Dissertations / Theses on the topic 'Women in war – Fiction'
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Briggs, Marlene Anne. "The Great War and British fiction by women, 1917-1925." Thesis, University of Ottawa (Canada), 1993. http://hdl.handle.net/10393/6667.
Full textEmanuel, Elizabeth Frances. "Writing the oriental woman : an examination of the representation of Japanese women in contemporary Australian crime fiction." Thesis, Queensland University of Technology, 2009. https://eprints.qut.edu.au/64475/1/Elizabeth_Emanuel_Exegesis.pdf.
Full textSaeger, J'Leen Manning. "The recuperation of historic memory recognizing suppressed female voices from the Spanish Civil War and Francoist repression /." Diss., [Riverside, Calif.] : University of California, Riverside, 2009. http://proquest.umi.com/pqdweb?index=1&did=1957395191&SrchMode=2&sid=12&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1270050392&clientId=48051.
Full textIncludes abstract. Title from first page of PDF file (viewed March 31, 2010). Available via ProQuest Digital Dissertations. Includes bibliographical references (p. 267-283). Also issued in print.
Bernstein, Sarah. "Social-scientific imagination : the politics of welfare in fiction by women, 1949-1979." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/23493.
Full textWallace, Diana J. "Sisters and rivals : the theme of female rivalry in novels by women, 1914-1939." Thesis, Loughborough University, 1997. https://dspace.lboro.ac.uk/2134/10952.
Full textSerraf, Lola. "Writing the ‘People’s War’. Evaluating the myth of the blitz in british women’s fiction of the second World War." Doctoral thesis, Universitat Autònoma de Barcelona, 2018. http://hdl.handle.net/10803/664058.
Full textIn popular memory, civilians’ morale during the Blitz remained high, war production was little affected by the bombings and the will to fight the Nazis was stronger than ever in a classless, fraternal society. The ‘People’s War’ turned civilians into extraordinary heroes in their ordinary city life, as this new kind of ‘total war’ was fought equally as hard on the ‘frontline’ as on the ‘home front’. However, since the late 1980s, historians have started to question this seemingly idealised vision of the determined, invincible spirit of the Blitzed population. In The Myth of the Blitz, Angus Calder argues that the image of a nation united in adversity and resisting hardship was almost entirely constructed by the political propaganda of the 1940s. He believes it necessary to critically rethink the collective memory of the Blitz, stating that it has been ignoring ‘how frightening and confusing the period [...] was for the British people’ since ‘the Myth stands in our way’ (1991, p. 18). Taking as a point of departure Calder’s chapter ‘Formulations of Feeling’, the main objective of my thesis is to oppose the historian’s idea that writers during the Second World War had a very limited ability to produce work that stood outside the People’s War rhetoric. Calder explains that although ‘the writer […] is in a position to defy the myth’s status as an adequate and convincing account of human feeling and behaviour’, unfortunately only few ‘work outside the myth’s paradigm’ (1991, pp. 143-144). Whilst it is true that literature ‘was conscripted into the war effort’ by a government that ‘enshrined [it] as a democratic principle’ (Hartley, 1997, pp. 6-7), I believe too reductive Angus Calder and Mark Rawlinson’s argument according to which ‘the character of wartime writing was strongly determined by its relations to the discourses with which, in the broadest sense, Britain’s war effort was administered’ (Rawlinson, 2000, p. 205). I contend that it is unwise to consider that authors writing in a time of overwhelming social and cultural propaganda could not critically reflect on their surroundings and solely contributed to a literature that aimed to form a coherent defence of war. This thesis is therefore one of the first pieces of research to take Angus Calder’s theoretical framework of the ‘myth of the Blitz’ as the main point of reference to discuss lesser known women’s texts of the 1940s. In his study, Calder deconstructs the ‘myth’ by confronting it with historical facts. In my thesis, I follow the same method by comparing specific values of the ‘People’s WaR4 rhetoric against the literary production of women writers. I have selected three main aspects of Calder’s work crucial to his definition of the constructed and superficial rhetoric of the ‘Blitz Spirit’: ‘class’, ‘patriotism’, and the more abstract ‘representation of the hurt body’. I analyse several novels by different authors in three separate chapters dedicated to each theme. Through the close reading of the nine texts I focus on, my aim is to shed light on forgotten authors who produced works that present us with a vision of the war that questions, and even challenged the propaganda setting they were written in. My main objective is to help place women writers in a category of valuable, talented and recognised war writers by highlighting their ability to maintain their individuality and capacity to criticise even when surrounded with Churchill’s very forceful propaganda.
