Academic literature on the topic 'Whaiti Karanui'
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Journal articles on the topic "Whaiti Karanui"
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Antela, Borja. "Editorial." Karanos. Bulletin of Ancient Macedonian Studies 1 (November 8, 2018): 5–6. http://dx.doi.org/10.5565/rev/karanos.11.
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To launch a new journal is never an easy task. Given the wealth of digital journals on Antiquity available today, what is the point of creating another one? This question, along with many others, will have occurred to anyone who has ever entertained the notion of becoming a journal editor.
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Chapinal-Heras, Diego. "Archelaos I and the development of Macedon." Karanos. Bulletin of Ancient Macedonian Studies 5 (December 15, 2022): 11–29. http://dx.doi.org/10.5565/rev/karanos.75.
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The aim of this paper is to examine the figure of Archelaos I and developments in Macedon during his reign and the 5th century as a whole. Literary accounts point to what might have been an attempt to improve the administration and organization of the kingdom. A careful analysis of the sources is essential to understand the role played by Archelaos I, together with the position that Macedon occupied in the Greek world, in a series of developments during those years which offered the kingdom the opportunity to increase its power.
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Gruen, Erich Stephen. "The Coronation of the Diadochi." Karanos. Bulletin of Ancient Macedonian Studies 1 (November 8, 2018): 109–19. http://dx.doi.org/10.5565/rev/karanos.8.
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The year 310 B.C. witnessed the extinction of the Argead line. Cassander had ordered the murder of Young Alexander IV and his mother Roxane, widow of Alexander the Great. The kingdom of Macedonia was now without a king. Cassander’s deed cleared the way for the ambitious dynasts who controlled the armies and lands of the eastern Mediterranean. Yet no one stepped forth to claim the crown. The throne lay vacant for four years. In 306 the situation changed in dramatic fashion. Antigonus Monophthalmus took the title of King, and a chain reaction followed. Within a short span of time, Ptolemy, Seleucus, Lysimachus, and Cassander all acquired the same title. The Hellenistic world which had had no monarch for half a decade suddenly had a plethora of them. But what kind of monarchy, how viewed and how justified? The matter is important. It helped give shape to the age of Alexander’s Successors.
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Molina, Antonio Ignacio. "Luisa Prandi." Karanos. Bulletin of Ancient Macedonian Studies 5 (December 15, 2022): 95–101. http://dx.doi.org/10.5565/rev/karanos.98.
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Luisa Prandi (born in 1952) has showed a great interest in Classics and the Ancient World even from her earliest age. Her love for the Ancient Greek world arose during her studies at the University of Milan. As a student of distinguished scholars such as Marta Sordi (1925-2009), Luigi F. Pizzolato (1939-), Giuseppe Billanovich (1913-2000) and Orsolina Montevecchi (1911-2009), she learned from each of them a devotion for the study of the ancient sources that have made, with a great merit, that she becomes one of the best and most recognized scholars on the ancient world. She is, also, a main name in the research of the topic of the Historians of Alexander or Alexandrographers. These authors are fundamental for the knowledge of the Macedonian king: as she uses to argue, we cannot write a single word about Alexander overlooking them”. Writing about Alexander is a such a Herculean task, since there is no other figure of whom there are more historians with extreme contradictions among their accounts. It is almost impossible to say something new about Alexander, but to say about his historians, about whom so few fragments are available, is even more difficult.
Prof. Luisa Prandi’s brilliant versatility is quite a strange attribute among academics: she has showed many times her abilities to work directly with all kinds of sources (especially papyri), but always with a sober, serious, and noncontroversial approach. Readers will find in her a person of carefully taste concerning what to say and how to stress her opinions and views. That seriousness is reflected and witnessed when she writes, since she belongs to that wonderful school of researchers who are aware that theories will pass but the facts (sources) are the ones that remain. From that humility and that certainty, Luisa Prandi presents herself to our readers of Karanos.
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Razzak, J. A., S. P. Luby, L. Laflamme, and H. Chotani. "Injuries among children in Karachi, Pakistan—what, where and how." Public Health 118, no. 2 (March 2004): 114–20. http://dx.doi.org/10.1016/s0033-3506(03)00147-1.
