Academic literature on the topic 'Witch of Kings Cross'
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Journal articles on the topic "Witch of Kings Cross"
Shen, Dantong. "Analysis on Marketing Strategies of Tencent Games—Take Honor of Kings as an Example." E3S Web of Conferences 235 (2021): 03028. http://dx.doi.org/10.1051/e3sconf/202123503028.
Full textFrank, Roberta. "A taste for knottiness: skaldic art at Cnut’s court." Anglo-Saxon England 47 (December 2018): 197–217. http://dx.doi.org/10.1017/s0263675119000048.
Full textBauks, Michaela. "Sacred Trees in the Garden of Eden and Their Ancient Near Eastern Precursors." Journal of Ancient Judaism 3, no. 3 (May 6, 2012): 267–301. http://dx.doi.org/10.30965/21967954-00303001.
Full textBRENNAN, BRIAN. "WEAVING WITH WORDS: VENANTIUS FORTUNATUS'S FIGURATIVE ACROSTICS ON THE HOLY CROSS." Traditio 74 (2019): 27–53. http://dx.doi.org/10.1017/tdo.2019.13.
Full textNăstăsoiu, Dragoş Gh. "Royal Saints, Artistic Patronage, and Self-representation among Hungarian Noblemen." Vestnik of Saint Petersburg University. History 66, no. 3 (2021): 810–27. http://dx.doi.org/10.21638/11701/spbu02.2021.308.
Full textPahlitzsch, Johannes, and Christian Müller. "Sultan Baybars I and the Georgians—In the Light of New Documents related to the Monastery of the Holy Cross in Jerusalem." Arabica 51, no. 3 (2004): 258–90. http://dx.doi.org/10.1163/1570058041445709.
Full textStojković, Senka. "PORTRETI CARA KARLA IV U KARLŠTEJNU." Lipar XXII, no. 76 (2021): 165–79. http://dx.doi.org/10.46793/lipar76.165s.
Full textBaeta, Joaquim. "False Hope and Empty Promises from a Priest-King in the East: How Environment and Communication Shape Belief." Proceeding International Conference on Science and Engineering 2 (March 1, 2019): xvi. http://dx.doi.org/10.14421/icse.v2.119.
Full textJones, Annika Miller, Arthur Simpson, and Sara Wilson. "Healthy prospects for kings Cross?" Critical Public Health 2, no. 4 (October 1991): 15–20. http://dx.doi.org/10.1080/09581599108406829.
Full textDuwadi, Eak Prasad. "Fostering Public Army Relation in Nepal." Unity Journal 2 (February 2, 2021): 70–80. http://dx.doi.org/10.3126/unityj.v2i0.38784.
Full textDissertations / Theses on the topic "Witch of Kings Cross"
Hudson, Susan Lee National Centre in HIV Epidemiology & Clinical Research Faculty of Medicine UNSW. "Sex, drugs and 'ugly mugs': an ethnographic study of women who inject psychostimulants and engage in street-based sex work in Kings Cross, Sydney." Awarded by:University of New South Wales. National Centre in HIV Epidemiology & Clinical Research, 2009. http://handle.unsw.edu.au/1959.4/44834.
Full textWhite, Carol. "Sixth form general studies : some aspects of curriculum development in English schools foundation schools with particular reference to King George Vth School /." [Hong Kong : University of Hong Kong], 1985. http://sunzi.lib.hku.hk/hkuto/record.jsp?B12318097.
Full textMurray, Frances. "The representation of weeping rulers in the early Middle Ages." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/15646.
Full textKristensen, Lars Lyngsgaard Fjord. "Russians abroad in postcommunist cinema." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/1015.
Full textDrury, Nevill. "Rosaleen Norton's Contribution to the Western Esoteric Tradition." 2008. http://hdl.handle.net/1959.13/31438.
