Relevant bibliographies by topics / Welsh Romances

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Welsh Romances'

Author: Grafiati
Published: 29 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Welsh Romances"

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Santos Neto, Amaury Garcia dos. "Violência e escapismo como lazer para os desvalidos em Trainspotting e Cola de Irvine Welsh." Aletria: Revista de Estudos de Literatura 31, no. 3 (2021): 187–208. http://dx.doi.org/10.35699/2317-2096.2021.26766.

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Este artigo analisa representações da experiência de lazer de personagens jovens pertencentes às classes trabalhistas da Escócia, nos romances Trainspotting e Cola, de Irvine Welsh, considerando o contexto histórico em que as narrativas se situam: a era Thatcher. Tal experiência, em meio a uma realidade de diminuição do estado de bem-estar, escassez de oportunidades e desemprego em massa, é atravessada por dois fatores: escapismo, evidenciado pelo uso de heroína; e violência, evidenciado pelo abuso de álcool e por disputas de torcidas organizadas de clubes de futebol, o chamado hooliganismo. B
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Mills, Marisa. "Brides and bridles. Rhiannon and the white horse during the Norman invasion of Wales." North American journal of Celtic studies 7, no. 2 (2023): 240–55. http://dx.doi.org/10.1353/cel.2023.a909949.

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ABSTRACT: Postcolonial scholars have observed how various aspects of the Four Branches of the Mabinogi reflect anxieties of the Norman Invasion of Wales. While these readings often center on examining the Norman influence as an outside threat, this article examines the First Branch of the Mabinogi as emphasizing the importance of wise leadership within Wales, specifically in terms of inter-Welsh interactions. I do this through the exploration of Rhiannon as a fairy mistress, a motif which proliferates the chivalric romance. While scholarship often interprets the fairy mistress as ‘other’ or ‘f
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Semyonov, V. B. "The laisse in Medieval Romance and Welsh literary opuses." Sibirskiy filologicheskiy zhurnal, no. 62 (March 1, 2018): 77–88. http://dx.doi.org/10.17223/18137083/62/6.

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Peregrine, Rhys. "'No Place For Women'?: Reframing How Green Was My Valley as a Classic Hollywood Woman's Picture." Welsh History Review / Cylchgrawn Hanes Cymru 32, no. 1 (2024): 156–85. https://doi.org/10.16922/whr.32.1.6.

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While How Green Was My Valley has been the subject of much criticism, there has been little effort to explain why it was so popular with contemporary Welsh cinemagoers – including with the female film fans who probably represented the majority of its audience. Although the picture has been dismissed as an essentially masculine one, it had much to offer a female audience, whether it was romance, emotional catharsis, attractive costumes, or its timely discussions of gender roles. Cinemagoing was a vital activity for many women in Wales and it is worth exploring how this defining Welsh film might
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Lazzaris, Fabiane, and Lauro Iglesias Quadrado. "A ressaca pós-industrial e o Laddism em Trainspotting." Aletria: Revista de Estudos de Literatura 25, no. 3 (2016): 49–65. http://dx.doi.org/10.17851/2317-2096.25.3.49-65.

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O artigo discute o impacto do cenário político e social das últimas décadas do século XX na produção literária escocesa, tendo como objeto de análise o romance Trainspotting (1993), de Irvine Welsh. Argumenta-se que o vácuo existencial potencializado pelo abuso de drogas não constitui o tema central da obra e que, na verdade, o livro problematiza o sentimento de letargia de uma geração desiludida com o modelo econômico da sociedade pós-industrial do fim do século XX. As drogas e a consequente inércia dos personagens de Trainspotting são representadas por Welsh como elementos de subversão em op
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6

Breeze, Andrew Charles. "King Arthur 'Dux Bellorum': Welsh Penteulu 'Chief of the Royal Host'." Traduction et Langues 18, no. 1 (2019): 38–55. http://dx.doi.org/10.52919/translang.v18i1.502.

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Although the North British hero Arthur (d. 537) is described in medieval romance as a king, he is not so termed in the earliest documents relating to him. The ninth-century 'Historia Brittonum' states merely that he fought 'cum regibus Brittonum' ('alongside kings of the Britons'), but was himself merely 'dux bellorum'. What this means has been long disputed. It has been taken to represent a senior rank in the Roman army, with Arthur as a commander of cavalry forces fighting up and down Britain. Closer analysis shows this as a fantasy. Comparison with medieval Welsh texts indicates that 'dux b
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Cichon, Michael. "Insult and Redress in Cyfraith Hywel Dda and Welsh Arthurian Romance." Arthuriana 10, no. 3 (2000): 27–43. http://dx.doi.org/10.1353/art.2000.0073.

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Casas Casals, Marilina, and Ana Isabel Guimarães Borges. "O efeito 2666 e o modelo fractal." Cadernos de Letras da UFF 32, no. 63 (2021): 78–100. http://dx.doi.org/10.22409/cadletrasuff.v32i63.51391.

