Relevant bibliographies by topics / Women in Printing History

Academic literature on the topic 'Women in Printing History'

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Published: 11 March 2023

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Journal articles on the topic "Women in Printing History"

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STEVENSON, JANE. "Women and the Cultural Politics of Printing." Seventeenth Century 24, no. 2 (September 2009): 205–37. http://dx.doi.org/10.1080/0268117x.2009.10555628.

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Solek, Vivian Lea. "Karen Nipps. Lydia Bailey: A Checklist of Her Imprints. University Park, Pa.: The Pennsylvania State University for the Bibliographical Society of America in association with the Houghton Library, Harvard University, and the Library Company of Philadelphia, 2013. xiii + 310 p. $79.95 (ISBN: 978-0-271-05571-8)." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 15, no. 1 (March 1, 2014): 77–78. http://dx.doi.org/10.5860/rbm.15.1.418.

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From a review of the earlier published scholarship in the field of printing history, an inquiring reader would surmise that women were not a significant part of commercial letterpress printing during the handpress period. Scholarship in the last 20 years, however, has revealed that this is not the case. In fact, many recent studies document women’s high degree of involvement from the earliest days of printing in the Western world.Lydia Bailey: A Checklist of Her Imprints is an important addition to the study of the history of the book and of women’s roles in letterpress printing. It is a . . .
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S, Arul Josephine. "Women in Tamil Magazines." International Research Journal of Tamil 4, S-14 (November 28, 2022): 15–20. http://dx.doi.org/10.34256/irjt224s142.

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Even though the printed version of books started to come in the tenth century, still palm leaves were used to compile the literature. Due to the evolution of printing of books, the conventional types of byhearting and remembering slowly started to dilute. However, only limited books were available before the evolution of printed books. Those available books were also meant for educational purposes only. Books related to entertainment and libraries apart from education campuses were not available at that time. At this point in time, the people started to enjoy the benefits of a printing press where a large volume of books was made available to the public. The newly printed books were not only meant for educational purposes but also for entertainment purposes. In the recent Tamil context, there are two major topics that were highly spoken namely Feminism and Dalitism. In the two-thousand-year-long history of Tamil literature, the space for women and their literature was limited. Expect for the sanga ilakkiyam, the role of women in Tamil literature is scarce. After the Indian independence, many women literates were identified. The flow of literature in the current generation is mostly based on fiction. Due to the domination of the printing press, the volume of books in Tamil was increased in fiction-based books with less importance to grammatical-oriented books. Every script was initiated by men and later it is passed onto women.
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Pirozhkova, Tatyana. "Typographers of the Crimean ASSR in the 1920s and 1930s: Personnel Characteristics." Journal of Economic History and History of Economics 23, no. 1 (March 18, 2022): 84–107. http://dx.doi.org/10.17150/2308-2488.2022.23(1).84-107.

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The article uncovers some questions of the labor history of printing production workers in the Crimean ASSR in 1920–1930s. The aim of the article is investigation of the staff structure of the Crimean ASSR printing industry workers in comparison with the national structure. The objectives of the study are to examine the dynamics of the number of workers in the printing industry of the Crimea, to analyze the proportion of women, national personnel (Crimean Tatars), adolescents, skilled workers in the overall structure of the printing industry workers of the Crimean ASSR, and to compare the obtained results with the national indicators. The study is based on published statistics, reports and archival sources. As a result, the author concludes that the labor force of the Crimean ASSR printing industry developed in line with nationwide trends, but with certain specifics. The growth in the number of printing workers, typical for the country as a whole, was uneven in Crimea and its rate was somewhat lower than in the rest of the country. The increase in the proportion of women in the Crimean printing industry at the beginning of the considered period was somewhat lower than the statistical average; in the 1930s it generally corresponded to the national and industry averages. The personnel policy was based on the requirements of indigenization and implied the recruitment of workers of Crimean Tatar nationality; however, the level of indigenization in the printing industry did not reach the required indicators. Work on the involvement of adolescents was carried out, but there were problems with the training organization. The number of qualified personnel in the republic's printing industry was insufficient, which had an impact on the product quality. In conclusion, the author forms the tasks for further research into the labor history of printing production workers in the Crimean ASSR.
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Eskin, Catherine R., and Axel Erdmann. "My Gracious Silence: Women in the Mirror of 16th Century Printing in Western Europe." Sixteenth Century Journal 31, no. 1 (2000): 231. http://dx.doi.org/10.2307/2671335.

