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Published: 18 May 2024

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1

Elman, Steve. Burning up the air: Jerry Williams, talk radio, and the life in between. Beverly, Mass: Commonwealth Editions, 2008.

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Wallace, Clement, and Williams Glen 1947-, eds. The New Canadian political economy: Edited by Wallace Clement and Glen Williams. Kingston: McGill-Queen's University Press, 1989.

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Tyson, Timothy B. Radio Free Dixie: Robert F. Williams and the roots of Black power. Chapel Hill: University of North Carolina Press, 1999.

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4

Nierop, Henk. The Life of Romeyn de Hooghe 1645-1708. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462981386.

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Romeyn de Hooghe was the most inventive and prolific etcher of the later Dutch Golden Age. The producer of wide-ranging book illustrations, newsprints, allegories, and satire, he is best known as the chief propaganda artist working for stadtholder and king William III. This study, the first book-length biography of de Hooghe, narrates how his reputation became badly tarnished when he was accused of pornography, fraud, larceny, and atheism. Traditionally regarded as a godless rogue, and more recently as an exponent of the Radical Enlightenment, de Hooghe emerges in this study as a successful entrepreneur, a social climber, and an Orangist spin doctor. A study in seventeenth-century political culture and patronage, focusing on spin and slander, this book explores how artists, politicians, and hacks employed literature and the visual arts in political discourse, and tried to capture their readership with satire, mockery, fun, and laughter.
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Nierop, Henk. The Life of Romeyn de Hooghe 1645-1708. NL Amsterdam: Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789463725101.

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Romeyn de Hooghe was the most inventive and prolific etcher of the later Dutch Golden Age. The producer of wide-ranging book illustrations, newsprints, allegories, and satire, he is best known as the chief propaganda artist working for stadtholder and king William III. This study, the first book-length biography of de Hooghe, narrates how his reputation became badly tarnished when he was accused of pornography, fraud, larceny, and atheism. Traditionally regarded as a godless rogue, and more recently as an exponent of the Radical Enlightenment, de Hooghe emerges in this study as a successful entrepreneur, a social climber, and an Orangist spin doctor. A study in seventeenth-century political culture and patronage, focusing on spin and slander, this book explores how artists, politicians, and hacks employed literature and the visual arts in political discourse, and tried to capture their readership with satire, mockery, fun, and laughter.
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6

1951-, Holland Peter, ed. Shakespeare, sound and screen. Cambridge: Cambridge University Press, 2008.

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7

1951-, Holland Peter, ed. Shakespeare, sound and screen. Cambridge: Cambridge University Press, 2008.

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8

Shakespeare, William. The winter's tale. Oxford: Oxford University Press, 1996.

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9

Shakespeare, William. The winters tale. New York: Applause, 1998.

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10

Shakespeare, William. The Winter's tale. Edited by Muggli Mark Z. editor and Kittredge George Lyman 1860-1941. Newburyport, MA: Focus Publishing/R. Pullins Company, 2013.

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Shakespeare, William. The winter's tale. San Diego, CA: ICON Classics, 2005.

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12

Shakespeare, William. The winter's tale. San Diego, CA: ICON Classics, 2005.

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13

Vivekananda and the modernisation of Hinduism / edited by William Radice. New Delhi: Oxford University Press, 1998.

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14

Ammen, Sharon. The Profoundly Troubling History of the Coon Song. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040658.003.0004.

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This chapter explores the origination of the coon song, a ragtime melody mixing jazz and march music and replete with degrading racial stereotypes. May Irwin was the most prominent white female coon shouter. Songs by Stephen Foster and those performed by William Walker and Bert Williams are discussed, as is the nationwide dissemination of sheet music from Tin Pan Alley. The author examines abolitionism and Radical Reconstruction in African American history and the increase of lynchings of African Americans in Jim Crow America. She then looks at the “Greedy Gal” and the “Idealized” and “Pathetic” coon stereotypes of black life.
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15

Budney, Stephen. William Jay. Greenwood Publishing Group, Inc., 2005. http://dx.doi.org/10.5040/9798216035947.