Full textThis thesis explores the contribution of the Australian witch and trance artist Rosaleen Norton (1917-1979) to the 20th century Western esoteric tradition. Norton’s artistic career began in the 1940s, with publication of some of her earliest occult drawings, and reached a significant milestone in 1952 when the controversial volume The Art of Rosaleen Norton – co-authored with her lover, the poet Gavin Greenlees – was released in Sydney, immediately attracting a charge of obscenity. Norton rapidly acquired a reputation as the wicked ‘Witch of Kings Cross’, was vilified by journalists during the 1950s and 1960s, and was branded by many as evil and demonic. Norton’s witchcraft coven was dedicated to the practice of heathen worship and ceremonial sex magic and attracted a small number of dedicated inner-circle followers, most notably the renowned musical conductor Sir Eugene Goossens (1893-1962), whose personal and professional career would be irrevocably damaged as a result of his contact with Norton’s magical group. Within the social context of post-World War Two Australia Norton was unquestionably an unconventional figure at a time when the local population was approximately 80 per cent Christian. Norton claimed to be an initiated follower of the Great God Pan and also revered other ancient figures, most notably Hecate, Lilith and Lucifer. Norton claimed to encounter these mythic beings as experientially real on the ‘inner planes’ which she accessed while in a state of self-induced trance. Many of her most significant artworks were based on these magical encounters. Norton is presented in this thesis as a magical practitioner and artist whose creative work and thought has made a substantial contribution to the 20th century Western esoteric tradition – and, in particular, to the magic of the so-called ‘left-hand path’, which is a significant part of this modern occult tradition. Norton’s artworks are also compared to those of the notable British trance artist and occultist Austin Osman Spare (1886-1956), who is now widely regarded as a major figure in the 20th century magical revival.
Drury, Neville Stuart. "Rosaleen Norton's contribution to the Western esoteric tradition." Thesis, 2008. http://hdl.handle.net/1959.13/31438.
Full textThis thesis explores the contribution of the Australian witch and trance artist Rosaleen Norton (1917-1979) to the 20th century Western esoteric tradition. Norton’s artistic career began in the 1940s, with publication of some of her earliest occult drawings, and reached a significant milestone in 1952 when the controversial volume The Art of Rosaleen Norton – co-authored with her lover, the poet Gavin Greenlees – was released in Sydney, immediately attracting a charge of obscenity. Norton rapidly acquired a reputation as the wicked ‘Witch of Kings Cross’, was vilified by journalists during the 1950s and 1960s, and was branded by many as evil and demonic. Norton’s witchcraft coven was dedicated to the practice of heathen worship and ceremonial sex magic and attracted a small number of dedicated inner-circle followers, most notably the renowned musical conductor Sir Eugene Goossens (1893-1962), whose personal and professional career would be irrevocably damaged as a result of his contact with Norton’s magical group. Within the social context of post-World War Two Australia Norton was unquestionably an unconventional figure at a time when the local population was approximately 80 per cent Christian. Norton claimed to be an initiated follower of the Great God Pan and also revered other ancient figures, most notably Hecate, Lilith and Lucifer. Norton claimed to encounter these mythic beings as experientially real on the ‘inner planes’ which she accessed while in a state of self-induced trance. Many of her most significant artworks were based on these magical encounters. Norton is presented in this thesis as a magical practitioner and artist whose creative work and thought has made a substantial contribution to the 20th century Western esoteric tradition – and, in particular, to the magic of the so-called ‘left-hand path’, which is a significant part of this modern occult tradition. Norton’s artworks are also compared to those of the notable British trance artist and occultist Austin Osman Spare (1886-1956), who is now widely regarded as a major figure in the 20th century magical revival.
Burgess, Melissa. "Spatiotemporal patterns of avoidance in Kings Cross : an exploration of the environmental cues that trigger fear of crime." Phd thesis, 2008. http://hdl.handle.net/1885/146468.
Full textChen, Weirou, and 陳維柔. "Cross-cultural studies of contemporary performing arts in Taiwan─with "Emperor Kangxi and Sun King Luis XIV" as an example." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/25480631286718166569.