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Withers, D. M. "Enterprising Women: Independence, Finance and Virago Press, c.1976–93." Twentieth Century British History 31, no. 4 (December 28, 2019): 479–502. http://dx.doi.org/10.1093/tcbh/hwz044.

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Abstract Virago Press were established in 1972 and became one of the twentieth century’s most enduring publishing brands. As a women-led enterprise, articulations of independence have defined key moments in Virago’s history. This article explores two moments when the company re-structured as independent, in 1976 and 1987. To become successful, Virago had to overcome barriers that have historically hindered women’s participation in business, namely limited social capital and difficulties accessing finance. Virago founder Carmen Callil’s friendship with publisher Paul Hamlyn and printing entrepreneur Robert Gavron embedded Virago in networks of male entrepreneurial knowledge that helped shape the evolution of the company. Such networks were vital to Virago securing investment from Rothschilds Ventures Limited in 1987 who were, at that time, leading figures in the UK’s growing private equity industry. This article contributes to growing historical understanding of the synergies between financial, arts and culture industries in the 1980s. It argues that while this era offered new opportunities for women to participate in business, such participation was tempered by new forms of legal and financial discipline that re-calibrated existing gender inequalities within business cultures. Due to the time periods under consideration, this article also analyses how entrepreneurial practices and opportunities for women changed dramatically with the onset of Thatcher’s ‘Enterprise Culture’.
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Parker, Deborah. "Women in the Book Trade in Italy, 1475-1620*." Renaissance Quarterly 49, no. 3 (1996): 509–41. http://dx.doi.org/10.2307/2863365.

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in his 1569 Epistola qua ad multas multorum amicorum respondet de suae typographiae statu nominatimque de suo thesauro linguae graecae, the Parisian printer Henri II Estienne decries the participation of women in the book trade: “But beyond all those evils which have now been brought on by the ignorance of printers, male and female (for this only remains to add to the disgrace of the art, that even the little ladies have been practicing it), who will doubt that new evils are daily to be expected?” As Estienne's comments testify, one of the most unusualfeatures of the Renaissance and Counter Reformation book trade was the existence of several women printers and publishers. While their contemporaries were well aware of the presence of women in the printing profession, bibliographers and historians have largely neglected the history of their labors.
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Gibson, Catherine. "Mapmaking in the home and printing house: women and cartography in late imperial Russia." Journal of Historical Geography 67 (January 2020): 71–80. http://dx.doi.org/10.1016/j.jhg.2019.10.011.

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ERLER, MARY C. "Bishop Richard Fox's Manuscript Gifts to his Winchester Nuns: A Second Surviving Example." Journal of Ecclesiastical History 52, no. 2 (April 2001): 334–37. http://dx.doi.org/10.1017/s002204690100598x.

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To regularise and strengthen female monastic life in his Winchester diocese, in the early sixteenth century Bishop Richard Fox made a new translation of the Rule of St Benedict explicitly for women. He had it printed by Richard Pynson in 1517, thus taking advantage of the ability of the printing press to provide multiple copies for all the members of the four Hampshire womens' houses he addressed: St Mary Winchester (Nunnaminster), Wherwell, Romsey and Wintney.In addition to these printed copies Bishop Fox provided additional manuscript books for each of the four houses, as his preface to the Rule tells us: ‘And by cause we wolde not/that there shulde be any lacke amongis them of the bokis of this sayd translation/we haue therfore/aboue and besyde certayne bokes ther of/which we haue yeven to the sayde monasteris: caused it to be emprinted’ [italics mine] (sig. Aiiv).
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BARRETT, T. H. "Woodblock dyeing and printing technology in China, c. 700 A.D.: the innovations of Ms. Liu, and other evidence." Bulletin of the School of Oriental and African Studies 64, no. 2 (June 2001): 240–47. http://dx.doi.org/10.1017/s0041977x01000131.

