Relevant bibliographies by topics / Winfried Georg

Academic literature on the topic 'Winfried Georg'

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Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "Winfried Georg"

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Roth, Siegfried, and Georg Adam. "Rezension von: Adam, Georg (Hrsg.), Das Andere ****-Kochbuch." Schwäbische Heimat 59, no. 4 (July 14, 2022): 488. http://dx.doi.org/10.53458/sh.v59i4.3368.

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Das Andere ****-Kochbuch. Die edlen Produkte von Ziege und Schaf. Tierhaltung, Landschaftspflege und Genuss. Idee, Konzept und Koordination: Georg Adam und Winfried Bauer. Verlag Senner Druck, Nürtingen 2001. 216 Seiten mit zahlreichen meist farbigen Abbildungen. Fester Einband € 9,95. ISBN 3-922849-19-9
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Hattenhauer, Hans. "Georg von Hertling 1843 – 1919. Hg. von Winfried Becker." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 112, no. 1 (August 1, 1995): 709–10. http://dx.doi.org/10.7767/zrgga.1995.112.1.709b.

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Baumgart, Winfried, Christian Ostersehlte, Ludger Tewes, and Dieter Senghaas. "Militärgeschichte." Das Historisch-Politische Buch (HPB) 65, no. 3 (July 1, 2017): 307–12. http://dx.doi.org/10.3790/hpb.65.3.307.

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Inge Wernet, Dieter Wernet: Die Belagerung von Sevastopol – Ceáacmonoëú (1854-1856) (Winfried Baumgart) Stefan Wendt: Höhe 41. Krieg und Kriegsspiele an der Kieler Förde im 19. und 20. Jahrhundert (Christian Ostersehlte) Jochen Lehnhardt: Die Waffen-SS. Geburt einer Legende. Himmlers Krieger in der NS-Propaganda (Ludger Tewes) Wilfried von Bredow: Die Geschichte der Bundeswehr (Christian Ostersehlte) Hans-Georg Ehrhardt (Hg.): Krieg im 21. Jahrhundert. Konzepte, Akteure, Herausforderungen (Dieter Senghaas)
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Rees, Wilhelm. "Fides et Ius. Festschrift für Georg May zum 65. Geburtstag. Hgg. Winfried Aymans, Anna Egler und Joseph Listl." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Kanonistische Abteilung 79, no. 1 (August 1, 1993): 532–36. http://dx.doi.org/10.7767/zrgka.1993.79.1.532.

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Ryrych, Tomasz. "Sebald à rebours. Winfried Georg Sebald, „Opis nieszczęścia. Eseje o literaturze”, przeł. Małgorzata Łukasiewicz, posłowie Arkadiusz Żychliński, Wydawnictwo Ossolineum, Wrocław 2019." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 20 (December 20, 2020): 436–38. http://dx.doi.org/10.24917/20811853.20.30.

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Straškraba, M. "Winfried Lampert and Ulrich Sommer. Limnoökologie. 440 pp, 119 figs. Stuttgart: Georg Thieme Verlag, Paperback, 1993. ISBN 3–13–786401–1." Internationale Revue der gesamten Hydrobiologie und Hydrographie 79, no. 3 (1994): 473–74. http://dx.doi.org/10.1002/iroh.19940790314.

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Krämer, Peter. "Fides et lus. Festschrift für Georg May zum 65. Geburtstag. Hrsg. von Winfried Aymans, Anna Egler, Joseph Listl, Regensburg: Pustet 1991.639 S." Archiv für katholisches Kirchenrecht 162, no. 2 (August 19, 1993): 635–39. http://dx.doi.org/10.30965/2589045x-16202029.

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Burckhardt, Johann Jakob. "Georg Cantor, Briefe. Hrsg, von Herbert Meschkowski und Winfried Nilson. Berlin (etc.), Springer-Verl., 1991. XI, 535 S. 111., Portr., Faks. DM 158,—. ISBN 3-540-50621-7." Gesnerus 51, no. 1-2 (November 27, 1994): 128–30. http://dx.doi.org/10.1163/22977953-0510102017.

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Toporišič, Tomaž. "Death and Violence in Contemporary Theatre, Drama, and Novel (Oliver Frljić, Anja Hilling, Simona Semenič, and G. W. Sebald)." Art History & Criticism 15, no. 1 (December 1, 2019): 117–29. http://dx.doi.org/10.2478/mik-2019-0009.

