Dissertations / Theses on the topic 'Women Australia Social conditions 1945-'
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1
Noble, Jenny Austin School of English UNSW. "Representations of the mother-figure in the novels of Katharine Susannah Prichard and Eleanor Dark." Awarded by:University of New South Wales. School of English, 2005. http://handle.unsw.edu.au/1959.4/23897.
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This thesis argues that through bringing together two branches of inquiry???the literary work of Katharine Susannah Prichard and Eleanor Dark and socio-feminist theory on health, contagion and the female body???the discursive body of the mother-figure in their novels serves as a trope through which otherwise unspoken tensions???between the personal and the political, between family and nation and between identity and race in Australian cultural formation???are explored. The methodology I use is to analyse the literary mother-figure through a ???discourse on health??? from a soma-political, socio-cultural and historical perspective which sought to categorise, regulate and discipline women???s lives to ensure that white women conformed to their designated roles as mothers and that they did so within the confines of marriage. The literary mother-figure, as represented in Prichard???s and Dark???s novels, is frequently at odds with the culturally constructed mother-figure as represented in political and religious discourses, and in popular forms of culture such as advertising, film and women???s magazines. This culturally constructed ???ideal??? mother-figure is intimately linked to nationalist discourses of racial hygiene, of Christian morality, and of civic and social order controlled by such patriarchal institutions as the state, the church, the law and the medical professions during the period under review. This is reflected in Prichard???s and Dark???s inter-war novels which embody unresolved tensions in a way that challenges representations of the mother-figure by mainstream culture. However, their post-war novels show a greater compliance with nationalist ideologies of the good and healthy mother-figure who conforms more closely with an idealised notion of motherhood, leading up to the 1950s. Through a detailed analysis of the two writers??? changing representations of the mother-figure, I argue that the mother-figure is a key trope through which unspoken tensions and forces that have shaped (and continue to shape) Australian culture and society can be understood.
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Irwin, Pamela Margaret. "The development of resilience in two cohorts of older, single women, living on their own, in a small rural town in Australia." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:e6820ead-3b23-4b87-8f68-ef4404a8c40c.
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Australian rural women are stereotypically perceived as stoic, self-reliant, and used to handling adversity. Since this iconic portrayal of resilience is traditionally (and contemporaneously) located in the harsh countryside, it is surprising that there are few articles examining this environment, person, and resilience nexus. This thesis addresses this omission by exploring the development of resilience in two cohorts of single, older women, living on their own in rural Australia. Accordingly, an ethnographic study was conducted in a small Australian town in 2012. Documentary evidence, participant observation, and interviews captured the separate and intersecting environment and person related contributors to resilience, mediated and moderated through situational relations over time. The results revealed the persistence and reinforcement of rural historical cultural stereotypes about older women, and the systematic exclusion of younger women retirees who chose to move to the town but did not fit these embedded cultural norms. When confronted with a societal attitude that socially constrains their social identity and role, and boxes them in, the older old women pragmatically accepted their situation, and successfully adapted to their new circumstances. For them, resilience is a reactive response to regain and maintain equilibrium in their lives. Conversely, the late middle-aged retirees were boxed out from actively participating and contributing to the community; for these women, resilience is equated to resignation and endurance. And as there is a symbiotic relationship between a town and its residents, this community represents a constraining force, both in terms of its stalled response to sociodemographic and structural change, and its passive indifference to the older women as exemplars of resilience. In effect, the community exerts an oppressive, dampening effect on the women's agentic resiliency; thus contradicting the prevailing literature where resilience is widely portrayed as a positive and active agentic concept.
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Briggs, Catherine. "Fighting for women's equality, the federal Women's Bureau, 1945-1967 : an example of early state feminism in Canada." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ60524.pdf.
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Olson, Nancy Louise. "Assembling a life, the (auto) biography of Alexis Amelia Alvey, 1942-1945." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0028/MQ37604.pdf.
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Hall, Virginia Kaufman, of Western Sydney Hawkesbury University, of Health Humanities and Social Ecology Faculty, and School of Social Ecology. "Women transforming the workplace : collaborative inquiry into integrity in action." THESIS_FHHSE_SEL_Hall_V.xml, 1996. http://handle.uws.edu.au:8081/1959.7/438.
