Relevant bibliographies by topics / Witch

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Witch'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Witch"

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Nuttall, Deirdre. "Witch and Priest Juxtaposed: Two Figures from Irish Traditional." Folklore: Electronic Journal of Folklore 09 (1998): 34–40. http://dx.doi.org/10.7592/fejf1998.09.witch.

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Bes, Claudine. "b witch a witch." Vacarme 30, no. 1 (2005): 104. http://dx.doi.org/10.3917/vaca.030.0104.

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Rauen, Carol, Maranda Jackson-Parkin, Carol Jacobson, Karen M. Marzlin, and Cynthia L. Webner. "Good Witch or Bad Witch?" Critical Care Nurse 36, no. 5 (October 1, 2016): 66–69. http://dx.doi.org/10.4037/ccn2016125.

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Lindsay, Maud. "Witch." Women's Review of Books 21, no. 6 (March 2004): 12. http://dx.doi.org/10.2307/4024347.

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O'MAHONEY, KATHERINE. "The Witch Figure:The Witch of Edmonton." Seventeenth Century 24, no. 2 (September 2009): 238–59. http://dx.doi.org/10.1080/0268117x.2009.10555629.

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Wittner, Lawrence S. "Witch hunt." Bulletin of the Atomic Scientists 55, no. 4 (July 1, 1999): 68–69. http://dx.doi.org/10.2968/055004018.

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Travis, Phyllis Stowell. "Little Witch." Psychological Perspectives 49, no. 1 (July 2006): 133. http://dx.doi.org/10.1080/00332920600734592.

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Foreman, Jonathan. "Witch-hunt." Index on Censorship 24, no. 6 (November 1995): 95–99. http://dx.doi.org/10.1080/03064229508535994.

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Leeson, Peter T., and Jacob W. Russ. "Witch Trials." Economic Journal 128, no. 613 (August 16, 2017): 2066–105. http://dx.doi.org/10.1111/ecoj.12498.

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Harris, Adrienne. "Witch-Hunt." Studies in Gender and Sexuality 19, no. 4 (October 2, 2018): 254–55. http://dx.doi.org/10.1080/15240657.2018.1531514.

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Dissertations / Theses on the topic "Witch"

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Gagnon, Heather Elizabeth. "Scandalous Beginnings: Witch Trials to Witch City." Thesis, Virginia Tech, 1997. http://hdl.handle.net/10919/36535.

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On June 10, 1692, Bridget Bishop was hung as a witch in the community of Salem Village of the Massachusetts colony. Bishop was the first of twenty that died, all of whom professed their innocence. By the end of the madness, more than two hundred persons stood accused of witchcraft. They attempted to prove their innocence or they falsely admitted guilt in order to save their own lives. Citizens did not discuss the episode for many years after the trials were ended. The whole episode was an embarrassing blemish on the history of the state, and there was little atonement for the unjust hangings of those who had proclaimed their innocence. Three hundred years later, Salem, Massachusetts is very different. The image of the witch on a broomstick has been commercialized, and the city has become known as the "Witch City." The city makes over $25 million a year in tourism and is one of the largest tourist attractions in all of New England. This change raises some very important questions, such as how did this change occur? Why did it occur? Is Salem unique? How did perceptions change over time, and why? This thesis attempts to answer these questions by examining a variety of sources. This thesis strives to explain how a tiny New England town that experienced the tragic phenomenon of the witch trials and hangings, evolved into the present-day Witch City.
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Souza, Felipe Antônio de. "Don't mess with a witch." reponame:Repositório Institucional da UFSC, 2016. https://repositorio.ufsc.br/xmlui/handle/123456789/167700.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Inglês: Estudos Linguísticos e Literários, Florianópolis, 2016.
Made available in DSpace on 2016-09-20T04:12:00Z (GMT). No. of bitstreams: 1 339972.pdf: 3405130 bytes, checksum: a2940e8052a6b292ebc1c91bcde2c7a0 (MD5) Previous issue date: 2016
Abstract : Considering the increasing media interest and the creation of trends in relation to the theme of witches, the present study aims at analyzing representations of witches in recent media. For that, the research analyses an episode from the hit TV series American Horror Story: Coven (2013), the video game Bayonetta (2009) and fashion advertisements from the alternative clothing brand Kill Star. Grounded on a critical discourse analysis perspective, the study investigates the context of situation, forms of nomination of social actors (van Leeuwen, 2008), power relations in discourse with the aim of transitivity system (Halliday, 1985), and power relations in visuals, with the support of the grammar of visual design (Kress and van Leeuwen, 2006) as well as gender and issues of subcultures. Results suggest that the new image of the witch sets a break from ancient representations and no longer carries social stigmatization; on the contrary, it implies power and free will, since the power of witches does not rely only on magical skills. However, the use of discursive frameworks also demonstrate that these representations, despite being constructed as powerful and independent, still perpetuate some gendered notions in discourse.

