Relevant bibliographies by topics / Women's religious writing

Academic literature on the topic 'Women's religious writing'

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Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Women's religious writing"

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Heinemann, Marlene E. "Women's Holocaust Writing: Memory and Imagination (review)." Shofar: An Interdisciplinary Journal of Jewish Studies 21, no. 1 (2002): 177–79. http://dx.doi.org/10.1353/sho.2002.0103.

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Paulsell, Stephanie. "THE BODY AND THE BOOK: WOMEN's AUTOBIOGRAPHICAL SPIRITUAL WRITING." Religious Studies Review 31, no. 1-2 (November 30, 2005): 55–60. http://dx.doi.org/10.1111/j.1748-0922.2005.0004.x.

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White, Micheline. "Kimberly Anne Coles, Religion, Reform, and Women's Writing in Early Modern England." Reformation 14, no. 1 (February 9, 2009): 193–95. http://dx.doi.org/10.1558/refm.v14.193.

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Walton, Heather. "Re-vision and Revelation: Forms of Spiritual Power in Women's Writing." Feminist Theology 12, no. 1 (September 2003): 89–102. http://dx.doi.org/10.1177/096673500301200108.

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Zoutendam, Erin Risch. "The Bride of the Holy Trinity: The Role of Mary in Mechthild of Magdeburg's Mystical Theology." Church History 91, no. 2 (June 2022): 245–63. http://dx.doi.org/10.1017/s0009640722001354.

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This article adds to our understanding of late medieval women's religious writing by examining the role of the Virgin Mary in Mechthild of Magdeburg's thirteenth-century mystical text The Flowing Light of the Godhead (Das fließende Licht der Gottheit). The Virgin Mary was ubiquitous in late medieval religious writing, but she played different roles and modeled different ways of life, reflecting the particular aims of individual authors. In Mechthild's text, Mary is depicted as a spiritual teacher who actively draws the narrator into higher forms of the mystical life. Mechthild also portrays the Virgin in several traditional roles, adapting each of these roles to support her particular vision of the mystical life. Mary thus functions as a model for religious experience in The Flowing Light, while also authorizing and sanctioning Mechthild's contemplative ideals.
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Zierler, Wendy. "Connections and Collisions: Identities in Contemporary Jewish-American Women's Writing (review)." American Jewish History 93, no. 1 (2007): 105–7. http://dx.doi.org/10.1353/ajh.2007.0031.

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Jacobs, Andrew S. "Writing Demetrias: Ascetic Logic in Ancient Christianity." Church History 69, no. 4 (December 2000): 719–48. http://dx.doi.org/10.2307/3169329.

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In his influential discussion of early Christian ascetic renunciation, Peter Brown announced that “Christian men used women ‘to think with’ in order to verbalize their own nagging concern with the stance that the Church should take with the world.” Brown's statement encapsulates the particular difficulties facing students of the history of women in the early Christian period. The most basic difficulty is that we possess very few texts by women from this period until well into the Middle Ages. We can point to the diary of the third-century martyr Perpetua, the complex and recondite Vergilian and Homeric centos (“stitch-verses”) of the aristocrat Proba and the empress Eudocia, and perhaps one or two other arguable examples. With a dearth of women's own voices, can historians be expected to reconstruct women's lives? This paucity of “first-person” texts is coupled with a more serious theoretical difficulty facing historians of all periods whose main “evidence” consists of literary and rhetorically informed texts. Scholars are much less confident today in our ability to peel back layers of male rhetoric and find the “real” woman concealed underneath. Brown's comment underscores this rhetorical skepticism by asking whether these texts are even “about” women at all. Others following Brown's lead have understood texts that are ostensibly to or about women as concerned primarily with issues of male authority and identity. In Brown's words, women were good “to think with,” but the subject of that “thought” was inevitably male. Despite these technical and theoretical difficulties, however, I do not think we are witnessing the final and absolute erasure of women from ancient Christian history.
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Morey, Ann-Janine. "In Memory of Cassie: Child Death and Religious Vision in American Women's Novels." Religion and American Culture: A Journal of Interpretation 6, no. 1 (1996): 87–104. http://dx.doi.org/10.1525/rac.1996.6.1.03a00050.

