Relevant bibliographies by topics / Wedding dress

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Wedding dress'

Author: Grafiati
Published: 24 June 2021
Last updated: 28 May 2022

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Journal articles on the topic "Wedding dress"

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IRENA, FUNDUK, and PAVKO-ČUDEN ALENKA. "Constructional, performance and social characteristics of contemporary Slovenian wedding dress." Industria Textila 68, no. 01 (March 1, 2017): 17–21. http://dx.doi.org/10.35530/it.068.01.1309.

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The white wedding dress is still very popular among today’s brides from many cultures and societies. It is still presented as a magical manifestation of all that is sacred. On the other hand, popular white wedding ideals are strongly advertised and constantly presented in numerous movies and reality shows, magazines and commercials. Contemporary bridal culture and fashions in Slovenia are created in wedding salons with their rental collections, which follow the globally popular trend of Western white weddings. The purpose of the research was to study the symbolic meanings of the white wedding dress in Slovenia, and to explore and identify its constructional, performance and social characteristics. The mixed methods approach was used. First, critical discursive analysis (CDA) was used to identify the symbolic meanings of the white wedding dress in the context of gender relations. Additionally, a quantitative approach was conducted with an aim to evaluate the presence and strength of previously identified elements. In the qualitative research, symbolic elements of the contemporary white wedding dress: entrapment, dependency, slenderness, inauthenticity and exaggerated attributes of brides bodies were identified. The results of the quantitative research proved that all identified symbolic elements are very strongly present in contemporary Slovenian bridal fashion
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Giorgio, Grace. "The Wedding Dress." Qualitative Inquiry 15, no. 2 (February 2009): 397–408. http://dx.doi.org/10.1177/1077800408318299.

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Staniland, Kay. "Princess Charlotte's Wedding Dress." Costume 34, no. 1 (January 1, 2000): 70–80. http://dx.doi.org/10.1179/cos.2000.34.1.70.

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Powell, Cornelia. "Wedding Dress Across Cultures." Journal of American Culture 27, no. 2 (June 2004): 255–57. http://dx.doi.org/10.1111/j.1537-4726.2004.133_31.x.

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Williford, Lex. "My Mother's Wedding Dress." Prairie Schooner 77, no. 2 (2003): 21–26. http://dx.doi.org/10.1353/psg.2003.0059.

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Slavinska, Alla, Tatyana Verzhbyczka, and Oksana Syrotenko. "THE SCREEN-WAY OF FORMING WEDDING GRAPHICS IN THE UKRAINIAN TRADITION." International Conference on Technics, Technologies and Education, ICTTE 2019 (2019): 369–79. http://dx.doi.org/10.15547/ictte.06.022.

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The "screen" way of determining the stylistics of the Ukrainian wedding dress on the basis of the rhythmic structure of an ethnic costume is offered. The modern ensembles of the bride and groom in the Ukrainian style are actually analyzed. The photos plates of ideas for wedding ensembles for the "screen"- survey are developed. The capsules of the traditional Ukrainian ethnic dress in the compositional transformation of the bride’s wedding dress have been explored. A short notation of the geometry of a form of a wedding dress in the Ukrainian style has been developed. The triangle of the compositional dominant of the main part of the embroidery and the identity of the authenticity of the image is determined.
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Walsh, Kristin Harris. "“You just nod and pin and sew and let them do their thing”." Ethnologies 27, no. 2 (February 23, 2007): 239–59. http://dx.doi.org/10.7202/014048ar.

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The bridal gown is perhaps one of the most highly symbolic objects in the contemporary wedding ceremony. Fraught with images of sexuality and femininity, the bride conveys multiple messages with her choice of dress colour, style and adornment. As such, the dress communicates and performs as a significant material culture object within the custom of the wedding. This article examines the wedding dress within the North American context through the experiences of Nancy Harris, a dressmaker. The author discusses the struggles of the bride as she negotiates with family, friends and societal conventions while expressing herself through her choice of dress.
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Mida, Ingrid E. "On Objects and Things: The Wilkie Wedding Dress and the Drawings of Sarah Casey." Museum and Society 17, no. 3 (November 29, 2019): 295–300. http://dx.doi.org/10.29311/mas.v17i3.3213.