Considerando o crescente interesse da mídia e a criação de várias tendências com relação ao tema de bruxas, o presente estudo visa analisar representações de bruxas na mídia recentemente. Para isso, a pesquisa analisa um episódio da nomeada série de TV American Horror Story: Coven (2013), o jogo Bayonetta (2009) e anúncios de moda da marca de roupas alternativa Kill Star. Fundamentado na perspectiva da análise crítica do discurso, o estudo investiga o contexto da situação, formas de nomeações de atores sociais (van Leeuwen, 2008), relações de poder no discurso com o uso do sistema de transitividade de Halliday (1985), relações de poder nas imagens, com o suporte da gramática visual bem como questões de gênero e subculturas. Os resultados sugerem que a nova imagem da bruxa representa uma quebra comparando com representações antigas e não mais carrega estigmatização social; ao contrário, implica poder e vontade própria, uma vez que os poderes das bruxas não se limitam mais apenas à habilidades mágicas. No entanto, o uso de estruturas discursivas também demonstram que apesar de tais representações serem construídas como poderosas e independentes, ainda perpetuam noções engendradas no discurso.
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Pakiam, Barbro. "Dining with Margaret Drabble's The Witch of Exmoor." Thesis, Linköpings universitet, Institutionen för språk och kultur, 1999. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-88789.

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This essay aims to demonstrate that Margaret Drabble, inspired by her literary knowledge of Shakespeare and Woolf, has constructed her novel The Witch of Exmoor on the two famous literary meals in Timon of Athens and To the Lighthouse. Parallels will be illuminated in the light of intertextuality, along with the symbolic significance of the meal, where this image is linked to Drabble's conception of social and individual order/disorder, but also used as an opening out to a higher realm. The first chapter will deal with the dinner scene in To the Lighthouse, and its relevance for the intertextual meal in The Witch of Exmoor. Structural influences from Woolf will also be discussed. In the second chapter the feast in Timon of Athens will be treated in the same way. Finally the third chapter will delve a little deeper into the meaning of Drabble's symbolism, focusing on a passage entitled Envoi in one version of The Witch of Exmoor. Questions to be asked are: What does the author wish to illustrate with her symbols? In which sense does the use of intertextual meals enhance the symbol/metaphor? Is the message meant to be clear to the reader? If not, what's to be won by obscurity?
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Young, Penelope M. "Witch images in Australian children's literature." University of Southern Queensland, Faculty of Education, 2001. http://eprints.usq.edu.au/archive/00001527/.

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In this dissertation it is argued that the European witch trials that took place between 1450 and 1700 have resulted in a legacy of stereotypical themes in Australian children's literature. Those accused of witchcraft were almost always women who were old, without protection, and physically ugly. They were accused of consorting with the devil, making harmful spells, flying through the night on a magic staff and exhibiting malevolent intent towards others. An analysis of this period forms the contextual framework for identifying themes that appear in contemporary Australian children's literature. A survey of twenty-three books, identified as stories about witches, was conducted to ascertain whether the stereotypical witch from the European witch-hunts continues to be characterised in Australian children's literature. The findings suggest that the witch figure in Australian children's literature mirrors the historical evidence from the European witch trials, but has evolved into a more powerful and proactive character than that identified in the historical literature. The characterisation of the witch in the books for older readers is powerful and evil, compared to the witch as a trivial and diminished figure in the books for younger readers. Gender is also a major influence in the characterisation of the witch, with all readers exposed to themes that may influence their expectations regarding the behaviour and role of women. The representation of the witch in the books reinforces the misogyny of the witchcraft era, and weaves patterns of meaning in the texts that construct undesirable female images. Readers of all ages can link these images to the social world beyond the text.
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Holmqvist, Kalle. "Nordingrå, maj 1675 : en ångermanländsk socken i centrum för trolldomsprocesserna." Thesis, Gotland University, Department of History, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hgo:diva-343.