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Waaka, Mere. "He Reo Reitū." He Rourou 1, no. 1 (November 4, 2021): 9–12. http://dx.doi.org/10.54474/herourou.1.1.2920212.
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I runga ngā kōrero whakawhiti a tōkū tumuaki o te Kura a Rohe o Uawa me Kahukuranui, ka kōrero hoki ki ētahi o ngā kaumātua / pakeke, otira mai ngā kai korero katoa, mai i te hāpori o Uawa ka whakaurahia te tauihu o tēnei kaupapa, kia tūteitei ai ki ngā whakangarungaru o te ao hurihuri nei, kia ora mo ake tonu atu. Ka karapinepine i ngā māramatanga me ngā kōrero tuku iho ā rātau mā ka whakatakoto i waenga i ngā reiputa o te iwi o Te Aitanga a Hauiti kia whiriwhiria mai ngā whenu o te karanga. I au e whakaritorito i ngā pūkōrero, ngā kai kōrero, ki ngā kōtiro hoki mai te whārua o Uawa, ka tō te aro, ki te hanga he rauemi, ki te whai take a hangarau, ki te pāhekoheko ki te ahurea wānanga, ki ngā horopaki o tēnei wā, ko te karanga hei ako. No reira, nā runga i te rongo i te karanga a te kura, te karanga a te hāpori kei te mimiti te reo karanga ki runga i ngā marae, ka pūmina ake te whakaaro, “he reo reitū” te kaupapa. Ko tōna tikanga ka āhei te ākonga ki te whanake, ki te whakapakari, ki te whakangungu, i runga i te tika me te pono, ngā whenu o te karanga. Ko rātau hoki te reo reitū, mo apōpō, hei kanohi mo te reo okawa, hei pupuri te reo mana-aki o te marae, kia ora ai tēnei taonga ki tua o pae. No reira ko te ahunga o te reo reitū kīhai ki ōku tīpuna, koinei te reo ka rangonatia ake e te ao wairua kārekau rawa e ōrite ana ki te kōrero ā-waha.
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Talaue, Gilbert M., and Tahir Iqbal. "Assessment of e-Business Mode of Selected Private Universities in the Philippines and Pakistan." International Journal of Online Marketing 7, no. 4 (October 2017): 63–77. http://dx.doi.org/10.4018/ijom.2017100105.
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The purpose of the study is to assess the e-business mode of the private universities in Pangasinan, Philippines and Karachi City, Pakistan. Specifically, it sought to find out the following: the profile of the websites of the private universities in Pangasinan, Philippines and Karachi, Pakistan in terms of technical aspects, services offered and website contents and its features; the level of e-business mode of these universities; and what can be evolved to address their stakeholders' needs for a more effective online business transaction. Descriptive method of research was utilized in this study. With the use of a documents and data analysis as data gathering tools, this study identified the e-business mode of the selected universities and suggested that these universities should level-up to assimilating mode to better serve their stakeholders. Based on the findings made, the followings conclusions were drawn: the status of e-business mode of private universities in Pangasinan and Karachi in terms of technical aspects is of the same level; when it comes to services offered, the ten universities offered the same services; in terms of website contents and features, it varies, but the basic features are present to the ten universities. In general, it can be concluded that the e-business mode of private universities in Pangasinan and Karachi falls under the same level, supporting mode level. It is recommended that the selected universities in Pangasinan and Karachi should upgrade their e-business mode to assimilating mode to better serve their stakeholders.
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Soomro, Tania Ali, Ayesha Agha Shah, and Yasira Naeem Pasha. "The Current State of Built Heritage in Karachi: The Case of Empress Market." Journal of Art Architecture and Built Environment 3, no. 1 (June 2020): 58–83. http://dx.doi.org/10.32350/jaabe.31.04.
