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Relevant bibliographies by topics / Wen yuan ge (China)

Academic literature on the topic 'Wen yuan ge (China)'

Author: Grafiati

Published: 26 July 2024

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Journal articles on the topic "Wen yuan ge (China)"

1

Belaya, Irina. "Song of the Great Dao of the Spiritualized Source: Preliminary Study." Voprosy Filosofii, no. 5 (July 2024): 178–89. http://dx.doi.org/10.21146/0042-8744-2024-5-178-189.

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The article is devoted to the study of the Song of the Great Dao of the Spiritualized Source (Ling yuan da dao ge). This is a work on Daoist “inner alchemy”, which describes the process of transforming the spirit and the breath in poetic form. The author of Ling yuan da dao ge was the Daoist nun and poetess Cao Wen-yi (1039–1115). Cao Wen-yi is the only woman-philosopher who wrote a commentary on the Dao De jing, which has survived to this day in the Daoist Canon (Dao zang). Her talents were highly appreciated by Emperor Huizong, who granted her the title “Excellent in Literary Talent” (Wen-yi zhen-ren). The goal of the study is to highlight the most important ideological and theoretical components of the Song of the Great Dao of the Spiritualized Source. As a result of the study, the cultural and historical environment of this work was reconstructed, its earlier list written in prose was identified, the dating of the full version of Ling yuan da dao ge was clarified, and its content features were revealed. The main task of the Song of the Great Dao of the Spiritualized Source is to explain the principle of simultaneous improvement of inner nature and vitality (xing ming shuang xiu). This principle became the main vector of development of Daoist psychophysiological methods, starting from the Song era. Improving the inner nature, according to Cao Wen-yi, is achieved by detaching the heart from feelings and desires. This state is called “no heart” (wu xin) and is the “true heart of the Dao”. Improving vitality is achieved through breathing exercises, which should be based on the principles of suchness (zi ran) and non-action (wu wei).

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2

Ning, Xiao, and Cong Li. "The Research on the Change of Parent Agency of Wen Yuan Ge in 1925." Museum 4, no. 5 (October 1, 2020): 51–59. http://dx.doi.org/10.3724/2096-1715.2020.004.005.051.

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3

Chen, Rubi. "The Characteristics and Significance of Gu Zhi’s Annotations and Research on the Poetry of Wei and Jin Dynasties." SHS Web of Conferences 168 (2023): 02026. http://dx.doi.org/10.1051/shsconf/202316802026.