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This collaborative research is an account of the recent lived experience of twelve women who bring about transformations in their own workplaces. The work integrates feminist theory with the social ecology focus of studying interactions between people and their environments. The study is multidisciplinary including psychological as well as social aspects and applies critical social research to workplace situations. The research group informed each other primarily by stories which narrated: social and family context; work situations; particular situations and specific strategies. Reflexive and archetypal meanings emerged from recounting ancient myths to help understand complex and difficult work structures which constrain the participants' creativity. This inquiry is a fresh approach to a range of workplace problems by engaging many women’s preferred working styles and applying this creative response: pro-active strategies which are demonstrated, are indeed, highly effective.Doctor of Philosophy (PhD)(Social Ecology)
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Hodge, Pamela. "Fostering flowers: Women, landscape and the psychodynamics of gender in 19th Century Australia." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 1998. https://ro.ecu.edu.au/theses/1435.
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It is said that when the Sphinx was carved into the bedrock of Egypt it had the head as well as the body of Sekhmet lioness Goddess who presided over the rise and fall of the Nile, and that only much later was the head recarved to resemble a male pharaoh. Simon Schama considered the 'making over' of Mount Rushmore to resemble America's Founding Fathers constituted 'the ultimate colonisation of nature by culture … a distinctly masculine obsession (expressing) physicality, materiality and empirical externality,… a rhetoric of humanity's uncontested possession of nature. It would be comforting to think that, although Uluru has become the focus of nationalist myths in Australia, to date it has not been incised to represent Australia's 'Great Men' - comforting that is, if it were not for the recognition that if Australia had had the resources available to America in the 1920s a transmogrified Captain Cook and a flinty Governor Phillip may have been eyeballing the red heart of Australia for the greater part of a century. My dissertation traces the conscious and unconscious construction of gender in Australian society in the nineteenth century as it was constructed through the apprehension of things which were associated with 'nature' -plants, animals, landscape, 'the bush', Aborigines, women. The most important metaphor in this construction was that of women as flowers; a metaphor which, in seeking to sacralise 'beauty' in women and nature, increasingly externalised women and the female principle and divorced them from their rootedness in the earth - the 'earth' of 'nature', and the 'earth' of men's and women's deeper physical and psychological needs. This had the consequence of a return of the repressed in the form of negative constructions of women, 'femininity'" and the land which surfaced in Australia, as it did in most other parts of the Western World, late in the nineteenth century. What I attempt to show in this dissertation is that a negative construction of women and the female principle was inextricably implicated in the accelerating development of a capitalist consumer society which fetishised the surface appearance of easily reproducible images of denatured objects. In the nineteenth century society denatured women along with much else as it turned from the worship of God and ‘nature' to the specularisation of endlessly proliferating images emptied of meaning; of spirituality. An increasing fascination with the appearance of things served to camouflage patriarchal assumptions which lopsidedly associated women with a 'flowerlike' femininity of passive receptivity (or a ‘mad' lasciviousness) and men with a 'masculinity' of aggressive achievement - and awarded social power and prestige to the latter. The psychological explanation which underlies this thesis and unites its disparate elements is that of Julia Kristeva who believed that in the nineteenth century fear of loss of the Christian 'saving' mother - the Mother of God - led to an intensification of emotional investment among men and women in the pre-oedipal all-powerful 'phallic' mother who is thought to stand between the individual and 'the void of nothingness'.
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Gonick, Marnina K. "Working from home : women, work and family." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63862.
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Ling, Katherine Anne. ""A share of the sacrifice" : Newfoundland servicewives in the Second World War /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/NQ62451.pdf.
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Brankovich, Jasmina. "Burning down the house? : feminism, politics and women's policy in Western Australia, 1972-1998." University of Western Australia. School of Humanities, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0122.
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This thesis examines the constraints and options inherent in placing feminist demands on the state, the limits of such interventions, and the subjective, intimate understandings of feminism among agents who have aimed to change the state from within. First, I describe the central element of a
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Miguda, Edith Atieno. "International catalyst and women's parliamentary recruitment : a comparative study of Kenya and Australia 1963-2002 /." Title page, table of contents and abstract only, 2004. http://web4.library.adelaide.edu.au/theses/09PH/09phm6362.pdf.
