Relevant bibliographies by topics / Women travel writers

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Women travel writers'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "Women travel writers"

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Buck, Pamela. "Recovering British Romantic Women Travel Writers." European Romantic Review 31, no. 3 (May 3, 2020): 394–96. http://dx.doi.org/10.1080/10509585.2020.1747712.

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Mulligan, Maureen. "The Representation of Francoist Spain by Two British Women Travel Writers." Studia Anglica Posnaniensia 51, no. 4 (December 1, 2016): 5–27. http://dx.doi.org/10.1515/stap-2016-0017.

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Abstract This article offers a discussion of two books by British women which describe travels in Spain during the post-war period, that is, during the dictatorship of General Franco. The aim is to analyse how Spanish culture and society are represented in these texts, and to what extent the authors engage with questions of the ethics of travelling to Spain in this period. Two different forms of travel - by car, and by horse - also influence the way the travellers can connect with local people; and the individual’s interest in Spain as a historical site, or as a timeless escape from industrial northern Europe, similarly affect the focus of the accounts. The global politics of travel writing, and the distinction between colonial and cosmopolitan travel writers, are important elements in our understanding of the way a foreign culture is articulated for the home market. Women’s travel writing also has its own discursive history which we consider briefly. In conclusion, texts involve common discursive and linguistic strategies which have to negotiate the specificity of an individual’s travels in a particular time and place. The authors and books referred to are Rose Macaulay’s Fabled Shore: From the Pyrenees to Portugal (1949) and Penelope Chetwode’s Two Middle-Aged Ladies in Andalusia (1963).
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Alacovska, Ana. "Genre Anxiety: Women Travel Writers' Experience of Work." Sociological Review 63, no. 1_suppl (May 2015): 128–43. http://dx.doi.org/10.1111/1467-954x.12246.

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Siber, Mouloud. "Ellen M. Rogers as a Feminist and Orientalist Travel Writer: A Study of her A Winter in Algeria: 1863-4 (1865)." Revista Alicantina de Estudios Ingleses, no. 29 (November 15, 2016): 213. http://dx.doi.org/10.14198/raei.2016.29.12.

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This article studies the Orientalist and Feminist discourses that underlay Ellen M. Rogers’s A Winter in Algeria: 1863-4 (1865). Her conception of Algeria reproduces the Victorian imperialist attitude toward the Algerian as inferior to the European in order to celebrate British imperial power. Underneath this colonial discourse, the writer proclaims her feminist point of view about empire and juxtaposes feminist attitudes in Victorian Britain with the degraded condition of the Oriental woman. To contribute to Victorian feminist struggle for gender equality, she identifies with the suffering of Muslim Algerian women under male domination and compares their confinement to the harem and their veiling to Victorian “separate spheres” ideology. From this perspective, Rogers presents the profiles of the Orientalist as defined by Edward Said (1978) and the feminist as defined by Antoinette Burton (1994). Said limits his discussion of Orientalism to male writers and travelers who construct imperialist views about the colonial world and its people. However, Burton argues that many Victorian travel writers were women who not only circulated Orientalist ideas but also constructed a feminist discourse. Women writers found in the colonial world ways to cross the boundaries of gender and power in order to criticize male writers who insisted on women’s inferior status. In sum, the major claim made in this article is that Ellen M. Rogers projects a feminist-Orientalist view in her travel account about French Algeria.
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Sergo, Yu N. "THE MOTIVES OF TRAVEL AND ESCAPE IN THE PROSE OF MODERN WOMEN-WRITERS (O. TOKARCHUK, L. ULITSKAYA, L. PETRUSHEVSKAYA)." Bulletin of Udmurt University. Series History and Philology 30, no. 5 (October 27, 2020): 892–97. http://dx.doi.org/10.35634/2412-9534-2020-30-5-892-897.

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The article analyzes the motives of travel and escape, which are pretty common in modern women prose and appears closely related to each other. The connection between travel and self-knowledge is also obvious. In female prose, it is presented through the motive of physicality. In the works of modern writers, these motives work differently: in the texts of the Polish writer Olga Tokarchuk, travel and escape function as motives that define the world and the human body in their mirror image, which creates the illusion of the absence of borders between the external and internal worlds. In the work of Lyudmila Ulitskaya, such a function is endowed with only a flight motive, which manifests itself in the image of the inner world of heroes. The autobiographical work of Lyudmila Petrushevskaya demonstrates a strategy in which travel and escape are associated with the idea of creative search and creative independence. The analysis of the sustainable motives of female prose allows us to conclude that the writers have their special view on the problem of self-knowledge.
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Mulligan, Maureen Elizabeth. "Women Travel Writers: Questioning the Value of the "Interior Journey"." International Journal of the Humanities: Annual Review 3, no. 1 (2006): 5–8. http://dx.doi.org/10.18848/1447-9508/cgp/v03i01/41523.