De, Wet Michelle. "Fiction en tant qu histoire: une etude de l evolution des roles de la femme dans le vingtieme siecle dans le roman La Poussiere des Corons par Marie-Paul Armand." Thesis, Nelson Mandela Metropolitan University, 2011. http://hdl.handle.net/10948/d1008392.
Full textCooper, Valerie Y. "The crying of the blood : a collection of short stories." Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1337191.
Full textDepartment of English
Kashou, Hanan Hussam. "War and Exile In Contemporary Iraqi Women’s Novels." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1386038139.
Full textPark, Sowon S. "Fiction and politics in the suffragette era." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365634.
Full textDudas, Timea <1990>. "The Representation of Women in British First World War Propaganda and Fiction: Identities of women in Non-Combatants and Others by Rose Macaulay and Testament of Youth by Vera Brittain." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/9116.
Full textMcQuain, Kelly. "Cheat River." ScholarWorks@UNO, 2007. http://scholarworks.uno.edu/td/1065.
Full textMartin, Tamra Artelia. "The fates of Clytemnestra and Cassandra." Honors in the Major Thesis, University of Central Florida, 2009. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1302.
Full textBachelors
Arts and Humanities
English
Hale, Frederick. "Literary challenges to the heroic myth of the Voortrekkers : H.P. Lamont's War, wine and women and Stuart Cloete's Turning wheels." Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52325.
Full textENGLISH ABSTRACT: This dissertation is an interdisciplinary study of various historical novels which dealt to a greater or lesser degree with the Great Trek and were written between the 1840s and the 1930s in Dutch, Afrikaans and English but with particular emphasis on H.P. Lamont's War, Wine and Women and Stuart Cloete's Turning Wheels (1937). The analysis of all these fictional reconstructions focuses on the portrayal of the Voortrekkers found in them. Much attention is also paid to the historical contexts in which the two principal works in question were written and the great controversies which they occasioned because both of their authors had had the temerity to challenge the long-established myth of the heroic Voortrekkers, one of the holiest of the iconic cows in the barns of their Afrikaner descendants. Chapter I, "Introduction", is a statement of the purpose of the study, its place in the context of analyses of the history of Afrikaner nationalism, its structure and the sources on which it is based. Chapter II, "The Unfolding of the Myth of the Heroic Voortrekkers", traces its evolution from the 1830s to the 1930s and explores how both English-speaking South Africans and Afrikaners, especially Gustav PrelIer, purposefully contributed to it. Also highlighted in this chapter is the significance of the Great Trek Centenary and the events leading up to it in the middle and late 1930s in intensifying Afrikaner nationalism. Chapter III, "The Heroic Myth in Early Dutch and Afrikaans Novels about the Great Trek", considers especially how these works were used as vehicles for placing before Afrikaners the historic virtues of their ancestors both to provide models for emulation and to stimulate their ethnic pride. Chapter IV, "Sympathetic English Reconstructions of the Great Trek", deals with two novels, Eugenie de Kalb's Far Enough and Francis Brett Young's They Seek a Country, both of which reproduced the heroic myth to some extent. Chapter V, "Rendezvous with Disaster? The South Africa in Which Lamont Wrote War, Wine and Women" establishes the context of intensifying Afrikaner nationalism which this immigrant from the United Kingdom encountered in the late 1920s when he accepted a lectureship at the University of Pretoria and why this context was hostile to a novel which was critical of Afrikanerdom. Chapter VI, "Wa1~ Wine and Women: Its General Context and Commentary on South Africa" explores how this work, conceived as a "war book" dealing with the 1914-1918 conflict in Europe, depicted both Englishmen and Afrikaners negatively. Chapter VII, "Academic Freedom vs. Afrikaner Nationalism: The Consequential Strife over War, Wine and Women" deals with the hostile reception of Lamont's pseudonymously published novel, the physical assault on him and his dismissal from his lectureship at the University of Pretoria. Chapter VIII, "The Rhetoric of Revenge in Lamont's Halcyon Days in Africa", explores how the author, after relurning lo England, used his pen as a weapon for striking back al his Afrikaans foes in South Africa. Chapter IX, "Stuart Cloete's Portrayal of the Voortrekkers in Turning U'heels", focuses on the portrayal of various ethnic types in his gallery of characters. Chapter X, "The Con troversy over Turning U'heels", handles the hostile and apparently orchestrated reaction to Cloete's book and how it was eventually banned. Chapter XI, "Conclusion: Quod Eral Demonstrandum", summarises several thematic findings which a detailed examination of the novels in their historical context yields.
