Log in

Relevant bibliographies by topics / Williamson Theatres / Books

Books on the topic 'Williamson Theatres'

To see the other types of publications on this topic, follow the link: Williamson Theatres.

Author: Grafiati

Published: 4 June 2021

Last updated: 20 February 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 books for your research on the topic 'Williamson Theatres.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Tennessee, Williams. The theatre of Tennessee Williams. New York: New Directions, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Tennessee Williams and Elia Kazan: A collaboration in the theatre. Cambridge [England]: Cambridge University Press, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

1959-, Hart Deborah, Cree Laura Murray, and National Gallery of Australia, eds. Fred Williams: Infinite horizons. Canberra: National Gallery of Australia, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Tennessee Williams on the Soviet stage. Lanham, MD: University Press of America, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Collection, Historic New Orleans, ed. Drawn to life: Al Hirschfeld & the Theater of Tennessee Williams. New Orleans, LA: Historic New Orleans Collection, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

The audience as actor and character: The modern theater of Beckett, Brecht, Genet, Ionesco, Pinter, Stoppard, and Williams. Lewisburg [Pa.]: Bucknell University Press, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Smith, Eric Ledell. Bert Williams: A biography of the pioneer Black comedian. Jefferson, N.C: McFarland, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Fred, Williams. Fred Williams: From music hall to landscape : drawings and prints. Sydney: Art Gallery of New South Wales, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Stephen, Coppel, and Williams Fred 1927-, eds. Fred Williams: An Australian vision. London: British Museum Press, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Dennis, Brown. Shoptalk: Conversations about theater and film with twelve writers, one producer--and Tennessee Williams' mother. New York: Newmarket Press, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

Shoptalk: Conversations about theater and film with twelve writers, one producer - and Tennessee Williams' mother. New York, NY: Newmarket Press, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

1989, Psacharopoulos Nikos d., and Williamstown Theatre Festival, eds. The actor's Chekhov: Nikos Psacharopoulos and the company of the Williamstown Theatre Festival, on the plays of Anton Chekhov. Newbury, VT: Smith and Kraus, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

Hackett, Jean. The actor's Chekhov: Nikos Psacharopoulos and the company of the Williamstown Theatre Festival, on the plays of Anton Chekhov, 1962-1987. Newbury, Vt: SK, Smith and Kraus, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

Proske, Hans-Jürgen. Die Szene wird zum Tribunal: Tragischer Mythos und Prozesshandlung in Godwins Caleb Williams. Köln: Böhlau, 1988.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Carolyn, Swift, ed. Spiked: Church-state intrigue and The rose tattoo. Dublin, Ireland: New Island, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

Tennessee, Williams. Ca b chwant: Cyfieithiad o 'A streetcar named desire' Tennessee Williams. Aberystwyth: Canolfan Astudiaethau Addysg, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

Bo Widerbergs tv-teater. Lund: Sekel, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

The Theatre Of Tennessee Williams. Bloomsbury Publishing PLC, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

The Theatre Of Tennessee Williams. Bloomsbury Publishing PLC, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

Barnett, David. The Theatre of Tennessee Williams. Bloomsbury Publishing Plc, 2014. http://dx.doi.org/10.5040/9781472515452.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Tennessee, Williams. The Theatre of Tennessee Williams, Volume VIII. New Directions Publishing Corporation, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

22

Saddik, Annette J. Tennessee Williams and the Theatre of Excess. Cambridge University Press, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

(Illustrator), Norma Jean Martin-Jourdenais, and Norma Jean Jourdenais (Illustrator), eds. Make Your Own Puppets & Puppet Theaters (Williamson Quick Starts for Kids! Book). Williamson Books, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

Pagan, Nicholas Osborne. Tennessee Williams' kind of theater: Signature and biography. 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

25

Knopf, Robert. Script Analysis for Theatre. Bloomsbury Publishing Plc, 2017. http://dx.doi.org/10.5040/9781408183267.

Full text

Abstract:

Script Analysis for Theatre: Tools for Interpretation, Collaboration and Production provides theatre students and emerging theatre artists with the tools, skills and a shared language to analyze play scripts, communicate about them, and collaborate with others on stage productions. Based largely on concepts derived from Stanislavski’s system of acting and method acting, the book focuses on action - what characters do to each other in specific circumstances, times, and places - as the engine of every play. From this foundation, readers will learn to distinguish the big picture of a script, dissect and ’score’ smaller units and moment-to-moment action, and create individualized blueprints from which to collaborate on shaping the action in production from their perspectives as actors, directors, and designers. Script Analysis for Theatre offers a practical approach to script analysis for theatre production and is grounded in case studies of a range of the most studied plays, including Sophocles’ Oedipus the King, Shakespeare’s Twelfth Night, Henrik Ibsen’s Hedda Gabler, Georg Büchner’s Woyzeck, Oscar Wilde’s The Importance of Being Earnest, Tennessee Williams’s A Streetcar Named Desire, and Paula Vogel’s How I Learned to Drive, among others. Readers will develop the real-life skills professional theatre artists use to design, rehearse, and produce plays.

APA, Harvard, Vancouver, ISO, and other styles

26

Bontemps, Arna. The Theater. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037696.003.0028.

Full text

Abstract:

This chapter focuses on Negro theater in Illinois. In May 1877, a Negro troupe played Out of Bondage in Chicago, and the Daily Inter Ocean described the performance as “one of the very best representations of slave life as it existed before the war that has ever been presented to the public.” But it was the arrival of Sam T. Jacks and his Creole Show in Chicago in 1893 that ushered in a new phase of the Negro's evolution in the theater. The chapter first considers minstrelsy and minstrel shows featuring actors in blackface before turning to various comedians, vocalists, and dancers who performed in musicals and other shows during the period, including Bert Williams and George Walker. It also looks at Chicago's Pekin Theater, opened by Robert Motts, that showcased black performers such as Charles Gilpin, Bill Robinson, Abbie Mitchell, Lottie Grady, Nettie Lewis, and Elizabeth Hart Scott.