Full text國立臺灣藝術大學
戲劇學系表演藝術碩士班
100
With time ever changing, the trend of contemporary performing arts culture has had more changes. The interaction of two different kinds of cultures is taking a new step in the history of the performing arts. Taiwan's performing art groups continue to heat up and light up in the international arena. Since 1986, Taiwan's performing arts groups have been successively invited to many foreign arts festivals. The domestic National Theater Concert Hall holds Taiwan International Festival of Arts which invite many well-known foreign performing artists to participate in Taiwan's performing arts events and to add new features for the performing arts in Taiwan. Coinciding with the founding of a hundred years, this domestic group organized many large-scale exhibitions on this centurion occasion, such as the “Taipei International Flora Exposition”, National Palace Museum and the Contemporary Legend Theater performances ─ ─“Emperor Kangxi and Louis XIV”, etc. Combining the concept of "environmental theater"; the performance venue is set in an outdoor plaza. Completely different from the Concert Hall of the indoor theater, as with its space, light, sound, actors, limbs, stage designs, the audience’s attention will be impacted by the external ambiance. Therefore the performing choreographer must be well rounded to overcome these outdoor and natural external challenges. On the other hand, we must also take into account the personality and characteristic of the popular audience. The NTCH audience historically have favored seeing arts performances of the “Emperor Kangxi and the Sun King Louis XIV”, therefore the content of the performances must coincide with the tastes of the public. In "Emperor Kangxi and the Sun King Louis XIV”; the discussion primarily focuses on contemporary Taiwanese cross culture and also how it presents the performing arts through appearance and content. This study analyzes its stage props, text, and actor interpretations and defined the differences between other cross-cultural drama. It combines the concept of using an environmental theater, using an outdoor field to show performances and lighting projection with performers individual interpretations to create pieces of dramatic art. With changing times and cross-cultural trends, large-scale performances often have to show their own unique performing arts and how to coincide with other foreign cultures to create new cultural elements. In this study of the “Performing Arts”, “intercultural performance” and “performance field” these three key words and meanings are used to discuss performing arts which convey the consciousness of contemporary Taiwan society.
Kuo, Yu-Ling, and 郭玉伶. ""Chai Found Music Workshop" Skill and Bamboo Musical Ensemble of Cross-Field Application - With " Journey of The Monkey King ", "The Chai Found Music Workshop WUJI " as Examples." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/7zsmu5.
Full text國立臺北教育大學
音樂學系碩士班
104
In modern life, cross-field Art has become an inevitable trend. Combining different fields of art will enable art creators to break through the existing frame and create a new spark in his artwork. However, in the development of music in Taiwan, traditional music is not as easy to understand and acceptable as Western music. Chai Found Music Workshop skill and bamboo musical ensemble is a very distinctive community, different from the traditional skill and bamboo musical ensemble establishment. Chai Found Music Workshop on the instrumental configuration, the works are committed to giving a new image. With the ever-changing trends in art, try to accommodate the different cultures, regardless of the impact of Western culture or Cross-field all the rage, Chai Found Music Workshop make good use of all the different mediums, bring out the stunning works. Chai Found Music Workshop are folk songs based on the reservation uphold their traditional music cultures, thoughts on the body create more possibilities to issue the concept, and is reflected in the works to promote traditional music of infinite space. This thesis mainly by two works with Chai Found Music Workshop, east instrumental theater " Journey of The Monkey King ", "The Chai Found Music Workshop WUJI " as the main object. In order to observe Chai Found Music Workshop under the influence of cultural trends, the author of the work, the use of which non-musical elements therein. In a large number of cross-field concept definition, In this thesis, different artistic areas, the combination of traditional performances escape mode and three for the diversified development of a composite media, to observe the cross-field application of Chai Found Music Workshop in two Band repertoire made.
Books on the topic "Witch of Kings Cross"
Drury, Nevill. The witch of Kings Cross: The life and magic of Rosaleen Norton. Alexandria, [N.S.W.]: Kingsclear Books, 2002.
