Relevant bibliographies by topics / Women in Chinese history

Academic literature on the topic 'Women in Chinese history'

Author: Grafiati
Published: 9 March 2023
Last updated: 10 March 2023

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Journal articles on the topic "Women in Chinese history"

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이선이. "Current Situation and Task for Studying Chinese History of Women by Korea." Women and History ll, no. 6 (June 2007): 103–32. http://dx.doi.org/10.22511/women..6.200706.103.

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Roy, Patricia E., and Judy Yung. "Chinese Women of America: A Pictorial History." Western Historical Quarterly 18, no. 4 (October 1987): 456. http://dx.doi.org/10.2307/969385.

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Sunglim Chun. "From Practicality to Diversity:A Review on Chinese women’s history in Korea in the last 20 years." Women and History ll, no. 13 (December 2010): 219–58. http://dx.doi.org/10.22511/women..13.201012.219.

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Hooper, Beverley. "Demythologising Chinese women." Asian Studies Association of Australia. Review 11, no. 3 (April 1988): 119–26. http://dx.doi.org/10.1080/03147538808712528.

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Beaver, Patricia D., Hou Lihui, and Wang Xue. "Rural Chinese Women." Modern China 21, no. 2 (April 1995): 205–32. http://dx.doi.org/10.1177/009770049502100203.

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Lin, Hang. "Bret Hinsch (2016). Women in Imperial China." British Journal of Chinese Studies 8, no. 2 (March 15, 2019): 160–62. http://dx.doi.org/10.51661/bjocs.v8i2.14.

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The vast scope of Chinese women’s history throughout its two millennia-long imperial period invites sustained scholarly attention to their status, position, image, and a wide range of gender-related issues. Whereas recent years have witnessed an increasing interest in examining historical Chinese women in different dynasties, Bret Hinsch’s new book offers a succinct, yet eloquent survey of womanhood in the shifting contexts of Chinese history, from remote antiquity to the end of the Qing dynasty (1644-1911).
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Paddle, Sarah. "“To Save the Women of China from Fear, Opium and Bound Feet”: Australian Women Missionaries in Early Twentieth-Century China." Itinerario 34, no. 3 (December 2010): 67–82. http://dx.doi.org/10.1017/s0165115310000690.

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This article explores the experiences of Western women missionaries in a faith mission and their relationships with the women and children of China in the early years of the twentieth century. In a period of twenty years of unprecedented social and political revolution missionaries were forced to reconceptualise their work against a changing discourse of Chinese womanhood. In this context, emerging models of the Chinese New Woman and the New Girl challenged older mission constructions of gender. The Chinese reformation also provided missionaries with troubling reflections on their own roles as independent young women, against debates about modern women at home, and the emerging rights of white women as newly enfranchised citizens in the new nation of Australia.
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Bao, Xiaolan. "Integrating Women Into Chinese History-- Reflections on Historical Scholarship on Women in China." Chinese Historians 3, no. 2 (July 1990): 3–20. http://dx.doi.org/10.1080/1043643x.1990.11876860.

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Tsomu, Yudru. "Women as Chieftains in Modern Kham History." Inner Asia 20, no. 1 (April 16, 2018): 107–31. http://dx.doi.org/10.1163/22105018-12340100.

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Abstract Drawing on oral and written Chinese and Tibetan accounts, this paper aims to provide a preliminary discussion of the role of Khampa women in political life by examining the lives of three notable women chieftains in the first half of the twentieth century. The case studies demonstrate that there were different paths or avenues for women to rise to power, since due to traditional biases against female political leaders, limitations and obstacles hindered their ability to access and exercise power. These accounts show that at the key juncture when a family was faced with crisis in the turbulent late Qing and Republican periods, it was often the female ruler who exercised power and authority and saved the family. Their assumption of power was possible because, in situations involving the absence of male heirs, both traditional customary law in Kham and the laws of the late Qing and Republican periods allowed women to inherit titles and positions. These women were caught up in power struggles between multiple forces, notably male leaders within their lineages, competing males from other lineages, sub-state agents like provincial warlords, the Chinese state and sometimes the Tibetan government. These examples demonstrate how the fragmentary, decentralised nature of interstitial polities opened up additional spaces for local leadership and particularly for female leadership.
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Dunch, Ryan. "Christianizing Confucian Didacticism: Protestant Publications for Women, 1832-1911." NAN NÜ 11, no. 1 (2009): 65–101. http://dx.doi.org/10.1163/138768009x12454916571805.