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Jones, Angela D. "Romantic women travel writers and the representation of everyday experience." Women's Studies 26, no. 5 (June 1997): 497–521. http://dx.doi.org/10.1080/00497878.1997.9979181.

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Gholi, Ahmad. "Representation of Oriental Travelees and Locus in Jurgen Wasim Frembgen’s Travelogue: The Closed Valley: With Fierce Friends in Pakistani Himalays." International Journal of Applied Linguistics and English Literature 6, no. 1 (November 19, 2016): 84. http://dx.doi.org/10.7575/aiac.ijalel.v.6n.1p.84.

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The oft despised and ignored genre of travel writing was recognized as worthy of scholarly investigation in 1970s thanks to Edward Said’s Orientalism, the wave of deconstructionism, and postcolonialism (Calzati, 2015). For these scholars, travel writers do not present a transparent window to an alien space and its residents even though they normally claim it. For them the representation of the traveled terrain and travelees is an ideological construction which is tainted with the travel writer’s ‘habitus’ and ‘field’ and crafted through fictional devices. In this regard, by drawing on postcolonial methodology, the current study seeks to evince how Frembgen in his travelogue, The Closed Valley: With Fierce Friends in Pakistani Himalayas which narrates his voyage to Harban, a far-flung mountainous region in Pakistan Himalaya, reproduces the pitfalls of previous Western travel writers when he depicts his destination and travelees in negative terms. From his perspective, his timeless traveled locus is rife with violence, yet a space to escape from dehumanizing ambience of the West. Additionally, for him the women in this tribal region are tyrannized by husbands and victimized by Muslim extremists. Last but not least, he portrays this remote oriental space as an object of curiosity which needs to be salvaged textually. Keywords: Travel Writing, Timeless, Escape, Women, Violence, Curiosity
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Cebrian, Lorena Barco. "Literature Female Travel: The Vision of Spain Throughout Six Foreign Writers." European Scientific Journal, ESJ 12, no. 32 (November 30, 2016): 54. http://dx.doi.org/10.19044/esj.2016.v12n32p54.

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Travel literature is a genre very known by the historiography; the researchers have been analyzed from the journeys of the Antiquity up to the Contemporaneousness. Nevertheless, those studies have showed a special interest for the travel literature produced by masculine subjects, whereas the literature produced by female writers has not been treated up to very recent dates. For it, in this work we propose to announce a series of women writers, some of them very known already, but others practically unknown in our country. These women, intrepid and bold travelers, travelled to Spain throughout the centuries of the Modernity, extending the period chronological until the Nineteenth century. It is of six women writers whose literary production, in most cases, has not been translated into Spanish.
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Mulligan, Maureen. "The Spanish Civil War Described by Two Women Travelers." Journeys 19, no. 1 (June 1, 2018): 67–87. http://dx.doi.org/10.3167/jys.2018.190104.

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This article contrasts two accounts by women written between 1936 and 1939 describing their experiences of Spain during the Spanish Civil War. The aim is to question how far travel writers have a political and ethical relation to the place they visit and to what extent they deal with this in their texts. The global politics of travel writing and the distinction between colonial and cosmopolitan travel writers affect the way a foreign culture is articulated for the home market through discursive and linguistic strategies. The texts are Kate O’Brien’s Farewell Spain (1937) and Gamel Woolsey’s Death’s Other Kingdom: A Spanish Village in 1936 (1939). The conclusions suggest women adopt a range of positions toward the Spanish conflict, depending on their personal commitment and their contact with local people, but their concern to articulate the experience of others in time of crisis has a strong ethical component.
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Dissertations / Theses on the topic "Women travel writers"

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McKenzie-Stearns, Precious. "Venturesome women : nineteenth-century British women travel writers and sport." [Tampa, Fla] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0001901.

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Parra, Lazcano Lourdes. "Transcultural performativities : travel literature by Mexican women writers." Thesis, University of Leeds, 2018. http://etheses.whiterose.ac.uk/21346/.