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This article investigates the contribution of several twentieth-century women writers to the legacy of women's writing about child death and scriptural consolation. The suffering and death of children constitutes the most intractable of religious problems, and recent studies of parental grieving support women's literary treatment of child death. Thus, just as child death creates a unique religious space, it may also demand its own literary category and aesthetic. By considering the unique dimensions of parental grieving, and by looking at how Perri Klass, Toni Morrison, and Harriette Arnow handle this subject, it is possible to gain fresh literary perspective on the fiction of nineteenth-century American women, many of whom also addressed the problem of child death and scriptural consolation. Women writers create children who are more than literary or symbolic commodities, and, in so doing, these writers challenge us to reevaluate scriptural and social perspectives on child death.
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Brandt, Gail Cuthbert. "Postmodern Patchwork: Some Recent Trends in the Writing of Women's History in Canada." Canadian Historical Review 72, no. 4 (December 1991): 441–70. http://dx.doi.org/10.3138/chr-072-04-02.

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Carinci, Eleonora. "Women's Writing in Italy 1400-1650 - By Virginia Cox." Renaissance Studies 24, no. 4 (August 2, 2010): 612–15. http://dx.doi.org/10.1111/j.1477-4658.2010.00657.x.

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Dissertations / Theses on the topic "Women's religious writing"

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Newnum, Anna Kristina Stenson. "The poetry of religion and the prose of life: from evangelicalism to immanence in British women's writing, 1835-1925." Diss., University of Iowa, 2014. https://ir.uiowa.edu/etd/5819.

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The Poetry of Religion and the Prose of Life: From Evangelicalism to Immanence in British Women's Writing, 1835-1925&" traces a tradition of religious women poets and women's poetic communities engaged in generic and theological exploration that I argue was intimately intertwined with their social activism. This project brings together recent debates about gender and secularization in sociology, social history, and anthropology of religion, contending that Victorian and early-twentieth-century women poets from a variety of religious affiliations offer an alternative path into modernity that embraces the public value of both poetry and religious discourse, thus questioning straightforward narratives of British secularization and poetic privatization during the nineteenth century. These writers, including contributors to The Christian Lady's Magazine, Grace Aguilar, Dora Greenwell, Alice Meynell, Eva Gore-Booth, and Evelyn Underhill, turned to social engagement and immanence, a theory of divinity within the world rather than above and apart from it, to bridge a widening gap between religious doctrine and poetic theory. Appropriating the growing interest in immanent theology within British Christianity allowed women to write about the small, the domestic, the human, and the everyday while exploring the divine presence in them, thus elevating and publicly revealing experiences traditionally allocated to women's private lives. Just as the women in this study questioned the distinction between the divine and the everyday, they also blurred the generic boundaries of poetry and theological prose. As lyric poetry was increasingly identified with private experience, they used literary experimentation across the genres of poetry and theological prose to engage public debates on a surprisingly large number of issues from factory reform, to mental disability, to urban poverty, to women's suffrage, to pacifism. This project includes four chapters, each of which examines a female poet or a poetic community of women connected through the publishing world. The first two chapters focus on tensions among commitments to poetry, religion, and social reform within Anglicanism. Trapped between the desire to encounter a transcendent God and the desire to celebrate earthly ephemera and improve earthly conditions, these poets demonstrate the tension from which a poetics of immanence arose. My third and fourth chapters follow the extension of immanence in late-nineteenth-century Catholic verse and early-twentieth-century mystical verse. These writers used a growing theological emphasis on immanence to justify poetry that relied on female experience, to suggest that the divine was at home in the constantly evolving natural and social worlds, and to illustrate God's equal proximity to the mundane and the marginalized, inspiring challenges to social and institutional hierarchies.
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Newman, Jennifer Ann Noe Kenneth W. "Writing, religion, and women's identity in Civil War Alabama." Auburn, Ala, 2009. http://hdl.handle.net/10415/1629.

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Howard-Laity, Elizabeth Jane. "Writing wrongs : re-vision and religion in contemporary women's fiction." Thesis, University of Leicester, 2014. http://hdl.handle.net/2381/28705.