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All his life, Gu Zhi was interested in the literature research of Han, Wei and six Dynasties, especially focusing on the annotated Wei and Jin poems. His imagination and interpretation of Wei Jin is centered on Wei Jin poetry notes, including Wei Jin poetry notes as evidence, poetry creation as dictionaries, and business interests as righteous people. The academic path embodied in the poetry of Guzhi Wei and Jin With the characteristics of traditional scripture “commenting on scripture and making notes”, academic resources are immersed in the essence of classical scripture and history under the system of classical scripture and history, and academic vision hovers under the overall style of integrating the old and the new. Further expanding this Wei-Jin poetry activity will touch the Wei-Jin complex that is fashionable among the Republic of China. Gu Zhi (1885-1959), character Gongyu, trumpet layer ice, Yuan, Zhengfu, Gusheng.Pangxi, Longwen Township, Mei County, Guangdong villagers. His life is scattered in many literary and historical materials, and his son Gu Chengye’s “Outline of the Genealogy of Gu Zhi Nian” is the most detailed record of his life process. Gu Zhi was born into a poor family and lived in poverty at an early age, but according to his early wisdom, he studied his own. At the age of 16, he went to Xingning to learn from Mr. Luo Yiyun, a suru who was “very good to Mr. Luo”, and saw Mr. Luo’s collection of books such as “Zhaoming Wenxuan” and “Zizhi Tongjian”, especially “Wenxuan”, which laid the foundation for later intensive study of the literature of the Six Dynasties of Han and Wei. In 1906, he joined the “Chinese League Association” and since then has followed Dr. Sun Yat-sen to actively carry out democratic revolutionary activities. In November 1911, Gu Zhi, Zhong Dong and others organized an uprising in Meicheng and recovered Meixian in one fell swoop. In the following ten years, Gu Zhi was engaged in revolutionary propaganda and government affairs, and vigorously established schools. In 1921, he went to Lushan Jiangxi Province in February to build a grass house, named “Ge Taozhai”, and leisurely had the intention of returning to seclusion. During this period, he wrote three volumes of “Wang Rongfu Wenji”, one volume of “Zhuge Wuhou Annals”, four volumes of “Tao Jingjie Poems”, and one volume of “Tao Jingjie Poems and Notes”, together with other poetry works, collected into twelve volumes of “Wuwen Collection”. The book of seclusion, which is becoming more and more mature academically. During the Great Revolution, he was employed as a professor at Guangdong University. In 1926, Guangdong University changed its name for Sun Yat-sen University. In 1928, he was invited by Sun Yat-sen University to return to the university to preside over the Chinese department, where he remained until 1938. During this period, he wrote “Cao ZiJian poetry Notes” “Ruan Si Zong Yong Huai Poetry Notes” “Five Types of Layer Ice Hall”. After the fall of Guangzhou in 1938, Gu Zhi returned to his hometown, resumed Meinan Middle School, served as the principal, created the Meinan Literature Museum, publicized the War of Resistance, and covered the revolutionary activities of the Communist Party. After the liberation of Guangzhou, he was first employed as a counselor of the provincial counsellor’s office, and later became a librarian of the provincial museum of culture and history and a member of the provincial CPPCC. After that, Gu Zhi enthusiastically praised the construction of New China, wrote “Liberation of Poetry Banknotes”, and prepared to rearrange the old works. He died of illness in Guangzhou in 1959 at the age of 74. From the 20s to the 50s of the 20th century, Gu Zhi lasted for more than thirty years, focusing on Wei and Jin poetry notes, and worked hard. Gu Zhi’s notes on Wei and Jin poetry mainly focus on the poems of Cao Zijian, Ruan Zhi and Tao Yuanming, especially the comprehensive study of Tao Yuanming, which can be said to have exhausted his life’s energy.

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4

Pham, Lee-moi, and Kuan-yun Huang. "NEWLY EXCAVATED TEXTS IN THE DIGITAL AGE: REFLECTIONS ON NEW RESOURCES." Early China 37 (July 9, 2014): 551–65. http://dx.doi.org/10.1017/eac.2014.9.

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AbstractBased on a special issue entitled “Newly Excavated Texts in the Digital Age,” volume 21.2 (June 2011) of the Newsletter of the Institute of Chinese Literature and Philosophy, Academia Sinica (Zhongyang yanjiu yuan Zhongguo wen zhe yanjiu suo tongxun 中央研究院中國文哲研究所通訊), this article reflects on the various digital resources now being developed at institutions in China, Hong Kong, Taiwan and elsewhere, looking, in turn, at topics related to the graphic form of characters, the relation between character and word, and the question of context. In addition, the article considers the web forum, a platform of research and discussion that is increasingly becoming a part of scholarly exchange.

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5

Cartier, Michel. "Wen-yuan Qian, The Great Inertia : Scientific Stagnation in Traditional China, Londres-Sydney-Dover-New Hampshire, Croom Helm, 1984, XII + 155 p." Annales. Histoire, Sciences Sociales 40, no. 4 (August 1985): 957–58. http://dx.doi.org/10.1017/s0395264900084432.

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6

Ying, Wang. "Writings on Patriotic Theme in Chinese Autobiographical Literature of the Song Dynasty China (960-1279." European Journal of English Language and Literature Studies 11, no. 6 (June 15, 2023): 58–81. http://dx.doi.org/10.37745/ejells.2013/vol11n65881.

