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Books on the topic 'Whitii'

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Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Hoppen, Stephanie. White on white: Creating elegant interiors with classic whites. London: CIMA, 2000.

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2

White on white: Creating elegant rooms with classic whites. [Boston, MA]: Bulfinch, 2000.

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3

White collar hobo: The travels of Whiting Williams. Ames: Iowa State University Press, 1987.

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4

Unveiling whiteness in the twenty-first century: Global manifestations, transdisciplinary interventions. Lanham: Lexington Books, 2015.

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5

For my love of Africa. Harare, Zimbabwe: Pacprint Pvt Ltd., 2011.

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6

We have tomorrow: Stirrings in Africa, 1959-1967. Norwich [England]: Michael Russell, 2008.

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7

We have tomorrow: Stirrings in Africa, 1959-1967. Norwich [England]: Michael Russell, 2008.

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8

Graham, Kevin M. Beyond redistribution: White supremacy and racial justice. Lanham, Md: Lexington Books, 2010.

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9

Graham, Kevin M. Beyond redistribution: White supremacy and racial justice. Lanham: Lexington Books, 2010.

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10

Beyond redistribution: White supremacy and racial justice. Lanham: Lexington Books, 2010.

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11

White women's rights: The racial origins of feminism in the United States. New York: Oxford University Press, 1999.

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12

Kolpacki, Bernadette. Passages from whitin. New York: Vantage Press, 1990.

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13

Trepagnier, Barbara. Silent racism: How well-meaning white people perpetuate the racial divide. 2nd ed. Boulder, CO: Paradigm Publishers, 2010.

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14

The white scourge: Mexicans, Blacks, and poor whites in Texas cotton culture. Berkeley: University of California Press, 1997.

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15

Taking it like a man: White masculinity, masochism, and contemporary American culture. Princeton, N.J: Princeton University Press, 1998.

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16

Rush, Norman. Whites. London: Heinemann, 1986.

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17

Collett, Harry. Whitby. Skipton: Dalesman, 2000.

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18

Muller, David. Whitey. 2nd ed. Randburg, South Africa: Ravan Press, 1995.

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19

White women writing white: H.D., Elizabeth Bishop, Sylvia Plath, and whiteness. Westport, Conn: Greenwood Press, 2000.

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20

Trepagnier, Barbara. Silent racism: How well-meaning white people perpetuate the racial divide. Boulder, CO: Paradigm Publishers, 2010.

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21

Whiteness visible: The meaning of whiteness in American literature and culture. New York: New York University Press, 1998.

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22

White to white on Black/white. Vandalia, Ohio: Voices Pub., 1993.

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23

Steele, Shelby. White guilt: How blacks and whites together destroyed the promise of the civil rights era. New York: HarperCollins Publishers, 2006.

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24

Davis, W. E. The White lineage: William White, Hezekiah K. White, Mary K. White, J. Emmett White, J. Lawrence White, W. Cleve White, etc. [Glendale, Ohio] (1075 Morse Ave., Glendale 45246): W.E. Davis, 1985.

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25

Marked men: White masculinity in crisis. New York: Columbia University Press, 2000.

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26

Perry, Anne. Whited sepulchres. London: Headline, 1997.

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27

Whites Crossing. Carlisle, PA: Sunset Publications, 1995.

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28

Leatherwood, Betty Jean Lowry, 1920-, ed. Whiteis, Whitis, Whities: A family history. [S.l: s.n.], 1986.

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29

Whiteis, Whitis, Whities.: A family history. Mason City, Ia: Stoyles Graphic Services, 1997.

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30

Soutar, Monty. Whitiki Whiti Whiti E!: Maori in the First World War. Bateman Limited, New Zealand, David, 2019.

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31

Whiter Than White. Highland Books, 2002.

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32

1943-, Bridge Peter J., Teague Angela, and Dreezens Gail, eds. White blacks and black whites. Carlisle, W.A: Hesperian Press, 2008.

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33

author, It's Going Down, Kersplebedeb K. author, and Bromma author, eds. Ctrl-Alt-Delete: An Antifascist Report on the Alternative Right. Kersplebedeb Publishing, 2017.

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34

Pinn, Anthony B. Religion of White Supremacy in the United States. Lexington Books/Fortress Academic, 2017.

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35

Weed, Eric. The Religion of White Supremacy in the United States. Lexington Books, 2019.

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36

Andrew, Billingsley, Elam Ada M, and National Association for Equal Opportunity in Higher Education (U.S.), eds. Blacks on white campuses, whites on black campuses. [Washington, D.C.]: National Association for Equal Opportunity in Higher Education, 1986.

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37

Levine-Rasky, Cynthia. Working Through Whiteness: International Perspectives (Interruptions-Border Testimonies and Critical Discourse/S). State University of New York Press, 2002.

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38

Levine-Rasky, Cynthia. Working Through Whiteness: International Perspectives (Interruptions-Border Testimonies and Critical Discourse/S). State University of New York Press, 2002.

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39

Cynthia, Levine-Rasky, ed. Working through whitness: International perspectives. Albany: State University of New York Press, 2002.