AFRIKAANSE OPSOMMING: Hierdie verhandeling is 'n interdissiplinêre studie van verskeie historiese romans waarin daar in 'n mindere ofmeerdere mate op die Groot Trek gefokus word en wat geskryfis tussen die 1840's en die 1930's in Nederlands, Afrikaans en Engels, maar met die klem op H. P. Lamont se War, Wine and Wamen en Stuart Cloete se Turning Wheels (1937) in die besonder. Die analise van al hierdie fiktiewe rekonstruksies fokus op die uitbeelding van die Voortrekkers daarin. Daar word ook in die besonder aandag gegee aan die historiese kontekste waarbinne hierdie twee hoofwerke geskryfis en die groot polemiek daarrondom, omdat beide outeurs die vermetelheid gehad het om die lank reeds gevestigde mite van die heldhaftige Voortrekkers, een van die heiligste ikoniese koeie in die skure van die Afrikanernageslagte, uit te daag. Hoofstuk I, "Introduction", stel die doel van die studie, waar dit staan in die konteks van analises van die geskiedenis van Afrikanernasionalisme, die skruktuur en die bronne waarop dit gebaseer is. Hoofstuk II, "The Unfolding of the Myth of the Herioc Voortrekkers", volg die evolusie van Afrikanernasionalisme van die 1830's tot die 1930's en ondersoek op beide Engelssprekende Suid-Afrikaners en Afrikaners, veral Gustav Preller, doelgerig hiertoe bygedra het. In hierdie hoofstuk word daar ook beklemtoon hoe betekenisvol die honderdjarige herdenking van die Groot Trek en die gebeure wat daartoe aanleiding gegee het gedurende die middel- en laat 1930's, bygedra het tot die versterking van Afrikanernasionalisme. Hoofstuk III, "The Heroic Myth in Early Dutch and Afrikaans Novels about the Great Trek", bespreek veral hoe hierdie werke gebruik is om aan Afrikaners die historiese deugsaamheid van hulle voorvaders voor te hou en wat as voorbeelde moet dien wat nagestreef moet word en om hulle etniese trots te stimuleer. Hoofstuk IV, "Sympathetic English Reconstructions of the Great Trek", bespreek twee romans, Far Enough van Eugenie de Kalb en TheySeek a Country van Francis Brett Young, wat altwee die heroïse mite in 'n sekere mate herproduseer. Hoofstuk V, "Rendezvous with Disaster? The South Africa in Which Lamont Wrote War, Wine and Women" vestig die konteks van groeiende Afrikanernasionalisme wat hierdie immigrant van die Verenigde Koninkryk in die laat 1920's teëgekom het toe hy 'n lektoraat aan die Universiteit van Pretoria aanvaar het, en hoekom hierdie konteks vyandiggesind was teenoor 'n roman wat krities was teenoor die Afrikanerdom. Hoofstuk VI, "Wa1~ Wine and Women: Its General Context and Commentary on South Africa" ondersoek hoe hierdie werk, beskou as 'n "oorlogsboek" wat handeloor die 1914-1918 konflik in Europa, beide die Engelse en die Afrikaners in 'n negatiewe lig gestel het. Hoofstuk VII, "Academic Freedom vs. Afrikaner Nationalism: The Consequential Strife over War, Wine and Women" skenk aandag aan die vyandige ontvangs van Lamont se roman (gepubliseer onder 'n skuilnaam), die fisieke aanval op hom en sy ontslag as lektor van die Universiteit van Pretoria. Hoofstuk VIII, "The Rhetoric of Revenge in Lamont's Halcyon Days inAfrica", ondersoekhoe die outeur, na hy na Engeland teruggekeer het, sy pen as wapen gebruik het in 'n teenaanval op sy Afrikaanse vyande in Suid-Afrika. Hoofstuk IX, "Stuart Cloete's Portrayal of the Voortrekkers in Turning Wheels", fokus op die uitbeelding van verskeie etniese tipes in sy gallery karakters. Hoofstuk X, "The Controversy over Tumng Wheels", bespreek die vyandige en klaarblyklike georkestreerde reaksie op Cloete se boek, en hoe dit uiteindelik verban is. Hoofstuk XI, "Conclusion: Quod Era! Demonstrandum", bied 'n opsomming van verskei tematiese bevindinge aan, wat deur 'n gedetaileerde ondersoek van die romans opgelewer is.
