Journal articles on the topic 'Women in music – england'
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Hillsman, Walter. "Choirboys and Choirgirls in the Victorian Church of England." Studies in Church History 31 (1994): 447–60. http://dx.doi.org/10.1017/s0424208400013048.
Full textAustern, Linda Phyllis. "Nature, Culture, Myth, and the Musician in Early Modern England." Journal of the American Musicological Society 51, no. 1 (1998): 1–47. http://dx.doi.org/10.2307/831896.
Full textMilsom, John. "Songs and society in early Tudor London." Early Music History 16 (October 1997): 235–93. http://dx.doi.org/10.1017/s026112790000173x.
Full textMcCrone, K. "Review of book. Musical Women in England, 1870-1914: 'Encroaching on all man's privileges'. P Gillett." Music and Letters 82, no. 4 (November 1, 2001): 655–59. http://dx.doi.org/10.1093/ml/82.4.655.
Full textRohr, Deborah. "Women and the music profession in Victorian England: The Royal Society of Female Musicians, 1839–1866." Journal of Musicological Research 18, no. 4 (January 1999): 307–46. http://dx.doi.org/10.1080/01411899908574762.
Full textBridge, Dominic James Ruggier. "‘A Musical Bouquet for the Ladies’: Gendered Markets for Printed Music in Eighteenth‐Century England." Journal for Eighteenth-Century Studies 46, no. 4 (December 2023): 499–519. http://dx.doi.org/10.1111/1754-0208.12921.
Full textPet’ko, Lyudmila. "The Coronation of Anne Boleyn as Queen of England and the British Coronation Ceremony." Intellectual Archive 12, no. 4 (December 9, 2023): 77–117. http://dx.doi.org/10.32370/ia_2023_12_8.
Full textMendelson (book author), Sara, Patricia Crawford (book author), and Susan C. Frye (review author). "Women in Early Modern England 1550-1720." Renaissance and Reformation 36, no. 2 (January 1, 2000): 98–100. http://dx.doi.org/10.33137/rr.v36i2.8615.
Full textKimber, Marian Wilson. "Victorian Fairies and Felix Mendelssohn's A Midsummer Night's Dream in England." Nineteenth-Century Music Review 4, no. 1 (June 2007): 53–79. http://dx.doi.org/10.1017/s1479409800000069.
Full textFara, Patricia. "Book reviews." Notes and Records of the Royal Society of London 54, no. 2 (May 22, 2000): 259–72. http://dx.doi.org/10.1098/rsnr.2000.0259.
Full textMonta (author, first book), Susannah Brietz, Megan L. Hickerson (author, second book), and Scott N. Kindred-Barnes (review author). "Martyrdom and Literature in Early Modern England Making Women Martyrs in Tudor England." Renaissance and Reformation 40, no. 2 (January 1, 2004): 136–37. http://dx.doi.org/10.33137/rr.v40i2.9022.
Full textRainwater, Crescent. "Netta Syrett, Nobody’s Fault, and Female Decadence: The Story of a Wagnerite." Journal of Victorian Culture 25, no. 2 (December 14, 2019): 185–99. http://dx.doi.org/10.1093/jvcult/vcz057.
Full textStevens, Robin S. "Pathfinder and Role Model: Ada Bloxham, Australian Vocalist and Tonic Sol-fa Teacher." Journal of Historical Research in Music Education 39, no. 2 (January 18, 2017): 131–47. http://dx.doi.org/10.1177/1536600616669360.
Full textLosseff, Nicky. "Musical Women in England, 1870-1914: "Encroaching on All Man's Privileges" (review)." Notes 57, no. 4 (2001): 905–7. http://dx.doi.org/10.1353/not.2001.0098.
Full textBassnett (book author), Madeline, and David B. Goldstein (review author). "Women, Food Exchange, and Governance in Early Modern England." Renaissance and Reformation 41, no. 4 (April 1, 2019): 203–5. http://dx.doi.org/10.33137/rr.v41i4.32464.
Full textPickles, Vernon. "Music and the Third Age." Psychology of Music 31, no. 4 (October 2003): 415–23. http://dx.doi.org/10.1177/03057356030314006.
Full textRussell, Dave. "Key Workers: Toward an Occupational History of the Private Music Teacher in England and Wales, c.1861–c.1921." Royal Musical Association Research Chronicle 47 (2016): 145–72. http://dx.doi.org/10.1080/14723808.2016.1140369.
Full textParker, Mary Ann. "Women Writing Music in Late Eighteenth-Century England: Social Harmony in Literature and Performance (review)." University of Toronto Quarterly 80, no. 2 (2011): 348–49. http://dx.doi.org/10.1353/utq.2011.0096.
Full textPerry, Ruth. "Women Writing Music in Late Eighteenth-Century England: Social Harmony in Literature and Performance (review)." Eighteenth-Century Fiction 23, no. 2 (2010): 434–38. http://dx.doi.org/10.1353/ecf.2010.0036.