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In May 1675, the local court in the northern Swedish parish of Nordingrå, which had approximately 1,000 inhabitants, held a preliminary investigation on 113 persons accused of witch-craft and superstition. For the majority of the 113, the main accusation was to have travelled to Blåkulla, a place where witches according to Swedish folklore participated in satanic festivities and rites led by the Devil himself. The preliminary investigation was held at the request of The Royal Witch-craft Commission. Nordingrå belonged to the province of Ångermanland, one of the Swedish provinces with the highest number of witch trials in the 1670s. The trials in Nordingrå have, more or less never been examined before, mainly due to the fact that no sentences or penalties were ever imposed.

The purpose of this paper is to examine social relations and social conflicts in Nordingrå with the records from the witch trial 1675 as the primary source. The theoretical background for the paper is Emmanuel Le Roy Laduries study of the Occitan village of Montaillou along with Hannah Arendts theory on the banality of evil.

One of the paper´s main conclusion is that the relations of power can be traced in the trials, but that they, on the other hand, become less significant the further the trials go. One reasonable interpretation of this fact is that the trials in Nordingrå reflects the tendence of juridical centralization in the 17th century.

The social conflicts in the parish are more obvious in the accusations of superstitions than in the accusations of travels to Blåkulla. For example the conclusion can be drawn that at least a number of inhabitants in Nordingrå had a religion on their own, which did not always match the orthodoxy of the Protestant church. At the same time the accusations of superstition do not play a particularly important role in the trials. The main impression of the trials is, on the contrary, that they do not follow a given pattern regarding who can be put on trial, except for the fact that most of the trialed were women. Against the accused, a number of at least 173 witnesses appeared, most of them children and young people under the age of 24. The witnesses in general did not only tell the court which crimes the accused witches had committed, but also which crimes they had committed themselves.

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Konyar, Grace Elizabeth. "Empowering Popularity: The Fuel Behind a Witch-Hunt." Ohio University Honors Tutorial College / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1490710757496863.

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Bardell, Kirsteen Macpherson. "Death by 'divelishe demonstracion' : witchcraft beliefs, gender and popular religion in the early modern Midlands and north of England." Thesis, Nottingham Trent University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314233.

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Durrant, Jonathan Bryan. "Witchcraft, gender and society in the early modern Prince-Bishopric of Eichstätt." Thesis, Royal Holloway, University of London, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.269755.

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Elsley, Susan Jennifer. "Images of the witch in nineteenth-century culture." Thesis, University of Chester, 2012. http://hdl.handle.net/10034/253452.