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Rabbitt, Elaine. "Kimberley Women : Their Experiences of Making a Remote Locality Home." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2004. https://ro.ecu.edu.au/theses/1677.
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In previous histories of Western Australia, pre-dominantly written from a male Eurocentric viewpoint, scant attention has been drawn to the everyday lives of country women. The study described in this dissertation explores the responses of women to the challenges of relocation and settlement within a remote locality in the Kimberley region of Western Australia.
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Honeywill, Greer 1945. "Colours of the kitchen cabinet : a studio exploration of memory, place, and ritual arising from the domestic kitchen." Monash University, Dept. of Fine Arts, 2003. http://arrow.monash.edu.au/hdl/1959.1/5621.
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Whitehead, Eileen. "A Leap In The Dark: Identity, Culture And The Trauma Of War Mediated Thorough The Visual Arts Of North-East European Migrants And Émigrés To Australia After 1945." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2014. https://ro.ecu.edu.au/theses/1438.
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This thesis explores the contribution to the cultural life of post-war Australia by migrant artists from north-eastern Europe. It researches the lives and work not only of displaced artists arriving in the mass exodus from Europe after the Second World War, but also second and third generation artists descended from original migrant families, and much later émigré artists.
Art histories written to date about the post-war period provide little coverage of the contributionto the art and culture of Australia by migrant artists from north-eastern Europe. The coverage in the literature written about the visual art produced by established Australian artists is far greater than that given to the migrant artists also exhibiting at the same time. Insofar as the ‘gap’ in the literature is concerned, this research reveals a number of factors which appear to have influenced the non-recognition of migrant art—such as, poor reception of abstract art in Australia post-war and the protection of established Australian artists. The impact of European abstract expressionism that migrants introduced in the 1950s had a lasting effect on Australian modern art, together with the innovation of their contemporary sculpture, which changed the urban landscape of Australian cities.
This research questions the possible long term repercussions emanating from colonial Anglocentric Australian government policies, which in turn leads to questions about the importance and location of cultural heritage, sense of identity, third space and cultural hybridity. With a focus on migrant artists from north-eastern Europe—the Baltic States and Poland—the research investigates how second and third generation artists locate their visual art in relation to their cultural environment and how they navigate between their cultural heritage and the cultural mosaic of an Australian context. The impact of war on artists from migrant families through the subjugated experience of those families is also addressed to ascertain any effect on the visual art currently being produced.
Interviews were conducted with ten artists of north-east European ancestry, using an ethnographic qualitative research methodology incorporating in-depth interviews together with close analysis of artwork during interview or subsequent contact in the artists’ studios and at exhibitions of their work.
Research revealed that, regarding a sense of belonging and identity, nine of the ten artists still retain a perception of living between cultures, which appears congruous with the importance of the retention of language and ‘home’ culture. Making art appears to strengthen their sense of living between cultures, and their creative praxis combines experiences passed down through the generations fused into their own Australian life-world, modified and shaped within a third space of meaning. The thesis argues that second and third generation Australian artists, whilst engaging with contemporary issues, make reference to cultural traditions interspersed with comment on contemporary conditions, resulting in a syncretic articulation which forms a third space of cultural transformation and unity.
The investigation into the impact of war, particularly World War II, revealed that only five participating artists directly manifest war themes in their visual art. However, the repercussions of that war and the Cold War, which lasted for many years after the Second World War, appear to have been subconsciously imprinted on the artwork of all three categories of artist, i.e. second and third generation and émigré artists.
The cultural aesthetics migrants introduced has had a long-lasting effect on Australian tastes generally and on art education in particular. This research underlines the particular contribution of migrant artists from north-east Europe, revealing the aesthetic value such cultural integration has produced. This research seeks to initiate dialogue and a growing understanding of the rich and complex history of art and culture which migration has stimulated in Australia since the 1950s.
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Hummelt, Bob. "Trouble on the home front perspectives on working mothers in Winnipeg, 1939-1945 /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ57547.pdf.
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Brooklyn, Bridget. "Something old, something new : divorce and divorce law in South Australia, 1859-1918." Title page, contents and summary only, 1988. http://web4.library.adelaide.edu.au/theses/09PH/09phb872.pdf.
