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Journal articles on the topic 'Women novelists'

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Published: 4 June 2021
Last updated: 29 July 2024

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1

Staves, Susan. "Women Writers ≠ Women Novelists." Tulsa Studies in Women's Literature 26, no. 1 (March 2007): 87–95. http://dx.doi.org/10.1353/tsw.2007.a220827.

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2

Nida Ansari. "Predicament of a Woman in Manju Kapur’s Home." Creative Launcher 4, no. 6 (February 29, 2020): 12–17. http://dx.doi.org/10.53032/tcl.2020.4.6.02.

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Manju Kapur is an Indian novelist. She was born on 25th October 1948. She is an archetypal representative of the postcolonial women novelists. She was a professor of English Literature at her alma mater at Miranda House College, Delhi. But she is retired from there. She joined the growing number of Indian women novelists, who have contributed to the progression of Indian fiction i.e. Shashi Deshpande, Arundhati Roy, Kamla Das, Geetha Hariharan, Anita Nair, Shobha De. Her novels reflect the position of women in the patriarchal society and the problems of women for their longing struggle in establishing their identity as an autonomous being. Her works not only gives voice to the society’s effort to improve its women population but it is for every woman’s self–consciousness in order to improve the society. She has written five novels, Difficult Daughters (1998), A Married Woman (2002), Home (2006), The Immigrant (2008), and Custody (2011). Kapur’s most memorable female characters are Virmati, Astha, Nisha, Nina, Shagun and so many others. All of them strive to assert themselves. These characters give us a rare glimpse of modernized Indian women who are in their aggression may enter into a scandalous relationship with her married neighbor, the professor or develop lesbian relationship as Virmati does in Difficult Daughters and Astha in A Married Woman. But Nisha in Home is different from her predecessors.
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3

Knapp, Bettina L., and Lucille Frackman Becker. "Twentieth-Century French Women Novelists." World Literature Today 64, no. 1 (1990): 74. http://dx.doi.org/10.2307/40145818.

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4

Kelly, Shirley. "The Dearth of Women Novelists." Books Ireland, no. 252 (2002): 233. http://dx.doi.org/10.2307/20632460.

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5

Rai, Swati. "Focus on Women Education in Early Indian English Novels." International Journal of English Literature and Social Sciences 7, no. 4 (2022): 029–31. http://dx.doi.org/10.22161/ijels.74.5.

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The paper focuses on the works written by early Indian writers throwing light on the condition, need and concern for women’s education. Keeping the patriarchy as root, the Indian women novelists made a debut after independence and started producing novels dealing with themes of family, dowry, child marriage, superstitious practices, education, purdah system and widow remarriage. With their personal experiences and suffrage women novelists have paved down the path for modern writers of the time. They represented their vision of a ‘New Women’, a woman who is courageous, educated, independent and liberated.
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6

Gakhar, Ashima. "Ecofeminist approaches of indian women novelists." ASIAN JOURNAL OF MULTIDIMENSIONAL RESEARCH 10, no. 4 (2021): 256–61. http://dx.doi.org/10.5958/2278-4853.2021.00237.8.

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7

Foster, David William, Paravisini-Gebert, Olga Torres-Seda, and Hilda van Neck-Yoder. "Caribbean women novelists: An annotated bibliography." Chasqui 22, no. 2 (1993): 161. http://dx.doi.org/10.2307/29741042.

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8

Al-Matrafi, Huda. "Power of the Saudi Woman's Novel From Silence to Empowerment." International Journal of Language and Literary Studies 5, no. 2 (July 15, 2023): 177–91. http://dx.doi.org/10.36892/ijlls.v5i2.1267.

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Against the backdrop of an extended history of Arab women’s silence in general, and Saudi women’s in particular, in the field of literature, this paper seeks to introduce the development of the Saudi female novelist’s voice and its progress. It traces the improvement of the Saudi female novelist chronologically, demonstrating how writing is an essential tool for self-identification and self-expression. An analysis is made of how novels by Saudi women writers have changed through recent decades and how Prince Mohammad Bin Salman's 2030 Vision initiative might be said to have empowered these voices expressed in fictional words. It introduces the significance of Saudi female novels and how they create new fictional environments that uncover the inner strength of women and highlight their individual and collective empowerment. This paper demonstrates how Saudi female novelists have been fully aware of the significant influence of novels as one artistic means of expression. Today, they can openly express their previously unspoken thoughts and feelings. Moreover, the paper addresses the important implications of their writing, i.e. the remarkable progress achieved in the Kingdom of Saudi Arabia.
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9

Lakanse, Obakanse. "Of Difficult Mothers and Rebellious Daughters: Investigating the Electra Complex in Contemporary Nigerian Feminist Fiction." NIU Journal of Social Sciences 9, no. 4 (December 31, 2023): 155–60. http://dx.doi.org/10.58709/niujss.v9i4.1769.

