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Books on the topic 'Women's religious writing'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Skinner, Keller Rosemary, and Ruether Rosemary Radford, eds. In our own voices: Four centuries of American women's religious writing. San Francisco: HarperSanFrancisco, 1995.

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2

McCauley, Lucy. The best women's travel writing 2005: True stories from around the world. Palo Alto: Travelers' Tales, 2005.

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3

The best women's travel writing 2005: True stories from around the world. Palo Alto: Travelers' Tales, 2005.

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4

Voaden, Rosalynn. God's words, women's voices: The discernment of spirits in the writing of late-medieval women visionaries. Suffolk, UK: York Medieval Press, 1999.

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5

Spiritual interrogations: Culture, gender, and community in early African American women's writing. Princeton, N.J: Princeton University Press, 1999.

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6

Ingham, Arleen M. Women and spirituality in the writing of More, Wollstonecraft, Stanton and Eddy. New York: Palgrave Macmillan, 2010.

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7

Women and spirituality in the writing of More, Wollstonecraft, Stanton and Eddy. New York: Palgrave Macmillan, 2010.

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8

1947-, Byrne Lavinia, ed. The Hidden tradition: Women's spiritual writings rediscovered : an anthology. New York: Crossroad, 1991.

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9

Longfellow, Erica. Women and religious writing in early modern England. Cambridge, UK: Cambridge University Press, 2004.

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10

Cahill, Susan Neunzig. Wise women: Over two thousand years of spiritual writing by women. New York: W.W. Norton, 1996.

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11

1947-, Byrne Lavinia, ed. The Hidden tradition: Women's spiritual writings rediscovered. London: SPCK, 1991.

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12

Social Scientists Association of Sri Lanka, ed. Writing religion: Locating women. Colombo: Social Scientists' Association, 2012.

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13

Dancing on mountains: An anthology of women's spiritual writings. London: HarperCollins, 1996.

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14

Keay, Kathy, and Rowena Edlin-White. Dancing on mountains: An anthology of women's spiritual writings. London: HarperCollins, 1996.

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15

Power, Kim. Veiled desire: Augustine's writing on women. London: Darton, Longman, Todd, 1995.

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16

Saracino, Mary. She is everywhere!: An anthology of writings in womanist/feminist spirituality. Bloomington, IN: iUniverse, 2012.

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17

Consecrated spirits: A thousand years of spiritual writings by women religious. New York: Paulist, 2012.

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18

Writing re-creatively: A spiritual quest for women. Mt. Vernon, Va: Columbine Press, 1992.

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19

1952-, Leng Felicity, ed. Invincible spirits: A thousand years of women's spiritual writings. New York: William B. Eerdmans, 2007.

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20

Empowering collaborations: Writing partnerships between religious women and scribes in the Middle Ages. New York: Routledge, 2004.

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21

The joyous writings of Barbara Johnson. New York, NY: Inspirational Press, 2007.

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22

D, Jakes T., ed. The devotional writings of T.D. Jakes. New York: Inspirational Press, 2007.

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23

Jakes, T. D. The devotional writings of T.D. Jakes. New York: Inspirational Press, 2007.

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24

Nafisa, Haji. The writing on my forehead. London: Hutchinson, 2009.

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25

Shawn, McGarry M., ed. A woman's book of faith: 2,000 years of inspirational writing by and for women. Secaucus, N.J: Carol Pub., 1997.

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26

Marcy, Darin, ed. Prisms of the soul: Writings from a sisterhood of faith. Harrisburg, Pa: Morehouse Pub., 1996.

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27

Kirschbaum, Charlotte von. The question of woman: The collected writings of Charlotte von Kirschbaum. Grand Rapids, Mich: W.B. Eerdmans Pub. Co., 1996.

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28

(Editor), Rosemary Skinner Keller, and Rosemary Radford Ruether (Editor), eds. In Our Own Voices: Four Centuries of American Women's Religious Writing. Harper San Francisco, 1996.

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29

Keller, Rosemary Skinner. In Our Own Voices: Four Centuries of American Women's Religious Writing. Harpercollins, 1995.

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30

Keller, Rosemary Skinner. In Our Own Voices: Four Centuries of American Women's Religious Writing. Harpercollins, 1995.

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31

In Our Own Voices: Four Centuries of American Women's Religious Writing. Harper San Francisco, 1996.

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32

Witness, Warning, and Prophecy: Quaker Women's Writing, 1655–1700. ACMRS Publications, 2018.

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33

(Editor), Lucy McCauley, Amy Greimann Carlson (Editor), and Jennifer L. Leo (Editor), eds. A Woman's Path: Women's Best Spiritual Travel Writing (Travelers' Tales Guides). 2nd ed. Travelers' Tales, 2003.

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34

Winckles, Andrew O. Eighteenth-Century Women's Writing and the Methodist Media Revolution. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620184.001.0001.