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Summary For the purpose of my examination of how literature and art take part in the circulation of significations and representations in the construction of social reality, I concentrate on a specific feature that links and unites the work of four contemporary European authors—the inflation of death and violence, or the “overflow of corpses” in their novels, plays, and performances. My first example will be Bosnian-Croatian theatre director Oliver Frljić, his disturbing, shocking performances in which he uses his own personal, wartime, and political traumas to ask universal questions about the boundaries of artistic and social freedom, individual and collective responsibility, tolerance and stereotypes. As the second and third example I will take plays by two (no longer) dramatic writers, Anja Hilling and Simona Semenič—two outstanding representatives of German and Slovene (no longer) dramatic theatre and drama, exploring in their texts a tension between repetition and representation in which the first mechanism undermines and challenges the second and produces a specific poetic or aesthetic device—an effect of ostranenie or defamiliarisation (Shklovsky). The third example will consist of the novels by Winfried Georg Sebald, in which the German author uses the device of his wanderings between signs, punctuated by black and white photographs, producing a specific emblematic of a mutation of space and time, in which history and geography cross-fertilise, tracing out paths and weaving networks. Besides examining the contestation of subject positions, I concentrate on the dialectics of art and society, where fluid, uncontainable subjects are constantly pushing the contours. Revising the critical consensus that contemporary art primarily engages with the real, the essay describes how theatre and fiction today navigate the complexities of the discourse as well as social realities; how the discussed artists all share the belief that creative expression must also be destruction. Art has to go beyond what we are and what we can identify through understanding. Thus, art negotiates, inflects discursive circulation of stories, idioms, controversies, testimonies, and pieces of (mis)information in the face of global uncertainties.
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Mößlang, Markus. "Winfried Baumgart (Hrsg.), Ein preußischer Gesandter in München. Georg Freiherr von Werthern. Tagebuch und politische Korrespondenz mit Bismarck 1867–1888. (Deutsche Geschichtsquellen des 19. und 20. Jahrhunderts, Bd. 74.) Berlin, Duncker & Humblot 2018." Historische Zeitschrift 309, no. 1 (August 5, 2019): 209–10. http://dx.doi.org/10.1515/hzhz-2019-1317.

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Dissertations / Theses on the topic "Winfried Georg"

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Eaheart, Martha Bass. ""Not an innocent enterprise" the narrator's transition from voyeur to victim in W.G. Sebald's Austerlitz /." Fairfax, VA : George Mason University, 2008. http://hdl.handle.net/1920/3355.

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Thesis (M.A,)--George Mason University, 2008.
Vita: p. 45. Thesis director: David Kaufmann. Submitted in partial fulfillment of the requirements for the degree of Master of Arts in English. Title from PDF t.p. (viewed Jan. 11, 2009). Includes bibliographical references (p. 42-44). Also issued in print.
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Stamova, Darina. "Melancholia in W. G. Sebald's "The Rings of Saturn"." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 115 p, 2009. http://proquest.umi.com/pqdweb?did=1654488641&sid=2&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Mosbach, Bettina. "Figurationen der Katastrophe : ästhetische Verfahren in W.G. Sebalds "Die Ringe des Saturn" und "Austerlitz" /." Bielefeld : Aisthesis-Verl, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016409980&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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Ceuppens, Jan. "Vorbildhafte Trauer W. G. Sebalds "Die Ausgewanderten" und die Rhetorik der Restitution." Eggingen Ed. Isele, 2009. http://d-nb.info/1000386155/04.

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Wolf, Georg [Verfasser], and Winfried [Akademischer Betreuer] Schulze. "Bayerische Außenpolitik unter Herzog Maximilian I. zwischen 1605 und 1618 / Georg Wolf. Betreuer: Winfried Schulze." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2012. http://d-nb.info/1027066224/34.

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Nyikos, Julia. "Paradigme commun dans la création architecturale et littéraire : Peter Eisenman, Péter Esterházy, Rem Koolhaas, Winfried Georg Sebald, Claude Simon, Bernard Tschumi." Paris 8, 2009. http://www.theses.fr/2009PA082999.