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AbstractThe printed Protestant missionary engagement with Chinese views of the role and proper conduct of women in society was more complex and ambiguous than scholars have often assumed. Publications targeted at women readers occupied an important place among Protestant missionary periodicals, books, and other printed materials in Chinese during the late Qing. Most publications for women and girls were elementary doctrinal works, catechisms, and devotional texts designed to introduce early readers to Christian belief, and light reading (fictional tracts and biographies) for women's spiritual edification, but there were some more elaborate works as well. After an overview of mission publications for women, this article focuses on two complex texts, one a compendium of practical knowledge and moral guidance for the Chinese Protestant "new woman," Jiaxue jizhen (The Christian home in China) (1897; revised 1909), and the other, a Protestant reworking from 1902 of the Qing dynasty didactic compilation Nü sishu (Women's four books). Together, these two texts give us a more multifaceted picture of how missionaries engaged with Chinese society and the role of women therein.
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Dissertations / Theses on the topic "Women in Chinese history"

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Ma, Nancy. "Woman•Horse: Identifying Chinese Women Artists’ Attitudes Towards Feminism Through a Reclamation of Chinese Women’s History." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/16568.

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As a Chinese woman who was once oppressed, and may still be, this thesis project is my initiative to reclaim dignity for those who were oppressed and honour those who helped improve women’s status in Chinese history. Linda Nochlin asking, ‘Why have there been no great women artists?’ inspired me to question Why have there been no great Chinese feminist artists? Simultaneously, Gerda Lerner’s argument on the ‘absence of Women’s History’ motivated me to reclaim Chinese women’s history. This thesis attempts to answer my question through an exploration of women’s contributions to Chinese history. This thesis explores women’s abilities prior to their oppression in the patriarchal order of China’s past. It portrays women’s thousand-year struggle against the patriarchal backdrop, wherein Chinese women and female artists inherited the traits projected onto them. I highlight the gender inequality experienced by contemporary Chinese female artists in the global art world, and their self-identified struggle to be named as ‘feminist artist,’ revealing Chinese women are still submissive to men in ‘Post-Patriarchy.’ In my attempt to examine gender equality issues, many scholars’ and artists’ works are utilized, including Bao Jialin, Ch’ü T’ung-Tsu, Amelia Jones, Li Youning, Li Xueqin, Liang Qichao, Lu Xun, Sally E. Merry, Laura Mulvey, Elizabeth A. Sackler, Sally J. Scholz, Wang Ermin, Wong Hon-lap, Xu Hong, Yuan Ke, and Zhuangzi. The artworks of Judy Chicago, Chen Qingqing, Tao Aimin, and Yin Xiuzhen are also discussed, exploring the similarities they share with me in reclaiming women’s history through artmaking. In addition, the feminist works of Lin Tianmiao and Cui Xiuwen, as well as my own work, are examined to show how contemporary Chinese female artists reject the label of ‘feminist.’ My artwork History can be forgotten and falsified; the purpose of my artwork is to refresh and leave a lasting memory of Chinese women’s suffering and experiences of oppression. Following the flow of my research, my installation work Woman•Horse, 2014–16, mourns the souls of Chinese women lost to history. It contains ten ceramic sculptural works. Each individual piece includes a narrative that describes the lives of and challenges faced by Chinese women from the formation of the cosmos to the present day. The long white strips (signifying footbinding bandages) and red threads hanging down amidst the sculptures embody the long-term oppression of Chinese women and a trace of history. This work has been exhibited at Sydney College of the Arts in September 2016.
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Wang, Bin. "Chinese Feminism: A History of the Present." Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/17730.