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This thesis examines in what ways contemporary women writers have revised Biblical figures and texts in order to challenge and deconstruct male authority, how previously silenced female voices are given speech through a new feminist religious discourse, and how women have renegotiated male ‘power’ for female empowerment. Focusing on five different Biblical figures or groups of women, Eve, the wives and daughters of Abraham, the Virgin Mary, Mary Magdalene and medieval female virgin martyr saints are examined in turn through the re-visionary fiction of nine authors. Examining both literary authors such as Angela Carter, Michèle Roberts, Jenny Diski and Emma Tennant and popular ones such as Penelope Farmer and Dan Brown, as well as several authors who have received little previous attention such as Anita Diamant, Sue Reidy and Ann Chamberlin, this thesis highlights the multiple and subjective nature of feminist re-vision of the Bible, while simultaneously exposing the pre-existing subjectivity within their foundational texts. By identifying how contemporary women writers both re-read and re-write received history, this thesis brings to the fore the transgressive potential of a tradition of women‘s religious writing that is marked by its marginalised position. Beginning with the suggestion that patristic origin myths validate the invisibility of women, I investigate how a focus on non-canonical and apocryphal traditions can give speech to previously silenced female voices, allowing for reconfigurations of gender beyond the patriarchally defined models of the Bible. Predicated upon Adrienne Rich‘s view of re-vision as ‘an act of survival’, this thesis suggests that religious discourse continues to affect cultural conceptions of gender. This thesis proposes therefore that feminist Biblical re-vision is just such an act of survival in which biased assumptions perpetuated about women can be exposed and problematised in order to both ‘write’ and ‘right’ the wrongs of the Bible.
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Ward, Lowery Nicholas J. L. "Patriarchal negotiations : women, writing and religion 1640-1660." Thesis, Queen Mary, University of London, 1994. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1682.

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Women were prominent in the Lollard movement in the fifteenth century, but it is only in the mid-seventeenth century that women begin to produce theological texts which contribute to the controversy over popular religious expression and women's part in religious culture. After 1640 women began to publish on a number of theological issues and in a wide range of genres: prose polemic, prophecy, autobiography and spiritual meditation. Subject to widespread criticism, they quickly had to fashion a rhetoric of justification with which to defend their intervention in print and pacify male critics. This thesis shows that they achieved this in two ways: by producing a literature which complied with the expectations of masculine theological culture and by manipulating these assumptions so as to create space for a female symbolic language of piety. They developed a literary self-consciousness which depends on the idea of subjectivity as a gendered experience and they often resisted their detractors by valorising denigrated forms of female subjectivity and pursuing theological conclusions irrespective of normative ideas of gender. Women did not engage in theological debate in isolation, however. They often intervened as committed members of religious sects and thus deserve to be read as representatives of corporate and communal theologies. In contrast to earlier studies which have sought to recover neglected women writers as early feminists, without reading their work historically, this thesis seeks to uncover the social and the theological rather than the authorial origin of much early modem women's writing and to measure its engagement with early modem debates on women and religious culture. It seeks to challenge the increasingly dominant view of early modem women writers which invests them with too modem an authorial presence, by reconstituting the seventeenth-century debates which gave rise to their work and by bringing modem French feminist perspectives to bear on a period largely untouched by theoretical approaches to literature. To this end it proceeds by way of several close readings of women who wrote as women and as Baptists, Independents, Levellers, Presbyterians and Quakers.
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Aalders, Cynthia Yvonne. "Writing religious communities : the spiritual lives and manuscript cultures of English women, 1740-90." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:786913a8-64a6-48ef-bce4-266b6fa70ff3.

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This thesis examines the spiritual lives of eighteenth-century English women through an analysis of their personal writings. It explores the manuscripts of religious women who practised their faith by writing letters, diaries, poetry, and other highly personal texts—texts that give unique access to the interior, spiritual lives of their authors. Concerned not only with the individual meaning of those writings but with their communal meanings, it argues that women’s informal writing, written within personal relationships, acted to undergird, guide, and indeed shape religious communities in vital and unexplored ways. Through an exploration of various significant personal relationships, both intra- and inter-generationally, this thesis demonstrates the multiple ways in which women were active in ‘writing religious communities’. The women discussed here belonged to communities that habitually communicated through personal writing. At the same time, their acts of writing were creative acts, powerful to build and shape religious communities: these women wrote religious community. A series of interweaving case studies guide my analysis and discussion. The thesis focuses on Catherine Talbot (1721–70), Anne Steele (1717–78), and Ann Bolton (1743–1822), and on their literary interactions with friends and family. Considered together, these subjects and sources allow comparison across denomination, for Talbot was Anglican, Steele Baptist, and Bolton Methodist. After an introductory chapter, Chapter Two focuses on spiritual friendship, showing how women used personal writings within peer relationships to think through religious ideas and encourage faith commitments. Chapter Three considers older women as spiritual elders, arguing that elderly women sometimes achieved honoured status in religious communities and were turned to for spiritual direction. Chapter Four explores the ways in which women offered religious instruction to spiritual children through the creative use of informal writings, including diaries and poetry. And Chapter Five considers women’s personal writings as spiritual legacy, as they were preserved by family and friends and continued to function in religious communities after the death of their authors.
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Ellis, Susan Weaver. "Using creative writing for spiritual growth a workshop for evangelical women in religiously conservative Protestant churches /." Theological Research Exchange Network (TREN), 1999. http://www.tren.com.