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Clothing is often cherished long after memories have begun to fade and the inevitable process of decay have begun. Such is the case with the silk wedding dress and bridal veil worn by Evelyn Normand Wilkie (1902-1969) in her 1927 wedding to Douglas Howard in Nova Scotia, Canada. Her homemade dress has now yellowed and the silk is shattered and given its poor condition the dress is an unlikely candidate for acceptance into a museum or study collection. This object biography probes the thingly presence of Wilkie's wedding dress as an object and as the source of creative inspiration for the drawings of artist Sarah Casey that became the focus of a 2019 exhibition at Ryerson University in Toronto.
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Zhang, Lijuan, and Chahyun Kim. "DESIGN PROPOSAL FOR A VARIABLE WEDDING DRESS ACCORDING TO CURRENT KOREAN-CHINESE WEDDING DRESS CONDITIONS." Global Fashion Management Conference 4, no. 9 (June 30, 2015): 635–36. http://dx.doi.org/10.15444/gfmc2015.04.09.19.

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이현정. "Wedding Dress Design for Handicapped People." Research Journal of the Costume Culture 18, no. 6 (December 2010): 1254–60. http://dx.doi.org/10.29049/rjcc.2010.18.6.1254.

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Dissertations / Theses on the topic "Wedding dress"

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Jansson, Isabelle. "Dressed like a bride : Being utklädd - performativity and etiquette in the Swedish wedding dress." Thesis, Stockholms universitet, Modevetenskap, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-194487.

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This thesis investigates the wedding dress in the 21st century in Sweden. Interviews provided the main material for the analysis of the wedding dress and its connotations. Erving Goffman’s theory on performances in everyday life and Efrat Tsëelon’s thoughts on modesty connected to the female body is used as a theoretical framework in this thesis. The wedding dress is also analyzed as an object, and thoughts from material culture are implemented when discussing the cultural connotations of the dress. The wedding dress is only worn during the wedding ceremony, and it evokes thoughts on performances and identity due to cultural values and expressions that the bride either identifies with or not. Being dressed as a bride is deemed less authentic than being dressed in everyday clothes and is compared to a masquerade garment. The Swedish word utklädd, which means being dressed out in different ways, is a common factor and description of wearing a wedding dress in Sweden in the 21st century.
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Clayton, Tamara. "World War II wedding dress as presented in United States high fashion magazines, 1939-1945 /." Connect to this title online, 2007. http://hdl.handle.net/1957/4540.

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Wagner, Carolyn. "Material Memories: The Parachute Wedding Gowns of American Brides, 1945-1949." University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1428065407.

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Cardeira, Ana Filipa Fialho. "Draping como processo criativo do vestido de noiva." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2019. http://hdl.handle.net/10400.5/18412.

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Dissertação de Mestrado em Design, com a especialização em Moda apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.
Com o gosto e o interesse pela área do design de vestidos de noiva, bem como a ambição de obter experiência no ramo, tive oportunidade de realizar um estágio curricular no atelier de Iza Van. Iza Van dedica-se à criação e confeção de vestidos de noivas feitos por medida, com atendimento personalizado. A designer cria vestidos exclusivos para cada uma das suas clientes / noivas – não criando dois vestidos iguais. A técnica mais utilizada pela designer é o draping aplicado ao design. Esta técnica consiste no processo de criar diretamente no manequim com tecido. De imediato, o designer visualiza tridimensionalmente o que idealizou. Esta técnica e/ou este processo de criar é um dos motivos fulcrais para ter realizado o estágio académico neste atelier. Ao longo de três meses, aprofundei o modo como Iza Van trabalha diretamente no manequim. Deste modo, o tópico investigativo recaiu no processo de design do vestido de noiva e na envolvência do cliente no processo criativo, de modo a concluir se o draping oferece benefícios para a criação e porventura para a confeção. O enquadramento teórico começa por entender a importância do vestido de noiva e o seu papel em Portugal, bem como o Branco, enquanto cor tradicional e simbólica do vestido usado pela noiva. De seguida, fez-se um breve estudo sobre as “Modistas e Costureiras – As artesãs da moda”. Foram elas que constituíram uma parte importante da história da moda em Portugal, acrescentando à evolução do draping uma prática preciosa, no que diz respeito ao processo. Por último relatei o meu percurso durante o estágio académico – o meu acompanhamento e observação dos métodos de trabalho, a relação com o cliente e a chegada ao resultado final: o vestido de noiva.
ABSTRACT: I had the chance to complete an internship in Iza Van’s atelier, something that was fuelled by my passion and interest for the design of wedding dresses area, as well as my ambition to improve my overall knowledge in the subject. Iza Van is a designer who works in creating and making female wedding dresses custom made. The designer creates unique dresses for each one of their clients/brides – not creating two equal dresses. The most used technique by the designer is draping applied to design. This technique consists in creating directly in the manikin with fabric. With this technique, the designer can also have an immediate three-dimensional view of the project. This technique/process of creating is one of the main reasons why I chose this academical internship in Iza Van’s atelier. Throughout three months I deepened my knowledge in the way Iza Van works directly in the manikin. Therefore, my research topic was focused on the process of wedding dress and in wrapping the clients in the creative process, in order to conclude if the draping offers benefits for the creation as well as for the making. The theorical framework begins by understanding the importance of the wedding dress and its role in Portugal, as well as the White, as traditional and symbolic colour used by brides. After this, a brief study about “Dressmakers and Seamstresses – fashion artisans”. It was them who had a huge contribute for the fashion history in Portugal, adding to the evolution of draping a valuable practice. Lastly, I reported my course throughout the academical internship – my thoughts and opinions about the working methods, my relationship with the client and the reaching of the result: the wedding dress.
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Nwokiea, Obinna. "Traditional marriage of the igbo's and it's significance in cultural identity and interaction." Thesis, Вид-во Сум-ДПУ імені А.С. Макаренка, 2016. http://essuir.sumdu.edu.ua/handle/123456789/45196.