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This thesis’ subtitle, “a history of the present,” has been chosen to highlight the purposes of my research on Chinese feminism. First, I aim to give a close account of the development of contemporary Chinese feminism in media and popular culture, in academia, in student societies, and in social organizations. Second, by exploring the history and historiography of pre-2000 Chinese feminism, I aim to unravel how politics has impinged upon the writing of this history and how feminist history in China might practically engage with the past to articulate politics in the present. The first part of this thesis traces the emergence of Chinese feminism in various ways, considering the impact of publications like Women’s Bell in the early twentieth century, and discussing how different voices, such as anarcho-feminism and “traditional” feminism, were marginalized by late Qing and May Fourth “liberal” feminisms bound up with a male-centered nationalism. From the 1920s on, the Chinese Communist Party (CCP) inherited some of these ideas about “women’s rights,” while denouncing others, and later put a different vision of women’s liberation into practice, especially in the period from 1949 to the late 1970s in the People’s Republic of China. My thesis argues for conceptualizing this past as a history of socialist feminism and for locating socialist feminists among women cadres, cultural workers and labor models of this period. While various gains or losses of Chinese socialist feminism remain to be debated today, my thesis will also consider how, in the 1980s and 1990s, a post-Mao generation of feminists identified what they perceived as socialist feminism’s obvious shortcomings and spearheaded new forms of feminist discourse and practice in women’s literature, women’s studies and women’s activism. The second part of this thesis, while also referencing Chinese feminism’s connections to its immediate past, focuses more explicitly on the present landscape, drawing primarily on fieldwork conducted with Chinese feminist academics and students and with urban feminist activist groups operating outside the university context. By first examining the current state of Chinese youth and their relations to feminism, these chapters discuss possible reasons why young Chinese people do not often identify with feminism. Here I want to make a case for broadening the category of feminism by discussing its two likely popular forms, imbricated respectively with consumer and celebrity culture. However, this part of the thesis focuses more centrally on feminist academics, students, and activists, who are collectively the most active force in contemporary Chinese feminism. After the post-Mao generation, an intermediate generation became feminists largely through educational institutions, and after finishing graduate school many have found ways to expand academic feminism in Chinese universities. Academic feminists, however, take varied positions themselves with respect to the relation between research and activism, some offering help to student feminists organizing vigorous student societies on campus. Outside university campuses, some young graduates have grown up to be China’s most devoted feminist activists, working in crucial feminist organizations, whose core practices, including their use of social media, their activist strategies, and their relations to LGBT groups, will be elaborated. This is an interdisciplinary project centered on Chinese feminism and inspired by scholarship in Gender Studies, Cultural Studies, Women’s and Gender History, and Historical Theory. It does not aim to construct an overarching theoretical framework that might explain the present forms of Chinese feminism. Instead, I draw on a range of theoretical frameworks, including scholarship focused on the relations between history and history-writing, on intellectual work in popular culture, on relations between feminist theory and practice, and on the conceptualization of tradition and modernity. I am thus also engaging, implicitly and explicitly, with the cultural politics of relations between leftists and liberals, and between such critical axes as modernism and postmodernism. Overall, I aim to demonstrate how, for Chinese feminism, different meanings of “history of the present” ultimately converge in the ongoing relevance of historical ideas and practices, and in the ways Chinese feminists who write about history, or engage in other kinds of research or activism, continue to engender the present and the future.
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Mo, Ting Juan. "Life under shadow: Chinese immigrant women in nineteenth- century America." Thesis, Virginia Polytechnic Institute and State University, 1989. http://hdl.handle.net/10919/56197.