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This thesis examines travel literature by Mexican women in relation to transcultural performativities, which refers to a feminist critique of how writers capture their normative performativity and their agency as they interact with different cultural contexts. My analysis considers texts from the end of the nineteenth century, taking into consideration the first Mexican women who published travel literature, through to contemporary writers from the early twenty-first century. The major focus of this thesis will be to show how Mexican women writers repeat political and poetic performativities in their literature, based on their trips to foreign places. This thesis is composed of four parts: a theoretical analysis of transcultural performativities and three close, comparative readings of travel writing and the context of their production. In the first chapter, I propose a conceptual model named transcultural performativities to analyse travel literature. This model takes into consideration the contributions of Judith Butler, Fernando Ortiz, Walter Mignolo, Julio Ortega, Eyda Merediz, Nina Gerassi-Navarro, Gloria Anzaldúa, Homi Bhabha and Édouard Glissant. This analytical model has a tripartite structure: occidental Atlanticism, post-occidental border thinking, and the Philosophy of Relation in worldliness (globalisation). The second chapter is a comparative analysis of the works of Laura Méndez de Cuenca and Elena Garro to exemplify the Atlanticist relations among Europe, the United States, Latin America and, in particular Mexico. The third chapter examines the works of Rosario Castellanos and María Luisa Puga to grasp the cultural negotiations of the intermediate social experience between Mexico and other foreign countries. The final chapter explores the works of Esther Seligson and Myriam Moscona to analyse the positionality of Mexican Jews in relation to World Literatures. Overall, this thesis suggests that we can understand the complexities of the fluidity and non-fixity of subjectivity in Mexican women’s travel writing by dwelling on the constantly changing nature of sex/gender, social classes, racialization, nationalism, and religiosity.
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Turner, Katherine S. H. "The politics of narrative singularity in British travel writing, 1750-1800." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296251.

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Jakobsen, Pernille. "Touring strange lands, women travel writers in western Canada, 1876 to 1914." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq20791.pdf.

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Lee, Joanne Sarah. "Representations of travel and displacement in the work of contemporary Italian women writers." Thesis, University of Bristol, 2008. http://hdl.handle.net/1983/68a98ea2-4b57-47a9-8206-18420a29b199.

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Butler, Rebecca. "Resurgence and insurgence : British women travel writers and the Italian Risorgimento, 1844-1858." Thesis, Bangor University, 2016. https://research.bangor.ac.uk/portal/en/theses/resurgence-and-insurgence-british-women-travel-writers-and-the-italian-risorgimento-18441858(c207e708-49cd-44ad-83ea-4c2abc1b0c50).html.

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This study examines the evolution of British women travel writers’ engagement with the Risorgimento during a decisive period preceding Italian reunification, from the infamous letter-opening incident of 1844 to the eve of the Second Italian War of Independence (1859-1861). Despite being outwardly denied a political voice back home, British women were conspicuous in their engagement with the Italian question. Italy’s allegorical personification lent itself well to female-oriented interpretations of the Risorgimento, with many women seeing Italy’s political oppression under Austria as analogous to their own disenfranchised condition in Britain. The rise of mass tourism on the Continent made Italy increasingly accessible to Victorian women travellers, not only as a locus of culture, but also of political enquiry. The generic hybridity of travel writing further enabled Victorian women’s political engagement by granting a degree of fluidity between traditionally feminine and masculine genres. In turn, Italy played a foundational - albeit somewhat equivocal - role in British women’s literary professionalization as travel writers. My research focusses on the intersections between political advocacy, gender ideologies, national identity, and literary authority in women’s travel accounts of Italy. It contributes to current literary scholarship on the Risorgimento by providing a sustained analysis of Victorian women’s non-fiction travel writing as an under-represented genre in Anglo-Italian studies. Encompassing both published and unpublished travel writing across a variety of media, it aims to represent a broader diversity of literary responses to the Italian question. Through a comparative framework, I position prominent figures like Mary Shelley, Florence Nightingale and Fanny Kemble alongside marginalized writers such as Clotilda Stisted, Selina Bunbury, Mary Charlton Pasqualino, Maria Dunbar, Janet Robertson and Frances Dickinson, with fruitful intersections. My findings identify a number of shared discourses across these women’s travel accounts in response to discrete political moments 3 within the process of Italian reunification. By attending to such moments as unique discursive events, this study interrogates teleological narratives of British writers’ engagement with the Risorgimento. My analysis shows such discourses to be temporally contingent, being shaped not only by the episodes themselves, but also by extrinsic political and commercial considerations. Personal factors also differentiate individual responses to Italy, with many women travellers parallelling their autobiographical journeys with the peninsula’s political travails. However, my findings equally undercut a mutually reinforcing, proto-feminist narrative of women travellers’ liberal engagement with the Risorgimento. Instead, this study delineates the tensions as well as the synchronicities between representations of the female travelling self and Italy, revealing them to be often competing sites of authority.
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Clark, A. Bayard. "Forgotten eyewitnesses| English women travel writers and the economic development of America's antebellum West." Thesis, Saint Louis University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3587328.