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A founder of the New York Anti-Slavery Society, William Jay was one of the most prolific and influential abolitionists of his day, yet Americans know little about him. This is the first extensive examination of his life and work in over 100 years. Like many of his contemporaries, Jay looked at a rapidly changing America and it frightened him. As a conservative social reformer, it was not merely sinfulness that alarmed Jay, but the perception that America was betraying its founding principles. From his early involvement in local temperance societies to his conversion to the cause of immediate abolition of slavery, Jay would emerge as one of the most influential reformers. A fierce and vocal opponent of the efforts to repatriate blacks to Africa as well as the U.S. annexation of Northern Mexico, Jay stood at the center of the abolitionist and anticolonialist movements. The son of founding father John Jay, William Jay felt an obligation to help purify America so that it could continue to adhere to the republican principles that had helped create it. Not only does Budney examine the motivation for multifaceted reform, he also probes how advocates of abolition, peace activists, and temperance attempted to craft their appeals to influence the greatest number of people. Many scholars have attributed the vitality of the reform movement—particularly the abolitionists—to the more radical elements such as the Garrisons; however, most reformers would have preferred a more gentle approach to persuading Americans of the veracity of their efforts.
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16

Turquety, Benoît. Danièle Huillet, Jean-Marie Straub. Amsterdam University Press B.V., 2020. http://dx.doi.org/10.5040/9789048561544.

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Danièle Huillet and Jean-Marie Straub collaborated on films together from the mid-1960s through the mid-2000s, making formally radical adaptations in several languages of major works of European literature by authors including Franz Kafka, Bertolt Brecht, Friedrich Hölderlin, Pierre Corneille, Arnold Schoenberg, Cesare Pavese, and Elio Vittorini. The impact of their work comes in part from a search for radical objectivity, a theme present in certain underground currents of modernist art and theory in the writings of Benjamin and Adorno as well as in the "Objectivist" movement, a crucial group within American modernist poetry whose members included Louis Zukofsky, George Oppen, and Charles Reznikoff, with connections to William Carlos Williams and Ezra Pound. Through a detailed analysis of the films of Straub and Huillet, the works they adapted, and Objectivist poems and essays, Benoît Turquety locates common practices and explores a singular aesthetic approach where a work of art is conceived as an object, the artist an anonymous artisan, and where the force of politics and formal research attempt to reconcile with one another.
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17

Cheshire, Paul. William Gilbert and Esoteric Romanticism. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781786941206.001.0001.

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William Gilbert, poet, theosophist and astrologer, published The Hurricane: A Theosophical and Western Eclogue in Bristol in 1796, while he was on intimate terms with key members of Bristol literary culture: Coleridge published an extract from The Hurricane in his radical periodical The Watchman; Robert Southey wrote of the poem’s ‘passages of exquisite Beauty’; and William Wordsworth praised and quoted a long passage from Gilbert’s poem in The Excursion. The Hurricane is a copiously annotated 450 line blank verse visionary poem set on the island of Antigua where, in 1763, Gilbert was born into a slave-owning Methodist family. The poem can be grouped with other apocalyptic poems of the 1790s—Blake’s 'Continental Prophecies', Coleridge's 'Religious Musings', Southey's Joan of Arc—all of which gave a spiritual interpretation to the dramatic political upheavals of their time. William Gilbert and Esoteric Romanticism presents the untold story of Gilbert’s progress from the radical occultist circles of 1790s London to his engagement with the first generation Romantics in Bristol. At the heart of the book is the first modern edition of The Hurricane, fully annotated to reveal the esoteric metaphysics at its core, followed by close interpretative analysis of this strange elusive poem.
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18

Solomon, Stefan. William Faulkner in Hollywood: Screenwriting for the Studios. University of Georgia Press, 2020.

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19

William Faulkner in Hollywood: Screenwriting for the Studios. University of Georgia Press, 2017.

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20

Solomon, Stefan. William Faulkner in Hollywood: Screenwriting for the Studios. University of Georgia Press, 2017.

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21

Freedman, Linda. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198813279.003.0001.