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Este artigo parte de um exame da repercussão, do sucesso e das circunstâncias especiais da escrita e publicação internacional do romance para especificar o que está sendo chamado de efeito 2666. Procede-se assim para focalizar a análise dos paratextos e incipit (parágrafos iniciais) das diferentes partes de 2666 no horizonte do fractal e da fractalidade segundo Benoit Mandelbrot e Wolfgang Welsch e das temáticas da busca, da representação do horror sem mediações e da autoria. Com esta última toca-se a tentativa de superação dos limites do romance como gênero em 2666, relacionada com a questão
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Stalmaszczyk, Piotr. "From 'Ambassador' to 'Whisky': A Note on Celtic Elements in Contemporary Polish Vocabulary." Studia Celto-Slavica 4 (2010): 125–31. http://dx.doi.org/10.54586/ttdb1714.

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The paper discusses elements of Celtic origin present in contemporary Polish vocabulary. Polish did not have any direct contacts with the Celtic languages, however, some elements of Celtic (i.e. Irish, Scottish Gaelic, Welsh, Breton) origin entered it via other languages, especially English and French. Additionally, several early borrowings from Continental Celtic spread through Latin, and subsequently the Romance languages, to other languages, including Polish, thus becoming internationalisms of Celtic origin. For the purpose of this paper all such indirect borrowings will be referred to as ‘
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Sayers, William. "Anglo-Norman verse on New Ross and its founders." Irish Historical Studies 28, no. 110 (1992): 113–23. http://dx.doi.org/10.1017/s002112140001066x.

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Literary evidence for political and social developments in medieval Ireland comes down to us in a variety of languages: Latin; a rich and — by European standards — early production in the Irish vernacular; Old Norse; Middle English; with sparser reference in Old English, Welsh and other nearby linguistic communities. Some of this evidence, tightly circumscribed in time, is also in Anglo-Norman French, and reflects a very different Ireland from that of Arthurian romance. These Anglo-Norman works, composed in Ireland or in Britain on the basis of eye-witness testimony, constitute a unique body o
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Dissertations / Theses on the topic "Welsh Romances"

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Roberts, Helen A. "Romance idealism and insular realities : Chretien de Troyes, the Middle Welsh 'romances' and the English tradition." Thesis, University of Reading, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408879.

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Ito, Satoko. "The three romances and the four branches : their narrative structure and relationship with native Welsh lore." Thesis, Aberystwyth University, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.247260.

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Randler, Stephan. "Die Mentalität der "Generation X" dargestellt an ausgewählten Romanen und Verfilmungen der englischsprachigen Gegenwartsliteratur /." [S.l. : s.n.], 2004. http://www.bsz-bw.de/cgi-bin/xvms.cgi?SWB11675734.

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Nogueira, Anabela Garcia Ferreira Pinto. "R. S. Loomis, um celtizante à sombra do século XIX." Doctoral thesis, 2007. http://hdl.handle.net/1822/6681.

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Tese de Doutoramento na área de Ciências da Literatura, ramo da Literatura Medieval<br>Roger Sherman Loomis (1887- 1966) é um estudioso incontornável quando se estuda literatura medieval. Ele proclama a presença da mitologia céltica na literatura medieval e oferece-nos o seu trabalho detalhado no campo do romance arturiano: personagens, episódios, locais, motivos. Loomis defende que o material usado pelos conteurs, primeiro, e pelos escritores, depois, é de origem irlandesa e desenvolvimento galês. Para o provar, ele segue um método que tem cinco passos essenciais: isolar os vários elementos,
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Books on the topic "Welsh Romances"

1

Rachel, Bromwich, Jarman A. O. H, and Roberts Brynley F, eds. The Arthur of the Welsh: The Arthurian legend in medieval Welsh literature. University of Wales Press, 1991.

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2

Busby, Keith, and Roger Dalrymple. Arthurian literature: Comedy in Arthurian literature. D.S. Brewer, 2003.

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3

1945-, Pennar Meirion, Negus James, and Evans J. Gwenogvryn, eds. Peredur. Llanerch, 1991.

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4

Cichon, Michael. Violence and vengeance in Middle Welsh and Middle English narrative: Owein and Ywain and Gawain. Edwin Mellen Press, 2009.

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5

Over, Kristen Lee. Kingship, conquest, and patria: Literary and cultural identities in medieval French and Welsh Arthurian romance. Routledge, 2004.

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6

1812-1895, Schreiber Charlotte Lady, and Edwards, Owen Morgan, Sir, 1858-1920., eds. Mabinogion legends. Llanerch Publishers, 1992.

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7

Sioned, Davies, Thomas Peter Wynn, University of Wales. Board of Celtic Studies. Language and Literature Committee., and Cylch Trafod Rhyddiaith, eds. Canhwyll marchogyon: Cyd-destunoli Peredur. Gwasg Prifysgol Cymru, 2000.