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Few modern economic historians dispute the notion that America's phenomenal economic growth over the last one hundred and fifty years was in large measure enabled by the development of the nation's antebellum Middle West—those states comprising the Northwest Territory and the Deep South that, generally, are located between the Appalachian Mountains and the Mississippi River. By far, the labor of 14.8 million people, who emigrated there between 1830 and 1860, was the most important factor propelling this growth.

Previously, in their search for the origins of this extraordinary development of America's heartland, most historians tended to overlook the voices of a variety of peoples—African Americans, Native Americans, Mexicans, and artisans—who did not appear to contribute to the historical view of the mythic agrarian espoused by Thomas Jefferson and J. Hector St. John de Crèvecoeur. Another marginalized voice from this era—one virtually forgotten by historians—is that of English women travel writers who visited and wrote about this America. Accordingly, it is the aim of this dissertation to recover their voices, especially regarding their collective observations of the economic development of America's antebellum Middle West.

After closely reading thirty-three travel narratives for microeconomic detail, I conclude that these travelers' observations, when conjoined, bring life in the Middle West's settler environment into sharper focus and further explain that era's migratory patterns, economic development, and social currents. I argue these travelers witnessed rabid entrepreneurialism—a finding that challenges the tyranny of the old agrarian myth that America was settled exclusively by white male farmers. Whether observing labor on the farm or in the cities, these English women travel writers labeled this American pursuit of economic opportunity—"a progress mentality," "Mammon worship," or "go-aheadism"—terms often used by these writers to describe Jacksonian-era Americans as a determined group of get-ahead, get-rich, rise-in-the-world individuals. Further, I suggest that these narratives enhanced migratory trends into America's antebellum Middle West simply because they were widely read in both England and America and amplified the rhetoric of numerous other boosters of the promised land in America's Middle West.

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Agorni, Mirella. "Translating Italy for the eighteenth century : British women novelists, translators and travel writers 1739-1797." Thesis, University of Warwick, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287087.

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Adler, Michelle. "Skirting the edges of civilisation : British women travellers and travel writers in South Africa, 1797-1899." Thesis, SOAS, University of London, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320150.

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Sikstrom, Hannah J. "Performing the self : identity-formation in the travel accounts of nineteenth-century British women in Italy." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:fdd4d82a-8bfe-4d3d-b668-4e88da45db7e.

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From the adventures of Odysseus to those of the male Grand Tourist, travel has often been regarded as an important rite of masculine self-fashioning. However, as this thesis argues, travel and travel writing also provided a valuable opportunity for women's self-fashioning: journeys offered women a means of altering themselves, enabling them to assume a novel identity abroad and in text, whether it be a subversive or idealised version of themselves. Drawing upon Judith Butler's and Sidonie Smith's theories of performativity, this thesis investigates Victorian women travel writers' impulse to self-fashioning, and argues for travel writing as a performative act of identity-formation. Drawing on Butler's notion of subversive repetition, this thesis also demonstrates the ways in which the instability of women authors' narrative identities gives them a potential for agency, enabling authors to unsettle prescribed gender boundaries and challenge cultural constructions of femininity. In particular, I examine the constructed textual travel identities of the following nineteenth-century British women: Anna Jameson, Susan Horner, Emily Lowe, and Frances Minto Elliot. I highlight the discursive strategies that these four authors use in order to create certain images of themselves for their readers in their travelogues about Italy, all published (or, in the case of Horner, written) between the years 1826 and 1881. Jameson, Horner, Lowe, and Elliot also reconfigure traditional notions of travel and gender in their travelogues to articulate and perform definitions of selves that are not necessarily exemplary – at least not at first glance. I examine the ways in which these nineteenth-century authors adopt apparently undesirable selfhoods ('ill', 'intellectual', 'unprotected', and 'idle') and turn supposed weaknesses into strengths. This thesis also analyses the significance of Italy for the travel narrators and their self-representation in relation to the peninsula. Italy signalled a meaningful difference from Britain, and these authors represent it as a positive space for healing, intellectual growth, pleasure, fulfilment, and self-determination. The constructed identities of these four authors result in 'travel performances' that aim to persuade readers of the narrators' aptitude for travel and of their especially meaningful attachment to, experience of, and understanding of Italy. This thesis does not only provide a space for voices which have until now been little recognised in contemporary scholarship. It also sheds light on an important form of Victorian women’s writing that was a valuable route towards cultural and intellectual authority and self-empowerment, as well as a means of personal and professional self-fashioning.
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Books on the topic "Women travel writers"