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Modern Karachi has a fragmented and multifaceted social formation, while its historic core presents a diverse range of historical attributes of its built heritage. The increasing urban population of Karachi contributes heavily to its degradation including the degradation of its historical attributes. There is no effective heritage legislation and there are conflicts between what people do and what the government institutions do. Consequently, there is chaos and deterioration in the inner city. The city has been developing rapidly and the government has proposed many projects for the revival of the historic core of the city. However, most of them have not been successful. The objective of this research is to examine the situation in which heritage buildings face a serious threat. The current research focused on one such project, that is, the Empress Market ̶ the restoration and redevelopment of its historic precinct. It adopted physical observations, archival analysis, and site surveys along with photographic documentation and interviews of the local shop dwellers (especially to focus on the historical evolution of the building) as research techniques. The findings showed that the state of deprivation of the historic core of Karachi is the reflection of a collective devastation of the precinct in terms of social and historic values, which is further supported by the non-prevailing heritage legislative system. The research also investigates the present condition of the Empress Market in connection with its glorious past and urban decay befallen to it over time due to vandalism and the numerous restoration plans proposed for it over the years. The study can be beneficial to comprehend the ground realities concerning the survival of heritage properties within the cumulative urbanization process. The results can be used also to propose the rejuvenation of the lost splendor of the historic urban core of Karachi as a prototype for parallel development schemes.
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Khan, Nichola. "Sindh in Karachi: A topography of separateness, connectivity, and juxtaposition." Environment and Planning C: Politics and Space 38, no. 5 (March 4, 2020): 938–57. http://dx.doi.org/10.1177/2399654420909395.
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From imperial ‘unhappy valley’, to decapitated province, commercial capital, and 21st century megacity, this article reflects on relations of separateness and connectivity between Sindh and its capital city Karachi. These culminated in Pakistan’s post-Independence years, in official and political language, governances of national, provincial and city division, and political rhetoric and violence. The article asks what else might be uncovered about their relationship other than customary alignments and partitions between an alien urban behemoth and a provincial periphery. It develops a topographical view to refer to the physical arrangement of environments but also people’s profane, spiritual and political connections and losses involving place and dwelling. This is expanded through examples of land appropriations involving urban real-estate development, environmental migrations and displacement, the idiom of the hijra and Sufistic devotion, and ethnic nationalist and religious extremism. The article questions ways losses of ground and attachment might unite people across provincial divides in an alternative, forward motion of cohabitation. It reveals a multi-layered historical tracing of ways that Sindh, as it is lived in Karachi and vice versa, digresses and wanders through deep cross-regional dynamics and developments. These create new departures from self and place, and rebuff the tendency to centre ‘other’ knowledges as the starting-point and epistemology for studies of Karachi and Sindh. Last, Karachi is a useful optic for thinking about continuities of colonialism and postcolonialism, crisis and fracture in South Asia; ways these are infused with planetary urbanization dynamics, and local, regional and national developments that resist easy universalism.
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GAYER, LAURENT, and NIDA KIRMANI. "‘What You See is What You Get’: Local journalism and the search for truth in Lyari, Karachi." Modern Asian Studies 54, no. 5 (December 23, 2019): 1483–525. http://dx.doi.org/10.1017/s0026749x18000252.
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AbstractSituations of internecine warfare have in common to question the transitivity of everyday life—that is, its capacity to be taken for granted, to flow without any need for explication. These wars within the familiar generate specific anxieties about where to look at and what to believe. Events, persons, places, or objects whose status seemed hitherto undeniable become less predictable, while their worth comes into question. As individuals’ ontological security is threatened, the need for new monitoring devices and authentication procedures arises. Drawing on the phenomenology of civil wars and the anthropology of fakes, this contribution proposes to explore one such crisis of evidence: the nexus of political, ethnic, and criminal violence raging in Karachi's inner-city area of Lyari. Through the lens of local journalism, it reflects upon the tactics of social navigation deployed by residents confronted with chronic uncertainty in all sectors of life. Janbaz, the Urdu newspaper examined here, provides an opportunity to move beyond functionalist readings of the press in conflict situations. While insisting upon the pleasure derived by Janbaz’s readers from the sensationalized rendering of Lyari's predicament, we argue that the newspaper is the site of a continuous series of ‘reality tests’ and the focal point of private and collective investigations, pooling knowledge in an increasingly undecipherable environment. More than through its information, it is through its shortcomings that Janbaz has helped to recreate social ties in a world plagued by discord and uncertainty.