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We must learn to treat the artist as prophetic seer, a visionary whose work recalls a new epiphany of Spirit…revelation continues in history and continues in such a way as to challenge the most deeply cherished certainties of faith.Thomas J. J. Altizer, The New Apocalypse: The Radical Christian Vision of William Blake...
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22

Shakespeare, William. Winter's Tale: William Shakespeare [Annotated]. Independently Published, 2021.

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23

Shakespeare, William. Winter's Tale: William Shakespeare [Annotated]. Independently Published, 2021.

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24

Shakespeare, William. Winter's Tale by William Shakespeare (illustrated). Independently Published, 2020.

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25

Williams, Shannen Dee. Subversive Habits. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478022817.

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In Subversive Habits, Shannen Dee Williams provides the first full history of Black Catholic nuns in the United States, hailing them as the forgotten prophets of Catholicism and democracy. Drawing on oral histories and previously sealed Church records, Williams demonstrates how master narratives of women’s religious life and Catholic commitments to racial and gender justice fundamentally change when the lives and experiences of African American nuns are taken seriously. For Black Catholic women and girls, embracing the celibate religious state constituted a radical act of resistance to white supremacy and the sexual terrorism built into chattel slavery and segregation. Williams shows how Black sisters—such as Sister Mary Antona Ebo, who was the only Black member of the inaugural delegation of Catholic sisters to travel to Selma, Alabama, and join the Black voting rights marches of 1965—were pioneering religious leaders, educators, healthcare professionals, desegregation foot soldiers, Black Power activists, and womanist theologians. In the process, Williams calls attention to Catholic women’s religious life as a stronghold of white supremacy and racial segregation—and thus an important battleground in the long African American freedom struggle.
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26

Pollack, Howard. More Fables. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190458294.003.0017.

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The late 1940s saw Latouche moving about from place to place, and lover to lover. He maintained some connection with the political left in terms of his involvement with both the Henry Wallace campaign, and his advocacy of world government in works like the radio play Unhappy Birthday and the aborted The Last Joan, after John Steinbeck. He continued also to write popular songs and adapt plays for both radio and the stage, most notably Miss Julie for Elisabeth Bergner. He further undertook collaborations with composer Lehman Engel on Mooncalf (which premiered in Cleveland in 1951 as Golden Ladder) and composer William Friml on The Happy Dollar (which premiered in Houston in 1954).
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27

Davis, Russell, and Wes Butters. Kenneth Williams Unseen: The Private Notes, Scripts and Photographs. HarperCollins Publishers Limited, 2010.

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28

Kenneth Williams Unseen: The Private Notes, Scripts and Photographs. London: HarperCollins Publishers, 2008.

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29

Kenneth Williams Unseen: The private notes, scripts and Photographs. HarperCollins Publishers Limited, 2009.

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30

Hewitt, Nancy A. Radical Friend. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469640327.001.0001.

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A pillar of radical activism in nineteenth-century America, Amy Kirby Post (1802–89) participated in a wide range of movements and labored tirelessly to orchestrate ties between issues, causes, and activists. A conductor on the Underground Railroad, co-organizer of the 1848 Rochester Woman’s Rights Convention, and a key figure in progressive Quaker, antislavery, feminist, and spiritualist communities, Post sustained movements locally, regionally, and nationally over many decades. But more than simply telling the story of her role as a local leader or a bridge between local and national arenas of activism, Nancy A. Hewitt argues that Post’s radical vision offers a critical perspective on current conceptualizations of social activism in the nineteenth century. While some individual radicals in this period have received contemporary attention—most notably William Lloyd Garrison, Frederick Douglass, and Lucretia Mott (all of whom were friends of Post)—the existence of an extensive network of radical activists bound together across eight decades by ties of family, friendship, and faith has been largely ignored. In this in-depth biography of Post, Hewitt demonstrates a vibrant radical tradition of social justice that sought to transform the nation.
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31

Shakespeare, William. Winter's Tale by William Shakespeare Annotated Novel. Independently Published, 2021.

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32

Shakespeare, William. Winter's Tale by William Shakespeare Annotated Edition. Independently Published, 2020.