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Baguley, Margaret Mary. "The deconstruction of domestic space." Thesis, Queensland University of Technology, 1998. https://eprints.qut.edu.au/35896/1/35896_Baguley_1998.pdf.
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Introduction:
I find myself in the pantry, cleaning shelves, in the laundry, water slopping around my elbows, at the washing line, pegging clothes. I watch myself clean shelves, wash, peg clothes. These are the rhythms
that comfort. That postpone. (The Painted Woman, Sue Woolfe, p. 170)
As a marginalised group in Australian art history and society, women artists possess a valuable and vital craft tradition which inevitably influences all aspects of their arts practice. Installation art, which has its origins in the craft tradition, has only been
acknowledged in the art mainstream this decade; yet evolved in the home of the 1950s. The social policies of this era are well documented for their insistence on
women remaining in the home in order to achieve personal success in their lives. This cultural oppressiveness paradoxically resulted in a revolution in women's art in the environment to which they were confined. Women's creative energies were diverted and sublimated into the home, resulting in aesthetic statements of individuality in home decoration. As an art movement, women's installation art in the home provided the similar structures to formally recognised art schools in the mainstream, and include: informal networks and training (schools); matriarchs within the community
who were knowledgable in craft traditions and techniques and shared these with younger women (mentorships); visiting other homes and providing constructive
advice (critiques); and women's magazines and glory boxes (art journals and sketch books). A re-examination of this vital period in women's art history will reveal the
social policies and cultural influences which insidiously undermined women's art, which was based on craft traditions.
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Hopkins, Susan. "Pop heroines and female icons : youthful femininity and popular culture." Thesis, Queensland University of Technology, 1999.
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The thesis suggests much feminist theorising on girls' and young women's relationship to popular culture is limited by a 'moral-political' approach which searches for moral and
political problems and solutions in the consumption of popular images of femininity. The thesis offers a critique of such 'moral-political' interpretations of the relationship between youthful femininity and popular culture. Following thinkers such as Friedrich Nietzsche and
Jean Baudrillard, the thesis opposes the political preoccupation with 'reality' and 'truth'. The study follows Nietzsche's and Baudrillard's notion of the 'Eternal-Feminine' which accepts the necessity of illusion, deception and appearances. Through a close textual
analysis of magazines, films, television and music video, this study offers an aesthetic appreciation of popular culture representations of femininity. The thesis comprises six essays, the first of which explains my Nietzschean inspired aesthetic approach in more detail. The second essay looks at images and discourses of supermodels and model femininity in women's magazines. The third looks at image-based forms of 'girl power' from Madonna to
the Spice Girls. The fourth essay examines the 'Cool Chics' of the pay TV channel TVJ,from Wonder Woman to Xena: Warrior Princess. The fifth essay, 'Gangster Girls: From
Goodfellas to Pulp Fiction' considers the 1990s model of the femme fatale, the bad girl who thrives on moral chaos. The final essay 'Celebrity Skin: From Courtney Love to Kylie
Minogue' suggests some of the most powerful feminine role models of our time have built their careers not on notions of authenticity and truth but rather on the successful management of illusion and fantasy. The essay argues that our social world has outgrown the traditional
moral-political approach which aims to lead girls and young women from 'deceptive''immoral' appearances to moral, 'authentic' 'reality'. The pleasures of popular culture, Isuggest, cannot always be linked to deep meanings but may be drawn from superficial appearances and beautiful surfaces.
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Mahir-Metinsoy, Ikbal Elif. "Poor Ottoman Turkish women during World War I : women’s experiences and politics in everyday life, 1914-1923." Thesis, Strasbourg, 2012. http://www.theses.fr/2012STRAG004/document.