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Eighteenth-Century Women’s Writing and the Methodist Media Revolution argues that Methodism in the eighteenth century was a media event that uniquely combined and utilized different types of media to reach a vast and diverse audience. Specifically, it traces specific cases of how evangelical and Methodist discourse practices interacted with major cultural and literary events during the long eighteenth-century, from the rise of the novel to the Revolution controversy of the 1790’s to the shifting ground for women writers leading up to the Reform era in the 1830’s. The book maps the religious discourse patterns of Methodism onto works by authors like Samuel Richardson, Mary Wollstonecraft, Hannah More, Elizabeth Hamilton, Mary Tighe, and Felicia Hemans. This not only provides a better sense of the religious nuances of these authors’ better-known works, but also provides a fuller consideration of the wide variety of genres women were writing in during the period, many of which continue to be read as ‘non-literary’. The scope of the book leads the reader from the establishment of evangelical forms of discourse in the 1730’s to the natural ends of these discourse structures during the era of reform, all the while pointing to ways in which women—Methodist and otherwise—modified these discourse patterns as acts of resistance or subversion.

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35

(Editor), Lucy McCauley, and Mary Morris (Preface), eds. The Best Women's Travel Writing 2005: True Stories from Around the World. Travelers' Tales, 2005.

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36

Mothering, Public Leadership, and Women's Life Writing: Explorations in Spirituality Studies and Practical Theology . BRILL, 2017.

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37

Sara, Spaulding-Phillips, and McLean Trish, eds. Sacred beginnings: Honoring the goddess within : reflections in poetry and prose : women's writing workshop, Kapoho, Hawaii. Santa Rosa, CA: Imagin Pub., 1997.

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38

(Editor), Denis Renevey, and Christiania Whitehead (Editor), eds. Writing Religious Women. University of Wales Press, 2000.

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39

Murphy, Gretchen. New England Women Writers, Secularity, and the Federalist Politics of Church and State. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198864950.001.0001.

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Drawing on novels, poetry, correspondence, religious publications, and legal writing, this book offers a new account of women’s political participation in the process of religious disestablishment. Scholars have long known that eighteenth- and nineteenth-century American women wrote pious, sentimental stories, but this book uses biographical and archival methods to understand their religious concerns as entry points into the era’s debates about democratic conditions of possibility and the role of religion in a republic. Beginning with the early republic’s constitutional and electoral debates about the end of religious establishment and extending through the nineteenth century, Murphy argues that Federalist women and Federalist daughters of the next generation adapted that party’s ideals and fears by promoting privatized Christianity with public purpose. Harriet Beecher Stowe, Catharine Sedgwick, Lydia Sigourney, Judith Sargent Murray, and Sally Sayward Wood authorized themselves as Federalism’s literary curators, and in doing so they imagined new configurations of religion and revolution, faith and rationality, public and private. They did so using literary form, writing in gothic, sentimental, and regionalist genres to update the Federalist concatenation of religion, morality, and government in response to changing conditions of secularity and religious privatization in the new republic. Their project is shown to complicate received historical narratives of separation of church and state and to illuminate problems of democracy and belief in postsecular America.

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40

Wise Women: Over Two Thousand Years of Spiritual Writing by Women. W. W. Norton & Company, 1996.

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41

Cahill, Susan Neunzig. Wise Women: Over Two Thousand Years of Spiritual Writing by Women. W. W. Norton & Company, 1997.

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42

Cahill, Susan Neunzig. Wise Women: Over Two Thousand Years of Spiritual Writing by Women. W. W. Norton & Company, 1997.

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43

Murmu, Maroona. Words of Her Own. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199498000.001.0001.

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Drawing on a spectrum of genres, such as autobiographies, diaries, didactic tracts, novels and travelogues, this book examines the sociocultural incentives that enabled the emergence of middle-class Hindu and Brahmo women authors as an ever-growing distinct category in nineteenth-century Bengal and the factors facilitating production and circulation of their creations. By exploring the intersections of class, caste, gender, language, religion, and culture in women-authored texts and by reading these within a specific milieu, the study opens up the possibility of re-configuring mainstream history-writing that often ignores women. Questioning essentialist conceptions of women’s writings, it contends that there exists no monolithic body of ‘women’s writings’ with a firmly gendered language, form, style, and content. It shows that there was nothing in the women’s writings that was based on a fundamentally feminine perspective of experiences with an inherent feminine voice. While describing the specifically female life world of domestic experiences, women authors might have made conscious divergences from male-projected stereotypes, but it is equally true that there are a number of issues on which men and women authors spoke in unison. The book argues for distinctions within each genre and across genres in language, content, and style amongst women authors. Even after women authors emerged as a writing community, the bhadralok critics often censured them for fear of their autonomous selfhood in print and praised them for imparting ‘feminine’ ideals alone. Nevertheless, there were women authors who flouted the norms of literary aesthetics and tutored tastes, thus creating a literary tradition of their own in Bangla and becoming agents of history at the turn of the century.

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44

Longfellow, Erica. Women and Religious Writing in Early Modern England. Cambridge University Press, 2004.

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45

Longfellow, Erica. Women and Religious Writing in Early Modern England. Cambridge University Press, 2004.

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46

Longfellow, Erica. Women and Religious Writing in Early Modern England. Cambridge University Press, 2006.

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47

Longfellow, Erica. Women and Religious Writing in Early Modern England. Cambridge University Press, 2009.

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48

Longfellow, Erica. Women and Religious Writing in Early Modern England. Cambridge University Press, 2009.

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49

1928-, Marty Martin E., ed. The Writing of American religious history. Munich: K.G. Saur, 1992.

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50

(Editor), Rosemary Skinner Keller, and Rosemary Radford Ruether (Editor), eds. In Our Own Voices: 4 Centuries of American Women's Religious Writings. Westminster John Knox Press, 2000.

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