Academic literature on the topic 'Women composers Australia Biography'
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Journal articles on the topic "Women composers Australia Biography"
Bowan, Kate. "Living between Worlds Ancient and Modern: The Musical Collaboration of Kathleen Schlesinger and Elsie Hamilton." Journal of the Royal Musical Association 137, no. 2 (2012): 197–242. http://dx.doi.org/10.1080/02690403.2012.717467.
Full textKimber, Marian Wilson. "The "Suppression" of Fanny Mendelssohn: Rethinking Feminist Biography." 19th-Century Music 26, no. 2 (2002): 113–29. http://dx.doi.org/10.1525/ncm.2002.26.2.113.
Full textHope, Cat, Nat Grant, Gabriella Smart, and Tristen Parr. "TOWARDS THE SUMMERS NIGHT: A MENTORING PROJECT FOR AUSTRALIAN COMPOSERS IDENTIFYING AS WOMEN." Tempo 74, no. 292 (March 6, 2020): 49–55. http://dx.doi.org/10.1017/s0040298219001177.
Full textKálló, Krisztián. "Katalin Incze G.: Portrait af a Composer." Studia Universitatis Babeş-Bolyai Musica 67, no. 1 (June 30, 2022): 9–19. http://dx.doi.org/10.24193/subbmusica.2022.1.01.
Full textHead, Matthew. "Cultural Meaning for Women Composers: Charlotte (“Minna”) Brandes and the Beautiful Dead in the German Enlightenment." Journal of the American Musicological Society 57, no. 2 (2004): 231–84. http://dx.doi.org/10.1525/jams.2004.57.2.231.
Full textGoh, Talisha. "FROM THE OTHER SIDE: FEMINIST AESTHETICS IN AUSTRALIAN MUSICOLOGY." Tempo 74, no. 292 (March 6, 2020): 21–29. http://dx.doi.org/10.1017/s0040298219001141.
Full textDevenish, Louise, Cecilia Sun, Cat Hope, and Vanessa Tomlinson. "TEACHING TERTIARY MUSIC IN THE #METOO ERA." Tempo 74, no. 292 (March 6, 2020): 30–37. http://dx.doi.org/10.1017/s0040298219001153.
Full textDevenish, Louise. "INTRODUCTION: TOWARDS GENDER DIVERSITY IN NEW MUSIC PRACTICE." Tempo 74, no. 292 (March 6, 2020): 6–9. http://dx.doi.org/10.1017/s0040298219001128.
Full textSysolyatina, Sofiya V. "“Jephthah’s Daughter” by Amy Beach: the Biblical World in the Words of a Woman." ICONI, no. 2 (2019): 59–67. http://dx.doi.org/10.33779/2658-4824.2019.2.059-067.
Full textBrigden, Cathy, and Lisa Milner. "Radical Theatre Mobility: Unity Theatre, UK, and the New Theatre, Australia." New Theatre Quarterly 31, no. 4 (October 9, 2015): 328–42. http://dx.doi.org/10.1017/s0266464x15000688.
Full textDissertations / Theses on the topic "Women composers Australia Biography"
Watters-Cowan, Ch??rie School of Music & Music Education UNSW. "Reconstructing the creative life of Australian composer Margaret Sutherland: the evidence of primary source documents." Awarded by:University of New South Wales. School of Music and Music Education, 2006. http://handle.unsw.edu.au/1959.4/24913.
Full textBrien, Donna Lee. "The case of Mary Dean : sex, poisoning and gender relations in Australia." Queensland University of Technology, 2003. http://eprints.qut.edu.au/16340/.
Full textBrien, Donna L. "The case of Mary Dean: Sex, poisoning and gender relations in Australia." Thesis, Queensland University of Technology, 2003. https://eprints.qut.edu.au/117977/1/T%20%28CI%29%2094%20-%20THE%20CASE%20OF%20MARY%20DEAN.pdf.
Full textClarke, Patricia, and n/a. "Life Lines to Life Stories: Some Publications About Women in Nineteenth-Century Australia." Griffith University. School of Arts, Media and Culture, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040719.150756.
Full textGraham, Jillian. "Composing biographies of four Australian women: feminism, motherhood and music." 2009. http://repository.unimelb.edu.au/10187/7402.
Full textAspects of the biographies of each of these women are explored, and I situate their narratives within the cultural and musical contexts of their eras, in order to achieve heightened understanding of the ideologies and external influences that have contributed to their choices and experiences. Methodologies derived from feminist biography and oral history/ethnography underpin this study. Theorists who inform this work include Marcia Citron, Daphne de Marneffe, Sherna Gluck, Carolyn Heilbrun, Anne Manne, Ann Oakley, Alessandro Portelli, Adrienne Rich and Robert Stake, along with many others.