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Cette thèse de doctorat examine l’impact social de la Première Guerre mondiale dans l’Empire ottoman sur les femmes turques défavorisées et la réaction quotidienne de ces femmes aux conditions négatives de la guerre et aux mesures de l’État concernant les femmes. Elle utilise l’approche de l’histoire populaire et des nouvelles sources des archives ottomanes pour démontrer les voix et les expériences des femmes ordinaires, surtout leur lutte contre l’appauvrissement à cause de la guerre et les politiques sociales insuffisantes. Par conséquent, elle contribue à combler une grande lacune dans l’historiographie sur l’Empire ottomane et les études sur les femmes qui examinent rarement les femmes turques ordinaires. Elle renforce l’idée que les femmes ottomanes ont eu des grandes difficultés à cause de la guerre contrairement aux comptes de modernisation soulignant seulement les développements positifs concernant les libertés et les droits des femmes après la guerre. Elle réfute les comptes acceptant la guerre comme une période pendant laquelle toutes les femmes turques ont vécu une « émancipation. » D’ailleurs, elle met en lumière les formes et les aspects des points de vue critiques des femmes et de la politique quotidienne des femmes pour survivre les conditions négatives de la guerre, pour faire entendre leurs voix, pour protéger leurs droits et pour recevoir des aides socialesThis dissertation examines the social impact of World War I in the Ottoman Empire on ordinary poor Turkish women and their everyday response to the adverse wartime conditions and the state policies concerning them. Based on new archival sources giving detailed information about the voice, experience and agency of these women and based on the history from below approach, this study focuses on poor, underprivileged and working Turkish women’s everyday experiences, especially their struggle against and perception of wartime conditions, mobilization and state policies about them. By doing so, it contributes to filling the great gap in late Ottoman historiography and women’s studies, which rarely examine ordinary women and their everyday problems and struggles for survival and rights. First, it scrutinizes how ordinary women experienced the war and argues that, in contrast to the modernization accounts that overlook women’s sufferings at the cost of post-war developments in women’s rights and liberties, ordinary Turkish women had great difficulties during the war years. It presents a major caveat to the accounts accepting the war years as a period during which Turkish women monolithically experienced a gradual liberty and « emancipation. » Second, it brings the unexamined forms and aspects of women’s critical and subjective views, their everyday politics to circumvent the adverse conditions and state policies, to make their voices heard, to pursue their rights, and to receive government support into the light
Bu doktora tezi Osmanlı İmparatorluğu’nda Birinci Dünya Savaşı’nın sıradan yoksul Türk kadınları üzerindeki sosyal etkilerini ve kadınların olumsuz savaş koşullarına ve kendileriyle ilgili devlet politikalarına yönelik tavırlarını incelemektedir. Kadınların sesleri, deneyimleri ve tarihsel rolleri hakkında detaylı bilgiler veren yeni arşiv kaynaklarına ve aşağıdan tarih yaklaşımına dayanan bu tez yoksul, temel sosyal haklardan yoksun ve çalışan Türk kadınlarının gündelik deneyimlerine, özellikle de savaş koşulları, seferberlik ve devlet politikalarını algılayış ve bunlarla mücadele biçimlerine odaklanmaktadır. Dolayısıyla, bu tez, sıradan kadınları ve onların gündelik problemleriyle hayatta kalma ve hak mücadelelerini çok az inceleyen Osmanlı tarihçiliği ve kadın araştırmalarındaki büyük bir boşluğu doldurmaya katkıda bulunmaktadır. Bu tez, bu anlamda, iki temel temaya odaklanmaktadır. Öncelikle, sıradan kadınların savaşı nasıl deneyimlediklerini mercek altına almakta ve onların çektikleri acıları savaş sonrası kadın hak ve özgürlüklerindeki ve üst ve orta sınıf eğitimli kadınların etkinlik ve deneyimlerindeki gelişmelerin bir bedeli olarak algılayıp gözden kaçıran modernleşmeanlatılarının tersine sıradan kadınların savaş yıllarında büyük güçlükler çektiğini savunmaktadır. Bu bağlamda, bu çalışma, Türk kadınlarının savaş yıllarında bütün olarak görece bir “özgürleşme” yaşadıklarını kabul eden anlatılara önemli bir uyarıdır. İkincil olarak, bu tez, kadınların zorluklarla gündelik mücadelelerine odaklanarak kadınların eleştirel ve öznel tutumlarının ve olumsuz koşullar ve devlet politikalarından kaçmak, seslerini duyurmak, haklarının peşine düşmek ve destek görebilmek amaçlı gündelik politikalarının keşfedilmemiş biçim ve yönlerini gün ışığına çıkarmaktadır
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Treffot, Anne-Elisabeth. "L'Espagne, un nouveau pays d'immigration : l'exemple des immigrées roumaines (analyse comparative)." Phd thesis, Université de Bourgogne, 2013. http://tel.archives-ouvertes.fr/tel-00998655.
