Relevant bibliographies by topics / Welcome

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Welcome'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 April 2022

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Journal articles on the topic "Welcome"

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Tsutsumi, Masaomi. "welcome Welcome to LEM21-Saitama." Proceedings of International Conference on Leading Edge Manufacturing in 21st century : LEM21 2011.6 (2011): _welcome—1—_welcome—2. http://dx.doi.org/10.1299/jsmelem.2011.6._welcome-1.

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Namba, Yoshiharu. "Welcome." Proceedings of International Conference on Leading Edge Manufacturing in 21st century : LEM21 2005.1 (2005): A1—A2. http://dx.doi.org/10.1299/jsmelem.2005.1.a1.

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Namba, Yoshiharu. "Welcome." Proceedings of International Conference on Leading Edge Manufacturing in 21st century : LEM21 2005.2 (2005): A1—A2. http://dx.doi.org/10.1299/jsmelem.2005.2.a1.

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Namba, Yoshiharu. "Welcome." Proceedings of International Conference on Leading Edge Manufacturing in 21st century : LEM21 2005.3 (2005): A1—A2. http://dx.doi.org/10.1299/jsmelem.2005.3.a1.

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Takeuchi, Yoshimi. "Welcome to LEM21-Osaka." Proceedings of International Conference on Leading Edge Manufacturing in 21st century : LEM21 2009.5 (2009): A1—A2. http://dx.doi.org/10.1299/jsmelem.2009.5.a1.

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Suzuki, Shinichi. "Welcome to ATEM'15." Abstracts of ATEM : International Conference on Advanced Technology in Experimental Mechanics : Asian Conference on Experimental Mechanics 2015.14 (2015): i. http://dx.doi.org/10.1299/jsmeatem.2015.14.i.

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Gill, Nick. "The suppression of welcome." Fennia - International Journal of Geography 196, no. 1 (May 27, 2018): 88–98. http://dx.doi.org/10.11143/fennia.70040.

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One way to interpret the organisation of refugee welcome in Europe is by thinking about the tension between the official response and the grassroots response to the events. This tension has evolved in different ways in different countries, but in general it is possible to distinguish between a bureaucratic tendency to abstract welcome into a specific problem or policy domain, and a different, often opposite, tendency to welcome in spontaneous, solidaristic and autonomous ways. Starting from the premise that welcome necessarily entails more than simply permitting entry and is inherently emotional and relational, this lecture explores a series of questions. How can genuine, spontaneous welcome be preserved under the pressure of statist and nationalistic logics and demands? How can we hold onto welcome as something meaningful when it seems to be under attack from not only right-wing nationalists and factions that draw spurious connections between refugees and security threats, but also the very architecture of bureaucracy? What relationship does welcome share with legalistic logics and practices? To what extent can welcomers and welcoming initiatives be supported by international cooperation, global organisational and communication systems, and resource-gathering mechanisms? And what role can research play in improving our understanding of welcome? By raising these questions the lecture aims to initiate a discussion about the nature, practicalities and possible futures of welcome in geography and the social sciences more broadly.
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O'Mahony, Barry. "Welcome." Journal of Contemporary Issues in Business and Government 20, no. 1 (December 23, 2014): 3. http://dx.doi.org/10.7790/cibg.v20i1.16.

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Friedman, Robert, and Han Reichgelt. "Welcome." ACM Inroads 4, no. 4 (December 2013): 34–35. http://dx.doi.org/10.1145/2537753.2537766.

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Lee, Newton. "Welcome." Computers in Entertainment 2, no. 1 (January 2004): 1. http://dx.doi.org/10.1145/973801.973802.

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Dissertations / Theses on the topic "Welcome"

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Bellman, Michelle Renae. "Welcome Home." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1616603316507065.

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Jakobsson, Malin. "Welcome Europe." Thesis, Högskolan Dalarna, Bildproduktion, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27096.