Find full textHawkins, Chris. Kings Cross. Pinner: Irwell, 1990.
Find full textChasseaud, Peter. Kings Cross. Lewes: Altazimuth Press, 2004.
Find full textPotter, Chesca. Mysterious Kings Cross. Oxford: Golden Dawn, 1987.
Find full textParkes, Michael. Kings Cross Railwaylands: Appendices. [London]: Kings Cross Railwaylands Group, 1990.
Find full textHarris, Narrelle M. Witch honour. Waterville, Me: Five Star, 2005.
Find full textShwartz, Susan. Cross and crescent. New York: Tor, 1999.
Find full textShwartz, Susan. Cross and crescent. New York: Tor, 1999.
Find full textKing's Cross Railway Lands Community Development Group. Economic Assessment Working Party. The Kings Cross development: People or profit?. (London): The Group, 1989.
Find full textPhillips, Michael R. Kings Crossroads: A parable of the cross. Shippensburg, PA: Destiny Image Fiction, 2003.
Find full textBook chapters on the topic "Witch of Kings Cross"
Doran, Bruce J., and Melissa B. Burgess. "The Kings Cross Study." In Putting Fear of Crime on the Map, 155–249. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-5647-7_7.
Full textTurner, Stuart W., James Thompson, and Rachel M. Rosser. "The Kings Cross Fire." In International Handbook of Traumatic Stress Syndromes, 451–59. Boston, MA: Springer US, 1993. http://dx.doi.org/10.1007/978-1-4615-2820-3_37.
Full textKlett, Elizabeth. "Playing with Contradictions: Kathryn Hunter’s King Lear (1997)." In Cross-Gender Shakespeare and English National Identity, 57–86. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230622609_3.
Full textOgilvie, Jonathan. "Chapter 19. From rainy Soho to sunny Kings Cross." In Where is Adaptation?, 323–42. Amsterdam: John Benjamins Publishing Company, 2018. http://dx.doi.org/10.1075/fillm.9.20ogi.
Full textVoltmer, Rita. "Witch-Finders, Witch-Hunters or Kings of the Sabbath? The Prominent Role of Men in the Mass Persecutions of the Rhine-Meuse Area (Sixteenth-Seventeenth Centuries)." In Witchcraft and Masculinities in Early Modern Europe, 74–99. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230248373_4.
Full textAmelang, Katrin. "(Not) Safe to Use: Insecurities in Everyday Data Practices with Period-Tracking Apps." In Transforming Communications – Studies in Cross-Media Research, 297–321. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-96180-0_13.
Full textKlein, Julie Thompson. "Pragmatics for cross-disciplinary collaboration." In Bridging research disciplines to advance animal welfare science: a practical guide, 17–36. Wallingford: CABI, 2021. http://dx.doi.org/10.1079/9781789247893.0002.
Full textVellani, Fayyaz, and Naveed Nanjee. "Incorporating an Ethos of Sustainability into the Conceptualisation and Development of an Academic Building: The Kings Cross Development in London." In World Sustainability Series, 579–90. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-09474-8_41.
Full textToubøl, Jonas, and Peter Gundelach. "Values, Activism and Changing Attitudes: Individual-Level Moral Development in Social Movement Contexts." In Nonprofit and Civil Society Studies, 95–118. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-98798-5_5.
Full textRădulescu, Maria Alina, Wim Leendertse, and Jos Arts. "Living Labs: A Creative and Collaborative Planning Approach." In Co-Creativity and Engaged Scholarship, 457–91. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84248-2_15.
Full textConference papers on the topic "Witch of Kings Cross"
Yang, Qingxi, Xing Zhou, Qing-guo Wang, and Min Zhao. "Comparative analysis on the fast rising edge pulse source with two kinds of avalanche transistor." In 2013 Cross Strait Quad-Regional Radio Science and Wireless Technology Conference (CSQRWC). IEEE, 2013. http://dx.doi.org/10.1109/csqrwc.2013.6657451.