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Women travel writers and the language of aesthetics, 1716-1818. Cambridge: Cambridge University Press, 1995.

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Phillips, Peggy. Two women under water: A confession. Santa Barbara, CA: Fithian Press, 1998.

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Jane Dolinger: The adventurous life of an American travel writer. New York: Palgrave Macmillan, 2010.

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Bird, Isabella L. (Isabella Lucy), 1831-1904, Dixie Florence Lady 1857-1905, Kingsley Mary Henrietta 1862-1900, Savory Isabel, and Le Blond, Aubrey, Mrs., d. 1934, eds. The right sort of woman: Victorian travel writers and the fitness of an empire. Newcastle upon Tyne, UK: Cambridge Scholars, 2012.

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Le roman des voyageuses françaises, 1800-1900. Paris: Payot, 2007.

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Lapeyre, Françoise. Le roman des voyageuses françaises, 1800-1900. Paris: Payot, 2007.

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Fraser, Laura. All over the map. New York: Harmony Books, 2010.

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All over the map. New York: Harmony Books, 2010.

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Ich habe mich vor nichts im Leben gefürchtet: Die ungewöhnliche Geschichte der Therese Prinzessin von Bayern, 1850-1925. München: C.H. Beck, 2011.

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Speaking out: A memoir. Tucson, AZ: Pepper Pub., 2004.

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Book chapters on the topic "Women travel writers"

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Garner, Katie. "Next Steps: Recovering the Arthurian Past in Women’s Travel and Topographical Writing." In Romantic Women Writers and Arthurian Legend, 115–62. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-59712-0_4.

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Franey, Laura E. "“Tongues Cocked and Loaded”: Women Travel Writers and Verbal Violence." In Victorian Travel Writing and Imperial Violence, 147–71. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230510036_6.

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Chaudhuri, Nupur. "The Indian Other: Reactions of Two Anglo-Indian Women Travel Writers, Eliza Fay and A.U." In Women and the Colonial Gaze, 125–34. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230523418_11.

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Sussex, Lucy. "A Jill-of-All-Writing-Trades: Metta Victoria Fuller Victor (‘Seeley Regester’)." In Women Writers and Detectives in Nineteenth-Century Crime Fiction, 142–63. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230289406_9.

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Kato, Daniela. "‘I write the truth as I see it’: Unsettling the Boundaries of Gender, Travel Writing and Ethnography in Isabella Bird’s Unbeaten Tracks in Japan." In Women in Transit through Literary Liminal Spaces, 77–90. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137330475_6.

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Smith, Angela K. "Travel writers and romantics?" In British Women of the Eastern Front, 32–57. Manchester University Press, 2016. http://dx.doi.org/10.7228/manchester/9780719096181.003.0002.

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Smith, Angela K. "Travel writers and romantics?" In British women of the Eastern Front. Manchester University Press, 2016. http://dx.doi.org/10.7765/9781526100023.00008.

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Mulligan, Maureen. "Women Travel Writers and the Question of Veracity." In Women, Travel Writing, and Truth, 171–84. Routledge, 2014. http://dx.doi.org/10.4324/9781315776361-12.

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Capancioni, Claudia. "Victorian Women Writers and the Truth of “the Other Side of Italy”." In Women, Travel Writing, and Truth, 109–21. Routledge, 2014. http://dx.doi.org/10.4324/9781315776361-8.

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"1. Victorian Women Travel Writers And The Positioning Of Japan In The Genre Of Travel." In Victorian Women Travellers in Meiji Japan, 25–41. Global Oriental, 2009. http://dx.doi.org/10.1163/ej.9781905246731.i-327.12.

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