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Ce travail porte sur le phénomène de l'immigration en Espagne et son impact dans la société espagnole contemporaine. L'étude de l'arrivée de nombreux migrants en Espagne permet en effet de rendre compte de l'évolution de la société espagnole: D'une part en analysant comment et pourquoi un pays traditionnellement exportateur de main d'œuvre a pu attirer des immigrants; d'autre part en observant ce que l'Espagne a fait pour intégrer ces flux migratoires. L'analyse de ce phénomène se fait à travers un prisme particulier, celui des femmes roumaines. Les Roumains sont depuis quelques années la première nationalité étrangère en Espagne. Je présente ici les différentes étapes de l'immigration roumaine et ses caractéristiques, et enquête auprès de migrantes roumaines. Je veux en effet, à travers leur expérience, mettre en lumière certains aspects importants de la société espagnole contemporaine (dans la mesure où ils sont révélateurs de l'attitude de cette société face à des problèmes nouveaux). Je m'intéresse également à quelques cas particuliers, afin de présenter l'immigration roumaine dans toute sa diversité: j'analyse l'immigration des Roumaines roms et reviens également sur la situation de femmes roumaines en situation de marginalisation: les Roumaines victimes de réseaux de proxénétisme, et les Roumaines détenues en Espagne. Par ailleurs, il m'a semblé tout aussi essentiel de déterminer la vision que la société espagnole a des immigrés, et en particulier des Roumains à travers l'analyse d'un corpus journalistique qui reflète la période comprise entre la fin des années 90 et 2013, et complète cette analyse de l'immigration roumaine. Dans les années 50, des flux migratoires d'un tout autre ordre se sont dirigés vers l'Espagne franquiste: J'évoque l'exil en Espagne, sujet encore très inédit et très rarement objet de recherches. Ce travail, qui porte essentiellement sur l'immigration en Espagne, présente, en outre une comparaison ponctuelle avec la situation en France Cette brève analyse permet de comparer et de nuancer ce qui, dans l'expérience migratoire des Roumaines en Espagne et en France est semblable ou foncièrement différent.
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Rudd, Dianne M. "Women and migration : internal and international migration in Australia / Dianne Marie Rudd." 2004. http://hdl.handle.net/2440/22131.
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"July 24, 2004"Includes bibliographical references (leaves 297-319)
xix, 319 leaves : ill. (some col.), maps ; 30 cm.
Title page, contents and abstract only. The complete thesis in print form is available from the University Library.
Thesis (Ph.D.)--University of Adelaide, School of Social Sciences, Discipline of Geographical and Environmental Studies, 2004
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Rudd, Dianne M. "Women and migration : internal and international migration in Australia / Dianne Marie Rudd." Thesis, 2004. http://hdl.handle.net/2440/22131.
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"July 24, 2004"Includes bibliographical references (leaves 297-319)
xix, 319 leaves : ill. (some col.), maps ; 30 cm.
Thesis (Ph.D.)--University of Adelaide, School of Social Sciences, Discipline of Geographical and Environmental Studies, 2004
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Harper, Ainsley J. (Ainsley Jane). "Sexually transmitted debt : credibility, culpability and the burden of responsibility." 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phh293.pdf.
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Bibliography: leaves 230-248. This thesis examines the causes and consequences to women who, as a result of their marital of de facto relationship incur debt from their spouse/partner. First, it aims to describe the legal and social construction of sexually transmitted debt through a feminist analysis of the 1998 Australian High Court legal case of Garcia v National Australia Bank Ltd. It aims, second, to contribute to feminist understanding of financial decision-making within households by focussing on those decisions that lead to the accumulation of debt within the domestic sphere.
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Ferroni, Paola Adrian. "The effects of gynaecological conditions and hysterectomy fro reasons other than cancer on women's psycho-social and sexual health." Phd thesis, 1995. http://hdl.handle.net/1885/258172.