The demands traditionally placed on women through motherhood and domesticity have led to a lack of time and creative space being available to develop their careers. Thus they have faced significant challenges in gaining public recognition as serious composers. There is a need for biographical analysis of these women’s lives, in order to consider their experiences and the encumbrances they have faced through attempting to combine their creative and mothering roles. Previous scholarship has concentrated more on their compositions than on the women who created them, and the impact of private lives on public lives has not been considered worthy of consideration.
Three broad themes are investigated. First, the ways in which each composer’s family background, upbringing and education have impacted on their decision to enter the traditionally male field of composition are explored. The positive influence from family and other mentors, and opportunities for a sound musical education, are factors particularly necessary for aspiring female composers. I argue that all four women have benefited from upbringings in families where education and artistic endeavour have been valued highly.
The second theme concerns the extent to which the feminist movement has influenced the women’s lives as composers and mothers, and the levels of frustration, and/or satisfaction or pleasure each has felt in blending motherhood with composition. I contend that all four composers have led feminist lives in the sense that they have exercised agency and a sense of entitlement in choices regarding their domestic and work lives. The three living composers have reaped the benefits of second-wave feminism, but have eschewed complete engagement with its agenda, especially its repudiation of motherhood. They can more readily be identified with the currently evolving third wave of feminism, which advocates women’s freedom to choose how to balance the equally-valued roles of motherhood and the public world of work. I assert that Sutherland was a third-wave prototype, a position that was atypical of her era.
The third and final theme comprises an investigation of the ways in which historical and enduring negative attitudes towards women as musical creators have played out in the musical careers in these composers. It is contested that Sutherland experienced greater challenges than her successors in the areas of dissemination, composition for larger forces, and critical reception, but appears to have been more comfortable in promoting her work. The exploration of their careers demonstrates that all four of these creative mothers are well-respected and recognised composers. They are ‘third-wave’ women who have considerably enriched Australia’s musical landscape.
Rusak, Helen Kathryn. "Simply Divine : feminist aesthetics in three music theatre works of Elena Kats-Chernin / by Helen Kathryn Rusak." 2005. http://hdl.handle.net/2440/22246.
Full textviii, 345 p. : ill. (some col.), music ; 31 cm.
Title page, contents and abstract only. The complete thesis in print form is available from the University Library.
"This thesis examines and applies feminist musicological theory to Iphis, Matricide the musical, and Mr Barbecue, three musical theatre works by the Australian composer Elena Kats-Chernin." --p. iii.
Thesis (Ph.D.)--University of Adelaide, Elder School of Music, 2005
Burston, Mary Ann. "Looking for home in all the wrong places: nineteenth-century Australian-Irish women writers and the problem of home-making." Thesis, 2009. https://vuir.vu.edu.au/30089/.
Full textBooks on the topic "Women composers Australia Biography"
Plantamura, Carol. Woman composers. Santa Barbara, Ca: Bellerophon Books, 1994.
Find full textCohen, Aaron I. International encyclopedia of women composers. 2nd ed. New York: Books & Music, 1987.
Find full textWomen music makers: An introduction to women composers. New York: Walker, 1992.
Find full textCohen, Aaron I. International encyclopedia of women composers. 2nd ed. New York: Books & Music, 1987.
Find full textInternational encyclopedia of women composers. 2nd ed. New York: Books & Music USA, 1987.
Find full textThe music of Peggy Glanville-Hicks. Burlington, VT: Ashgate, 2009.
Find full textJezic, Diane. Women composers: The lost tradition found. New York: Feminist Press at the City University of New York, 1988.
Find full text1939-, Wood Elizabeth, ed. Women composers: The lost tradition found. 2nd ed. New York: Feminist Press at the City University of New York, 1994.
Find full textSharon, Krebs, ed. Josephine Lang: Her life and songs. Oxford: Oxford University Press, 2007.
Find full text1947-, Richardson Cynthia S., ed. Mary Carr Moore, American composer. Ann Arbor: University of Michigan Press, 1987.
Find full textBook chapters on the topic "Women composers Australia Biography"
Appleby, Rosalind. "“Dear Women Composers in Australia (and Beyond)”: (A Letter from a Music Critic)." In A Century of Composition by Women, 209–23. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95557-1_11.
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