Buchberger, Michelle Philips. "Metafiction, historiography, and mythopoeia in the novels of John Fowles." Thesis, Brunel University, 2009. http://bura.brunel.ac.uk/handle/2438/6558.
Full textPiep, Karsten H. "Embattled Homefronts: Politics and Representation in American World War I Novels." Miami University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=miami1109634736.
Full textKato, Megumi Humanities & Social Sciences Australian Defence Force Academy UNSW. "Representations of Japan and Japanese people in Australian literature." Awarded by:University of New South Wales - Australian Defence Force Academy. School of Humanities and Social Sciences, 2005. http://handle.unsw.edu.au/1959.4/38718.
Full textPiep, Karsten H. "Embattled homefronts politics and representation in American World War I novels /." Oxford, Ohio : Miami University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1109634736.
Full textBindslev, Anne M. "Mrs. Humphry Ward a study in late-Victorian feminine consciousness and creative expression /." Doctoral thesis, Stockholm, Sweden : Almqvist & Wiksell International, 1985. http://books.google.com/books?id=l3ZbAAAAMAAJ.
Full textMilquet, Sophie. "Ecrire le traumatisme : mémoire féminine dans les fictions sur la guerre civile espagnole : représentations, formes, enjeux (1975-2010)." Thesis, Rennes 2, 2013. http://www.theses.fr/2013REN20022.
Full textThe current study explores the expression of women’s memory in literary works dealing with the Spanish Civil War (1936-1939) and Francoism. It focuses on the fictional narratives published between the end of the dictatorship (1975) and 2010, in French (Agustin Gomez-Arcos and Mercedes Deambrosis) and Spanish (Dulce Chacón Carme Riera, Josefina Aldecoa, Jesús Ferrero, Marifé Santiago Bolaños and Ángeles Caso).The thesis first conducts a global analysis on the representations of women’s experiences of war and repression. In thewriting of violence, struggle and resistance, the double political and gendered dimension emerges. The research focuses subsequently on the trauma representations, between pathological manifestations and ritual attempts, and shows how narrative can assume a ritual function.The « poetics of trauma » characterises various formal realisations, divided into three groups. Each of them embodies a possible space for the inscription of trauma : the generational link, the body and the voice. Special attention is given to the figure of the victim. Phenomena such as repetition and delinearisation, that appear at various levels, clarify the relationship that fictional narratives build with the past as well as their ethical and political positions in the democracy
Milquet, Sophie. "Ecrire le traumatisme: mémoire féminine dans les fictions sur la guerre civile espagnole :représentations, formes, enjeux, 1975-2011." Doctoral thesis, Universite Libre de Bruxelles, 2013. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209501.
Full textNous nous attachons d’abord à l’étude globale des représentations des expériences féminines de la guerre et de la répression. Dans l’écriture des violences subies comme dans celle des luttes et résistances, la double dimension politique et de genre émerge. L’analyse se resserre ensuite sur les représentations du traumatisme, entre manifestations pathologiques et tentatives de ritualisation. Nous montrons à cet égard comment le récit peut assumer une fonction rituelle.