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Racism and sexism pervaded American society during the nineteenth century, creating unusual disadvantaged conditions for Chinese immigrant women. As a weak minority in an alien and often hostile environment and as a subordinate sex in a sexist society, Chinese women suffered from double oppression of racism and sexism. In addition, the Chinese cultural values of women's passivity and submission existed within Chinese communities in America, and affected the lives of these immigrant women. This work uses government document, historical statistics, accounts from newspapers and literature to examine the life experiences of Chinese immigrant women and American attitudes towards them, and to analyze the roots of the oppression of racism and sexism.
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Landroche, Tina Michele. "Chinese women as cultural participants and symbols in nineteenth century America." PDXScholar, 1991. https://pdxscholar.library.pdx.edu/open_access_etds/4291.

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Chinese female immigrants were active cultural contributors and participants in nineteenth century America, yet Americans often simplified their roles into crude stereotypes and media symbols. The early western accounts concerning females in China created the fundamental images that were the basis of the later stereotypes of women immigrants. The fact that a majority of the period's Chinese female immigrants became prostitutes fueled anti-Chinese feelings. This thesis investigates the general existence of Chinese prostitutes in nineteenth century America and how they were portrayed in the media. American attitudes toward white women and their images of Chinese women created the stereotype of all Chinese female immigrants as immoral. Thus, they became unconscious pawns of nineteenth century American nativist forces wanting to limit and prevent Chinese immigration based on prejudicial and racist attitudes.
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李仕芬 and Shi-fan Lee. "The male characters in the fiction of contemporary Taiwanese women writers." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31235979.

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Wang, Bo. "Inventing a Discourse of Resistance: Rhetorical Women in Early Twentieth-Century China." Diss., Tucson, Arizona : University of Arizona, 2005. http://etd.library.arizona.edu/etd/GetFileServlet?file=file:///data1/pdf/etd/azu%5Fetd%5F1188%5F1%5Fm.pdf&type=application/pdf.

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Ng, Po-chu, and 伍寶珠. "Writing about women and women's writing." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B36259019.

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Huang, Belinda. "Gender, race, and power : the Chinese in Canada, 1920-1950." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0002/MQ43885.pdf.

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Chen, Yuling, and 陳玉玲. "A study of subjectivity in the autobiography of modern Chinese women =." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B44569713.

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Chang, Mei-tsu, and 張美足. "A study of the prose-writings of contemporary women writers in Taiwan (1980-2000) =." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B45014668.

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Books on the topic "Women in Chinese history"

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About Chinese women. New York: M. Boyars, 1986.

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Yung, Judy. Chinese women of America: A pictorial history. Seattle: Published for the Chinese Culture Foundation of San Francisco by University of Washington Press, 1986.

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Women and the family in Chinese history. New York: Routledge, 2002.

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Ebrey, Patricia Buckley. Women and the family in Chinese history. London: Routledge, 2003.

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Chinese women: Their Malaysian journey. Petaling Jaya, Selangor, Malaysia: MPH Pub., 2010.

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Herstory: The legal history of Chinese American women. [North Charleston, SC]: [CreateSpace Independent Publishing Platform], 2021.

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author, Wang Xiangmei, ed. Zhongguo fu nü shi: Chinese women's history. Beijing Shi: Dang dai Zhongguo chu ban she, 2016.

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1943-, Mann Susan, and Cheng Yu-Yin, eds. Under Confucian eyes: Writings on gender in Chinese history. Berkeley: University of California Press, 2001.

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Duke, Michael S. Modern Chinese women writers: Critical appraisals. Armonk, N.Y: M.E. Sharpe, 1989.

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Witnessing history: One Chinese woman's fight for freedom. New York: Soho Press, 2006.

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Book chapters on the topic "Women in Chinese history"

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Lu, Weijing. "Women, Gender, the Family, and Sexuality." In A Companion to Chinese History, 205–20. Chichester, UK: John Wiley & Sons, Ltd, 2016. http://dx.doi.org/10.1002/9781118624593.ch17.

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Gu, Diane Yu. "The Women I Studied and My Own Family History." In Chinese Dreams? American Dreams?, 13–27. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-540-1_2.

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Ho, Clara Wing-Chung. "Working on the History of Chinese Women: My Story." In A Journey into Women's Studies, 194–211. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137395740_12.

