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Relevant bibliographies by topics / Women – Ireland – Poetry / Books

Books on the topic 'Women – Ireland – Poetry'

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Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2024

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1

Durcan, Paul. Crazy about women: Poems. Dublin: National Gallery of Ireland, 1991.

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2

Dilworth, Rachel. The wild rose asylum: Poems of the Magdalen laundries of Ireland. Akron, Ohio: University of Akron Press, 2010.

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3

Dilworth, Rachel. The wild rose asylum: Poems of the Magdalen laundries of Ireland. Akron, Ohio: University of Akron Press, 2010.

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4

Merriman, Brian. The midnight court: A new translation of "Cúirt an mheán oíche". Winston-Salem, NC: Wake Forest University Press, 2006.

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5

Merriman, Brian. The midnight court =: Cúirt an mheán oíche. Cork: Mercier Press, 1999.

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6

Merriman, Brian. The midnight court: A new translation of "Cúirt an mheán oíche". Winston-Salem, NC: Wake Forest University Press, 2006.

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7

Merriman, Brian. The midnight court =: Cúirt an mheán oíche : a critical edition. Syracuse, N.Y: Syracuse University Press, 2011.

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8

Merriman, Brian. Cuirt an mhean-oiche =: The midnight court. 3rd ed. Cork: Mercier Press, 1986.

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9

Wilson, Rebecca E. Sleeping with monsters: Conversations with Scottish and Irish women poets. Dublin: Wolfhound Press, 1990.

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10

Cullingford, Elizabeth. Gender and history in Yeats's love poetry. Cambridge [England]: Cambridge University Press, 1993.

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11

O'Mahony, Nessa. In sight of home. Cliffs of Moher, County Clare, Ireland: Salmon Poetry, 2009.

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12

O'Mahony, Nessa. In sight of home. Cliffs of Moher, County Clare, Ireland: Salmon Poetry, 2009.

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13

Gonne, Maud. The Gonne-Yeats letters 1893-1938: Always your friend. London: Hutchinson, 1992.

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14

Varty, Anne. Women, Poetry and the Voice of a Nation. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474489843.001.0001.

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This book explores how poetry by women acquired the public authority necessary to take on a role in the cultural leadership of the United Kingdom and Ireland. By scrutinising the careers of four poets, Gillian Clarke, Carol Ann Duffy, Liz Lochhead and Paula Meehan, it assesses how each one was elected to Poet Laureate or National Poet roles and what changed as a result of their concurrent tenures in these public offices during 2013-2016. It presents historic rifts between women, poetry and nation which prevailed before and during the twentieth century and which contributed to the marginalisation of women’s voices. It looks at how the careers of these poets accommodated campaigns for inclusive and diverse poetic voices and subject matters which overturned a 400 year exclusion of women from the UK laureate role. The book explores how poetry by Clarke, Duffy, Lochhead and Meehan intervenes in questions of contemporary geopolitics and national self-understanding, particularly in light of the 2014 referendum on Scottish independence, and the 2016 referendum on Brexit. The authority of their poetry extends to the prescribed study of their works on school curricula, and this book examines the often fraught relationship between these poets’ work, and the way it has been placed on the school syllabus. It considers how their pioneering careers help to shape the articulation of national belonging in four-nations Britain and Ireland, and cultural landscapes of the future.

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15

Collins, Lucy. Poetry by Women in Ireland: A Critical Anthology 1870-1970. Liverpool University Press, 2012.

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16

Collins, Lucy. Poetry by Women in Ireland: A Critical Anthology 1870-1970. Liverpool University Press, 2014.

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17

Poetry by Women in Ireland: A Critical Anthology 1870-1970. Liverpool University Press, 2012.

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18

Boland, Eavan. Object Lessons. Vintage Books, 1996.

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19

Boland, Eavan. Object Lessons: The Life of the Woman and the Poet in Our Time. W. W. Norton & Company, 1996.

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20

Boland, Eavan. Object Lessons: The Life of the Woman and the Poet in Our Time. W. W. Norton & Company, 1996.

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21

Wills, Clair. Improprieties: Politics and Sexuality in Northern Irish Poetry. Oxford University Press, USA, 1994.