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Francesca Bray has recently pointed to the neglected role of women in the history of Chinese technology. This article takes up one example, and shows that the work of one woman inventor, whose personal name is unknown but whose family name was Liu, may be securely dated to between 712 and 724. From later descriptions it is also possible to discern that her invention (or just possibly the invention of another craftsperson, which she was able to introduce to court circles) consisted of the bringing together of two carefully carved woodblocks to create a resist for dyeing cloth. Ths in turn suggests that she may well have been familiear with woodblock printing, an invention for which there are also other forms of indirect evidence at about the same time. Since her family was relatively prominent, it may in future be possible to find about more about this inventor from genealogical materials.
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Dissertations / Theses on the topic "Women in Printing History"

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Roman, Dianne L. Ms. "Women at the Crossroads, Women at the Forefront, American Women in Letterpress Printing In the Nineteenth Century." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4595.

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The significant role of the female printer in the American home-based print shops during the colonial and early republic periods has been documented in print history, socioeconomic, labor, and women studies, yet with the industrialization of the printing trade, women’s presence is thought to have disappeared. Contrary to the belief that industrialization of the print shop eradicated women’s involvement in skilled employments such as typesetting, the creation of the Women’s Cooperative Printing Union in California and the creation and chartering of the Women’s Typographical Union in New York, both in the late 1860s, clearly indicate that women continued to work in printing. The assumption that industrialization brought with it the unionization of the trade denies the possibility of non-union shops, as well as the continuation of home-based businesses across the ever-expanding nation as it moved westward. This research has sought to uncover and restore to history women who have been involved in the trade from the early transition of the home shop at the beginning of the 1800s to the signing of the WTU charter in 1869 by union employed compositors, as well as to identify establishments that hired female compositors. Digital newspaper databases have been used as a means of locating both women and opportunities available to them in the American printing trade between 1800 to 1869. Several women significant to this history, both those who have been found to be employed as compositors/typesetters and those who created opportunities for the employment of trained women compositors/typesetters, are discussed.
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Jimenes, Rémi. "Charlotte Guillard au Soleil d'Or (ca. 1507-1557) : Une carrière typographique." Thesis, Tours, 2014. http://www.theses.fr/2014TOUR2011.

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Successivement veuve de Berthold Rembolt et de Claude Chevallon, Charlotte Guillard hérite en 1537 du plus ancien atelier typographique français, le Soleil d'Or, dont elle conduit l'activité durant près de vingt années. Sous sa direction, l'atelier parvient à accaparer deux marchés spécifiques : textes de droit savant et ouvrages des Pères de l'Église. La thèse vise à interroger les conditions de réalisation de ce programme éditorial. On y présente les modalités matérielles de production et de commercialisation des ouvrages. On met ainsi en évidence la forte implication de la parentèle de Charlotte Guillard à tous les niveaux de la chaîne éditoriale, et la coexistence de réseaux de collaborateurs qui, en dépit de motivations intellectuelles et idéologiques parfois divergentes, parviennent à faire œuvre commune. À travers une enquête mobilisant à la fois les sources archivistiques, l'analyse matérielle des ouvrages imprimés et la lecture des préfaces et épîtres liminaires, la monographie permet d'écrire une histoire concrète de l'activité intellectuelle qui tienne compte des conditions idéologiques, sociales et économiques de sa mise en œuvre
Widow of Berthold Rembolt first, then of Claude Chevallon, Charlotte Guillard became in 1537 heiress of France's oldest typography workshop. With Charlotte Guillard at its head, the Soleil d'Or managed to monopolise two specific markets, the law texts and the works of the Church Fathers. The purpose of our thesis is to investigate the practical conditions which made these publications possible. It will highlight the material arrangements of the production and selling of those books, and focus at the people who stayed at Charlotte Guillard's side. This will allow us to demonstrate the importance of her relatives at every step of the process, and to show the coexistence of various networks of collaborators who manage to work on a common basis despite, at times, opposite intellectual and ideological motivations. Calling on manuscript archives, physical bibliography, and an analysis of the prefaces and liminary epistles, this monograph allows us to write a holistic history of the intellectual endeavour, taking into account all the ideological, social and economic conditions entering in its construction
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Cameron, Erin Marie. "The Body in Print." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343775047.