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Arimbi, Diah Ariani Women's &amp Gender Studies UNSW. "Reading the writings of contemporary Indonesian Muslim women writers: representation, identity and religion of Muslim women in Indonesian fictions." Awarded by:University of New South Wales. Women's and Gender Studies, 2006. http://handle.unsw.edu.au/1959.4/25498.

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Indonesian Muslim women???s identity and subjectivity are not created simply from a single variable rather they are shaped by various discourses that are often competing and paralleling each other. Discourses such as patriarchal discourses circumscribing the social engagement and public life of Muslim women portray them in narrow gendered parameters in which women occupy rather limited public roles. Western colonial discourse often constructed Muslim women as oppressed and backward. Each such discourse indeed denies women???s agency and maturity to form their own definition of identity within the broad Islamic parameters. Rewriting women???s own identities are articulated in various forms from writing to visualisation, from fiction to non fiction. All expressions signify women???s ways to react against the silencing and muteness that have long imposed upon women???s agency. In Indonesian literary culture today, numerous women writers have represented in their writings women???s own ways to look at their own selves. Literary representations become one group among others trying to portray women???s strategies that will give them maximum control over their lives and bodies. Muslim women writers in Indonesia have shown through their representations of Muslim women in their writings that Muslim women in Indonesian settings are capable of undergoing a self-definition process. However, from their writings too, readers are reminded that although most women portrayed are strong and assertive it does not necessarily mean that they are free of oppression. The thesis is about Muslim women and gender-related issues in Indonesia. It focuses on the writings of four contemporary Indonesian Muslim women writers: Titis Basino P I, Ratna Indraswari Ibrahim, Abidah El Kalieqy and Helvy Tiana Rosa, primarily looking at how gender is constructed and in turn constructs the identity, roles and status of Musim women in Indonesia and how such relations are portrayed, covering issues of authenticity, representation and power inextricably intertwined in a variety of aesthetic forms and narrative structures.
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Givens, David. "Misogynous or misunderstood? : a false dichotomy for understanding women's roles in gnostic writings." Honors in the Major Thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1082.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.
Bachelors
Arts and Humanities
Religious Studies
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Warzycha, Anna K. "Inlargednesse of mind and activity of spirit : gender identities in the religious writings of mid-seventeenth-century England." Thesis, Loughborough University, 2012. https://dspace.lboro.ac.uk/2134/10229.

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In dominant seventeenth-century thinking women's bodies, minds, and spirits were not only inferior to men's, but also more prone to evil. This study explores the ways in which the women writers attempted to redefine these assumptions. Through an analysis organised along various spiritual transformations the writers claim to go through, the study presents an insight into seventeenth-century women's construction and redefinition of femininity. The symbolic process of women's spiritual transfiguration results in them identifying with the metaphorical figure of Zion and in positioning women as godly agents of God, whereas male writers' transformations eventuate in their being effeminized and being turned into 'Crooked Agents' of God. Therefore, the study shows how the potentials inherent in the biblical figure of Zion were used in establishing a connection with God and in forming female and male authorial identity. The thesis draws on the understudied voices of women such as the anonymous Eliza, Elizabeth Major, An Collins or Gertrude More, and is contextualized by male-authored texts, some of them considered as canonical and popular in contemporary literature.
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Padaratz, Pricilla. ""But oh, I could it not refine": Lady Hester Pulter's Textual Alchemy." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/35544.