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33

(Editor), Wallace Clement, and Glen Williams (Editor), eds. The New Canadian Political Economy: Edited by Wallace Clement and Glen Williams. McGill-Queen's University Press, 1989.

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34

Harris, Johanna. Sectarian Groups. Edited by Andrew Hiscock and Helen Wilcox. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199672806.013.27.

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This chapter discusses the grey areas between conformity and separatism, and the problem of Puritanism in this context, beginning with the radical inheritances of England’s earliest underground separatist Protestant congregations in 1560s London, the evolved separatism of Dorothy Hazzard’s Bristol house church, and the connections between the Leveller Katherine Chidley, the Independent William Greenhill, and the Fifth Monarchist Anna Trapnel, as an example of the points of unity felt by believers across a spectrum of occasional conformity and radical puritan dissent. It highlights Lord Brooke’s 1641 description of the subtle degrees of separation between ‘Conformist’, ‘Non-Conformist’, ‘Separatist and Semi-Seperatist’ (sic). He argues that the 1640s saw a coalescence of underground dissent with evolved sectarianism, largely enabled by Civil War conditions and Cromwellian rule, resulting in more free and strident expressions of the individual right to read and interpret Scripture, through the inspiration of the Holy Spirit.
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35

Barnard, John Levi. In Plain Sight. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190663599.003.0003.

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This chapter elaborates three primary elements of “black classicism” that African American writers, editors, and activists would develop in relation to dominant modes of classicism and monumental culture: the appropriation of the classically inflected rhetoric of revolutionary liberty to the cause of radical abolitionism; the critical juxtaposition of the neoclassical architecture of national buildings and monuments with images of the infrastructure of slavery; and the imaginative transformation of these buildings and monuments from icons of democracy and civilization to symbols of imperial hubris and harbingers of ruin. The chapter traces these developments through the pages of black newspapers and abolitionist polemics by radical figures such as David Walker, Henry Highland Garnet, and especially William Wells Brown. Brown draws together all the elements of antebellum black classicism in writings across a number of genres, from memoir and travel narrative to moving panorama, antislavery lecture, and finally his novel Clotel.
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36

Holmes, Colin. Searching for Lord Haw-Haw: The Political Lives of William Joyce. Taylor & Francis Group, 2016.

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37

Holmes, Colin. Searching for Lord Haw-Haw: The Political Lives of William Joyce. Taylor & Francis Group, 2016.

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38

Holmes, Colin. Searching for Lord Haw-Haw: The Political Lives of William Joyce. Taylor & Francis Group, 2016.

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39

Searching for Lord Haw-Haw: The Political Lives of William Joyce. Taylor & Francis Group, 2016.

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40

Shakespeare, William. Winter's Tale by William Shakespeare the New Annotated Edition. Independently Published, 2020.

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41

Shakespeare, William. Winter's Tale by William Shakespeare an Annotated Literary Edition. Independently Published, 2020.

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42

Tyson, Timothy B. Radio Free Dixie: Robert F. Williams and the Roots of Black Power. University of North Carolina Press, 2009.

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43

Tyson, Timothy B. Radio Free Dixie: Robert F. Williams and the Roots of Black Power. University of North Carolina Press, 2009.

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44

Radio Free Dixie: Robert F. Williams and the Roots of Black Power. The University of North Carolina Press, 2001.

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45

Horne, Gerald. Patterson and Black Power. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037924.003.0013.

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This chapter examines the contradictory trends that buffeted black America in the 1960s. On the one hand, the edifice of Jim Crow had begun to crumble, a reality that received legislative sanction in 1964 and, notably, 1965, with the passage of the Voting Rights Act. On the other hand, this victory was attained while the most sophisticated, cosmopolitan, and battle-ready fighters—W.E.B. Du Bois, Shirley Graham, Claudia Jones, Paul Robeson, Ben Davis, and William Patterson—were under attack, with courage required to associate with them. Among these were the spectacular rise of the group that came to be called the Nation of Islam, which had been founded decades earlier but only gained traction in the 1960s when the “other” radical alternative—represented by Patterson—was battered and bludgeoned.
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46

Cannon Harris, Susan. Arrested Development: Utopian Desires, Designs and Deferrals in Man and Superman and John Bull’s Other Island. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424462.003.0003.