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Chimamanda Ngozi Adichie, Sefi Atta and Lola Shoneyin are undoubtedly three of the most celebrated feminist novelists in the contemporary Nigerian literature. These three women-writers have one thing in common – each has written at least a novel in which she employs the usual problematic relations between a mother figure and a daughter as a means of exploring feminism – inflected issues such as identity-construction, subjecthood, and patriarchy, etc. I am making reference to Adichie’s Half of a Yellow Sun, Atta’s Everything Good Will Come and Shoneyin’s The Secret Lives of Baba Segi’s Wives. These novelists thematize in various ways albeit unconsciously the Electra complex. This paper argues that it seems something of a paradox that these women – novelists in engaging in feminist critiques of patriarchy, should to some extent appear to do so through the agency of the difficult relationship between a mother-figure and a daughter even when no psychological exploration in the delineation of these characters appears to be intended in these novels. The paper aims to draw attention to each of these writers’ representation of certain aspects of the relations between the female protagonist of their respective novels, who appears to embody the novelist’s feminist values, and her parents, especially to the uneasy tensions that seem to exist between them. Keywords: Patriarchy, Feminism, The Electra Complex, The Symbolic Realm, The Unconscious
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10

Sankar, G., and L. Kamaraj. "SOCIAL REALISM AND PSYCHOLOGICAL TRANSFORMATION OF WOMEN PROTAGONIST IN NAYANTARA SAHGAL’S STORM IN CHANDIGARH AND A SITUATION IN NEW DELHI-A STUDY." Scholedge International Journal of Multidisciplinary & Allied Studies ISSN 2394-336X 5, no. 2 (February 28, 2018): 17. http://dx.doi.org/10.19085/journal.sijmas050201.

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The Research paper aims to focus on Nayantara Sahgal’s position in it as a novelist. It also discusses in detail a critical study of the social realism and Psychological Transformation with survival strategies of the woman protagonist in Nayantara Sahgal’s Storm in Chandigarh and A Situation in New Delhi. How Nayanara Sahgal’s writing was different from other Indian writers. During almost six decades of post-colonial history of Indian English fiction, a wide variety of novelists have emerged focusing attention on a multitude of social, economic, political, religious and spiritual issues faced by three conceding periods of human experience. With the turn of the century the Indian English novelists have surpassed their male counterparts outnumbering hem quantitatively as well as maintaining a high standard of literary writing, equally applauded in India and abroad, experimenting boldly with not only technique but also incorporating tabooed subject matters in their novels and short stories.
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11

Booth, Alison, and Isabel Bielat. "A Mid-Range Team of Rivals: Women Novelists in the Collective Biographies of Women Database." Victorian Studies 65, no. 1 (September 2022): 17–23. http://dx.doi.org/10.2979/victorianstudies.65.1.03.

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Abstract: A collaborative, interdisciplinary study (English, history) of the authors, subjects, contents, and substance of a key early collection of criticism of women novelists, tied to the Queen’s 1897 Jubilee. Famous or obscure women novelists assess the work of deceased peers, censuring most those who are now canonical. Attending to the style and orientation of particular chapters and some research in publishing history, we suggest varied textual and quantitative approaches, drawing on our database of 1,272 collective biographies of women to explore what we can discover from one book carefully contextualized, instead of distant reading in a much larger corpus.
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12

Booth, Alison, and Isabel Bielat. "A Mid-Range Team of Rivals: Women Novelists in the Collective Biographies of Women Database." Victorian Studies 65, no. 1 (September 2022): 17–23. http://dx.doi.org/10.2979/vic.2022.a901281.