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Hester Pulter addresses personal and spiritual transformation in a unique way. The elusive nature of alchemical language allows Pulter to express the incomplete, ongoing process of internal transformation, with all its difficulties and inconsistencies. By means of a rich alchemical lexicon, Pulter stresses suffering rather than consolation, conflict rather than reconciliation, and lack of resolution rather than closure in her poetry. She repeatedly tries to see a divine order in earthly suffering, but she insists upon this suffering, and she often argues for a gendered element to this pain, particularly as a mother grieving her dead children. The lack of resolution we see in Pulter's writing pushes against conventional constructions of the ideal female Christian as passively accepting God's plan, and shows the limits of the religious lyric to truly provide consolation. My thesis will extend the discussion of Pulter's use of alchemical imagery and symbols in her poetry, and will argue that she uses alchemical language to reflect how transformation and healing are never, in fact, fully achieved during our physical existence. The promise of literary alchemy as a vehicle for transformation and spiritual regeneration is not always fulfilled in Pulter's work.
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Books on the topic "Women's religious writing"

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Skinner, Keller Rosemary, and Ruether Rosemary Radford, eds. In our own voices: Four centuries of American women's religious writing. San Francisco: HarperSanFrancisco, 1995.

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McCauley, Lucy. The best women's travel writing 2005: True stories from around the world. Palo Alto: Travelers' Tales, 2005.

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The best women's travel writing 2005: True stories from around the world. Palo Alto: Travelers' Tales, 2005.

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Voaden, Rosalynn. God's words, women's voices: The discernment of spirits in the writing of late-medieval women visionaries. Suffolk, UK: York Medieval Press, 1999.

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Spiritual interrogations: Culture, gender, and community in early African American women's writing. Princeton, N.J: Princeton University Press, 1999.

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Ingham, Arleen M. Women and spirituality in the writing of More, Wollstonecraft, Stanton and Eddy. New York: Palgrave Macmillan, 2010.

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Women and spirituality in the writing of More, Wollstonecraft, Stanton and Eddy. New York: Palgrave Macmillan, 2010.

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1947-, Byrne Lavinia, ed. The Hidden tradition: Women's spiritual writings rediscovered : an anthology. New York: Crossroad, 1991.

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Longfellow, Erica. Women and religious writing in early modern England. Cambridge, UK: Cambridge University Press, 2004.

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Cahill, Susan Neunzig. Wise women: Over two thousand years of spiritual writing by women. New York: W.W. Norton, 1996.

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Book chapters on the topic "Women's religious writing"

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Fina, Lien Iffah Naf’atu, and Yuyun Sri Wahyuni. "Reclaiming Islamic Religious Interpretations through Women's Experience." In Muslim Women's Writing from across South and Southeast Asia, 179–95. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003248064-20.

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Scholl, Lesa. "Suggestions for Thought to Searchers after Religious Truth Among the Artizans of England." In The Palgrave Encyclopedia of Victorian Women's Writing, 1–3. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02721-6_108-1.

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Arimbi, Diah Ariani. "Being Religious, Cool, and Global in the Eyes of Indonesian Muslim Women Writers." In Muslim Women's Writing from across South and Southeast Asia, 167–78. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003248064-19.

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Melnyk, Julie. "Religious Genres." In The History of British Women’s Writing, 1830–1880, 178–95. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-58465-6_11.

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Shaw, Jane. "Religious Love." In The History of British Women’s Writing, 1690–1750, 189–200. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230298354_12.

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Chitando, Anna, and Ezra Chitando. "Zimbabwean Women's Writings and Women's Theology." In Gendered Spaces, Religion, and Migration in Zimbabwe, 51–64. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003317609-5.

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Knight, Mark. "Religion." In The Palgrave Encyclopedia of Victorian Women's Writing, 1–6. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-02721-6_46-1.

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Moutray, Tonya J. "Religion." In The Palgrave Encyclopedia of Romantic-Era Women's Writing, 1–9. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-11945-4_52-1.

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Knight, Mark. "Religion." In The Palgrave Encyclopedia of Victorian Women’s Writing, 1327–32. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78318-1_46.

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James, Felicity. "Writing Female Biography: Mary Hays and the Life Writing of Religious Dissent." In Women’s Life Writing, 1700–1850, 117–32. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137030771_9.

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