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The effects of gynaecological conditions and hysterectomy on psycho-social and sexual health are analysed in relation to the experience of 930 Western Australian women. The participants in the main survey were recruited from a simple random sample of 50 general medical practices in metropolitan Perth. According to their responses they were assigned to one of three groups: healthy, gynaecological conditions, hysterectomy. Although there were no statistically significant differences in the frequency of sexual activity across the groups, depression and self esteem scores were significantly worse for women with gynaecological conditions. Of these women, those with endometriosis were more likely to be depressed and reported on average the lowest scores on self-esteem. Women's ability to orgasm was equally distributed across the three groups and did not appear to be directly associated with gynaecological dysfunction or hysterectomy.
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Quiggin, Pat. "The female role in the decline in fertility in Australia, 1861-1901." Master's thesis, 1985. http://hdl.handle.net/1885/117059.
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During the second half of the nineteenth century fertility in
Australia declined from a high level which was never regained. A
similar decline was evident in many Western countries during the same
period. This study of the role of Australian women in initiating the
decline examines the effects of demographic and socioeconomic changes
as possible explanations for the lowered birthrate.
A review of some of the extensive literature is used to provide
guidance in the choice of factors which, from overseas experience,
might be expected to explain some of Australia's fertility decline.
Evidence on the timing of the commencement of fertility control is
reviewed, leading to a suggestion that, in Victoria in particular, the
decline in marital fertility may have commenced earlier than previously
was believed.
Based on the content of contemporary newspapers and magazines, the
role of women as mothers is shown to have changed, with a greater
emphasis on the responsibility of women for the spiritual and physical
care of their families.
Statistical evidence shows the extent to which marriage became
less attainable although, at the time, the problem was seen as
socioeconomic, rather than demographic.
As education became compulsory, the assistance formerly provided
by young girls was no longer available to their mothers. At the same
time, education provided options for women other than dependence on
parents or husbands.
From an examination of the role of feminism and its relationship
to birth control and religion, it is concluded that organised feminism
was not an important factor in initiating fertility decline. However,
a rise in 'domestic feminism', or more equality within marriage, may
have explained partially why the fertility of Australian women declined
in the second half of the nineteenth century, although economic factors
were also of considerable importance.
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Miguda, Edith Atieno. "International catalyst and women's parliamentary recruitment : a comparative study of Kenya and Australia 1963-2002 / Edith Atieno Miguda." Thesis, 2004. http://hdl.handle.net/2440/22210.
Full textAbstract:
"November 2004"Includes bibliographical references (leaves 246-263)
xi, 263 leaves ; 30 cm.
A comparative study of the impact of international catalysts on women's entry into the national parliaments of Kenya and Australia and whether they have similar impacts on women's parliamentary recruitment in countries that have different terms of incorporation into the international system.
Thesis (Ph.D.)--University of Adelaide, School of Social Sciences, Discipline of Gender Studies, 2005
26
Wilson, Carol Marie. "The arsenal of democracy drops a stitch : WWII industrial mobilization and the Real Silk Hosiery Mills of Indianapolis, Indiana." Thesis, 2013. http://hdl.handle.net/1805/4664.
Full textAbstract:
Indiana University-Purdue University Indianapolis (IUPUI)Conventional interpretations of WWII hold that the war brought the United States out of the Great Depression and laid the path for future economic prosperity. However, this was not the case for all businesses and industries. During WWII, unprecedented production output was required of U.S. industries to supply the great “Arsenal of Democracy.” Industrial mobilization required the creation of new agencies and commissions to manage the nation’s resources. These organizations created policies that deeply impacted U.S. industries involved in war production. Policies governing such areas as the allocation of raw materials, transportation of finished goods, and distribution of war contracts created challenges for businesses that often resulted in lost productivity and in some cases, loss of profitability. Government regulation of the labor force and labor problems such as labor shortages, high absenteeism and turnover rates, and labor disputes presented further challenges for businesses navigating the wartime economy. Most studies of WWII industrial mobilization have focused on large corporations in high priority industries, such as the aircraft, petroleum, or steel industries, which achieved great success during the war. This thesis presents a case study of The Real Silk Hosiery Mills of Indianapolis, Indiana, a company that is representative of small and mid-sized companies that produced lower priority goods. The study demonstrates that the policies created by the military and civilian wartime agencies favored large corporations and had a negative affect on some businesses like Real Silk. As such,the economic boost associated with the war did not occur across the board.