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This thesis examines the witch imagery used during the nineteenth century in children’s literature, realist and gothic fiction, poetry and art, and by practitioners and critics of mesmerism, spiritualism and alternative spirituality. The thesis is based on close readings of nineteenth-century texts and detailed analysis of artwork, but also takes a long view of nineteenth-century witch imagery in relation to that of preceding and succeeding periods. I explore the means by which the image of the witch was introduced as an overt or covert figure into the work of nineteenth-century writers and artists during a period when the majority of literate people no longer believed in the existence of witchcraft; and I investigate the relationship between the metaphorical witch and the areas of social dissonance which she is used to symbolise. I demonstrate that the diversity of nineteenth-century witch imagery is very wide, but that there is a tendency for positive images to increase as the century progresses. Thereby the limited iconography of malevolent witches and powerless victims of witch-hunts, promulgated by seventeenth-century witch-hunters and eighteenth-century rationalist philosophers respectively, were joined by wise-women, fairy godmothers, sorceresses, and mythical immortals, all of whom were defined, directly or indirectly, as witches. Nonetheless I also reveal that every image of the witch I examine has a dark shadow, despite or because of the empathy between witch and creator which is evident in many of the works I have studied. In the Introduction I acknowledge the validity of theories put forward by historians regarding the influence of societal changes on the decline of witchcraft belief, but I argue that those changes also created the need for metaphorical witchery to address the anxieties created by those changes. I contend that the complexity of social change occurring during and prior to the nineteenth century resulted in an increase in the diversification of witch imagery. I argue that the use of diverse images in various cultural forms was facilitated by the growth of liberal individualism which allowed each writer or artist to articulate specific concerns through discrete images of the witch which were no longer coloured solely by the dictates of superstition or rationalism. I look at the peculiar ability of the witch as a symbolic outcast from society to view that society from an external perspective and to use the voice of the exile to say the unsayable. I also use definitions garnered from a wide spectrum of sources from cultural history to folklore and neo-paganism to justify my broad definition of the word ‘witch’. In Chapter One I explore children’s literature, on the assumption that images absorbed during childhood would influence both the conscious and unconscious witch imagery produced by the adult imagination. I find the templates for familiar imagery in collections of folklore and, primarily, in translations of ‘traditional’ fairy tales sanitised for the nursery by collectors such as Perrault and the Brothers Grimm. I then examine fantasies created for Victorian children by authors such as Mary de Morgan, William Makepeace Thackeray, George MacDonald and Charles Kingsley, where the image of witch and fairy godmother is conflated in fiction which elevates the didactic fairy tale to a level which in some cases is imbued with a neo-platonic religiosity, thereby transforming the witch into a powerful portal to the divine. In contrast the canonical novelists whose work I examine in Chapter Two generally project witch imagery obliquely onto foolish, misguided, doomed or defiant women whose witchery is both allusionary and illusionary. I begin with the work of Sir Walter Scott whose bad or sad witches touch his novels with the supernatural while he denies their magic. Scott’s witch imagery, like that of Perrault and Grimm, is reflected in the witches who represent women’s exclusion from autonomy, education and/or the literary establishment in the works of Charlotte and Emily Brontë, Elizabeth Gaskell and George Eliot. Traditional fairy-tale imagery is particularly evident in Charles Dickens’ use of the witch to represent negative aspects in the development of society or the individual. In contrast Scott’s impulse to distance himself from the pre-urban world represented by his witches contrasts with Thomas Hardy’s mourning of the female earth spirits of Wessex, thereby linking fluctuating and evolving images of nature with images of the nineteenth-century witch. In Chapter Three I explore poetry and art through Romantic verse, Tennyson’s Camelot, Rossetti and Burne-Jones’ Pre-Raphaelite classicism, Rosamund Marriot Watson and Mary Coleridge’s shape-shifting, mirrored women, and Yeats’ Celtic Twilight: in doing so I find representations of the witch as the destructive seductress, the muse, the dark ‘other’ of the suppressed poet, the symbol of spellbinding amoral nature, and the embodiment of the Celtic soul. In the final chapter witch imagery is attached to actual practitioners of so-called ‘New Witchcraft’, yet they also become part of a story which seeks to equate neo/quasi science with the supernatural. I demonstrate a gender realignment of occult power as the submissive mesmerist’s tool evolves into the powerful mother/priestess. I note the interconnectedness of fiction and fact via the novels of authors such as Wilkie Collins and Edward Bulwer-Lytton; and identify the role of the campaigning godmother figure as a precursor of the radical feminist Wiccan. I believe that my thesis offers a uniquely comprehensive view of the use of metaphorical witch imagery in the nineteenth century.
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Batsch, M. N. T. "Freud : memory and the metapsychological witch." Thesis, University College London (University of London), 2015. http://discovery.ucl.ac.uk/1468437/.

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In this study, I explore the connections between Freud’s metapsychology and the practice of psychoanalysis. Until his very last papers, Freud continued to assert that the specificity of the genuine psychoanalytic cure was the research of infantile memory. In 1937 he wrote: “What we are in search of is a picture of the patient’s forgotten years that shall be alike trustworthy and in all essential respects complete” (Freud, 1937b, p.258). In order to perceive how this picture of a patient’s forgotten years is to be found not in the discovery of an archive-memory but through the construction of an infantile mode of thinking, it is necessary to go back to a theory of memory that Freud elaborated during the first twenty years of his metapsychological work. Reminiscences are not faithful representations of the past but the outcome of a conflict between conscious and unconscious ideas. In the same way, memory is not an apparatus that registers the past but a system that inscribes contingent scenes of existence within a psychical destiny. Freud researched this psychical destiny through the description of an unconscious mode of thinking and through the invention of a new form of writing: a metapsychological writing. I propose to read the construction of a metapsychology as a grid on which one can write unconscious ideas. My focus throughout this work is to understand the functioning of the metapsychological grid and to answer the question of what it reveals in the clinical encounter. I discovered that the answer to this question could be located in Freud’s clinical paper A Child is Being Beaten (1919) and it involved the construction of a masochistic phantasy. A Child is Being Beaten stands, therefore, outside the timescale of this thesis, as an icon that captures the discursive argument of the whole.
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Books on the topic "Witch"

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Cowburn, Lorna. Which witch is witch? Roehampton: University of Surrey Roehampton, 2000.