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After the Yuan Army invaded the Central Plain at the end of the Song Dynasty, the Song Empire was broken. Faced with the atmosphere and historical background of the national crisis, the Song scholar-official class generally set up a moral standard and value system of "taking the world as their own duty", regarded loyalty to the country and the emperor as the most righteous path, and made a political choice to consciously transform their identity from scholar-officials to military generals who would save the country from being battered. At the same time, patriotic climax and expression of personality became an inseparable unity. Take Wen tianxiang for example, their loyalty to the Song emperor and patriotism was highly unified with their personality, it has been widely praised by future generations. The outstanding scholars’ writings made a patriotic literature climax at the end of the Song Dynasty. It not only reflected the profound influence of neo-confucianism on the personality construction of the scholar-officials and literary intelligentsia in the Song Dynasty, but also accorded with the orthodox literary thought in the Late Song Dynasty. In their patriotic writings, their noble national integrity of serving the country with death, coupled with their superb talent and creative skills, endowed their works with the epic temperament of shining through the ages. Therefore, the Song scholar-officials’ patriotic writing made the Song Dynasty a highlight moment of patriotic writing in the history of Chinese literature.

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7

Zhao, Y. H. "The rise of metafiction in China." Bulletin of the School of Oriental and African Studies 55, no. 1 (February 1992): 90–99. http://dx.doi.org/10.1017/s0041977x00002664.

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Though it would be almost impossible to trace who first applied the term ‘Avant-Garde fiction’ (Xianfeng Xiaoshuo ) to a recent trend in Chinese fiction since 1985, it is an appropriate name in many respects. All the previous schools of fiction in modern China—Wound fiction (Shangheng Xiaoshuo ), Reform fiction (Gaige Xiaoshuo ), Re-thinking fiction (Fansi Xiaowen ), or Roots-Seeking fiction (Xungen Xiaoshuo )—received their names after their respective subject matters. The naming of Avant-Garde fiction itself seems to indicate that Chinese fiction has grown out of its thematic age to enter a new phase of life beyond themes.The earliest authors of Chinese Avant-Garde fiction—Can Xue , Ma Yuan , Hong Feng , Zhaxi Dawa , Mo Yan and others—are all based in remote areas far from the centres of modern Chinese civilization. This led some critics to the conclusion that literary modernity was at odds with modern urbanized culture. Hardly had such an argument been put forward when, towards the end of 1987, there appeared a new group of Avant-Garde writers—Su Tong with The escape of 1934 (Yijiu sansi nian de taowang— :), Sun Ganlu with The letter from the postman (Xinshi zhi han Ge Fei with The lost boat (Mizhou) and Yu Hua with One kind of reality (Xianshi yizhong)— all of them based in the Yangtze Delta, the most prosperous area of modern China. This would suggest, at least, that Chinese avant-gardism is not entirely dependent on economic-geographical conditions.

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8

Meng, Yan. "On the Narrative Strategy and Moral Value of The Main Theme Movie "Me and My Motherland"." International Journal of Education and Humanities 13, no. 3 (April 24, 2024): 216–20. http://dx.doi.org/10.54097/ww670c80.

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"My Motherland and I" is a film by Chen Kaige as the chief director, Huang Jiaxin as the chief producer, Zhang Yibai, Guan Hu, Xue Xiaolu, Xu Zheng, Ning Hao, Wen Muye co-directed, Huang Bo, Zhang Yi, Wu Jing, Du Jiang, Ge You, Liu Haoran, Chen Feiyu, Song Jia and other people co-starring in a drama film. The film depicts the experiences of seven ordinary people who are closely connected with major national events, and through the perspectives of small characters, shows the deep connection between ordinary people and the country in the 70 years since the founding of New China. Since the film itself was made to celebrate the 70th anniversary of the founding of New China, it is of great research value. This paper aims to study two questions: one is to study the professional narrative strategies used in the film; The second is to sum up the educational significance and moral value of the film. Therefore, this thesis starts from the narrative strategy and moral value of the film, analyzes the content of the film "My Country and I", and explores the far-reaching value expressed by the whole film.

