Academic literature on the topic 'Western-Style painting (yōga)'
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Journal articles on the topic "Western-Style painting (yōga)":
Swift, Helen. "An Artistic Nature: Kōno Michisei’s <i>Self-Portrait</i> (1917)." Ars Orientalis 53 (December 15, 2023). http://dx.doi.org/10.3998/ars.4987.
Dissertations / Theses on the topic "Western-Style painting (yōga)":
Yu, Yue. "La diffusion et la réception des arts graphiques japonais modernes en France (1919-1939)." Electronic Thesis or Diss., Université de Lille (2022-....), 2023. http://www.theses.fr/2023ULILH062.
During the 1920s and 1930s, Japan and France enjoyed particularly rich cultural exchanges. Many Japanese artists came to Paris to study Western painting, some going so far as to compete in Parisian Salons. At least 200 artists exhibited at the parisiens Salons. On the Japanese side, for example, 32 group exhibitions of Japanese artists were organised in France during this period, either by the imperial government or on the initiative of the artists themselves. More than 70 solo exhibitions in Parisian galleries were also dedicated to Japanese artists. On the French side, the art dealer Herman d'Oelsnitz and the Société d'art franco-japonaise organised no fewer than 23 exhibitions of French art in Japan. In 1928, masterpieces from the Musée du Luxembourg were sent to Tokyo, while an exhibition of Japanese art was held at the Musée du Jeu de Paume in 1929. After this exhibition, apart from the 13 paintings bought by the French state, 81 paintings and 31 decorative arts were sold to private collectors. As for prints, 19 were bought by the French State. These particularly intense relations lead us to ask questions such as: why did Japanese artists come to Paris? What selection criteria did Japan adopt for exhibitions of Japanese art? How were Japanese artists and their works perceived in France? What type of work was acquired in France, Japanese-style painting (nihonga) or Western-style painting (yōga), or both? The analyses will pave the way for a better understanding of the dynamic exchanges between Japan and France, exchanges whose importance is also reflected in today's art world
Books on the topic "Western-Style painting (yōga)":
Inoue, Yasushi, Tadao Ogura, Kawakita Michiaki, and Hideo Tomiyama. Yōga. 8th ed. Tōkyō: Gyōsei, 1990.
Kuroda, Jūtarō. Kyōto yōga no reimeiki. Kyōto-shi: Yamazaki Shoten, 2006.
Furuta, Ryō. Kindai yōga no kaitakusha Takahashi Yuichi. [Japan]: Yomiuri Shinbunsha, 2012.
Bijutsukan, Uehara Kindai. Korekushon: Nihon kindai yōga hen. Shizuoka-ken Shimoda-shi: Zaidan Hōjin Uehara Kindai Bijutsukan, 2005.
Furuta, Ryō. Takahashi Yuichi: Nihon yōga no chichi. Tōkyō: Chūō Kōron Shinsha, 2012.
Winther-Tamaki, Bert. Maximum embodiment: Yōga, the western painting of Japan, 1912-1955. Honolulu: University of Hawaiʻi Press, 2012.
Kang, Tŏk-hŭi. Western-style painting in Japan: Adaptation and assimilation. 8th ed. Tokyo: Sophia University Press, 2008.
Kagioka, Masanori, and Akiyo Kawamura. Meisaku de tadoru kindai Nihon yōga no ayumi ten. Kōchi-ken Kōchi-shi: Kōchi Kenritsu Bijutsukan, 1998.
Bijutsukan, Ōhara. Ōhara Bijutsukan korekushon, shugyoku no Nihon yōga ten. [Mito-shi]: Ibaraki-ken Kindai Bijutsukan, 2004.
Bijutsukan, Mie Kenritsu. Mie Kenritsu Bijutsukan korekushon ni yoru "Nihon yōga no rekishi" ten. [Mito-shi]: Ibaraki-ken Kindai Bijutsukan, 2000.