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Blair, Annette. Gone with the Witch. New York: Penguin USA, Inc., 2009.

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Fineberg, Sophia. Witch. New York, NY: Sophia Fineberg, 2019.

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Davies, Damian Walford. Witch. London: Seren Book, 2012.

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Michaels, Barbara. Witch. New York: HarperCollins, 2008.

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McQuinn, Donald E. Witch. New York: Ballantine Books, 1994.

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Witch, Witch. Child's Play International Ltd, 1998.

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Witch, Witch. Child's Play International, 1991.

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Gone With the Witch (Teen Witch, No 3). Scholastic Paperbacks, 1989.

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La brujita Witchy Witch y sus amigos: Brujita Witchy Witch. Spain: Bruño, 2014.

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Book chapters on the topic "Witch"

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Payne, Christopher, and Andrew Kjos. "Witch." In A Beginner’s Guide to Special Makeup Effects, 47–50. New York : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003093701-10.

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Bever, Edward. "Witch Dances and Witch Salves." In The Realities of Witchcraft and Popular Magic in Early Modern Europe, 93–150. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230582118_4.

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"witch." In Dictionary Geotechnical Engineering/Wörterbuch GeoTechnik, 1534. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-41714-6_231817.

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"witch." In Women in Shakespeare. Bloomsbury Publishing Plc, 2014. http://dx.doi.org/10.5040/9781623560928.06735.

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"witch." In Three Ways to Fail, 1–42. University of Pennsylvania Press, Inc., 2024. http://dx.doi.org/10.2307/jj.9561422.4.

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"The Guildford Four and the Maguire Seven." In Witch Hunts, 170–201. McGill-Queen's University Press, 2007. http://dx.doi.org/10.2307/j.ctt819pr.16.

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"The Characteristics of a Witch Hunt." In Witch Hunts, 27–31. McGill-Queen's University Press, 2007. http://dx.doi.org/10.2307/j.ctt819pr.7.

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"The Scottsboro Boys." In Witch Hunts, 142–67. McGill-Queen's University Press, 2007. http://dx.doi.org/10.2307/j.ctt819pr.14.

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"Bibliography." In Witch Hunts, 283–311. McGill-Queen's University Press, 2007. http://dx.doi.org/10.2307/j.ctt819pr.26.

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"The President." In Witch Hunts, 216–28. McGill-Queen's University Press, 2007. http://dx.doi.org/10.2307/j.ctt819pr.19.

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Conference papers on the topic "Witch"

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Zhang, Quanlu, Yafei Dai, and Lintao Zhang. "DS witch." In SoCC '15: ACM Symposium on Cloud Computing. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2806777.2806850.

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Wen, Shasha, Xu Liu, John Byrne, and Milind Chabbi. "Watching for Software Inefficiencies with Witch." In ASPLOS '18: Architectural Support for Programming Languages and Operating Systems. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3173162.3177159.

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"Revealing on Miao Witch culture-----Citing psychology to analysis Miao Witch Culture." In 2017 International Conference on Social Sciences, Arts and Humanities. Francis Academic Press, 2017. http://dx.doi.org/10.25236/ssah.2017.01.

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Bewernitz, Natalie, and Marek Goldowski. "Life at the witch trails." In ACM SIGGRAPH ASIA 2009 Art Gallery & Emerging Technologies: Adaptation. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1665137.1665143.

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Beck, M. "Progress at the WITCH Experiment." In INTERSECTIONS OF PARTICLE AND NUCLEAR PHYSICS: 8th Conference CIPANP2003. AIP, 2004. http://dx.doi.org/10.1063/1.1664221.

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Jeong, Eui-Dong, Hee-Gon Kim, Sukhyun Nam, Jae-Hyoung Yoo, and James Won-Ki Hong. "S-Witch: Switch Configuration Assistant with LLM and Prompt Engineering." In NOMS 2024-2024 IEEE Network Operations and Management Symposium. IEEE, 2024. http://dx.doi.org/10.1109/noms59830.2024.10575007.