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Kwan, C. Nathan. "In the Business of Piracy: Entrepreneurial Women Among Chinese Pirates in the Mid-Nineteenth Century." In Palgrave Studies in Economic History, 195–218. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33412-3_8.

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Yang, Yan, Baochun Chen, and Shozo Nakamura. "Construction Technology of Chinese Woven Timber Arch Bridges." In Engineering History and Heritage Structures – Viewpoints and Approaches, 197–203. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2017. http://dx.doi.org/10.2749/sed015.197.

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Zhu, Ping. "The Anamorphic Feminine: History, Memory, and Woman in Lu Xun’s Writings." In Gender and Subjectivities in Early Twentieth-Century Chinese Literature and Culture, 45–72. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137514738_3.

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Lin, Jaung-gong, Liang-wen Tsai, and Ya-chen Chen. "From Women in Taiwan’s History of Traditional Chinese Medicine (TCM) to Recent Case Studies of Gender Practice Under the Academic Glass Ceiling." In (En)Gendering Taiwan, 149–80. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63219-3_9.

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Gu, Diane Yu. "Women in Academia." In Chinese Dreams? American Dreams?, 43–51. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-540-1_4.

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Kao, Griffin, Jessica Hong, Michael Perusse, and Weizhen Sheng. "Chinese Women in Tech." In Turning Silicon into Gold, 143–47. Berkeley, CA: Apress, 2020. http://dx.doi.org/10.1007/978-1-4842-5629-9_20.

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Li, Jianjun. "Suicide Among Chinese Women." In A Study on Suicide, 57–90. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-9499-7_2.

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Conference papers on the topic "Women in Chinese history"

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Ulanov, Mergen Sandzhievich. "Women In The History Of Chinese Buddhism." In International Scientific Congress «KNOWLEDGE, MAN AND CIVILIZATION». European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.05.217.

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Sinha Roy, Swagata, and Kavitha Subaramaniam. "READING TOURS INTO MALAYSIAN NARRATIVES: LOCALES IN THE GARDEN OF EVENING MISTS AND THE NIGHT TIGER." In GLOBAL TOURISM CONFERENCE 2021. PENERBIT UMT, 2021. http://dx.doi.org/10.46754/gtc.2021.11.051.

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If one has not read local English novels like The Garden of Evening Mists and The Night Tiger, one would never be able to imagine the wonders of locales depicted in these two books. One of the reasons the authors here want to visit a said destination is because of the way a certain place is pictured in narratives. Tan Twan Eng brings to life the beauty of Japanese gardens in Cameron Highlands, in the backdrop of postWorld War II while Yangsze Choo takes us into several small towns of Kinta Valley in the state of Perak in her beautifully woven tale of the superstitions and beliefs of the local people in Chinese folklore and myth in war torn Malaysia in the 1930s and after. Many of the places mentioned in these two novels should be considered places to visit by tourists local and international. Although these Malaysian novelists live away from Malaysia, they are clearly ambassadors of the Malaysian cultural and regional heritage. In this paper, a few of the places in the novel will be looked at as potential spots for the coming decade. The research questions considered here are i) what can be done to make written narratives the new trend to pave the way for Visit Malaysia destinations? ii) how could these narratives be promoted as guides to the history and culture of Malaysia? The significant destinations and the relevant cultural history of the regions will be discussed in-depth to come to a relevant conclusion.
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Jin, Xin. "Making with the Past: Bricolages in Wang Shu’s Design Writings and Built Projects." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4002phgul.