APA, Harvard, Vancouver, ISO, and other styles

27

Murphy, Brenda. Tennessee Williams and Elia Kazan: A Collaboration in the Theatre. Cambridge University Press, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

28

Tennessee, Williams. Tennessee Williams: Plays 1957-1980 (Library of America). Library of America, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

29

Confronting Tennessee Williams's A Streetcar Named Desire: Essays in Critical Pluralism (Contributions in Drama and Theatre Studies). Greenwood Press, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

30

Gontarski, S. E. Tennessee Williams, T-Shirt Modernism and the Refashionings of Theater. Anthem Press, 2021.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

31

Gontarski, S. E. Tennessee Williams, T-Shirt Modernism and the Refashionings of Theater. Anthem Press, 2021.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

32

Gontarski, S. E. Tennessee Williams, T-Shirt Modernism and the Refashionings of Theater. Anthem Press, 2021.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

33

Saddik, Annette J. Tennessee Williams and the Theatre of Excess: The Strange, the Crazed, the Queer. University of Cambridge ESOL Examinations, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

34

Saddik, Annette J. Tennessee Williams and the Theatre of Excess: The Strange, the Crazed, the Queer. Cambridge University Press, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

35

Saddik, Annette J. Tennessee Williams and the Theatre of Excess: The Strange, the Crazed, the Queer. Cambridge University Press, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

36

Tennessee Williams and the Theatre of Excess: The Strange, the Crazed, the Queer. University of Cambridge ESOL Examinations, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

37

Tennessee, Williams. The Theatre of Tennessee Williams: Volume 8 Vieux Carre/a Lovely Sunday for Creve Coeur/Clothes for a Summer Hotel/the Red Devil Battery Sign (Theatre of Tennessee Williams). New Directions Publishing Corporation, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

38

Tragedy in the Contemporary American Theatre. University Press of America, Incorporated, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

39

Andreach, Robert J. Tragedy in the Contemporary American Theatre. University Press of America, Incorporated, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

40

Andreach, Robert J. Tragedy in the Contemporary American Theatre. University Press of America, Incorporated, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

41

Snyder, Mark S. The glass menagerie by Tennessee Williams: A creative thesis in directing. 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

42

Theatre, British. British Theatre, Comprising Tragedies, Comedies, Operas, and Farces: With Biogr., Critical Account and Notes, by an Englishman [O. Williams]. by O. Williams. Arkose Press, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

43

Lee, A. Robert, and Douglas Field, eds. Harold Norse. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781638040163.001.0001.

Full text

Abstract:

Despite publishing over a dozen collections of poetry, many off which were critically acclaimed, Harold Norse remains an outsider, a poet who is known to aficionados of post-World War II poetry, to students of Gay Liberation poetry, and to scholars of the Beat Generation. Norse has been overlooked by scholars of mid-twentieth century poetry, as well as being conspicuously absent from major poetry anthologies. Harold Norse: Poet Maverick, Gay Laureate, the first book-length study of this writer, explores his work and legacy across the Beats, The Living Theatre, the Mimeograph Revolution, as well as his fellow travelers, among them William Carlos Williams, Allen Ginsberg, and Charles Bukowski.

APA, Harvard, Vancouver, ISO, and other styles

44

Shepherd-Barr, Kirsten E. 4. Salesmen, southerners, anger, and ennui. Oxford University Press, 2016. http://dx.doi.org/10.1093/actrade/9780199658770.003.0005.

Full text

Abstract:

From 1940 to 1960 some of modern drama’s most famous plays were staged: Tennessee Williams’ A Streetcar Named Desire (1947) and Arthur Miller’s Death of a Salesman (1949), attaining a new kind of tragedy and a particularly American brand of realism; and, in London, Beckett’s Waiting for Godot (1955) and John Osborne’s Look Back in Anger (1956), introducing, respectively, the ‘theatre of the absurd’ and a new linguistic and emotional brutality, inaugurating an era of ‘kitchen sink’ realism. ‘Salesmen, southerners, anger, and ennui’ shows how these radically different dramas expanded plays’ subject matter as well as their formal and linguistic properties; in particular, they changed forever the way language (and silence) worked on stage.

APA, Harvard, Vancouver, ISO, and other styles

45

From Music Hall to Landscape Fred Williams Drawings and Prints. Art Gallery of NSW, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

46

Grand Opera House (London, Ont.), ed. Grand Opera House, London, Ont.: Friday, February 10th, 1893 : programme, Lester & Williams' Me and Jack .. [London, Ont.?: s.n., 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

47

Tennessee, Williams. The Theatre of Tennessee Williams, Vol. 6: 27 Wagons Full of Cotton and Other Short Plays. New Directions Publishing Corporation, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

48

Zdanowicz, Irena, Stephen Coppel, and Fred Williams. Fred Williams: An Australian Vision. British Museum Press, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

49

The Sisters Rosensweig: Starring Jamie Lee Curtis, JoBeth Williams, Tony Roberts, and Caroline Aaron (Audio Theatre Series). L.A. Theatre Works, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

50

Tennessee, Williams. The Theatre of Tennessee Williams, Vol. 7: In the Bar of a Tokyo Hotel, and Other Plays. New Directions Publishing Corporation, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!