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Crawford, Kevin Charles. "Men's stereotypes of women in management are women aware of how they are stereotyped? /." Thesis, Montana State University, 2006. http://etd.lib.montana.edu/etd/2006/crawford/CrawfordK0506.pdf.

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Sorvetti, Laura. "California Printing History and the Shakespeare Press Museum." DigitalCommons@CalPoly, 2010. https://digitalcommons.calpoly.edu/theses/438.

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The Shakespeare Press Museum, a working letterpress museum at Cal Poly, San Luis Obispo, houses letterpress printing presses and equipment dating from the 1850s to the 1970s. Although the museum has been at Cal Poly since the 1960s, little work was completed on the historical context of the collections or to address the archival and educational frameworks of the museum’s collection. This thesis has three purposes: to place the museum’s collections in their nineteenth-century California historical context; to provide the first in-depth examination of the museum’s original founder, Charles “Shakespeare” Palmer; and to create an archival reference and program for the museum’s collections in their physical and digital form.
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O'Callaghan, Amy. "Anti-Semitism and the Early Printing Press: a Study of the Effect of the Printing Press on Jewish Expulsions in Germany, 1450-1520." Oberlin College Honors Theses / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1374059638.

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Bryans, Dennis Lindsay, and gpp@optusnet com au. "A seed of consequence : indirect image transfer and chemcial printing : the role played by lithography in the development of printing technology." Swinburne University of Technology, 2000. http://adt.lib.swin.edu.au./public/adt-VSWT20060118.162852.

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The history of printing is dominated by studies of mechanical typography. In this thesis the role of lithography in modernising printing is presented as an alternative path. The conventional explanation of how different printing processes work is generally made by dividing them into relief, intaglio and planographic processes. This explanation is of questionable value now, in a world where digital pre-press and offset printing hold sway. It is an outmoded idea to think that different ways of delivering ink under pressure is at the core of printing. Instead, it is more useful to focus our attention on the role played by direct and indirect image transfer. The similarities between the uses made by Gutenberg and Senefelder of direct and indirect image transfer has a greater importance than has the simplified division of printing processes into classes based upon depth of impression which is, essentially, a mechanical idea grounded in the typographic tradition. The idea presented here is that Gutenberg's application of indirect image transfer in his invention of moveable type provoked changes of greater importance than did the alternative invention of printing illustrations directly from metal plates or wooden blocks. Similarly, direct lithography was transformed by Senefelder into a vehicle for indirect image transfer by the invention of lithographic transfer paper. This invention had important ramifications for the future of lithography and for the preservation of photographic images. The combination of chemical printing and indirect image transfer made the capture of photographic images possible for the first time. In the nineteenth century, lithography also provided the first means by which photographs could be reproduced with printing ink in books - typography following here rather than leading the way. These issues have not been clearly recognised by many. The widely acknowledged superiority of typography to print economically, sharply, and at speed, was not surpassed by lithographers (who tended to concentrate on technical illustration and decorative printing) for many years. It was not until indirect image transfer was applied to the lithographic press that this barrier to progress was overcome, and, at last, text and image were efficiently transferred photographically to the rotary offset press.
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Osborne, Geoffrey. "The history of design of the Jobbing Platen Press." Thesis, Liverpool John Moores University, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.262288.

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Lee, Melanie J. "A study investigating the impact women have on the bindery /." Online version of thesis, 1992. http://hdl.handle.net/1850/11326.

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Neville, Pamela Ayers. "Richard Pynson, Kings Printer (1506-1529) : printing and propaganda in early Tudor England." Thesis, University of London, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294267.

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Books on the topic "Women in Printing History"

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Women in printing: Northern California, 1857-1890. Santa Barbara: Capra Press, 1994.

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Press, Poltroon. Women in printing & publishing in California: 1850-1940. San Francisco, CA: California Historical Society, 1998.

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Lestón, Xosé Vicenzo Freire. A prensa de mulleres en Galicia (1841-1994). Lisboa: Edições Universitárias Lusófonas, 1996.

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Tombeur, Jef. Femmes et métiers du livre: Pays anglophones & francophones européens = Women in the printing trade : English & French speaking countries. Paris: Convention typographique, 2004.