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This study explores how design research writing can engage with historical reference in a radical way. In the 2002 essay “Shijian Tingzhi de Chengshi” (“City Froze in Time”), based on Chapter 2 of his 2000 PhD thesis, Xugou Chengshi (Fictionalising City), the Chinese architect Wang Shu proposes reinterpreting the traditional Chinese architecture and city through the anthropologist Claude Lévi-Strauss’s notion of “bricolage”, which is defined as making do with available objects. Bricolage is informative for understanding Wang’s design undertakings, which involve skilful adaptations of vernacular building types and construction techniques in new urban projects. Nevertheless, its fundamental role in shaping Wang’s design writings is yet to be fully understood. In his design writings, Wang employs a specific quotation method whereby words and paragraphs from other writers’ preexisting works are reused and woven into new textual compositions. Through formal analysis of “City Froze in Time” and comparisons of compositional patterns between the essay and Wang’s built projects, mainly the Xiangshan Campus of the China Academy of Art, Phase II, Hangzhou (2007) and the Ningbo History Museum, Ningbo (2008), this piece explores three issues. First, it demonstrates how textual fragments found in the past and uttered by others undergo bricolage in Wang’s essay. Second, it foregrounds the intention behind Wang’s chosen writing strategy and investigates broader critical issues, such as authorship and the past–present nonlinear order associated with Wang’s strategy. Third, it expresses how historical materials – understanding “materials” in an inclusive sense – are treated in comparable ways in Wang’s written and built works. By examining Wang’s case, this paper highlights a radical case of contemporary architectural research writing in which an attempt is made to demolish the boundary between theory and design by extending the make-do logic of design into the field of design reflection.
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Johnson, Bonnie. "History of American Women in Space." In 42nd AIAA Aerospace Sciences Meeting and Exhibit. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2004. http://dx.doi.org/10.2514/6.2004-273.

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Toualbia, Mohammed Farouk. "WOMEN IN FIGHTING RADICAL AND EXTREMIST GROUPS." In Women's Activism: History and Modernity. Makhachkala: ALEF, 2021. http://dx.doi.org/10.33580/9785001286608_30.

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Girijan, Dhanisha O., and Vedashree Kurukuri. "Muted Voices: Devolution of Women through History." In World Conference on Women's Studies. The International Institute of Knowledge Management (TIIKM), 2017. http://dx.doi.org/10.17501/wcws.2017.2107.

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Lee, Yuk Yee Karen, and Kin Yin Li. "THE LANDSCAPE OF ONE BREAST: EMPOWERING BREAST CANCER SURVIVORS THROUGH DEVELOPING A TRANSDISCIPLINARY INTERVENTION FRAMEWORK IN A JIANGMEN BREAST CANCER HOSPITAL IN CHINA." In International Psychological Applications Conference and Trends. inScience Press, 2021. http://dx.doi.org/10.36315/2021inpact003.

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"Breast cancer is a major concern in women’s health in Mainland China. Literatures demonstrates that women with breast cancer (WBC) need to pay much effort into resisting stigma and the impact of treatment side-effects; they suffer from overwhelming consequences due to bodily disfigurement and all these experiences will be unbeneficial for their mental and sexual health. However, related studies in this area are rare in China. The objectives of this study are 1) To understand WBC’s treatment experiences, 2) To understand what kinds of support should be contained in a transdisciplinary intervention framework (TIP) for Chinese WBC through the lens that is sensitive to gender, societal, cultural and practical experience. In this study, the feminist participatory action research (FPAR) approach containing the four cyclical processes of action research was adopted. WBC’s stories were collected through oral history, group materials such as drawings, theme songs, poetry, handicraft, storytelling, and public speech content; research team members and peer counselors were involved in the development of the model. This study revealed that WBC faces difficulties returning to the job market and discrimination, oppression and gender stereotypes are commonly found in the whole treatment process. WBC suffered from structural stigma, public stigma, and self-stigma. The research findings revealed that forming a critical timeline for intervention is essential, including stage 1: Stage of suspected breast cancer (SS), stage 2: Stage of diagnosis (SD), stage 3: Stage of treatment and prognosis (ST), and stage 4: Stage of rehabilitation and integration (SRI). Risk factors for coping with breast cancer are treatment side effects, changes to body image, fear of being stigmatized both in social networks and the job market, and lack of personal care during hospitalization. Protective factors for coping with breast cancer are the support of health professionals, spouses, and peers with the same experience, enhancing coping strategies, and reduction of symptom distress; all these are crucial to enhance resistance when fighting breast cancer. Benefit finding is crucial for WBC to rebuild their self-respect and identity. Collaboration is essential between 1) Health and medical care, 2) Medical social work, 3) Peer counselor network, and 4) self-help organization to form the TIF for quality care. The research findings are crucial for China Health Bureau to develop medical social services through a lens that is sensitive to gender, societal, cultural, and practical experiences of breast cancer survivors and their families."
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Tanemura, Masako, Fumiko Okiharu, Kyoko Ishii, Haruka Onishi, Mika Yokoee, Hiroshi Kawakatsu, Beverly Karplus Hartline, Renee K. Horton, and Catherine M. Kaicher. "History and Objectives of LADY CATS (Women Physics Teachers in Japan) (abstract)." In WOMEN IN PHYSICS: Third IUPAP International Conference on Women in Physics. AIP, 2009. http://dx.doi.org/10.1063/1.3137887.