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La logique et l'organisation interne des textes littéraires se trouvent rarement comparées ou confrontées à celles des espaces paysagers et architecturaux. L'enjeu de nos recherches est de réfléchir sur les conditions de faisabilité d'un tel dialogue : existe-il un champ commun pour traiter ensemble des œuvres appartenant à des formes d'expressions très distinctes, à savoir l'architecture et la littérature, est-il possible de l'élaborer ? Ce ne sont pas les éléments de base, les composants d'un ensemble qui doivent être confrontés à leurs "homologues" dans un système différent, puisque ceux-ci relèvent plutôt des spécificités incomparables. En revanche, les rapports qui s'établissent entre les constituants d'un système peuvent montrer des similitudes intéressantes et qui offrent une base commune à la démarche comparative. Notre hypothèse part de l'idée qu'il serait important de déceler un paradigme commun dans la création et dans la configuration du sens dans les œuvres artistiques contemporaines, et ce au-delà des limites disciplinaires. Nous tentons de mener les investigations à partir d'un corpus contemporain en choisissant cependant des auteurs et des architectes dont le commencement du travail remonte aux années 1960 ou 1970. Les analyses sont majoritairement focalisées sur des productions plus récentes, car un des problèmes principaux de cette étude est de savoir si à une époque donnée des structures de pensée et des méthodes de constitution de sens peuvent être repérées dans des domaines et dans des modes d'expressions différents
The logic and internal construction of literary texts are seldom compared with those of landscape and architectural spaces. The aim of our research is to elaborate the feasibility and the conditions of such a relationship : whether it exists or it is possible to develop a common field to deal simultaneously with works belonging to very distinct forms of expression, i. E. Architecture and literature. It is not the components of a work of art that should be compared to their "counterparts" in a different system as they are incomparable specificities. Instead, the connections developing between the components of a system can display similarities which may establish a common basis for a comparative process. Our hypothesis stems from the idea that it would be important to find, beyond the boundaries of disciplines, a common paradigm in the creation and configuration of meaning of contemporary artworks. Although we study a contemporary corpus, the work of the selected authors and architects has begun in the 60s or 70s. The analyses mainly focus on more recent works for one of our main problems is to reveal whether, in a given period, structures of thinking and methods of constitution of meaning can be detected in different fields and modes of expression
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Ward, Lewis Henry. "Holocaust memory in contemporary narratives : towards a theory of transgenerational empathy." Thesis, University of Exeter, 2008. http://hdl.handle.net/10036/47273.

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What is the relationship between writing in the present and the traumatic historical events that form the subject of that writing? What narrative strategies do authors employ in order to negotiate the ethical and epistemological problems raised by this gap in time and experience? “Trauma theory” is undermined by clinical controversies and contradictory claims for “literal truth” and “incomprehensibility”. Similarly, the Holocaust has been considered inherently unrepresentable unless by those who witnessed it, leading to a false opposition between genres of “testimony” and “fiction”. A way out of these dead ends is to consider the role of the first-person narrator in contemporary Holocaust narratives. While use of this device risks an inappropriate level of identification with those whose experience is both extreme and unknowable, I argue that this problem may be resolved to an extent through “transgenerational empathy”, an approach to the past that is self-reflexive, incorporates ideas of time, memory and generations, and moves both towards and away from the victims of the past in a simultaneous gesture of proximity and distance. For this theory I draw on Dominick LaCapra’s definitions of empathy and “empathic unsettlement”, and on Hans-Georg Gadamer’s concept of the “fusion of horizons” between past and present. Transgenerational empathy involves giving equal weight to “memory” and “history”. An over-emphasis on memory leads to narratives that are merely identificatory, such as Anne Michaels’ Fugitive Pieces and Binjamin Wilkomirski’s Fragments. In contrast, W. G. Sebald’s use of a narrative persona in The Emigrants and Austerlitz enables transgenerational empathy in narrative by simultaneously imposing layers of distance while establishing close personal connection. Similarly, Jonathan Safran Foer’s third-generation aesthetic of “post-postmemory” in Everything is Illuminated uses a “dual persona” device to foreground empathically the abyss at the heart of any attempt to recapture the past. My analysis of these authors draws on the writings of Gillian Rose, Paul Ricoeur, Marianne Hirsch and Jacques Derrida. However, the concept of “transgenerational empathy” would benefit from further research, both in terms of its “temporal dimension” and the use of narrative personae by other contemporary authors such as Philip Roth.
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Baer, Andrea Patricia. "The moods of postmodern metafiction : narrative and affective literary spaces and reader (dis)engagement /." Thesis, Connect to this title online; UW restricted, 2008. http://hdl.handle.net/1773/6654.