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8

Bromwich, Rachel. Medieval Welsh literature to c.1400, including Arthurian studies: A personal guide to University of Wales Press publications. University of Wales Press, 1996.

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9

John, Matthews. Song of Taliesin: Stories and poems from books of Broceliande. Aquarian Press, 1991.

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10

Zimmer, Stefan. Die keltischen Wurzeln der Artussage: Mit einer vollständigen Übersetzung der ältesten Artuserzählung Culhwch und Olwen. Winter, 2006.

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Book chapters on the topic "Welsh Romances"

1

Henley, Georgia. "Romance and Identity." In Reimagining the Past in the Borderlands of Medieval England and Wales. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780192856463.003.0005.

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Abstract Chapter 4 focuses on three romances set in marcher contexts. The romance of Fouke le Fitz Waryn, set initially in Shropshire, depicts the disinheritance of Fouke III de Waryn (d. 1258) and his subsequent adventures during exile on the continent and in Wales, where he is assisted by his childhood companion Llywelyn ab Iorwerth. The History of William Marshal portrays the exceptional life of William Marshal (c.1146–1219) in chivalric terms, while The Awntyrs off Arthure at the Terne Wathelyn provides a counter-example of Arthurian border literature from the Anglo-Scottish borderlands. W
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2

Knight, Stephen. "3 A Forest, a Spring, and a Lion: Nature in Three Romances." In Medieval Welsh Literature and its European Contexts. Boydell and Brewer, 2024. http://dx.doi.org/10.1515/9781805433507-006.

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"Arthur in the Early Welsh Tradition." In The Romance of Arthur. Routledge, 2015. http://dx.doi.org/10.4324/9781315662015-10.

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Roberts, Ian. "Agreement marking in Welsh and Romance." In Eurotyp, edited by Henk van Riemsdijk. DE GRUYTER MOUTON, 1999. http://dx.doi.org/10.1515/9783110804010.621.

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Fulton, Helen. "Origins and Introductions." In Celts, Romans, Britons. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198863076.003.0004.

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The chapter compares different uses of the legend of Troy as a ‘Trojan preface’ to historical and literary texts in medieval England, Wales, and Ireland. Typically used to introduce narratives of nationalist significance, the ‘Trojan preface’ forms a distinctive genre that functioned to establish or confirm myths of national origin. The work of early historians such as Henry of Huntingdon and Geoffrey of Monmouth provides examples of the uses of Troy to construct a particular kind of English identity. In Welsh and Irish texts, the Trojan legend was inserted as a chronological milestone which a
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Hall, Edith. "British Imperialist and/or Avatar of Welshness?" In Celts, Romans, Britons. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198863076.003.0008.

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The WWI recruitment drive in Wales was extraordinarily successful. One strand in the propaganda that encouraged young Welsh men to enlist was the example of Caractacus, the ancient British leader who according to Tacitus had fought against the ancient Romans in Wales and, after capture, had delivered a defiant speech to the Emperor Claudius. Inaugurated by a stage play in Welsh by Beriah Gwynfe Evans, performed at a school in Abergele in 1904, there was an Edwardian craze in Wales for amateur theatrical performances by schoolchildren starring Caractacus. The trend was encouraged by the identif
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Flood, Victoria. "A Romance of England and Wales:." In Medieval Welsh Literature and its European Contexts. Boydell & Brewer Ltd, 2024. http://dx.doi.org/10.2307/jj.10405493.13.

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Connor, John T. "Parables of Survival." In Mid-Century Romance. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780191953057.003.0006.

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Abstract This epilogue traces a line of descent from the mid-century to the far side of postmodernism and our own contemporary moment. It begins with Raymond Williams in the 1980s urging writers and critics to break from the ‘long and bitter impasse of a once liberating modernism’. Williams’ target was the modernism of the cultural Cold War, its academic, New Left, and mass-cultural inscriptions, and the postmodernism he saw as its heir. In their place, he looked to install a countercanon of mid-century texts, including a communist historical novel by the Welsh writer Gwyn Thomas. This chapter
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Howlett, David. "The Start of the Anglo-Latin Tradition." In Latin in Medieval Britain. British Academy, 2017. http://dx.doi.org/10.5871/bacad/9780197266083.003.0002.

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The chapter surveys the beginning of Insular Latinity, with Gildas the Anglo-Latin tradition in the context of earlier Cambro- and Hiberno-Latin traditions, the distinctive approach to Latin among Insular peoples who spoke non-Romance vernacular languages, drastic changes with the arrival of Francophones at the Norman Conquest, and the relations between these Latin traditions and the emergence of the earliest and richest vernacular literatures, in Welsh, Irish, English, Norse, and French.
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"Walchen, Vlachs and Welsh: A Germanic ethnonym and its many uses." In Transformations of Romanness. De Gruyter, 2018. http://dx.doi.org/10.1515/9783110598384-026.

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