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This chapter draws on queer theories of futurity and the history of British socialism to explore Shaw’s radical ambivalence about Irishness and about utopian desire – which were, for him, intimately linked. Shaw’s repudiation of socialist praxis in favor of reproductive futurism in Man and Superman masks his shame about the anti-productivity associated with Irishness. Shaw’s treatment of Ireland and Irishness in Man and Superman, nevertheless, becomes an outlet for his deep discomfort with the developmental logic undergirding both evolutionary theory and capitalism. Shaw recognised the Ireland depicted by the Irish Players during their London visits in 1903 and 1904 as a place outside of developmental logic, in which Shaw might re-present the utopian desires he had rejected after the Avenue Theatre catastrophe. By excavating the role that Ebenezer Howard’s Garden City project once played in John Bull’s construction, this chapter shows how deeply bound up Shaw’s first Irish play was with the socialist dream of land nationalization and with William Morris’s faith in design. Through a reading of Father Keegan, this chapter argues that the play’s failure to develop a coherent plot helps preserve the hope that Ireland might yet become the site of radical change.
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47

Van Den Bos, Kees. Violent Rejection of Law and Democratic Principles. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190657345.003.0009.

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Chapter 9 discusses when radical thoughts and associated feelings shift to radical and extremist behaviors. The chapter aims to delineate the ontogenesis of radical behavior by arguing that the active rejection of democratic principles and the rule of law is an important phase in various radicalization processes. This usually takes place via processes of delegitimization. Thus, when people put their own right before the right of others in open societies, this may well serve as a red flag for those interested in trying to prevent the onset of violent and illegal extremism. When people are willing to break the law to obtain their goals, possibly by violent means, this is an important signal that something is seriously going wrong. Evil as a motive and the justification of violence are important antecedents of political violence, religious violence, and terrorism. These insights can be used for the prevention of extreme radicalization.
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48

Shakespeare, William. Winter's Tale by William Shakespeare the New Fully Annotated Edition. Independently Published, 2020.

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49

Allen, Barry. Empiricisms. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197508930.001.0001.

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Empiricisms reassesses the values of experience and experiment in European philosophy and comparatively. It traces the history of empirical philosophy from its birth in Greek medicine to its emergence as a philosophy of modern science. A richly detailed account in Part I of history’s empiricisms establishes a context in Part II for reconsidering the work of the so-called radical empiricists—William James, Henri Bergson, John Dewey, and Gilles Deleuze, each treated in a dedicated chapter. What is “radical” about their work is to return empiricism from epistemology to the ontology and natural philosophy where it began. Empiricisms also sets empirical philosophy in conversation with Chinese tradition, considering technological, scientific, medical, and alchemical sources, as well as selected Confucian, Daoist, and Mohist classics. The work shows how philosophical reflection on experience and a profound experimental practice coexist in traditional China with no interaction or even awareness of each other. Empiricism is more multi-textured than philosophers tend to assume when we explain it to ourselves and to students. One purpose of Empiricisms is to recover the neglected context. A complementary purpose is to elucidate the value of experience and arrive at some idea of what is living and dead in philosophical empiricism.
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50

Mason, Emma. What is Catholic is Christian. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198723691.003.0002.

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This chapter explores Rossetti’s radical reading of creation in her earliest poetry as an interconnected body held together by grace in relation to Tractarianism. It discusses her membership of the Christ Church, Albany Street community, and the renewed Anglicanism, or Anglo-Catholicism, she discovered there through figures such as Edward Bouverie Pusey and William Dodsworth. It shows how her vision of a revealed and interconnected cosmos originates in Tractarianism’s promotion of a universal Catholicism founded on a unity of all things as well as its commitment to religious education for women. The chapter also focuses on Rossetti’s engagement with premillennialism and patristics, and introduces her fascination with the Second Advent and the end of time. Rossetti thought that Christ would not return, however, to an internally atomized creation. In response, she followed the Tractarian emphasis on communion and grace to envision a companionable fellowship of divine, human, and nonhuman.
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