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22

Merriman, Brian. The Midnight Court: A New Translation of "Cuirt an Mhean Oiche" by Brian Merriman. Gallery Press, 2005.

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23

Merriman, Brian. The Midnight Court. The Gallery Press, 2005.

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24

Merriman, Brian. The Midnight Court. O'Brien Press, 1998.

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25

Merriman, Brian. The Midnight Court (Mercier bi-lingual). Mercier Press, 1990.

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26

Midnight Court. O'Brien Press, Limited, The, 2014.

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27

Cúirt an Mheán Oiche. Comhar Teoranta, 2017.

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28

Merriman, Brian. Midnight Court. Learning Links, 1990.

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29

Cuirt an Mheon-Oiche. An Clochomhar Tta, 2001.

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30

Le TRIBUNAL DE MINUIT. Paris: Editions L'Harmattan, 2000.

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31

Merriman, Brian. The Midnight Court/Cuirt an Mhean Oiche. Independent Pub Group, 1998.

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32

Notes to Self: Essays. Dial Press Trade Paperback, 2019.

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33

Kendime Notlar. Domingo Yayinevi, 2021.

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34

Pine, Emilie. Notes to Self. Penguin Books, Limited, 2019.

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35

Pine, Emilie. Notes to Self. Whole Story Audio Books, 2019.

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36

Pine, Emilie. Notes to Self. Penguin Books, Limited, 2019.

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37

Todo lo que no puedo decir. Random House, 2019.

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38

Apunts personals. L'Altra Editorial, 2020.

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39

Notes à usage personnel. DELCOURT LITT, 2019.

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40

Notes to Self. Penguin Books, Limited, 2019.

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41

Alles wat ik niet kan zeggen. Nieuw Amsterdam, 2019.

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42

Eva Gore-Booth: An image of such politics. Manchester University Press, 2012.

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43

Eva Gore-Booth: Collected Poems. Arlen House, 2018.

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44

Tiernan, Sonja. Eva Gore-Booth: An Image of Such Politics. Manchester University Press, 2013.

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45

Tiernan, Sonja. Eva Gore-Booth: An Image of Such Politics. Manchester University Press, 2012.

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46

Roberts, Wendy Raphael. Awakening Verse. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197510278.001.0001.

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Beginning with Isaac Watts’s Horae Lyricae (1706) and concluding with the burgeoning poetic print culture of the early nineteenth century, Awakening Verse unfolds how evangelical ministers, itinerants, and laypeople in colonial British North America capaciously engaged prevailing ideas about literary taste and created a distinct transatlantic poetics grounded in Watts’s notion of the “plainest capacity.” From the evangelical women who were instrumental in the development of bountiful verse ministries and the creation of poetic coteries to the itinerant ministers for whom poetics and its attendant sociability were central, evangelicals produced new forms of the “poet-minister,” “print itinerancy,” and “espousal poetics” that emerged as crucial practices of revivalism and facilitated rearrangements of ecclesiastical, gendered, and racialized authority. Well-known poet-ministers, such as the Scottish Ralph Erskine, the Bostonian Sarah Moorhead, and the Virginian James Ireland, reimagined formal poetic elements in the service of saving souls. Others, like Samuel Davies and Phillis Wheatley, became enmeshed in critical debates over the racialization of evangelical verse. Countless others, in print and in manuscript, joined with Watts to save poetry from its “profligate” uses. Awakening Verse shows that American literary and religious histories that regularly exclude one hundred years of verse severely impoverish the understanding of early evangelicalism and American poetry. Taking revival poets and their verse as seriously as they and their contemporaries did provides an entirely new understanding of eighteenth-century evangelical and literary culture, one in which poetry serves as one of the primary actors in the creation, maintenance, and adaptation of evangelical culture and religious enthusiasm animates American poetics.

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47

McCabe, Richard A. Spenser's Monstrous Regiment: Elizabethan Ireland and the Poetics of Difference. Oxford University Press, USA, 2005.

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48

Ireland's Legendary Women. Arlen House, 2016.

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49

Spenser's monstrous regiment: Elizabethan Ireland and the poetics of difference. Oxford: Oxford University Press, 2002.

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50

Boland, Eavan. Object Lessons. Carcanet Press, 2006.

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