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Erdmann, Axel. My gracious silence: Women in the mirror of 16th century printing in Western Europe. Luzern, Switzerland: Gilhofer & Ranschburg, 1999.

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Bellas, Patricia H. Women printers in early Maryland. Baltimore: Xavier Press, 1991.

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A, Brooks Douglas, ed. Printing and parenting in early modern England. Aldershot, Hampshire, England: Ashgate, 2005.

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Burr, Christina Ann. Class and gender in the Toronto printing trades, 1870-1914. Ottawa: National Library of Canada, 1992.

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First person anonymous: Women writers and Victorian print media, 1830-70. Aldershot, Hants, England: Ashgate, 2004.

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Les femmes et les métiers du livre en France, de 1600 à 1650. Chicago: Garamond Press, 1997.

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Book chapters on the topic "Women in Printing History"

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Loubere, Philip A. "Printing." In A History of Communication Technology, 65–97. New York, NY : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9780429265723-6.

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Loubere, Philip A. "Industrial printing." In A History of Communication Technology, 117–51. New York, NY : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9780429265723-8.

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Kreiger, Megan A. "Go Big or Go Home – Printing Concrete Buildings." In Women in 3D Printing, 71–85. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70736-1_7.

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DelVecchio, Stacey M. "Introduction." In Women in 3D Printing, 1–5. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70736-1_1.

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Lang, Melanie A. "Entrepreneurship and Innovation in Metal Additive Manufacturing." In Women in 3D Printing, 87–99. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70736-1_8.

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Zhu, Yanli, Ahmet Okyay, Mihaela Vlasea, Kaan Erkorkmaz, and Mark Kirby. "The Additive Journey from Powder to Part." In Women in 3D Printing, 135–63. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70736-1_11.

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Elliott, Amy. "Science Personality and STEM Ambassador." In Women in 3D Printing, 63–70. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70736-1_6.

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Berg, Erika. "Designing for Performance and Protection with Digital Manufacturing." In Women in 3D Printing, 19–31. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70736-1_3.

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DelVecchio, Stacey M. "A Champion for Additive." In Women in 3D Printing, 33–46. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70736-1_4.

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Alexander, Amy. "Medical 3D Printing: Patient-Specific Anatomic Models." In Women in 3D Printing, 7–18. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70736-1_2.

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Conference papers on the topic "Women in Printing History"

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Johnson, Bonnie. "History of American Women in Space." In 42nd AIAA Aerospace Sciences Meeting and Exhibit. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2004. http://dx.doi.org/10.2514/6.2004-273.

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Toualbia, Mohammed Farouk. "WOMEN IN FIGHTING RADICAL AND EXTREMIST GROUPS." In Women's Activism: History and Modernity. Makhachkala: ALEF, 2021. http://dx.doi.org/10.33580/9785001286608_30.

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Girijan, Dhanisha O., and Vedashree Kurukuri. "Muted Voices: Devolution of Women through History." In World Conference on Women's Studies. The International Institute of Knowledge Management (TIIKM), 2017. http://dx.doi.org/10.17501/wcws.2017.2107.

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Ulanov, Mergen Sandzhievich. "Women In The History Of Chinese Buddhism." In International Scientific Congress «KNOWLEDGE, MAN AND CIVILIZATION». European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.05.217.

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Tanemura, Masako, Fumiko Okiharu, Kyoko Ishii, Haruka Onishi, Mika Yokoee, Hiroshi Kawakatsu, Beverly Karplus Hartline, Renee K. Horton, and Catherine M. Kaicher. "History and Objectives of LADY CATS (Women Physics Teachers in Japan) (abstract)." In WOMEN IN PHYSICS: Third IUPAP International Conference on Women in Physics. AIP, 2009. http://dx.doi.org/10.1063/1.3137887.

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Bobrova, G. E. "War women, revolutionary vandals, royalist furies ”(On the role women in the revolutions of the New Age)." In Scientific dialogue: Questions of philosophy, sociology, history, political science. ЦНК МОАН, 2019. http://dx.doi.org/10.18411/spc-01-08-2019-03.