La « poétique du traumatisme » mise au jour dans le corpus d’étude qualifie des réalisations formelles diverses, rassemblées en trois ensembles, correspondant à autant de lieux possibles d’ancrage du traumatisme :le rapport générationnel, le corps et la voix. Une attention spéciale est accordée à la figure de la victime. Des phénomènes tels que la répétition et la délinéarisation, apparaissant à divers niveaux du récit, éclairent le rapport que les fictions entretiennent avec le passé ainsi que leurs positions éthiques et politiques dans le présent de la démocratie.
The current study explores the expression of women’s memory in literary works dealing with the Spanish Civil War (1936-1939) and Francoism. It focuses on the fictional narratives published between the end of the dictatorship (1975) and 2010, in French (Agustin Gomez-Arcos and Mercedes Deambrosis) and Spanish (Dulce Chacón Carme Riera, Josefina Aldecoa, Jesús Ferrero, Marifé Santiago Bolaños and Ángeles Caso).
The thesis first conducts a global analysis on the representations of women’s experiences of war and repression. In the writing of violence, struggle and resistance, the double political and gendered dimension emerges. The research focuses subsequently on the trauma representations, between pathological manifestations and ritual attempts, and shows how narrative can assume a ritual function.
The « poetics of trauma » characterises various formal realisations, divided into three groups. Each of them embodies a possible space for the inscription of trauma :the generational link, the body and the voice. Special attention is given to the figure of the victim. Phenomena such as repetition and delinearisation, that appear at various levels, clarify the relationship that fictional narratives build with the past as well as their ethical and political positions in the democracy.
Doctorat en Langues et lettres
info:eu-repo/semantics/nonPublished
Volz, Jessica A. "Vision, fiction and depiction : the forms and functions of visuality in the novels of Jane Austen, Ann Radcliffe, Maria Edgeworth and Fanny Burney." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/4438.
Full textAbdullah, Angham. "Contemporary Iraqi women's fiction of war." Thesis, University of York, 2014. http://etheses.whiterose.ac.uk/11414/.
Full textDiniz, Maria Zenóbia. "Love and war in Hemingway's fiction." reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/handle/123456789/106129.
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Patterson, Celia Ann. "On the edge of the war zone American women's fiction and World War I /." Access abstract and link to full text, 1990. http://0-wwwlib.umi.com.library.utulsa.edu/dissertations/fullcit/9022958.
Full textHoops, Janet Lynn. "Women in Rohinton Mistry's fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0005/MQ46285.pdf.
Full textMurphy, Maria Christine. "Parts of Women." Thesis, University of North Texas, 2001. https://digital.library.unt.edu/ark:/67531/metadc2748/.
Full textBoyle, Brenda Marie. "Prisoners of war formations of masculinities in Vietnam war fiction and film /." Connect to this title online, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1060873937.
Full textLight, Alison. "Forever England : femininity, literature, and conservatism between the wars /." London ; New York : Routledge, 1991. http://www.loc.gov/catdir/enhancements/fy0648/91000587-d.html.
Full textGonçalves, Adriana de Souza Jordão. "Silenced women in Joan Rileys fiction." Universidade do Estado do Rio de Janeiro, 2011. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=2337.
Full textEsta dissertação busca analisar como Joan Riley, escritora jamaicana que vive na Inglaterra, expõe e denuncia em suas obras a submissão feminina diante da opressão e violência sexual sofridas por mulheres negras. Objetivamos apontar a crítica ao papel dos discursos patriarcal e pós-colonial, práticas de poder que tornam o contexto social das mulheres representadas em seus romances propício para o exercício do jugo masculino, através da exploração do silêncio de mulheres vítimas de abusos sexuais. O necessário recorte do objeto restringiu a análise às duas personagens centrais dos romances The Unbelonging (1985) e A Kindness to the Children (1992), mulheres cujas subjetividades foram anuladas pela objetificação de seus corpos e a desumanização de suas identidades
The present work aims at analyzing how Joan Riley, Jamaican writer who lives in England, exposes and denounces in her work the female submission in face of the oppression and sexual violence suffered by black women. The objective of the study is to point out the authors criticism of patriarchal and post-colonial discourses, power practices which insert the women represented in her fiction into the proper social context for the exercise of male domination, through her exploration of silence of women who are victims of sexual abuse. The necessary cut of the object restricted the analysis to the two central characters in the novels The Unbelonging (1985) and A Kindness to the Children (1992), women whose subjectivities were made null by the objectification of their bodies and the dehumanization of their identities
Gallagher, Ron. "Science fiction and language : language and the imagination in post-war science fiction." Thesis, University of Warwick, 1986. http://wrap.warwick.ac.uk/90798/.
