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Books on the topic 'Willis'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 March 2023

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1

Deborah, Willis. Progeny: Deborah Willis and Hank Willis Thomas. Edited by Thomas Hank Willis 1976-, Brooks Kalia, and Wallach Art Gallery. New York: Miriam and Ira D. Wallach Art Gallery, Columbia University, 2009.

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2

Mieder, Eckhard. Willis erwachen. Berlin: Elefanten Press, 1999.

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3

Willis, Lucy. Lucy Willis. London: Chris Beetles Limited, 1986.

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4

Willis, Lucy. Lucy Willis. London: Chris Beetles Ltd., 1989.

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5

Willis Sonntage. Würzburg: Benziger-Ed. im Arena-Verl., 1988.

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6

Holt, Julia. Bruce Willis. London: Hodder & Stoughton, 1999.

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7

Khiari, Nadia. Willis from Tunis. Tunisia: Nadia Khiari, 2011.

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8

Roberts, Patsy Smith. Willis the Warthog. St. Simons Island, Ga: Savuti Muti Pub., 2005.

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9

1943-, Willis William, and Phillips Collection, eds. William Willis: Contemporary painting. Washington, D.C: Phillips Collection, 1989.

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10

Waldroff, Myrna. Willis roots and branches. [Galgary, Alta.]: M. Waldroff, 1988.

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11

Willis, Lucy. Lucy Willis: Light in watercolor. New York, NY: Watson-Guptill PUblications, 1997.

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12

Robin, Capon, ed. Lucy Willis: Travels with watercolour. London: B T Batsford, 2003.

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13

Crossman, Willis T. Willis T. Crossman's Vermont: Stories. Tampa, Fla: University of Tampa Press, 2005.

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14

Paule, Jean. John Willis Baer, 1861-1931. [Los Angeles]: J. Paule, 2000.

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15

Archer, Steve. Willis O'Brien: Special effects genius. Jefferson, N.C: McFarland, 1993.

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16

Recktenwald, Willi. Willis Briefe: Die Feldpostbriefe des jungen Soldaten Willi Recktenwald an seine Familie. [Marpingen]: Edition Schaumberg, 2010.

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17

Manconi, Mauro, and Diego García-Borreguero, eds. Restless Legs Syndrome/Willis Ekbom Disease. New York, NY: Springer New York, 2017. http://dx.doi.org/10.1007/978-1-4939-6777-3.

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18

Ervin, J. Willis. Oral history interviews: J. Willis Ervin. Denver, Colo: Bureau of Reclamation, Oral History Program, 2012.

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19

Clardy, John. Confessions of the Willis Creek Gang. [Lometa, TX] (Rt. 1, Box 210, Lometa 76853): J. Clardy, 1993.

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20

1947-, Hekkanen Ernest, ed. Good ol' boy: Willis V. McCall. Vancouver, B.C: New Orphic Publishers, 1999.

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21

Willis. Houghton Mifflin, 2001.

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22

Willis. Houghton Mifflin, 2001.

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23

Willis. Tandem Library, 2001.

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24

Willis. Turtleback Books Distributed by Demco Media, 2001.

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25

Willis. Houghton Mifflin, 1988.

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26

Leathers, Ginni, Glenn Nelson McBride, and Cherie Nowlin McBride. Willis. Createspace Independent Publishing Platform, 2015.

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27

Lemmermann, Heinz. Bruce Willis. Bertz + Fischer, 2000.

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28

undifferentiated, Fox. Willis Reed. Tempo Books, 2000.

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29

Diaz, Easter, Ivan Aguilar, and Jason Criddle. Where's Willis? CreateSpace Independent Publishing Platform, 2016.

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30

Dunn, John. Willis Avenue. Trafford Publishing, 2006.

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31

Asirvatham, Sandy. Bruce Willis. Chelsea House Pub (T), 2002.

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32

Publications, XeWillisz. I'm Willis Doing Willis Things: Notebook Willis Name Gifts, Personalized Journal, 120 Pages. Independently Published, 2021.

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33

Armatage, Kay. Barbara Willis Sweete. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039683.003.0019.

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This chapter investigates the complexity of Barbara Willis Sweete's creative orchestration of multiple personnel and technical operations in HD transmissions of live opera, with particular emphasis on how the input of composer, stage director, and performers are re-mediated through her technical expertise and cohering cinematic aesthetic. Sweete, one of the two principal directors of the Metropolitan Opera Live in high-definition (HD) live transmissions, has a varied media background. She brings to her HD transmissions a carefully calibrated practice that attends not only to music, staging, and performance but also to visual narrativity and what she calls visual architecture. This chapter explores how that practice engages with the intermedial nature of the live HD broadcast of opera. It argues that Sweete's visual practice places her at the center of this new cultural form—an intermedial hybrid—which can be viewed as currently in its “transitional” period, much as cinema “transitioned” in the 1910s.

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34

Elmassian, Jeff, and Kristine Puich. Happy Holidays Willis! Lulu Press, Inc., 2010.

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35

Adrien, Paul, and Henry Frith. Willis the Pilot. Dodo Press, 2006.

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36

Elmassian, Jeff, and Kristine Puich. It's Halloween Willis! Lulu Press, Inc., 2010.

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37

Howell, Hannah. Willis the Pilot. Aegypan, 2006.

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38

Wren, Derek. Dear Mr Willis. Fisher Miller Publishing, 1997.

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39

Biggin, Jill. Willis' Day Out. True Blue Books, 2008.

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40

Willis the Pilot. Aegypan, 2006.

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41

Arfaras. Willis Willowby: Wombat. Independently Published, 2019.

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42

Hahn, Mary Downing. Old Willis Place. Houghton Mifflin Harcourt Publishing Company, 2007.

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43

Beers, Henry Augustin. Nathaniel Parker Willis. Creative Media Partners, LLC, 2018.

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44

Willis Faber & Dumas. Prestel, 2013.

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45

Hahn, Mary Downing. Old Willis Place. HarperCollins Publishers, 2007.

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46

WILLIS Family Genealogy. Lulu Press, Inc., 2004.

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47

Willis, Ellen. Essential Ellen Willis. University of Minnesota Press, 2014.

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48

Beers, Henry A. Nathaniel Parker Willis. Independently Published, 2017.

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49

Willis, Ellen. The Essential Ellen Willis. Edited by Nona Willis Aronowitz. University of Minnesota Press, 2014. http://dx.doi.org/10.5749/minnesota/9780816681204.001.0001.

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50

John Willis' screen world. London: Muller, 1985.

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