Books on the topic "Whaiti Karanui"
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Khan, Nichola, ed. Cityscapes of Violence in Karachi. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190656546.001.0001.
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This book enlists some controversies that understanding, writing about and publishing on violence in Karachi entails. It brings into conversation some prominent academics—including anthropologists and political scientists—journalists, writers and activists. This diverse coalition provokes shifts away from recursive academic and media scripts of the city toward a different “counter-public” of cultural and political commentary, as the contributors critically unpack the constitutive relation of violence to personal experience and also seek to create new understandings that are tentatively shared. The approach to counterpublicking is organized around three overlapping schema. These are: social science and ethnography; epochal or historical transformation; and oral history and personal memoir. Drilling down into Karachi’s city neighborhoods, the chapters examine ways violence is textured locally and citywide into protest drinking, social and religious movements, class and cosmopolitanism, gang wars, the fractured lives of militants, press censorship and the effects on journalists, uncertain continuua between state political and individual madness, and ways the painful shattering of some worlds produces dreams of others. While the individual chapters each provide fresh insights, the collective ethics of rewriting, rethinking or cajoling Karachi’s landscape into other forms is more dynamic and unclear, and one being worked out in public. Chapters are by Nadeem F. Paracha, Laurent Gayer, Zia Ur Rehman, Nida Kirmani, Nichola Khan, Oskar Verkaaik, Arif Hasan, Razeshta Sethna, Asif Farrukhi, Kausar S. Khan, Farzana Shaikh, and Kamran Asdar Ali. Collectively, they comprise a singular and important contribution for all those spirited to understand what went wrong with Karachi.
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Farrukhi, Asif. People All Around You. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190656546.003.0002.
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This chapter by Asif Farrukhi pays tribute to the Karachi-based poet Azra Abbas. Farrukhi presents a poignant selection of eleven of Abbas’ poems. These poems address experiences of fear, loneliness, grief, death and shock, in ways that political and random acts of violence insinuate themselves into domestic, commonplace experiences of “ordinary” everyday life in Karachi. Farrukhi shows how, in moving away from the traditional ghazal form of Urdu poetry, Abbas carved out a distinctive, unconventional style of gritty resistance. His relationship to Abbas’ work, and to the poems themselves, raise broader questions around how to articulate suffering in words, what languages are appropriate to capture pain, and how poetic forms may capture a fiery expression of outrage and resistance to violence.
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Wolf, Richard K. The Voice in the Drum. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038587.003.0009.
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This chapter describes Muharram Ali's conversations with a dhol player named Hashim about the drumming rituals as well as the drummers and the drum patterns in Karachi. Hashim also talked about how he and the other dhol players would take turns beating the four tarzs: savārī, mātam, kalmah, and dhīmā. Ali raised for discussion the Bharatpur group's idea about the kalmah pattern. According to Hashim, those on procession get enjoyment (mazah) out of Muharram drumming in general and that such drumming alerts those in the area to what is going on. Ali also made notes and comments on Census of India report (1961) on Muharram in Delhi, Lucknow and Hyderabad. Finally, he acknowledged that the verbal meanings of the drum patterns were cloaked in clouds of subjectivity and hazy memory.
Book chapters on the topic "Whaiti Karanui"
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Shirazi, Somayeh Noori. "The Articulating-Self Inside Out." In Under the Skin, 73–86. British Academy, 2020. http://dx.doi.org/10.5871/bacad/9780197266748.003.0006.
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This chapter maps the different ways with which an Iranian woman artist, Katayoun Karami, critically responds to the stereotypes about the depiction of cultural identity in the artworks of female artists with a Middle Eastern background. The key point of Karami's response is the way she applies her self–portrait to articulate the self and her subjectivity, which is analysed in this chapter by examining one of her works named the Other Side. In this installation, the artist demonstrates the construction of gender identity in today's Iran through her personal perception of veiling. Working within the frameworks of feminist and Orientalist discourses, this chapter aims to explore how Karami's lived experience as a continual activity of becoming has been formed through the experience of veiling, and what strategies are deployed by her to interrogate the presumptions about the image of the veiled body in Western and Iranian contexts.