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If you are looking for an ideal marriage for the world to emulate, that has value and significance in our today’s culture, then grab a cup of coffee and relax because this article portrays the stages and significance of Traditional Marriage in Igboland located in eastern part of Nigeria.
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Mowzer, Zeenat. "The impact of electronic word-of-mouth in social networking sites on a high-involvement purchase : an empirical study of South African brides' intention to purchase the "once-in-a-lifetime" wedding dress." Master's thesis, University of Cape Town, 2016. http://hdl.handle.net/11427/20534.

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South Africa is home to a bourgeoning wedding industry valued at $3.25 billion. Much of the profit generated in this industry is from the sales of wedding dresses, with 57.1% of South African brides having purchased a new wedding dress from a bridal boutique in 2013. Previous research has looked at the effect of social media, in the form of electronic word-of-mouth (eWOM), on purchase intention. However, few studies have analysed this effect for high-risk, "once-in-a-lifetime" products such as wedding dresses. In South Africa alone, social media users increased by 20% in 2014, with 29% of the population using social media applications. However, it is uncertain whether this widespread adoption of social media influences the purchase of high-risk, "once-in-alifetime" products like wedding dresses. The "eWOM in SNS's model" is applied to this context, where the influence of eWOM, trust and value co-creation, on the purchase intention of a wedding dress, is compared using an experimental design. One hundred and fifty-two (n=152) engaged South African females, between the age of 18 and 29 years, partook in an experiment. The experiment involved a control group and an experimental group, who viewed eWOM on the Facebook fan page of a wedding dress vendor. The study showed that while the "eWOM in SNS's model" was both valid and reliable in this context, the influence of eWOM on purchase intention was much diminished and fully mediated through value co-creation. The managerial implications of this study's findings, aimed at wedding dress vendors with Facebook fan pages, were all geared towards stimulating value co-creation, given its effect on the relationship between eWOM and purchase intention. The implications involved maximising visual content, appropriately responding to negative comments, publishing posts at suitable times and frequencies, observing the available Facebook reports and posting customer testimonials.
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Шпетна, Анастасія Володимирівна. "Розробка дидактичного проєкту підготовки кравців на прикладі проєктування весільної колекції." Магістерська робота, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/19288.

