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Books on the topic 'Witoto (Indiens)'

Author: Grafiati
Published: 12 April 2025

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1

Theodor, Preuss Konrad. Religión y mitología de los Uitotos: Recopilación de textos y observaciones efectuadas en una tribu indígena de Colombia, Suramérica. Santafé de Bogotá: Instituto Colombiano de Cultura, 1994.

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2

Candre-Kinerai, Hipólito. Cool tobacco, sweet coca: Teachings of an Indian sage from the Columbian Amazon : a bilingual edition of Jírue Diona, Riérue Jíibina. Totnes: Themis, 1996.

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3

Tagliani, Lino. Mitología y cultura huitoto. Quito, Ecuador: CICAME, 1992.

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4

Tagliani, Lino. Mitología y cultura huitoto. Quito, Ecuador: CICAME, 1992.

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5

Corredor, Blanca de. Chamanismo: Un arte del saber. Bogotá, Colombia: Anaconda Editores, 1989.

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6

Collado, Luis. Técnicas de pesca tradicional bora y huitoto: Cuenca del Ampiyacu-Loreto. Lima, Perú: Instituto del Bien Común, 2011.

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7

Garzón, Cristina. La noche, las plantas y sus dueños: Aproximación al conocimiento botánico en una cultura amazónica. Bogotá, Colombia: Corporación Colombiana para la Amazonia-Araracuara, 1990.

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8

Linguistics, Summer Institute of, ed. Resumen del trabajo del Instituto Lingüístico de Verano entre los grupos páez del Cauca y huitoto del Amazonas. [S.l: s.n., 1987.

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9

Rangel, Fernando Urbina. Las hojas del poder: Relatos sobre la coca entre los uitotos y muinanes de la Amazonia colombiana. Bogotá: Centro Editorial, Universidad Nacional de Colombia, 1992.

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10

(Colombia), Banco de Occidente, ed. Amazonia, naturaleza y cultura. Bogotá, Colombia: Banco de Occidente, 1986.

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11

1957-, Chaparro Amaya Adolfo, and Schumacher Christian, eds. Racionalidad y discurso mítico. Bogotá, D.C: Instituto Colombiano de Antropología e Historia, ICANH, 2003.

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12

Chaparro, Manuel Cornejo, and Manolo Martín Brañas. Álbum de fotografías: Viaje de la Comisión Consular al río Putumayo y afluentes : agosto a octubre de 1912. Lima, Perú: Programa de Cooperación Hispano Peruano, 2013.

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13

1973-, Púa M. Giovanni, ed. Vida cotidiana de las culturas amerindias: Aztecas, muiscas, uitotos, araucanos. Bogotá: Panamericana Editorial, 2001.

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14

Hudler, Dale. The Smith Creek Bridge Site (41DW270): A terrace site in De Witt County, Texas. Austin, Tex: Texas Dept. of Transportation, Environmental Affairs Division, Archeological Studies Program, 2002.

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15

Whiffen, Thomas. North-West Amazons: Notes of Some Months Spent among Cannibal Tribes. Cambridge University Press, 2011.

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16

Whiffen, Thomas. The North-West Amazons: Notes of Some Months Spent Among Cannibal Tribes. Franklin Classics Trade Press, 2018.

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17

Whiffen, Thomas. North-West Amazons: Notes of Some Months Spent among Cannibal Tribes. Creative Media Partners, LLC, 2018.

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18

Whiffen, Thomas. The North-West Amazons: Notes of Some Months Spent Among Cannibal Tribes. Franklin Classics Trade Press, 2018.

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19

Whiffen, Thomas. The North-West Amazons: Notes of Some Months Spent Among Cannibal Tribes. Franklin Classics Trade Press, 2018.

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20

Whiffen, Thomas. North-West Amazons: Notes of Some Months Spent among Cannibal Tribes. Cambridge University Press, 2009.

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21

Visiones del medio ambiente a través de tres etnias colombianas. Santafé de Bogotá, Colombia: Universidad Nacional de Colombia, 1998.

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22

Winkler, Kevin. Boy Dancer. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199336791.003.0002.

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This chapter explores the foundation of Bob Fosse’s dance style through his years as a young performer in the waning days of vaudeville, his teenage appearances in Chicago area nightclubs and burlesque houses, and the dance act he formed with his first wife, Mary Ann Niles. Fosse appeared in three films at MGM, the last of which, Kiss Me, Kate, featured a short sequence of his choreography that displayed aggressive jazz stylings, burlesque traces, and witty comic touches. It also showed the influence of Jack Cole, the American dancer and choreographer who had created his own dance idiom incorporating movement from Middle Eastern, Indian, Afro-Cuban, and other ethnic dance traditions into an athletic, sexually charged jazz dance style that was highly influential.
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23

Ezell, Margaret J. M. 1674–1675. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198183112.003.0013.

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London continued to be the centre for literary publications ranging from cheap ephemera broadsides and ballads to works offering self-improvement, such as dictionaries, and new fiction, called novels, for entertainment. The ongoing wars with the Dutch resulted in satires and lampoons on the government and the court. Parliament was increasingly concerned with the royal succession and manuscript newsbooks carried information and gossip from London and the continent into the provinces, including the Indian wars in New England. The taste in theatre favoured witty contemporary comedies by William Wycherley, John Dryden, and Aphra Behn and sensational tragedies by new dramatists including Thomas Otway and Nathaniel Lee. Productions often featured spectacular scenery, music, and special effects. Didactic writers such as Richard Baxter and Samuel Clarke offered guidance for humble readers in everyday devotional situations.
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