperature is something that takes an explanation. It is possible, but not really sure, that this also may have influence on the risk for damage on the structures.
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Roldán-González, Elizabeth, Carolina Robledo-Castro, Piedad Rocío Lerma-Castaño, and María Luisa Hurtado-Otero. Validity and reliability of the Wolf Motor Function Test -WMFT in patients with Cerebrovascular disease: Scoping review. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, October 2022. http://dx.doi.org/10.37766/inplasy2022.10.0044.

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Review question / Objective: This scoping review aimed to compile the studies that have examined the validity and reliability of the different versions of the Wolf Motor Function Test - WMFT in patients with Cerebrovascular disease. Background: Numerous investigations in rehabilitation have used the WMFT as an instrument for the primary measurement of the results; however, to date, there are no known reviews that have compiled the reliability and validity of the wolf test in its different versions, which is considered of vital importance and constitutes critical information for decision making in the process of evaluation and follow-up of patients with stroke in clinical, academic and research environments.
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Weil, Max. Wolf Creek VI Conference on Cardiopulmonary Resuscitation. Fort Belvoir, VA: Defense Technical Information Center, September 2001. http://dx.doi.org/10.21236/ada396011.

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Gechtman, Andie. Burgundy Wool Coat with Laser Cut Details. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1663.

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Person, David K., Matthew Kirchhoff, Victor van Ballenberghe, George C. Iverson, and Edward Grossman. The Alexander Archipelago wolf: a conservation assessment. Portland, OR: U.S. Department of Agriculture, Forest Service, Pacific Northwest Research Station, 1996. http://dx.doi.org/10.2737/pnw-gtr-384.

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Martin, Kathi, Nick Jushchyshyn, and Claire King. James Galanos, Wool Evening Suit. Fall 1984. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/6gzv-pb45.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This evening suit is from Galanos Fall 1984 collection. The skirt and bodice of the jacket are black and white plaid wool. The jacket sleeves are black mink with leather inserts that contrast the sheen of the leather against the luster of the mink and reduce some of the bulk of the sleeve. The suit is part of The James G. Galanos Archive at Drexel University gifted to Drexel University in 2016. The panorama is an HTML5 formatted version of an ultra-high resolution ObjectVR created from stitched tiles captured with GigaPan technology. It is representative the ongoing research of the DDM, an international, interdisciplinary group of researchers focused on production, conservation and dissemination of new media for exhibition of historic fashion.
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Love, Lonnie J., Andrzej Nycz, and Mark W. Noakes. Large Scale Metal Additive Manufacturing with Wolf Robotics. Office of Scientific and Technical Information (OSTI), July 2018. http://dx.doi.org/10.2172/1465067.

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Jansman, H. A. H., J. Mergeay, E. A. van der Grift, G. A. de Groot, D. R. Lammertsma, K. Van Den Berge, F. G. W. A. Ottburg, et al. De wolf terug in Nederland : Een factfinding study. Wageningen: Wageningen Environmental Research, 2021. http://dx.doi.org/10.18174/553564.

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