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Abstract: A collaborative, interdisciplinary study (English, history) of the authors, subjects, contents, and substance of a key early collection of criticism of women novelists, tied to the Queen’s 1897 Jubilee. Famous or obscure women novelists assess the work of deceased peers, censuring most those who are now canonical. Attending to the style and orientation of particular chapters and some research in publishing history, we suggest varied textual and quantitative approaches, drawing on our database of 1,272 collective biographies of women to explore what we can discover from one book carefully contextualized, instead of distant reading in a much larger corpus.
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13

Woods, Richard D., Lizabeth Paravisini-Gebert, and Olga Torres-Seda. "Caribbean Women Novelists: An Annotated Critical Bibliography." Hispania 78, no. 1 (March 1995): 76. http://dx.doi.org/10.2307/345213.

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14

Ghosal, Pallabi. "Feminist Voices: Indian Women Novelists in English." International Journal of English Literature and Social Sciences 3, no. 4 (2018): 531–35. http://dx.doi.org/10.22161/ijels.3.4.9.

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15

Woods, Richard D., Lizabeth Paravisini-Gebert, and Olga Torres-Seda. "Caribbean Women Novelists: An Annotated Critical Bibliography." Hispania 77, no. 4 (December 1994): 827. http://dx.doi.org/10.2307/345725.

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16

Richetti, J. "Women Novelists and the Canon: Ingrained Misogyny?" Eighteenth-Century Life 34, no. 3 (September 27, 2010): 1–5. http://dx.doi.org/10.1215/00982601-2010-001.

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17

Andrews, Larry R., and Hazel V. Carby. "Reconstructing Womanhood: Early African-American Women Novelists." Contemporary Literature 32, no. 3 (1991): 439. http://dx.doi.org/10.2307/1208567.

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18

Holt, E. M. "Voices Revealed: Arab Women Novelists, 1898-2000." Comparative Literature 63, no. 4 (September 1, 2011): 454–56. http://dx.doi.org/10.1215/00104124-1444486.

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19

Culler, Jonathan. "Flaubert’s Provocation." Text Matters, no. 7 (October 16, 2017): 55–70. http://dx.doi.org/10.1515/texmat-2017-0003.

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Madame Bovary, which was scandalous in its own day for its focus on the adultery of a provincial woman, has had a strange, complex fate. Flaubert remade the image of the novelist, as pure artist, for whom style was all that mattered, and disrupted novelistic technique, in ways that critics and writers have found exemplary, treating this as the novel novelists cannot overlook; yet for readers Madame Bovary is not a “book about nothing” but provides a searing portrait of provincial life and of the condition of women. The vividness and complexity of the character Flaubert created here made Emma a type: a sufferer of “Bovarysme.” Flaubert’s revolutionary notion that a trivial subject was as good as a noble subject for a serious novel was taken to be connected to the democratic notion that every human subject is as worthy as another and allowed to have desires. Yet, while promoting Emma as a valid subject of literature, equal to others, Flaubert writes against the attempt to democratize art, to make it enter every life, and renders trivial the manifestations of this subject’s desires, while making her an exemplary figure.
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20

Alkhafaji, Hameed Abdulameer Hameed. "FEMININE HEROES: THE WOMAN’S MAN IN A LITERATURE OF THEIR OWN: BRITISH WOMEN NOVELISTS FROM BRONTE TO LESSING, BY ELAINE SHOWALTER." American Journal of Interdisciplinary Innovations and Research 6, no. 6 (June 1, 2024): 5–6. http://dx.doi.org/10.37547/tajiir/volume06issue06-01.

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The chapter V highlights the feminine perspective of women novelists when they present the man in their novels. In another word, the novelists have described the man through “female glasses” which didn’t care much of the realty. That’s why the term “Woman’s Man” has embodied what mentioned recently.
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21

Alkhafaji, Hameed Abdulameer Hameed. "FEMININE HEROES: THE WOMAN’S MAN IN A LITERATURE OF THEIR OWN: BRITISH WOMEN NOVELISTS FROM BRONTE TO LESSING, BY ELAINE SHOWALTER." American Journal of Interdisciplinary Innovations and Research 6, no. 6 (June 1, 2024): 5–6. http://dx.doi.org/10.37547/tajiir/volume06issue06-02.

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The chapter V highlights the feminine perspective of women novelists when they present the man in their novels. In another word, the novelists have described the man through “female glasses” which didn’t care much of the realty. That’s why the term “Woman’s Man” has embodied what mentioned recently.
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22

Rose, Ellen Cronan, and Lorna Sage. "Women in the House of Fiction: Post-War Women Novelists." Tulsa Studies in Women's Literature 13, no. 1 (1994): 189. http://dx.doi.org/10.2307/463873.