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9

Stöckelová, Tereza, and Jaroslav Klepal. "Chinese Medicine on the Move into Central Europe: A Contribution to the Debate on Correlativity and Decentering STS." East Asian Science, Technology and Society 12, no. 1 (March 1, 2018): 57–79. http://dx.doi.org/10.1215/18752160-4261723.

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Abstract Contributing to the ongoing debate on decentering science, technology, and society (STS) from Western contexts, this article elaborates on and reconsiders Wen-yuan Lin and John Law’s proposal for correlative STS (“A Correlative STS” 2014). Like them, we empirically draw on Chinese medicine (CM) and its relation to biomedicine, but we explore the modes by which CM was enacted in the historical, political, and sociomaterial settings of socialist and postsocialist Central Europe. We show that not only specific correlations but also correlativity itself—as the ontological stance of the actors—are situated and can shift. Our argument regarding STS is twofold. First, while Lin and Law argue that STS needs to develop an appropriate mode of betrayal when translating across ontological differences from a source language to a destination language (Western analytics), we show that in our case an ethnographer cannot find any single source language. Consequently, we argue that STS should study actors’ modes and moves of betrayal and their doing ontology as an open process. Second, unlike Lin and Law, who postulate the Chinese mode of international as “subtle” and “minimalist” and an alternative to the Western mode (Lin and Law 2013), we argue that with the rise of China and the changing world political economy, STS needs to be more attentive to dominating expansions that come from non-Western locations as much as from the West.

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10

Meng, Xiangwei, Xue-ping Gao, Wen-zhong Zhang, and Yun-peng Jiang. "EXPERIMENTAL FORMULA FOR THE WAVE-INDUCED SHIP MOORING FORCE." Coastal Engineering Proceedings 1, no. 32 (January 19, 2011): 61. http://dx.doi.org/10.9753/icce.v32.waves.61.

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The wave force dose not considered at the formula of mooring ship cable force in the Load Code for Harbor Engineering[JTJ215-98]. This brought the inconvenience to the calculation of designed cable force for mooring ship. By means of analysis for the laboratory model test result of mooring ship cable force under wave effect, Wave force formula of mooring ship under wave effect was gained. This formula well reflected the influence of ship size, ship load , ship rolling period, ship pitch period, wave period and wave height. The formula can be used in the calculation of standard value of mooring ship cable force under the wave effection, also it can be used to instruct the wave model test for mooring ship. References Zhang Ri-xiang. Liu Zhong-bo. Zhang Ning-chuan. 2003 .An Experimental Study on the Mooring Line Forces & Impact Forces of a Moored Ship Under the Combined Action of Wind,Wave and Current [J].,China offshore Platform, (01).15-18. Li Yan. Zheng Bao-you.Gao Feng. Meng Xiang-wei.2007.Model test study on the impact forces and mooring line forces of a moored ship under the combined action of wave and current [J].;The Ocean Engineering, (02).57-63. Ministry of transport of the People's Republic of China(1998).The Load Code for Harbor Engineering(JTJ215-98). [S]. Jiang Qing. Ge Hong-zheng.Xie Peng.2007.Influence of Ship's Type and Tonnage on the Ship's Mooring Force [J]. Port & Waterway Engineering, (09).51-59. Wu Xiuhuan. 1999.Ship and maneuverability and seakeeping [M]. Ministry of transport of the People's Republic of China. p220. Zhang Wen-zhong. Etc.(2006): Model test of Mooring LNG ship at Jiangsu Provence, Tianjin Port Engineering Institute Ltd. of CCCC.