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Nascimento, Larissa Silva. "Para além das cercas de arame farpado : o Holocausto em Maus, de Art Spiegelman, e em Os emigrantes, de W. G. Sebald." reponame:Repositório Institucional da UnB, 2012. http://repositorio.unb.br/handle/10482/10276.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, Programa de Pós-Graduação em Literatura, 2012
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Esta dissertação tem por objetivo evidenciar a expansão das possibilidades representativas que ocorre na literatura sobre o Holocausto. Para tanto, analisam-se dois livros – a obra Maus, escrita por Art Spiegelman, um romance gráfico no qual há uma inexorável interação entre imagem e texto, e o romance Os emigrantes, de W. G. Sebald, no qual também existe um diálogo entre fotografias selecionadas pelo autor e prosa literária – procurando-se investigar como esses textos ultrapassam aqueles discursos padronizados, o lugar-comum, que rondam as representações do Holocausto. Apesar de reconhecer e, ainda, de analisar os discursos que ressaltam os aspectos irrepresentáveis do evento em questão, este trabalho caminha em sentido contrário ao assinalar as novas possibilidades de representação do tema que surgem com a atualização dos meios de comunicação e das mídias na sociedade ocidental contemporânea. Essas mudanças notórias, como a ascensão da imagem como uma forma de expressão que antecipa o declínio da leitura linear da escrita, acontecem desde o imediato pós-guerra (meados de 1940), e isso se reflete na expressão da literatura que tem o Holocausto como objeto de representação. Graças a este estudo, pode-se notar que a ampliação das formas de representação do Holocausto se dá de forma mais evidente a partir da inclusão da imagem junto ao texto literário. É importante compreender também que, assim como se deu a expansão da forma literária, com a inserção de imagens, seu conteúdo, ou seja, a referência a sentimentos, tempos, espaços e vítimas do Holocausto, sofreu, igualmente, evidente ampliação. No que se refere às obras estudadas, Maus e Os emigrantes demonstram que o Holocausto ultrapassa o período da Segunda Guerra Mundial, de 1939-1945. Além disso, elas põem em evidência outros lugares em que a repressão nazista esteve presente que não só os campos de concentração, como também ressaltam a existência de inusitadas vítimas, por exemplo, emigrantes que fugiram da perseguição hitlerista. ____________________________________________________________________________ ABSTRACT
This work aims to evidence the expansion of representative possibilities that occurs in the literature about the Holocaust. For this, two books will be analyzed – the book Maus, written by Art Spiegelman, a graphic novel in which there is an inevitable interaction between image and text, and the novel The emigrants, written by W. G. Sebald, in which there is also a dialogue between photographs selected by the author and literary prose – seeking to investigate how these texts beyond those standardized discourse, the commonplace, that surround the representations of the Holocaust. Despite of recognize and, also, analyze the discourses that highlight aspects unrepresentable of the Holocaust, this work is moving in the opposite direction to signal the new possibilities of representation of the theme that come with the update of media of the contemporary occidental society. These remarkable changes, as the rise of the image as a form of expression that anticipates the decline of reading linear writing, have been held since the immediate post-war (Mid 1940), and this reflects in the expression of literature that has the Holocaust as representation object. Thanks to this study, it may be noted that the expansion of forms of representation of the Holocaust takes more evident from the inclusion of the image with the literary text. It is also important to understand that just as the expansion of the literary form with the inclusion of the image, the content, namely, the reference to feelings, time, space and Holocaust victims, suffered equally clear magnification. With regard to the works studied, Maus and The emigrants show that the Holocaust exceeded the period of World War II, of 1939-1945. Moreover, they highlight other places where the Nazi repression was present that not only the concentration camps, they also show the existence of unexpected victims, for example, immigrants who fled Hitler persecution.
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Covindassamy, Mandana. "À l'épreuve du dépaysement : W.G. Sebald : cartographie d'une écriture en déplacement." Paris 4, 2007. http://www.theses.fr/2007PA040163.