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Denna uppsats har som syfte att undersöka samt analysera klipptekniker och kameraarbete genom en jämförelse mellan Eurovision Song Contest år 2000 respektive år 2016. Detta för att visa på hur kamera och klippning påverkar bidrags konstnärliga uttryck samt diskutera en eventuell utveckling. Barry Salts arbete angående kopplingen mellan datainsamling och filmstil appliceras på denna uppsats och ger den dess metodologi. En djupgående analys på utvalda bidrag genomförs utifrån en multimodal infallsvinkel. Detta för att förtydliga förhållandet mellan diskurs och produktion och därigenom ge uppsatsen en beskrivning av klipptekniker och kameraarbetes vikt i bidragens individualitet. Uppsatsens undersökning samt analys visar på en förändring under åren. Speciellt i vilka tekniker som används för att uttrycka bidragens konstnärliga faktorer men det som kvarstår är viljan att anpassa det visuella arbetet efter varje bidrags specifika egenskaper.
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MATTSSON, CHARLOTTA. "Welcome to Uchronia." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-17352.

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For as long as I can remember words and stories have been my safe haven. Whenever the demands of the real world feel overwelming I take my refuge in my imagination. So I decided to base my collection on this world of mine, this haven. The materials and silouettes describe my world, each outfit describing a different charachter.
Program: Modedesignutbildningen
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Rabinovich, Daniel. "Welcome home, Flerovium!" Revista de Química, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/99443.

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Rocco, Madeline. "Welcome to the Family." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/762.

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My family is a collection of characters and big personalities, often with very strange, but brilliant characteristics and interests. When looking for a model that would be consistent with the look and concept I envisioned – witty, comedic, populated with eccentric characters, with carefully and specifically detailed visuals – the films of Wes Anderson, particularly The Royal Tenenbaums (2001), Moonrise Kingdom (2012), and The Grand Budapest Hotel (2014), came to mind immediately. Each of his stories is very deliberately structured with a playful sense of chaotic charm, which is the tone I hope to capture in my storytelling. And, not coincidentally, I noticed that when people talk about my extended family, they refer to us as ‘the real-life Tenenbaums,’ meaning that each person is unapologetically who they are with larger-than-life personalities. Growing up hearing wild tales of life with my grandparents in their New York apartment from my mother and extended family, I was inspired to create my own film version of these stories. In choosing to emulate this director’s style within my film, I intend to capture the light-hearted spirit of my family in a manner that is easily recognizable and which is in keeping with its character.
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Pope, Turia R. "Welcome to the Branch." VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd/917.

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Welcome to the Branch is a two-act play that investigates issues of cultural differences in the Church of Jesus Christ of Latter Day Saints (or LDS church), more commonly known as the Mormon Church. Set in modern-day, downtown Richmond, Welcome to the Branch follows two very different members of the LDS church as they examine and try to understand both their religion, in the context of its cultural and social history, and their place in it. One is Molly, a Caucasian, middle-class young woman from Utah, in Richmond temporarily for her husband's graduate school; the other is Aina, an African American, single mother living in Mosby Court who has recently joined the LDS church. While Aina struggles for survival and looks for meaning in a church where, historically, she would not have felt welcome, Molly slowly comes to terms with the limitations of her own sheltered background.
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Galloway, William. "Welcome to the crocodile farm /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/6452.

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Gutierrez, Maya. "Welcome to the Neighborhood, Tech." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/cmc_theses/2093.

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Casual empiricism suggests that the arrival of a major technology company into an area has the ability to transform the local economy. I examine the economic impact on residential real estate rental prices by the opening of offices by four of the top technology companies—Apple, Facebook, Google, and Microsoft. Rents are about 2.8% lower in metropolitan areas with top technology company presence compared to metropolitan areas without top technology company presence. Taking this economic outcome into account may influence the public and policymakers’ willingness to give tax breaks and other incentives to attract major technology companies.
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Olding, Christine Jane. "Welcome to the Glitter Daze." University of Dayton / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1398695990.

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Krause, Shane Peter. "Not Welcome: Writing Horror in Australia." Queensland University of Technology, 2005. http://eprints.qut.edu.au/16449/.