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40

Milewski, Melissa. How to Litigate a Case Against a White Southerner. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190249182.003.0004.

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Chapter 2 traces the legal journey of African Americans who succeeded in litigating cases against white southerners in the 35 years after the Civil War. In many cases, they litigated suits against the very whites who had enslaved them. The chapter discusses why black southerners turned to the courts and the obstacles they met in attempting to litigate suits against whites. It follows black southerners as they hired lawyers, testified before crowded courtrooms, and appealed their suits to their state’s highest courts. It discusses as well why white lawyers represented black litigants, the motivations of white and black witnesses in such suits, and the considerations of juries and judges deciding civil cases between black and white southerners.

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41

Okamura, Jonathan Y. Raced to Death in 1920s Hawai i. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042607.001.0001.

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This book analyzes the larger racial significance of the quick conviction and death sentence given to a likely insane Japanese American, Myles Fukunaga, for murdering a White boy, Gill Jamieson, in 1928. The Fukunaga case demonstrates how race operated in Hawai‘i to enforce the hierarchical relations between Whites and non-Whites. In arguing that Fukunaga was raced to death, two different meanings of race are employed. First, he was hanged because he was of the “Japanese race” and committed his crime during the 1920s, when Japanese Americans were perceived as the most politically and economically threatening group to continued White supremacy in Hawai‘i. Second, Fukunaga was raced or rushed to his death sentence less than three weeks after his crime because Whites wanted immediate revenge. The book argues that the Fukunaga case was a major component in a trajectory of racial injustice against non-Whites, including Japanese and Filipino labor leaders who, after organizing multiplantation strikes in 1920 and 1924, were imprisoned based on likely perjured testimony. Fukunaga’s hanging is also connected to the lynching in 1932 of Joe Kahahawai, a Native Hawaiian, who was falsely accused of raping a White woman and was also raced to death. The book also discusses how incipient forms of colorblindness and multiculturalism were strategically deployed by Whites to deny the significance of race in the accelerated conviction of Fukunaga.

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42

Whiter Than White: The Daughter of the Land of Pure. Troubador Publishing Limited, 2017.

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43

Mellette, Justin. Peculiar Whiteness. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496832535.001.0001.

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Peculiar Whiteness argues for deeper consideration of the complexities surrounding the disparate treatment of poor whites throughout southern literature and attests to how broad such experiences have been. While the history of prejudice against this group is not the same as the legacy of violence perpetrated against people of color in America, individuals regarded as ‘white trash’ have suffered a dehumanizing process in the writings of various white authors. Poor white characters are frequently maligned as grotesque and anxiety-inducing, especially when they are aligned in close proximity to blacks or with other troubling conditions such as physical difference. Thus, as a symbol, much has been asked of poor whites, and various iterations of the label (e.g., ‘white trash,’ tenant farmers, or even people with a little less money than average) have been subject to a broad spectrum of judgment, pity, compassion, fear, and anxiety. Peculiar Whiteness engages key issues in contemporary critical race studies, whiteness studies, and southern studies, both literary and historical. Through discussions of authors including Charles Chesnutt, Thomas Dixon, Erskine Caldwell, William Faulkner, and Flannery O’Connor, the book analyzes how we see how whites in a position of power work to maintain their status, often by finding ways to re-categorize and marginalize people who might not otherwise have seemed to fall under the auspices or boundaries of ‘white trash.’

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44

Whiteness at the Table: Antiracism, Racism, and Identity in Education. Lexington Books/Fortress Academic, 2018.

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45

McManimon, Shannon K., Zachary A. Casey, and Christina Berchini. Whiteness at the Table: Antiracism, Racism, and Identity in Education. Rowman & Littlefield Publishers, Incorporated, 2020.

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46

1954-, Kaplan Jeffrey, ed. Encyclopedia of white power: A sourcebook on the radical racist right. Walnut Creek, CA: AltaMira Press, 2000.

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47

Elam, Ada. Blacks on White Campuses, Whites on Black Campuses (Nafeo Conference Series). Wilcox & Follett Book Co, 1987.

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48

Elam, Ada. Blacks on White Campuses, Whites on Black Campuses (Nafeo Conference Series). Wilcox & Follett Book Co, 1987.

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49

Foley, Neil. White Scourge: Mexicans, Blacks, and Poor Whites in Texas Cotton Culture. University of California Press, 1998.

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50

Thompson, Katrina Dyonne. Same Script, Different Actors. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038259.003.0007.

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This chapter examines the emergence of a distinct American entertainment culture, and specifically how scenes of blacks performing music and dance for whites directly influenced popular culture through the blackface minstrel show, fiction literature, travel narratives, and Southern folklore. It argues that these distorted images were recreated and further developed on the Northern stage through the rise of the American blackface minstrel show in the 1830s. It shows that white men performing in blackface in minstrel shows were mimicking black slaves while black slaves were presenting a facade of black culture that was forced upon them by white masters. Beyond the development of the blackface minstrel show as a major form of entertainment, scenes of enslaved blacks performing became the staple setting for popular fiction as well as proslavery and antislavery texts. This project recognizes blackface minstrelsy as a representation of whites imitating Southern white ideals and images of blackness.

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