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Uitterdijk, T., H. van Brug, F. H. Groen, H. J. Frankena, C. G. M. Vreeburg, and J. J. G. M. van der Tol. "Integrable Polarization Insensitive InGaAsPLnP Mach-Zehnder S witch." In Integrated Photonics Research. Washington, D.C.: OSA, 1996. http://dx.doi.org/10.1364/ipr.1996.iwd4.

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Сафина, Н. "АВТОРСКОЕ ВИДЕНИЕ МИФОЛОГЕМЫ [WITCH] В ПРОЗЕ К.С. ЛЬЮИСА." In "LANGUAGES IN THE DIALOGUE OF CULTURES: PROBLEMS OF MULTILINGUALISM IN A MULTIETHNIC SPACE" IV Nationwide Applied Science Conference with International Participation. Baskir State University, 2021. http://dx.doi.org/10.33184/yvdk-2021-04-30.31.

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Lush, Rebecca. "WITCH MEMORIES REMAIN: A LANDSCAPE HISTORY OF SALEM, MASSACHUSETTS." In 21st International Academic Conference, Miami. International Institute of Social and Economic Sciences, 2016. http://dx.doi.org/10.20472/iac.2016.021.022.

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Neogi, Devina. "Discrimination and Prejudice: Witch-Hunting during the Covid-19 Pandemic." In International Conference on Social Sciences. The International Institute of Knowledge Management, 2022. http://dx.doi.org/10.17501/2357268x.2021.6101.

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Reports on the topic "Witch"

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Maranghides, Alexander, and William E. Mell. A case study of a community affected by the witch and guejito fires. Gaithersburg, MD: National Institute of Standards and Technology, 2009. http://dx.doi.org/10.6028/nist.tn.1635.

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Maranghides, Alexander, Derek McNamara, William Mell, Jason Trook, and Blaza Toman. A case study of a community affected by the Witch and Guejito fires : report #2 - evaluating the effects of hazard mitigation actions on structure ignitions. National Institute of Standards and Technology, May 2013. http://dx.doi.org/10.6028/nist.tn.1796.

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Vine, Allyn Collin, and W. Maurice Ewing. Performance of bathythermograph with hand winch. Woods Hole Oceanographic Institution, December 2022. http://dx.doi.org/10.1575/1912/29561.

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On May l, 1942 a series of towing tests were made off New London to determine how satisfactory a small hand operated winch would be. The boat was an 83 ft. Coast Guard patrol boat with the end of the boom about 3 feet outboard and 15 feet forward of the stern. Towing tests were made at 8, 12, and 18 knots. At 18 knots two methods were tried: A. Those where the BT was dropped from the end of the boom in the usual manner. B. Those where the BT was dropped from the bow of the boat. This method gave a considerably greater depth of water for the same amount of wire out than the former method. In a longer boat where the BT can be carried 100 to 150 ft. ahead of the boom this additional depth may amount to 100 feet.
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4

Le Bas, T. P. Scaling of interpretation with OBIA with backscatter data. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2017. http://dx.doi.org/10.4095/305883.

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5

Ellis, Ronnie T. Speaking With One Voice: Army Relations With Congress. Fort Belvoir, VA: Defense Technical Information Center, April 2003. http://dx.doi.org/10.21236/ada414066.

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6

Pesheva, Nina Christova, and Nadezhda Zheleva Bunzarova. gTASEP with Attraction Interaction on Lattices with Open Boundaries. "Prof. Marin Drinov" Publishing House of Bulgarian Academy of Sciences, December 2020. http://dx.doi.org/10.7546/crabs.2020.12.05.

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7

Schweizer, Valerie, and Krista Payne. Young Adults Living Alone, with Siblings, or with Roommates. National Center for Family and Marriage Research, December 2018. http://dx.doi.org/10.25035/ncfmr/fp-18-26.

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8

Schweizer, Valerie, and Krista Payne. Young Adults Living Alone, with Siblings, or with Roommates. National Center for Family and Marriage Research, December 2018. http://dx.doi.org/10.25035/ncfmr/fp-18-26.html.

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9

Lakkaraju, Kiran, Jonathan Whetzel, and Nathan Fabian. Experiences with SIGNAL: Opportunities and challenges with distributed wargaming. Office of Scientific and Technical Information (OSTI), August 2021. http://dx.doi.org/10.2172/1821850.

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10

Perla, Peter P., and Michael C. Markowitz. Conversations With Wargamers. Fort Belvoir, VA: Defense Technical Information Center, January 2009. http://dx.doi.org/10.21236/ada494298.

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