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"Not Welcome" is a thesis containing an original dark genre screenplay called Acolytes and an exegesis called "Not Welcome": Writing Horror in Australia. The screenplay is about two boys, victims of years of bullying, who find a way to rid themselves of their bully for good, exchanging one problem for something much worse. But it's an elaborate and calculated lie. The truth is Acolytes is about the concealment of a crime and not the vengeance of a victim. Acolytes is intentionally moody, oppressive and obtuse--it has a true crime-scene ambience. The power of the story lies in its truth--the truth that it seeks to uncover and the truth of the style of its telling--and, just as is the case with real-life crime, the "truth" is often murky and far from clear-cut. The accompanying exegesis explores the domestic funding and production climate for dark genre projects. It argues that Australian genre scriptwriters and filmmakers have often faced hostile funding agencies and genre-timid producers. It examines the requirements of dark genre scriptwriters and filmmakers in bringing their work from page to screen. It argues that the onus is on Australian dark genre writers and filmmakers to think beyond funding agencies and institutionalised Australian producers to realise their projects.
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Books on the topic "Welcome"

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Hamilton, Mark. Welcome everyone: Welcome everyone. Bellingham, WA: Huxley College of the Environment, Western Washington University, 2004.

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Fotostock, Age. Welcome. New York, NY: Age Fotostock America, 2001.

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Paula, Kluth, ed. You're welcome. Portsmouth, NH: Heinemann, 2007.

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1949-, Davis Nancy, ed. Welcome spring. New York: Scholastic, 2008.

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Anna, Currey, ed. Welcome home. Oxford: Oxford University Press, 1997.

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Christian, Buchanan Anne, ed. Welcome home. Eugene, Or: Harvest House Publishers, 1997.

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Welcome Comfort. New York: Philomel Books, 1999.

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Milescu, Victoria. Welcome December! București: Editura "Fiat Lux", 1994.

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Sheridan, Cathy. Welcome back! Whitby, Ont: S&S Learning Materials, 1997.

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Dubia, Christopher. Welcome home. Washington, DC: Bonnacon Press, 2006.

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Book chapters on the topic "Welcome"

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Natvig, Jacob B. "Welcome!" In Amyloid and Amyloidosis 1990, 1–3. Dordrecht: Springer Netherlands, 1991. http://dx.doi.org/10.1007/978-94-011-3284-8_1.

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Bryson, William E. "Welcome." In Heat Treatment, 3–5. München: Carl Hanser Verlag GmbH & Co. KG, 2015. http://dx.doi.org/10.3139/9781569904862.001.

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Thomas, Keir. "Welcome!" In Beginning Ubuntu Linux, 3–10. Berkeley, CA: Apress, 2006. http://dx.doi.org/10.1007/978-1-4302-0137-3_1.

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Stringer, Sarah. "Welcome." In Psychiatry: Breaking the ICE, 1–4. Chichester, UK: John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118557211.ch1.

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Cross, Dave, Barry Huggins, Vicky Loader, and Ian Tindale. "Welcome." In Photoshop 7 and Illustrator 10, 1–3. Berkeley, CA: Apress, 2002. http://dx.doi.org/10.1007/978-1-4302-5117-0_1.

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McHenry, Bill, and Jim McHenry. "Welcome." In What Therapists Say and Why They Say It, 1–14. Third edition. | New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429341991-1.

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Revol, Jean-Pierre. "Welcome." In Thorium Energy for the World, 3. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-26542-1_1.

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Thomas, H. "Welcome." In The Pathogenesis of Bacterial Infections, 1–2. Berlin, Heidelberg: Springer Berlin Heidelberg, 1985. http://dx.doi.org/10.1007/978-3-642-70351-5_1.

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Hoffmann, K. "Welcome." In Viscoelastic Substances, 1–2. Berlin, Heidelberg: Springer Berlin Heidelberg, 1990. http://dx.doi.org/10.1007/978-3-642-88653-9_1.

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Besley, Kristian, Hoss Gifford, Todd Marks, and Brian Monnone. "Welcome." In Flash MX Video, 1–3. Berkeley, CA: Apress, 2002. http://dx.doi.org/10.1007/978-1-4302-5412-6_1.