Full textEllen T. Harris. "Women Writing Music in Late Eighteenth-Century England: Social Harmony in Literature and Performance (review)." Eighteenth-Century Studies 43, no. 4 (2010): 538–40. http://dx.doi.org/10.1353/ecs.0.0174.
Full textLingas, Ann. "Women Writing Music in Late Eighteenth-Century England: Social Harmony in Literature and Performance - By Leslie Ritchie." Journal for Eighteenth-Century Studies 35, no. 2 (May 24, 2012): 263–64. http://dx.doi.org/10.1111/j.1754-0208.2010.00359.x.
Full textGowing (book author), Laura, and Helen Berry (review author). "Common Bodies. Women, Touch and Power in Seventeenth-Century England." Renaissance and Reformation 39, no. 3 (January 1, 2003): 118–20. http://dx.doi.org/10.33137/rr.v39i3.8911.
Full textBOZIWICK, GEORGE. "“My Business is to Sing”: Emily Dickinson's Musical Borrowings." Journal of the Society for American Music 8, no. 2 (May 2014): 130–66. http://dx.doi.org/10.1017/s1752196314000054.
Full textParapar, Cristina. "Black Music and Desublimation: Contravening Expectations in Marcusean Aesthetics." Artefilosofia 19, no. 35 (June 21, 2024): 1. http://dx.doi.org/10.69640/raf.v19i35.7264.
Full textELLIS, BRONWYN. "LESLIE RITCHIE WOMEN WRITING MUSIC IN LATE EIGHTEENTH-CENTURY ENGLAND: SOCIAL HARMONY IN LITERATURE AND PERFORMANCEAldershot: Ashgate, 2008 pp. x + 269, isbn978 0 7546 6333 1." Eighteenth Century Music 7, no. 2 (July 30, 2010): 289–91. http://dx.doi.org/10.1017/s1478570610000126.
Full textGoldstein, David B. "Bassnett, Madeline. Women, Food Exchange, and Governance in Early Modern England." Renaissance and Reformation 41, no. 4 (2018): 203. http://dx.doi.org/10.7202/1061928ar.
Full textJohnson (book author), Sarah E., and Mark Albert Johnston (review author). "Staging Women and the Soul-Body Dynamic in Early Modern England." Renaissance and Reformation 37, no. 3 (March 5, 2015): 296–98. http://dx.doi.org/10.33137/rr.v37i3.22477.
Full textSchleiner (author, first book), Louise, Jean R. Brink (editor, second book), and Jean LeDrew Metcalfe (review author). "Tudor and Stuart Women Writers;Privileging Gender in Early Modern England." Renaissance and Reformation 32, no. 1 (February 1, 2009): 87–89. http://dx.doi.org/10.33137/rr.v32i1.11781.
Full textJohnson, Bruce. "Deportation Blues <br> doi:10.5429/2079-3871(2010)v1i1.5en." IASPM Journal 1, no. 1 (April 8, 2010): 1–13. http://dx.doi.org/10.5429/297.
Full textKramer, Lawrence. "Fin-de-siècle fantasies: Elektra, degeneration and sexual science." Cambridge Opera Journal 5, no. 2 (July 1993): 141–65. http://dx.doi.org/10.1017/s0954586700003967.
Full textCampbell, Heather. "Women, Beauty and Power in Early Modern England: A Feminist Literary History." Renaissance and Reformation 42, no. 3 (December 11, 2019): 259–61. http://dx.doi.org/10.7202/1066397ar.
Full textAbate (author, first book), Corinne S., Mihoko Suzuki (author, second book), and Sylvia Brown (review author). "Privacy, Domesticity, and Women in Early Modern England; Subordinate Subjects: Gender, the Political Nation, and Literary Form in England, 1588-1688." Renaissance and Reformation 38, no. 3 (January 1, 2002): 38–41. http://dx.doi.org/10.33137/rr.v38i3.8803.
Full textHunt, T. L. "Musical Women in England, 1870-1914: "Encroaching on All Man's Privileges." By Paula Gillett and Women Performing Music: The Emergence of American Women as Instrumentalists and Conductors. By Beth Abelson Macleod." Journal of Social History 36, no. 1 (September 1, 2002): 223–27. http://dx.doi.org/10.1353/jsh.2002.0082.
Full textWoodfield, Ian. "The ‘Hindostannie Air’: English Attempts to Understand Indian Music in the Late Eighteenth Century." Journal of the Royal Musical Association 119, no. 2 (1994): 189–211. http://dx.doi.org/10.1093/jrma/119.2.189.
Full textCampbell, Heather. "Snook, Edith. Women, Beauty and Power in Early Modern England: A Feminist Literary History." Renaissance and Reformation 42, no. 3 (December 4, 2019): 259–61. http://dx.doi.org/10.33137/rr.v42i3.33431.