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McArthur, Angela, Brona Martin, Emma Margetson, and Nikki Sheth. "Women in Spatial Sound - Working with the IKO Loudspeaker." In Rethinking the History of Technology-based Music. University of Huddersfield, 2022. http://dx.doi.org/10.5920/womeninspatialsound.

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Leonard, Kathleen M. "History and Status of Women in Civil Engineering Academia." In World Environmental and Water Resources Congress 2010. Reston, VA: American Society of Civil Engineers, 2010. http://dx.doi.org/10.1061/41114(371)22.

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Alestalo, Sharon W., Shobha K. Bhatia, and Beena Sukumaran. "Support of Women Geotechnical Engineering Faculty: History and Initiatives." In IFCEE 2015. Reston, VA: American Society of Civil Engineers, 2015. http://dx.doi.org/10.1061/9780784479087.203.

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Mujiningsih, Erlis Nur, Erli Yetti, and Suryami Suryami. "Women, Electric Trains, and Emancipation." In 9th Asbam International Conference (Archeology, History, & Culture In The Nature of Malay) (ASBAM 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220408.040.

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Reports on the topic "Women in Printing History"

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Doblhammer, Gabriele, and James W. Vaupel. Reproductive history and mortality later in life for Austrian women. Rostock: Max Planck Institute for Demographic Research, November 1999. http://dx.doi.org/10.4054/mpidr-wp-1999-012.

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Kash, Kathryn M. Levels of Distress in Women With a Family History of Ovarian Cancer. Fort Belvoir, VA: Defense Technical Information Center, September 2001. http://dx.doi.org/10.21236/ada403356.

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Kash, Kathryn. Levels of Distress in Women With a Family History of Ovarian Cancer. Fort Belvoir, VA: Defense Technical Information Center, September 2005. http://dx.doi.org/10.21236/ada462707.

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Miller, Alison. The Princess and the Press: Mako’s Wedding and the History of Imperial Women. Critical Asian Studies, January 2022. http://dx.doi.org/10.52698/ntlz1233.

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Martin, Wanda. Perception of Risk and Surveillance Practices for Women with a Family History of Breast Cancer. Fort Belvoir, VA: Defense Technical Information Center, September 2004. http://dx.doi.org/10.21236/ada428950.

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Serbulo, Leanne. Women Adrift, Sporting Girls and the Unfortunate Poor: A Gendered History of Homelessness in Portland 1900-1929. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.741.

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Rich-Edwards, Janet, and Ellen Seely. Can an Online Program Help Women with a History of Preeclampsia Reduce Their Risk of Heart Disease? Patient-Centered Outcomes Research Institute® (PCORI), January 2020. http://dx.doi.org/10.25302/1.2020.cer.130601603.

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Conway, Terry L. Predicting Attrition, Performance, Reenlistment, and Hospitalizations from the Smoking History of Women Prior to Entering the Navy. Fort Belvoir, VA: Defense Technical Information Center, February 2006. http://dx.doi.org/10.21236/ada452209.

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Yousef, Yohanna, and Nadia Butti. “There is No Safety”: The Intersectional Experiences of Chaldean Catholic and Orthodox Women in Iraq . Institute of Development Studies, December 2022. http://dx.doi.org/10.19088/creid.2022.026.

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Abstract:
This CREID Policy Briefing provides recommendations to address the marginalisation and discrimination faced by Chaldean Catholic Christian women in Iraq. Christian communities in Iraq have faced threats and discrimination throughout their history. Their numbers have declined considerably in recent years as more Christians have been displaced or forced to migrate due to war, occupation and persecution. This research, which focuses on the experiences of Chaldean Catholic and Orthodox women and men in Iraq, demonstrates the commonalities among different groups of Christian women and men. However, it also highlights the specific challenges facing Christian women, interlinked with their identities as women who are part of a religious minority and to their geographic location.
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Goldman, Mindy, and Debasish Tripathy. Phase I/II Pilot Study to Assess Toxicity and Efficacy of Chinese Herbs to Treat Hot Flashes and Menopausal Symptoms for Women With a History of Breast Cancer. Fort Belvoir, VA: Defense Technical Information Center, August 2004. http://dx.doi.org/10.21236/ada439324.

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