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В дипломному проєкті розроблено дидактичний проєкт підготовки кравців 2-3 кваліфікаційного розряду на прикладі проєктування весільної колекції. Розглянуто тенденції сучасних весільних суконь у відповідності до напряму моди та історичних фактів. Проведено маркетингові дослідження та функціональний аналіз об’єкту проєктування. Проаналізовано споживчі вимоги жінок молодшої вікової групи віком від 18-30 років, які ведуть активний спосіб життя та мають середній рівень достатку. Сформовано варіанти композиційно-конструктивного рішення аналогів форми весільних суконь. Створено ескізний ряд та базова символ-форма колекції. Виконано конструкторську розробку моделей весільних суконь. Обрано та проаналізовано пакет матеріалів колекції. Проведено аналіз функціональної структури професійної діяльності та навчального плану кравців 2-3 кваліфікаційного розряду. Розглянуто та сформовано тематичний план дисципліни "Технології виготовлення одягу". За результатами аналізу навчальної літератури було визначено основний та допоміжні підручники, які є доцільними для використання під час вивчення дисципліни. Було наведено характеристику теми "Оздоблення одягу", розроблено її структурно-логічну схему, сформовано базовий матеріал та поурочно-тематичний план. В якості дидактичних засобів навчання було запропоновано інструкційну карту "Оформлення краю виробу косою бейкою". Розроблено план-конспект двох уроків теоретичного навчання з дисципліни "Технологія виготовлення одягу".
In the diploma work, the didactic project of training of tailors of 2-3 qualification categories on an example of a wedding collection designing is developed. The tendencies of modern wedding dresses in accordance with the direction of fashion and historical facts are considered. Marketing research and functional analysis of the design object were conducted. The consumer requirements of younger women aged 18-30 who lead an active lifestyle and have an average level of affluence are analyzed. Variants of compositional and constructive solutions of analogues of wedding dresses shape are formed. A croquis series and a basic symbol-form of the collection have been created. Design development of models of wedding dresses is executed. The package of materials of the collection was selected and analyzed. The analysis of the functional structure of professional activity and the curriculum of tailors of 2-3 qualification categories is carried out. The thematic plan of the discipline "Clothing Manufacturing Technologies" is considered and formed. Based on the results of the analysis of the educational literature, the main and auxiliary textbooks that are appropriate for use in the study of the discipline were identified. The description of the topic "Clothing decoration" was given, its structural and logical scheme was developed, the basic material and lesson-thematic plan were formed. As a didactic mean, the instructional card "Decoration of the edge of the product with oblique inlay" was proposed. The plan-synopsis of two lessons of theoretical training on discipline "Technology of manufacturing of clothes" is developed.
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YANG, TUN-TING, and 楊惇婷. "The Application of Accessories for Taiwanese Wedding Dress." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/m9h3hu.

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碩士
正修科技大學
化妝品與時尚彩妝研究所
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Taiwan, which has the reputation of "The Kingdom of Weddings," and ranks the first of the world in output value for past 30 years. Taiwan’s wedding industry output was NT$10 billion, and more than 90% of the just married couples take wedding photographs. Under the consumer behavior and culture background, wedding industry has become the indispensable part of the social customs. However, both marriage and birth rates have been declining year by year because of the transformation of the overall social atmosphere and household population structure. Moreover, the consumers’ demands for the wedding dresses changed all the time. That’s the reasons why the wedding industry become more challenging than ever. This study firstly explores the design focus of the wedding dresses based on different periods in Taiwan. Second, the author used the color features of Taiwanese flowers and blends with modern artists - Naokawa Michikawa and Kusama Yayoi to create different brides' overall modeling works combining aesthetic creations and modern dresses. Most creations are commonly used of the bride modeling, such as crowns, necklaces, shoulder ornaments, and bracelets, etc. Furthermore, the rose, gerbera, chrysanthemum, eustoma, and vandalan are also used as the basic design elements. Using the aluminum wire as the core material, the useful bride modeling decorations are made in the creation process. In order to enhance the completeness of the bride's overall appearance, the matching of wedding dresses and accessories is relatively important. Therefore, this research create a variety of styles and combinations designing from the local flowers. We hope the bride modeling and styling could be re-define and re-design. The Taiwan Wedding industry would have a better development in the future.
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Chiu, Chun-Yu, and 邱純玉. "Analysis of the Key Success Factors of Fashion Wedding Dress." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/8dtgg7.