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23

Dr. Firdusa Begum. "Women Novelist from North East India: A study of Jahnavi Barua’s Rebirth and Undertow." Research Ambition an International Multidisciplinary e-Journal 7, no. III (November 30, 2022): 05–07. http://dx.doi.org/10.53724/ambition/v7n3.03.

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The writings from North East India have captured much popularity in contemporary times. The writings with their varied themes of multi-ethnic and multi-lingual cultures have raised curiosity and attracted readers from all over the country and abroad. In the emerging writings from North East India, women novelists have contributed a lot to enrich the literature from different aspects. The women novelists like Easterine Kire, Temsula Ao, Mitra Phukan, Jahnavi Barua, Mamang Dai, and others have enriched the literature of the region with their contributions. The novels produced by these women novelists carry different concerns like love for nature, myth, tradition, culture, conflict, violence, and silenced voices, etc., which are true to the region. This paper attempts to focus on the different themes of Jahnavi Barua’s novels Rebirth and Undertow.
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24

Mooney, Sinéad, and Lisbet Kickham. "Protestant Women Novelists and Irish Society 1879-1922." Modern Language Review 101, no. 4 (October 1, 2006): 1099. http://dx.doi.org/10.2307/20467057.

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25

Thaddeus, Janice Farrar, Mary Anne Schofield, and Cecilia Macheski. "Fetter'd or Free? British Women Novelists, 1670-1815." Eighteenth-Century Studies 20, no. 4 (1987): 520. http://dx.doi.org/10.2307/2738788.

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26

Ikegami, Robin, and Eleanor Ty. "Unsex'd Revolutionaries: Five Women Novelists of the 1790s." Studies in Romanticism 36, no. 1 (1997): 143. http://dx.doi.org/10.2307/25601219.

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27

Allen, Roger, and Joseph T. Zeidan. "Arab Women Novelists: The Formative Years and beyond." Journal of the American Oriental Society 117, no. 3 (July 1997): 589. http://dx.doi.org/10.2307/605272.

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28

Steeves, Edna L., Mary Anne Schofield, and Cecilia Macheski. "Fetter'd or Free? British Women Novelists 1670-1815." Modern Language Studies 18, no. 1 (1988): 199. http://dx.doi.org/10.2307/3194713.

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29

Watkins, S. "Post-War British Women Novelists and the Canon." Contemporary Women's Writing 7, no. 2 (May 18, 2012): 223–26. http://dx.doi.org/10.1093/cww/vps006.

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30

P. Geetha Davenci. "Interrogating the Muteness in Lavanya Sankaran’s The Hope Factory." Shanlax International Journal of English 12, S1-Dec (December 14, 2023): 208–11. http://dx.doi.org/10.34293/rtdh.v12is1-dec.91.

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Indian women authors who write in English represent the realities of India in the current Indian literary scene. They have a lot of duties in the literary community. As researchers in anthropology sociologists, novelists, essayists, and travel writers, they carry out their duties with remarkable skill and then assume worldwide responsibility for promoting peace in their capacity as ambassadors. Additionally, they have created the odd contradiction of reading and appreciating how skillfully they address the problems of sexual harassment of women in post-colonial and postmodern contexts, including rape and the exploitation of Indian women in modern society. The autobiography of The Red Carpet novelist Lavanya Sankaran describes her journey from an ordinary lady to a writer. She desired to tell tales in which she would be able to identify the characters.
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31

Maghami, Nazanin, and Bahloul Salmani. "The Sociocultural Function of Translation: A Study of Simin Daneshvar’s Stories Sociocultural Aspects." English Language and Literature Studies 10, no. 4 (November 13, 2020): 7. http://dx.doi.org/10.5539/ells.v10n4p7.

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The term “gender” is a load concept in translation studies. The present study focuses on stories written by Simin Daneshvar (1921-2012), a contemporary Iranian female translator and novelist, in order to explore how the visibility of women in the Iranian culture and community after a long patriarchal era has changed the community’s thoughts about women. The method used for this study was qualitative with the interpretive approach. The corpus consisted of five Persian stories, Wandering Island, Wandering Cameleer, The Quenched Fire, Ask from Birds of Passenger and Suvashun by Daneshvar, who has contributed to the promotion of Iranian women’s sociocultural status during the contemporary era. The results proved that women translators and novelists had endured the hardships of sociocultural changes and made it possible for the modern Iranian women to make themselves visible in their social context.
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32

Dr. Gajendra Dutt Sharma. "Delineation of Male Characters and Sensibilities in the Novels of Manju Kapur: A Critical Analysis." Creative Launcher 7, no. 1 (February 28, 2022): 51–62. http://dx.doi.org/10.53032/tcl.2022.7.1.09.