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Dissertations / Theses on the topic "Wen yuan ge (China)"

1

Li, Wen. "Shui shang fu sheng : yi ge bian yuan qun ti zai xian dai Zhongguo Guangdong Xijiang de xing cheng /." View abstract or full-text, 2006. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202006%20LIW.

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Du, Chen. "Gai ge kai fang shi qi de Zhongguo xin wen zheng ce : Zhongguo xin wen zheng ce zhi xing fen xi = Journalism policy in China since reform and opening : an analysis of journalism policy implementation in China /." click here to view the abstract and table of contents click here to view the fulltext, 2004. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b18515642a.pdf.

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Lam, Ho-kwong, and 林浩光. "Liu Xie's Wenxin Diaolong and Sikong Tu's Shipin : a comparative study in stylistics = Liu Xie "Wen xin diao long" yu Sikong Tu "Shi pin" feng ge xue bi jiao yan jiu." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hdl.handle.net/10722/209585.

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Lau, Man-shan Simon. "Learning on the conceptions of a Chinese culture a phenomenographic perspectives = Cong xian xiang tu shi xue jiao du kan yi ge Zhongguo wen hua gai nian de xue xi /." Click to view the E-thesis via HKUTO, 2000. http://sunzi.lib.hku.hk/hkuto/record/B31961733.

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廖麗暉 and Lai-fai Liu. "Chinese temple and Chinese community in colonial Hong Kong : a case study of Man Mo Temple in Sheung Wan = Hua ren miao yu yu zhi min di de Xianggang Hua ren she hui : yi Shanghuan Wen wu miao wei yan jiu ge an." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/192998.

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The Man Mo Temple（文武廟）Compound on Hollywood Road, Sheung Wan, which comprises three blocks, namely Man Mo Temple, Lit Shing Kung （列聖宮） and Kung Sor（公所）, were built in 1847 . The Temple was built mainly for the worship of Man Cheong (God of Literature, 文昌) and Mo Tai (God of Martial Arts, 武帝). It was important assembly hall where Chinese people discussed issues and resolved disputes in early colonial period. The Temple represented the traditional social organization and religious practices of the Chinese community in the past. The aim of this study examines the development of Man Mon Temple from 1840s to 1908. This thesis contains six main chapters. The first chapter is literature review of previous researches for Man Mo Temple, as well as presents the objectives and methodology of the thesis. The second chapter explores the reasons for its establishment. The third chapter describes the development of architecture of temple. The forth chapter describes and analyses the Guandi worship （關帝信仰）and Wenchang belief （文昌信仰）in Hong Kong. The fifth chapter evaluates the significance of Man Mo Temple on different periods. The temple provided religious service, also as sponsor the charitable work of the Chinese community. It analyses the change of the temple’s function in colonial period. The final chapter is a conclusion how the Man Mo Temple shift to accommodate changing needs of the colonial development.
published_or_final_version
Chinese Historical Studies
Master
Master of Arts

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6

Wang, Xiaoning. "Zhongguo gao deng yuan xiao zhu fang zheng ce : Beijing Qing hua da xue ge an yan jiu = Housing policy in China's higher education institutes : a case study of Tsinghua University in Beijing /." click here to view the abstract and table of contents, 1998. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b17040747a.pdf.

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7

Jin, Qiu. "Xin wen kuang jia yu "fu hao zhi xu" : dui Zhongguo "lao gong xin wen" zhi kuang jia yan jin de ge an yan jiu, 1979-2003 = News frames and the "symbolic order" : a case study of the evolution of the framing of workers in China, 1979-2003 /." click here to view the fulltext click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisft.pl?pdf=b20208303f.pdf.

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Wong, King-fai. "From the novel Fuxi Fuxi to the movie Judou a study of Chinese culture in the eyes of the west = Cong xiao shuo dao dian ying kan xi fang lun shu de Zhongguo wen hua : yi yuan zhu xiao shuo "Fuxi Fuxi" ji dian ying "Judou" wei li /." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31380268.