Full textRgwan Abdalhameed Shuash, Researcher, and Rese Rana Ali Mhoodar. "Gender and Authority in Caryl Churchill’s Vinegar Tom (1976)." لارك 2, no. 50 (June 30, 2023): 1011–992. http://dx.doi.org/10.31185/lark.vol2.iss50.3201.
Full textLogan, Jeremy. "Synesthesia and feminism: A case study on Amy Beach (1867-1944)." New Sound, no. 46 (2015): 130–40. http://dx.doi.org/10.5937/newso1546130l.
Full textPope, Rebecca A. "Musical Women in England, 1870-1914: "Encroaching on All Men's Privileges", and: Women Musicians in Victorian Fiction, 1860-1900: Representations of Music, Science and Gender in the Leisured Home (review)." Victorian Studies 45, no. 1 (2002): 186–88. http://dx.doi.org/10.1353/vic.2003.0060.
Full textWayal, Sonali, Catherine Mercer, Victoria L. Gilbart, Emma Garnett, Lorna J. Sutcliffe, Peter Weatherburn, and Gwenda Hughes. "O25 ‘Side chicks’, and ‘side dicks’: understanding typologies and drivers of concurrent partnerships to prevent sti transmission among people of black caribbean ethnicity in england." Sexually Transmitted Infections 93, Suppl 1 (June 2017): A9.2—A9. http://dx.doi.org/10.1136/sextrans-2017-053232.25.
Full textDavis, Jim. "Imperial Transgressions: the Ideology of Drury Lane Pantomime in the Late Nineteenth Century." New Theatre Quarterly 12, no. 46 (May 1996): 147–55. http://dx.doi.org/10.1017/s0266464x00009970.
Full textPope, Rebecca A. "BOOK REVIEW: Paula Gillett.MUSICAL WOMEN IN ENGLAND, 1870-1914: ?ENCROACHING ON ALL MEN'S PRIVILEGES,?. and Phyllis Weliver.WOMEN MUSICIANS IN VICTORIAN FICTION, 1860-1900: REPRESENTATIONS OF MUSIC, SCIENCE AND GENDER IN THE LEISURED HOME." Victorian Studies 45, no. 1 (October 2002): 186–88. http://dx.doi.org/10.2979/vic.2002.45.1.186.
Full textPhillippy (author, first book), Patricia, Aileen Ribeiro (author, second book), Ann Hollinshead Hurley (author, third book), and Katherine Acheson (review author). "Painting Women: Cosmetics, Canvases & Early Modern Culture; Fashion and Fiction: Dress in Art and Literature in Stuart England; John Donne's Poetry and Early Modern Visual Culture." Renaissance and Reformation 31, no. 2 (January 1, 2008): 134–40. http://dx.doi.org/10.33137/rr.v31i2.9192.
Full textCherniavska, M. S. "Clara Wieck Schumann in the European scientific discourse." Aspects of Historical Musicology 17, no. 17 (September 15, 2019): 213–31. http://dx.doi.org/10.34064/khnum2-17.14.
Full textBorwick, Susan. "Musical Women in England, 1870-1914: "Encroaching on All Man's Privileges", and: Amy Beach, Passionate Victorian: The Life and Work of an American Composer, 1867-1944, and: Ruth Crawford Seeger: A Composer's Search for American Music (review)." NWSA Journal 13, no. 2 (2001): 161–66. http://dx.doi.org/10.1353/nwsa.2001.0029.
Full textBorwick, Susan. "BOOK REVIEW: Paula Gillett.MUSICAL WOMEN IN ENGLAND, 1870-1914: ?ENCROACHING ON ALL MAN'S PRIVILEGES?. and Adrienne Fried Block.AMY BEACH, PASSIONATE VICTORIAN: THE LIFE AND WORK OF AN AMERICAN COMPOSER, 1867-1944. and Judith Tick.RUTH CRAWFORD SEEGER: A COMPOSER'S SEARCH FOR AMERICAN MUSIC." NWSA Journal 13, no. 2 (July 2001): 161–66. http://dx.doi.org/10.2979/nws.2001.13.2.161.
Full textDavis, William B. "Music Therapy in Victorian England." Journal of British Music Therapy 2, no. 1 (June 1988): 10–16. http://dx.doi.org/10.1177/135945758800200103.
Full textMCVEIGH, S. "'CHAMBER MUSIC FROM GEORGIAN ENGLAND'." Music and Letters 69, no. 3 (July 1, 1988): 448–49. http://dx.doi.org/10.1093/ml/69.3.448.
Full textHaggh, Barbara. "Liturgical music in medieval England." Early Music XXII, no. 2 (May 1994): 325–28. http://dx.doi.org/10.1093/earlyj/xxii.2.325.
Full textLeech, P. "Devotional music from Stuart England." Early Music 35, no. 4 (November 1, 2007): 644–47. http://dx.doi.org/10.1093/em/cam065.
Full textTrendell, D. "Renaissance vocal music from England." Early Music 40, no. 3 (August 1, 2012): 517–20. http://dx.doi.org/10.1093/em/cas091.
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