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Buraeva, O. V. "CHINESE IN HISTORY OF BAUNT." In Международная научная конференция "Мир Центральной Азии-V", посвященная 100-летию Института монголоведения,буддологии и тибетологии Сибирского отделения Российской академии наук. Новосибирск: Сибирское отделение РАН, 2022. http://dx.doi.org/10.53954/9785604788981_305.

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Yan, Yanlai, Kangmin Chai, Huahan Liang, and Lingda Kong. "Physics involvement in ancient Chinese chime bells." In WOMEN IN PHYSICS: 4th IUPAP International Conference on Women in Physics. AIP, 2013. http://dx.doi.org/10.1063/1.4794219.

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Reports on the topic "Women in Chinese history"

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Goldman, Mindy, and Debasish Tripathy. Phase I/II Pilot Study to Assess Toxicity and Efficacy of Chinese Herbs to Treat Hot Flashes and Menopausal Symptoms for Women With a History of Breast Cancer. Fort Belvoir, VA: Defense Technical Information Center, August 2004. http://dx.doi.org/10.21236/ada439324.

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Tripathy, Debasish. Phase I/II Pilot Study to Assess Toxicity and Efficacy of Chinese Herbs to Treat Hot Flashed and Menopausal Symptoms for Women With a History of Breast Cancer. Fort Belvoir, VA: Defense Technical Information Center, August 2001. http://dx.doi.org/10.21236/ada396339.

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Wang, Judy H. Impact of Culture on Breast Cancer Screening in Chinese American Women. Fort Belvoir, VA: Defense Technical Information Center, September 2005. http://dx.doi.org/10.21236/ada443568.

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Huei-Yu Wang, Judy. Impact of Culture on Breast Cancer Screening in Chinese American Women. Fort Belvoir, VA: Defense Technical Information Center, September 2004. http://dx.doi.org/10.21236/ada433100.

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Wang, Judy H. Impact of Culture on Breast Cancer Screening in Chinese American Women. Fort Belvoir, VA: Defense Technical Information Center, September 2003. http://dx.doi.org/10.21236/ada420871.

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Landroche, Tina. Chinese women as cultural participants and symbols in nineteenth century America. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6174.

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Wang, Judy H. Impact of Culture on Breast Cancer Screening in Chinese American Women. Fort Belvoir, VA: Defense Technical Information Center, September 2006. http://dx.doi.org/10.21236/ada472318.

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Burkitt, Laurie, Andrew Scobell, and Larry M. Wortzel. The Lessons of History: The Chinese People's Liberation Army at 75. Fort Belvoir, VA: Defense Technical Information Center, July 2003. http://dx.doi.org/10.21236/ada417717.

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Doblhammer, Gabriele, and James W. Vaupel. Reproductive history and mortality later in life for Austrian women. Rostock: Max Planck Institute for Demographic Research, November 1999. http://dx.doi.org/10.4054/mpidr-wp-1999-012.

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Liang, Xingyan, Yu Su, Chunli Lu, and Hongxia Ma. Chinese herbal medicine combined with acupuncture for women with polycystic ovarian syndrome. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, August 2021. http://dx.doi.org/10.37766/inplasy2021.8.0048.

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