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The research article aims to analyse the delineation of male characters in the novels of Manju Kapur. It tries to highlight the image of male characters from the perspective of a woman writer, who happens to be a feminist. In contemporary Indian English fiction dominated by women writers the primary focus is on the representation of women characters and addressing their sensibilities, their plight and place in patriarchal setting. As such, the male characters have been presented either with less vigour or as typical chauvinistic individual, responsible for the ordeals of women in society. In very few novels by women novelists in modern scenario do we find the sympathetic treatment given to the male characters. Considering this aspect of modern Indo-Anglian fiction, the article endeavours to examine the portrayal of male characters in women centric novels, by a woman writer. The qualitative method has been used to deduce how much and how sympathetic treatment has been given to the male characters by the novelist. In order to analyse the representation of men, Manju Kapoor's Difficult Daughters (1998), A Married Woman (2003), Home (2006), and The Immigrant (2008) have been brought under study. A comparison between the representation of men in the novels by men writers and that in the novels by women writers has been taken into consideration in order to draw an objective and unbiased conclusion.
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33

Walia, Gurdeep Singh. "Identification of Gender Based Discriminations in the Post-Colonial Novels of the Representative Indian English Novelists." International Journal of English and Comparative Literary Studies 4, no. 1 (June 4, 2023): 1–9. http://dx.doi.org/10.47631/ijecls.v4i1.554.

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The idea of gender based inequalities implies that in India, a gap in health, education, economy and political participation occurs between men and women. In India, gender based discrimination is a part and parcel of people’s life. Perhaps, due to this reason, The Global Gender Gap Report of 2013 ranks India high, on the inequality indices. Women have equal rights under the law to own property and receive equal inheritance rights, but in practice, women are at a disadvantage. However, this research paper aims to explore the issue with reference to the chronology of the Indian English Novels, authored by the Indian writers, who preferred English language as the medium of their literary creation. This paper tends to identify the gender based discriminations and their manner of execution in the novels of the prominent novelists of the post-independence era, from mid twentieth century to the present times. The most important reason to consider the post-independent Indian English novelists is that the case studies related to the issues began to intensify after the few decades of the independence. Recently, in the literary, social and electronic media realms the issues, like subjugation and exploitation of women are being openly discussed. Moreover, the present book too has given the place to these gender based issues among the other titles. Though, due to spatial constraints it was not possible to discuss all the writers, but the novels of the prominent Indian English novelist of international repute have been included in this paper.
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34

Anggaira, Aria Septi. "CITRA PEREMPUAN DALAM NOVEL YUSUF ZULAIKHA KARYA ABIDAH EL KHALIEQY." SETARA: Jurnal Studi Gender dan Anak 2, no. 2 (December 1, 2020): 1. http://dx.doi.org/10.32332/jsga.v2i2.2451.

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Gender inequalities has become an interesting topic for novelists to be their literary works. One of the novelists who like to discuss this topic is Abidah El Khaileqy. This was a literary research from Abidah El Khaileqy with a descriptive qualitative approach using content analysis methods. The purpose of this research was to examine the image of the main female character in Yusuf Zulaikha's novel related to the perspective of life and the struggle for women's lives. The data in this study were the results of the analysis of the novel Yusuf Zulaikha by Abidah El Khalieqy consisting of words, sentences, character descriptions, and dialogue between figures who describe and interpret the views of women and the life struggles of women. Based on the analysis, 72 data were obtained related to the views of life of women and the life struggles of women in the form of quotes. Zulaikha is imaged as a woman who is steadfast and patient in supporting life. Zulaikha is also imaged as a woman with a strong view and principle of life, with a winding journey of love, and with determination in the struggle to enjoy life. In addition, Zulaikhaa is also imaged for her struggle against stereotypes against women and her struggle against physical/ emotional violence.
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35

Dr. Charu Mehrotra. "Women in Different Dimensions in Margaret Atwood and Anita Desai." Creative Launcher 5, no. 6 (February 28, 2021): 235–38. http://dx.doi.org/10.53032/tcl.2021.5.6.33.