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W. G. Sebald lie intimement la recherche stylistique à une visée éthique et politique. Le présent projet consiste à mettre en lumière la cohérence poétologique de sa prose narrative en élaborant la notion d’écriture en déplacement. Loin d’une description thématique, elle se définit par un cadre que les stratégies d’écriture remettent sans cesse en question : le déplacement fondamental auquel procède Sebald réside dans la subversion des positions de discours. Tandis que la perspective générale des récits est assurée par la présence familière d’un narrateur à la première personne, le lecteur est désorienté par des procédés examinés pas à pas, depuis leur dimension concrète jusqu’à leurs implications éthiques. Une étude de la matérialité du texte révèle les affinités d’une telle écriture avec le bricolage lévistraussien. La prose allemande est émaillée d’images et de passages cités dans des langues étrangères, mais leur relation ne relève pas de l’insertion. Sans légende ni traduction, les matériaux résistent à leur inclusion. Au sein du récit, une pratique singulière de la citation et du discours rapporté animent l’écriture d’un mouvement allologique : un entrelacs de voix aux frontières poreuses se substitue à la prééminence d’une instance d’énonciation. Au plan de la construction, la structure cède le pas au réseau, en raison de sa plasticité. De tels procédés traduisent une vision archéologique du temps qui se reflète dans la syntaxe et la sémantique, ponctuées d’archaïsmes et de régionalismes. Par son regard mélancolique où perce parfois l’humour, la poétique de Sebald sait susciter l’émotion d’un lecteur confronté à une vision lucide du monde et de son histoire
W. G. Sebald intimately binds stylistic pursuit with an ethical and political design. This project spotlights the poetological coherence of his narrative prose by developing the notion of shifting writing. Far from a hematic description, it represents a frame that is incessantly reassessed by the writing strategies : Sebald’s key use of displacement lies in subverting the positions of speech. If the general perspective of the narratives is provided by the familiar presence of a first person narrator, the reader is nonetheless disorientated by the various techniques which are examined here, step by step, from their tangible aspects to their ethical implications. Studying the materiality of the text reveals the affinities of Sebald’s writing with Levi-Strauss’s “bricolage”. The German prose is sprinkled with images and quotations in foreign languages, but these cannot be said to be inserted : in the absence of captions or translations, the materials resist inclusion. Within the narrative, a singular use of quotation and reported speech animates the writing with an allological movement : the preeminence of the enunciator gives way to a mesh of voices with porous boundaries. As for the construction, its plasticity means that network prevails over structure. Such techniques convey an archaeological vision of time which is reflected in the syntax and the semantics, punctuated with archaisms and regionalisms. With a melancholic, sometimes humourous outlook, Sebald’s poetics skilfully arouses the emotions of the reader who is faced with a lucid vision of the world and its history
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Books on the topic "Winfried Georg"

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W.G. Sebald: Image, archive, modernity. Edinburgh: Edinburgh University Press, 2007.

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Mussack, Amelie, Johannes Mussack, and Lorenz Orendi, eds. Erzählte Architektur. Ergon – ein Verlag in der Nomos Verlagsgesellschaft, 2021. http://dx.doi.org/10.5771/9783956508554.

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This interdisciplinary volume focuses on the interdependence of narrative and architecture and includes different forms of narrating media in its analyses. The relation between narrative and architecture is examined primarily from two oppositional perspectives: The contributions include investigations of both the narrative representation and integration of architecture in literature and media as well as the way in which architects narrate in or about their works. In particular, the contributions highlight how directly both aspects refer to each other in terms of motifs, symbols, structure, semantics, etc. Questions about the aesthetics of materials and effects are dealt with as well as the representation and intention of narrated architecture. With contributions by Johannes Aderbauer, Oliver Bach, Hans W. Hubert, Robert Krause, Matías Martínez, Amelie Mussack, Winfried Nerdinger, Lorenz Orendi, Christoph Schmitt-Maaß, Shevek Selbert, Klaus Tragbar, Hans-Georg von Arburg and Deborah Wolf.
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Careers Inside the World of Homemaking and Parenting (Careers and Opportunities). Rosen Publishing Group, 1998.

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Series, Michigan Historical Reprint. Rhetoric of conversation: Or, Bridles & spurs for the management of the tongue. By George Winfred Hervey... Scholarly Publishing Office, University of Michigan Library, 2006.

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Series, Michigan Historical Reprint. The principles of courtesy: With hints and observations on manners and habits. By George Winfred Hervey ... Scholarly Publishing Office, University of Michigan Library, 2006.

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Series, Michigan Historical Reprint. Rhetoric of conversation: Or, Bridles & spurs for the management of the tongue. By George Winfred Hervey... Scholarly Publishing Office, University of Michigan Library, 2005.

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Riehecky, Janet, Gini Holland, Andrew Langley, Paul Dowswell, and Hayden Middleton. Heinemann Profiles: Pack E of Five: Paul McCartney / Oprah Winfrey / George Lucas / Rupert Murdoch / R.L. Stine. Heinemann Educational Books - Library Division, 2001.

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