Full textReeves, Kate. "Laughter and madness in post-war American fiction." Thesis, University of Warwick, 2000. http://wrap.warwick.ac.uk/4521/.
Full textSmith, Warwick. "War and space in English fiction, 1940-1950." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/61022/.
Full textEnticknap, Leo Douglas Graham. "The non-fiction film in post-war Britain." Thesis, University of Exeter, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302538.
Full textBurton, Ruth Emma. "Single women, space, and narrative in interwar fiction by women." Thesis, University of Leeds, 2015. http://etheses.whiterose.ac.uk/13381/.
Full textDickerson, Curtis. "Wage This War." Miami University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=miami1408015785.
Full textHouse, Felice. "War women: a motivating legacy enhanced." Texas A&M University, 2005. http://hdl.handle.net/1969.1/3781.
Full textMartinez, Morales Jennifer. "Women and war in Classical Greece." Thesis, University of Liverpool, 2015. http://livrepository.liverpool.ac.uk/2042479/.
Full textRiccardelli, Charlie Frank. "The Hoboken War Bride: A Novel." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248470/.
Full textShaw, Debra Benita. "The feminist perspective : women writing science fiction." Thesis, University of East Anglia, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.386254.
Full textNeal, Lynn S. "Romancing God : evangelical women and inspirational fiction /." Chapel Hill : the University of North Carolina press, 2006. http://catalogue.bnf.fr/ark:/12148/cb40145393b.
Full textCooke, Mary Lee. "Southern women, southern voices Civil War songs by southern women /." Greensboro, N.C. : University of North Carolina at Greensboro, 2007. http://libres.uncg.edu/edocs/etd/1477CookeML/umi-uncg-1477.pdf.
Full textTitle from PDF t.p. (viewed Feb. 29, 2008). Directed by Nancy Walker; submitted to the School of Music. Includes bibliographical references (p. 160-176).
Abram, Zachary. "Knights of Faith: The Soldier in Canadian War Fiction." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/34613.
Full textMoss, Julian Dominic. "The whole truth? : war in Viktor Astaf'ev's prose fiction." Thesis, University of Birmingham, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.419723.
Full textRoberts, Ronald Lewis. "John Dos Passos's inter-war fiction : texts and contexts." Thesis, University of Strathclyde, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.410206.
Full textJones, Portland. "Seeing the elephant: Learned helplessness and Vietnam War fiction." Thesis, Jones, Portland (2014) Seeing the elephant: Learned helplessness and Vietnam War fiction. PhD thesis, Murdoch University, 2014. https://researchrepository.murdoch.edu.au/id/eprint/24538/.
Full textWey, Rebecca. "Fiction and Necessity: Literary Interventions in the Drug War." Thesis, The University of Arizona, 2014. http://hdl.handle.net/10150/347098.
Full textDaley, Christopher. "British science fiction and the Cold War, 1945-1969." Thesis, University of Westminster, 2013. https://westminsterresearch.westminster.ac.uk/item/8yz67/british-science-fiction-and-the-cold-war-1945-1969.
Full textDefrancis, Theresa M. "Women-writing-women : three American responses to the woman question /." Saarbrucken, Germany : Verlag Dr. Muller, 2005. http://0-wwwlib.umi.com.helin.uri.edu/dissertations/dlnow/3186902.
Full textTierney, John. ""Plunged Back with Redoubled Force": An Analysis of Selected Fiction, Non-Fiction, and Poetry of the Korean War." University of Akron / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=akron1396829149.
Full text