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In Margaret Atwood's novel The Edible Woman and Anita Desai's novels Cry, the Peacock, Voices in the City and Where Shall We Go This Summer? attempts have been made by some women characters to 'liberate' themselves from and to find alternatives to the institution of marriage. A study of the careers of these women characters enables one to arrive at the attitudes of these two women novelists towards the institution of marriage and the women's liberation movement.
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36

Landau, Leya. "The Metropolis and Women Novelists in the Romantic Period." Romanticism 14, no. 2 (July 2008): 119–32. http://dx.doi.org/10.3366/e1354991x08000238.

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37

Kitch, Sally L., and Missy Dehn Kubitschek. "Claiming the Heritage: African-American Women Novelists and History." Tulsa Studies in Women's Literature 11, no. 1 (1992): 128. http://dx.doi.org/10.2307/463788.

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38

Bruno, Maria, and Missy Dehn Kubitschek. "Claiming the Heritage: African-American Women Novelists and History." American Literature 64, no. 1 (March 1992): 191. http://dx.doi.org/10.2307/2927524.

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39

Fultz, Lucille P., and Missy Dehn Kubitschek. "Claiming the Heritage: African-American Women Novelists and History." Journal of Southern History 58, no. 4 (November 1992): 759. http://dx.doi.org/10.2307/2210848.

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40

Evans, Mary, Gaye Tuchman, and Nina E. Fortin. "Edging Women Out: Victorian Novelists, Publishers, and Social Change." American Historical Review 96, no. 1 (February 1991): 169. http://dx.doi.org/10.2307/2164084.

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41

McDowell, Deborah E. ""The Changing Same": Generational Connections and Black Women Novelists." New Literary History 18, no. 2 (1987): 281. http://dx.doi.org/10.2307/468730.

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42

Gallagher, Catherine, Gaye Tuchman, and Nina E. Fortin. "Edging Women Out: Victorian Novelists, Publishers, and Social Change." Comparative Literature 44, no. 3 (1992): 322. http://dx.doi.org/10.2307/1770867.

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43

Sale, Maggie, and Missy Dehn Kubitschek. "Claiming the Heritage: African-American Women Novelists and History." Journal of American History 78, no. 4 (March 1992): 1471. http://dx.doi.org/10.2307/2079429.

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44

Scott, Joyce H. "Claiming the Heritage: African-American Women Novelists and History." Studies in American Fiction 22, no. 2 (1994): 255–56. http://dx.doi.org/10.1353/saf.1994.0014.

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45

Stark, Helen. "The Female Romantics: Nineteenth-Century Women Novelists and Byronism." Women's Writing 22, no. 4 (March 13, 2015): 536–38. http://dx.doi.org/10.1080/09699082.2015.1020740.

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46

Albinski, Nan Bowman. "Utopia Reconsidered: Women Novelists and Nineteenth-Century Utopian Visions." Signs: Journal of Women in Culture and Society 13, no. 4 (July 1988): 830–41. http://dx.doi.org/10.1086/494470.

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47

Fowler, Kathleen. "Edging women out: Victorian novelists, publishers and social change." Women's Studies International Forum 14, no. 1-2 (January 1991): 118–19. http://dx.doi.org/10.1016/0277-5395(91)90097-2.

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48

Doan, Laura L. "Six Women Novelists, and: Women Novelists Today: A Survey of English Writing in the Seventies and Eighties (review)." MFS Modern Fiction Studies 35, no. 2 (1989): 395–97. http://dx.doi.org/10.1353/mfs.0.0898.

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49

Gupta, Anjana. "Concept of ‘New Woman’ and Indian Women Fiction Writers." International Journal of Scientific & Engineering Research 12, no. 05 (May 25, 2021): 743–53. http://dx.doi.org/10.14299/ijser.2021.05.09.

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Abstract:
Literature is one of human creativity that has universal meaning as one of the way to communicate each other about the emotional , spiritual and intellectual experiences that needed to build up intellectual and moral knowledge of mankind . A creative writer has the perception and the analytical mind of a sociologist who provides an exact record of human life, society, and social system. Fiction , being the most powerful form of literary expression today, has acquired a prestigious position in Indian literature. Indian women novelists in English and in other vernaculars try their best to deal with , apart from many other things , the pathetic plight of forsaken women who are fated to suffer from birth to death.
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50

Fryckstedt, Monica Correa. "Defining the Domestic Genre: English Women Novelists of the 1850s." Tulsa Studies in Women's Literature 6, no. 1 (1987): 9. http://dx.doi.org/10.2307/464157.

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