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9

Zhu, Xinhua. "A study on the development of superstructure of narrative text written by primary school pupils in four cities of China = Zhong guo si ge cheng shi xiao xue sheng ji xu wen pian zhang de shang ceng jie gou de fa zhan yan jiu /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B23295922.

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"Warrior gods and the Song-Yuan transformation of daoism." 2011. http://library.cuhk.edu.hk/record=b5894507.

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Liu, Jingyu.
Thesis (M.Phil.)--Chinese University of Hong Kong, 2011.
Includes bibliographical references (leaves 97-101).
Abstracts in English and Chinese; includes Chinese.
Introduction --- p.1
Chapter Chapter One --- The Prominence of Daoist Warrior Gods --- p.12
Chapter 1 --- Black Killer --- p.12
Chapter 2 --- Zhenwu --- p.19
Chapter 3 --- Marshal Deng Bowen --- p.29
Chapter 4 --- Marshal Wen Qiong --- p.32
Concluding Remarks --- p.34
Chapter Chapter Two --- The Cult of Marshal Wen in the Daoist Canon --- p.37
Chapter 1 --- Authorial Background --- p.37
Chapter 2 --- The Rites of Earth Spirits --- p.38
Chapter 3 --- "Hagiography of Grand Guardian Wen, Supreme Commander of the Earth Spirits" --- p.45
Chapter 4 --- The participation of Heavenly Master Daoism --- p.63
Concluding Remarks --- p.66
Conclusion --- p.68
Appendix --- p.72
"Hagiography of Grand Guardian Wen, Supreme Commander of the Earthly Spirits" --- p.72
地祗上將溫太保傳 --- p.84
"Addendum to the Hagiography of Grand Guardian Wen, Supreme Commander of the Earthly Spirits" --- p.91
溫太保傳補遺 --- p.94
Bibliography --- p.97

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Books on the topic "Wen yuan ge (China)"

1

Yang, Shiqi, and Chengxiang Wang. Wen yuan ge shu mu. 8th ed. Beijing: Zhonghua shu ju, 1985.

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2

MacFarquhar, Roderick. Wen hua da ge ming de qi yuan. 8th ed. Shijiazhuang Shi: Hebei ren min chu ban she, 1989.

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(China), Zhong yang ge ju yuan. Zhong yang ge ju yuan yuan shi wen ji, 1952-1992. [Beijing]: [Zhong yang ge ju yuan?], 1993.

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Qiu, Jiangning. Yuan dai zhong qi guan ge wen ren zhuan ji yan jiu. 8th ed. Beijing: Zhongguo she hui ke xue chu ban she, 2019.

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Fang, Zifen. Hui yuan li 6 hao: Wen ge xue lei qin li ji. 8th ed. Taibei Shi: Xiu wei zi xun ke ji gu fen you xian gong si, 2009.

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Fang, Zifen. Hui yuan li 6 hao: Wen ge xue lei qin li ji. 8th ed. Taibei Shi: Xiu wei zi xun ke ji gu fen you xian gong si, 2009.

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Xing zheng yuan jiao yu gai ge shen yi wei yuan hui (China), ed. Xing zheng yuan jiao yu gai ge shen yi wei yuan hui dang an wen xian zi liao. [Taipei?: Xing zheng yuan jiao yu gai ge shen yi wei yuan hui], 1997.

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Qin, Yan. Ma shang ge sang zi: Yuan dai ye li ke wen zuo jia qun ti yan jiu. 8th ed. Shanghai: Shanghai ren min chu ban she, 2017.

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Zhongshan, Wang, and Niu Yufeng, eds. Zhongguo guo min dang ge ming wei yuan hui juan. 8th ed. Shijiazhuang Shi: Hebei ren min chu ban she, 2001.

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Qiu, Jiangning. Yuan dai guan ge wen ren huo dong xi nian: The annals of central government literati's activities in the Yuan dynasty. 8th ed. Beijing Shi: Ren min chu ban she, 2015.

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