Full text"Revisiting the King’s Cross Underground disaster with implications for modelling wildfire eruption." In 21st International Congress on Modelling and Simulation (MODSIM2015). Modelling and Simulation Society of Australia and New Zealand, 2015. http://dx.doi.org/10.36334/modsim.2015.a4.edgar.
Full textYingji, Li. "Research on E-sports Promotion in Terms of Cross-cultural Communication : ——Case Study of Honor of Kings' Silk Road E-sports Tournament (SRET)." In 2021 International Conference on Information Technology and Contemporary Sports (TCS). IEEE, 2021. http://dx.doi.org/10.1109/tcs52929.2021.00036.
Full textZhang, Wei, Lili Zheng, Hui Zhang, and Sanjay Sampath. "Generic Correlation of Spray Distance With In-Flight Particle Behavior for Different Kinds of Materials in Air Plasma Spraying." In ASME/JSME 2007 Thermal Engineering Heat Transfer Summer Conference collocated with the ASME 2007 InterPACK Conference. ASMEDC, 2007. http://dx.doi.org/10.1115/ht2007-32393.
Full textLiu, Zhikun, Yiliang Liao, Gary J. Cheng, and Yuefeng Wang. "Nanotwins in Copper Nanowires Controlled by Laser Assisted Electrochemical Deposition." In ASME 2012 International Manufacturing Science and Engineering Conference collocated with the 40th North American Manufacturing Research Conference and in participation with the International Conference on Tribology Materials and Processing. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/msec2012-7391.
Full textLiu, Rongqiang, Changjie Luo, Zongquan Deng, and Chuang Wang. "Experimental and Numerical Studies on Aluminum Honeycomb With Various Cell Specifications Under Impact Loading." In ASME 2008 International Mechanical Engineering Congress and Exposition. ASMEDC, 2008. http://dx.doi.org/10.1115/imece2008-67189.
Full textJiménez, Edson M., Juan P. Escandón, and Oscar E. Bautista. "Study of the Transient Electroosmotic Flow of Maxwell Fluids in Square Cross-Section Microchannels." In ASME 2015 13th International Conference on Nanochannels, Microchannels, and Minichannels collocated with the ASME 2015 International Technical Conference and Exhibition on Packaging and Integration of Electronic and Photonic Microsystems. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/icnmm2015-48547.
Full textWilson, Ian, Martin Hooton, Joan Valls Mestre, Ben Addy, and Ezra Groskin. "Somers Town Bridge." In Footbridge 2022 (Madrid): Creating Experience. Madrid, Spain: Asociación Española de Ingeniería Estructural, 2021. http://dx.doi.org/10.24904/footbridge2022.211.
Full textTamura, Tetsuro, Akira Hayakawa, and Ray Okada. "Numerical Study on Aeroelastic Behavior of a Circular Cylinder With Two Degrees of Freedom." In ASME 1997 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 1997. http://dx.doi.org/10.1115/imece1997-0062.
Full textBlyukher, Boris, Piotr Szurgott, and Jerzy Malachowski. "Stress State Investigations for a Tube in the Contact Area With Rigid Saddle." In ASME 2007 Pressure Vessels and Piping Conference. ASMEDC, 2007. http://dx.doi.org/10.1115/pvp2007-26057.
Full textReports on the topic "Witch of Kings Cross"
Morrison, Mark, and Joshuah Miron. Molecular-Based Analysis of Cellulose Binding Proteins Involved with Adherence to Cellulose by Ruminococcus albus. United States Department of Agriculture, November 2000. http://dx.doi.org/10.32747/2000.7695844.bard.
Full textHerbert, George. How Can Middle-income Countries Improve Their Skills Systems Post- COVID-19? Institute of Development Studies (IDS), February 2021. http://dx.doi.org/10.19088/k4d.2021.082.
Full text