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Conference papers on the topic "Welcome"

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"Welcome to IWSSIP, Welcome to EC-SIPMCS, Welcome to Maribor!" In 2007 14th International Workshop on Systems, Signals and Image Processing and 6th EURASIP Conference focused on Speech and Image Processing, Multimedia Communications and Services. IEEE, 2007. http://dx.doi.org/10.1109/iwssip.2007.4381219.

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Milovanovic, Bratislav. "Welcome." In TELSIKS 2013 - 2013 11th International Conference on Telecommunication in Modern Satellite, Cable and Broadcasting Services. IEEE, 2013. http://dx.doi.org/10.1109/telsks.2013.6704949.

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Milovanovic, Bratislav. "Welcome." In 2015 12th International Conference on Telecommunication in Modern Satellite, Cable and Broadcasting Services (TELSIKS). IEEE, 2015. http://dx.doi.org/10.1109/telsks.2015.7357718.

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"Welcome." In 2017 13th International Conference on Advanced Technologies, Systems and Services in Telecommunications (TELSIKS). IEEE, 2017. http://dx.doi.org/10.1109/telsks.2017.8246209.

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"Welcome." In TELSIIKS 2009 - 2009 9th International Conference on Telecommunication in Modern Satellite, Cable, and Broadcasting Services. IEEE, 2009. http://dx.doi.org/10.1109/telsks.2009.5339414.

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Bomben, Stefano G. "Welcome." In 2010 IEEE International Symposium on Electrical Insulation (ISEI). IEEE, 2010. http://dx.doi.org/10.1109/elinsl.2010.5549761.

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"Welcome." In 2012 IEEE International Symposium on Electrical Insulation (ISEI). IEEE, 2012. http://dx.doi.org/10.1109/elinsl.2012.6251416.

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"Welcome." In 2014 International Conference on Electronics, Information and Communications (ICEIC). IEEE, 2014. http://dx.doi.org/10.1109/elinfocom.2014.6914346.

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"Welcome." In 2016 International Conference on Electronics, Information, and Communications (ICEIC). IEEE, 2016. http://dx.doi.org/10.1109/elinfocom.2016.7562914.

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Riley, Peter. "Welcome." In The future of accelerator physics: The Tamura symposium proceedings. AIP, 1996. http://dx.doi.org/10.1063/1.49610.

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Reports on the topic "Welcome"

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Potter, E. G. Welcome and brief introduction. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2015. http://dx.doi.org/10.4095/296520.

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See, Mandy. Excellence Welcome! Weapons Engineering. Office of Scientific and Technical Information (OSTI), September 2021. http://dx.doi.org/10.2172/1820047.

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Irish, Michele, Kristopher Tuggle, and Pennie Gould. E-Student Welcome [Slides]. Office of Scientific and Technical Information (OSTI), April 2021. http://dx.doi.org/10.2172/1779629.

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Karpius, Peter J. Welcome to Los Alamos National Laboratory. Office of Scientific and Technical Information (OSTI), January 2014. http://dx.doi.org/10.2172/1114401.

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Rosenberg, Nina Dale. Welcome to Los Alamos National Laboratory. Office of Scientific and Technical Information (OSTI), November 2016. http://dx.doi.org/10.2172/1254262.

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Qualters, Irene. Welcome to Computing Research Leadership Council. Office of Scientific and Technical Information (OSTI), March 2020. http://dx.doi.org/10.2172/1603953.

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Rolfe, Jim. Welcome in Asia: China's Multilateral Presence. Fort Belvoir, VA: Defense Technical Information Center, December 2003. http://dx.doi.org/10.21236/ada592204.

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Dolcater, Franklin J., Gregory L. Hataway, Calhoun S. Hodges, Susan D. Morgan, and Robert B. Rossow. Welcome to the Air Force Reserve. Fort Belvoir, VA: Defense Technical Information Center, March 1997. http://dx.doi.org/10.21236/ada388152.

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Lu, Patrick. Welcome to your new lab notebook! ResearchHub Technologies, Inc., March 2022. http://dx.doi.org/10.55277/researchhub.ydud5yy2.

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Palmer, Michele A., and Mujahid D. Powell. Brian C. Nevin Welcome Center, Cornell Plantations. Landscape Architecture Foundation, 2014. http://dx.doi.org/10.31353/cs0840.

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