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碩士
國立臺灣師範大學
國際時尚高階管理碩士在職專班
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The author has been engaged in wedding dress industry over 35 years, start from the grassroots, began to step up to the director of the company. In 2002, the author start-upped own business and established Sophia International Wedding. In order to exploit the market and get in touch with the top-tier customers, Sophia International Wedding has been proactively takes participation in various fashion shows since 2007. Also osculated with other international brands such as Pronovias, Jason Wu, Michael D, Tarik Ediz. Moreover, the author also been to countries in Europe and the United States to view and emulate the exhibition of different lace fabrics. And found out that the fabric designed by Taiwanese company has been used in foreign countries and adopted by international brands. With this significant discovery, the author came up with an idea. To create authentic Taiwanese dress by combining the Taiwanese designers with the fabric made in Taiwan. The first chapter introduce the company background, the motivation, as well as the academic terminology. The second chapter explain the evolution of the Taiwan wedding dress market from ancient to present, and explore the historical change and development trajectory of the three successful wedding dress brands Vera Wang, Jason Wu, Elie Saab. The third chapter is to explain the two methods of literature : Literature review method and Interview method. Chapter four summaries the previous chapters to find out the main component that lead to success and to prove it in retrospect. Then use the interview method to understand other counterpart’s thinking and deduce the key success factors. Chapter 5 is the conclusion. Combine all the above literatures and interview reports, and sum up the key success factors then take the Taiwanese brand D-S Wedding as an example to analyze whether the Taiwan wedding dress market has these factors. After that, give them advises to help them to reach the top on the existing foundations. And try to perfect all aspects as far as possible, so that the Taiwan wedding can be geared to international standards and catalyze the fashion of Taiwan.
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CHEN, YI CHANG, and 陳奕錩. "Motivations and Influence Factors of Consumers' Wedding Dress Buying Decisions." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/mrutk5.

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碩士
國立中正大學
高階主管管理碩士在職專班
106
Taiwan is the world's largest exporter of wedding dresses, and Taiwan's design of wedding products has been recognized by countries around the world. In terms of quality and popular elements, it is also in sync with Europe and the United States. But, it is a pity that the wedding market in Taiwan has long been shackled in the form of rental model, which makes the market full of old wedding dresses for consumers to choose. However, with the change of consumption mode, the younger generation who grew up in the developed network is affected by the tide of globalization. It is a trend that cannot be ignored to buy a wedding dress that suits your style and create a wedding that belongs to you. In this study, I interviewed the North, Central region and South bridal shops and consumers who bought wedding dresses, married within one year, are about to get married, and are ready to get married. Trying to analyze the factors that affect consumers' purchase of wedding dresses, from supply the wedding industry and consumers demand both ends. The results of the research hope to effectively understand the needs of consumers in the wedding design industry, wedding production industry, wedding dress retailers, in order to design suitable wedding products, supporting measures, service plans and marketing strategies to respond to meet consumer expectations. Research Conclusions that bridal shop do not provide retail services, the "interests" are the main factors. Due to the cost of renting will be lower, and the risk will be relatively small and the income will be faster. The usefulness and accuracy of information really shortens the decision-making process for consumers, and also bringing significant consumption benefits. "Price factor": The personal economic budget is the most important factor affecting consumers' purchase of wedding dresses. The purchase of wedding dress consumers focus on uniqueness and commemoration - "personal value" thinks: Wedding is only once in a lifetime, must have their own most luxurious wedding dress. Consumers who rent wedding dresses focus on practicality - "financial value" thinks: Wedding dress can only be worn once, not worn in general time. Although the wedding dress can achieve "personal value" through leasing, however it is necessary to reduce the expectation of the wedding dress. If the "price" is within a reasonable range, (1) the consumer is unable to satisfy himself. (2). There is no alternative selectivity. (3). Increase the practicality of the wedding dress; they will change to purchase . Happiness comes from its own satisfaction, and a beautiful wedding dress can make the bride feel happy. Consumers think that wedding dresses should be beautiful, to show their own style, to create a plus effect, because become beautiful will make the bridal feel very happiness, the atmosphere at that moment of the wedding makes the bride happy because of satisfaction.
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Books on the topic "Wedding dress"

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1923-, Smith Liz, ed. The wedding dress. New York: Rizzoli International, 2010.

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The dream dress. Thorndike, Maine: Center Point Large Print, 2014.

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Ellis, Virginia. The wedding dress. New York: Ballantine Books, 2002.

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The wedding dress. New York: Ballantine Books, 2002.

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Parker, Gary E. The wedding dress. Colorado Springs: Victor, 2001.

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McBride-Mellinger, Maria. The wedding dress. New York: Random House, 1993.

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The wedding dress. Waterville, Maine: Thorndike Press, 2012.

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The wedding dress. Waterville, Me: Thorndike Press, 2002.

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Cates, Kimberly. The Wedding Dress. Toronto, Ontario: HQN, 2007.

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The wedding dress. Minneapolis, Minn: Bethany House Publishers, 1994.

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Book chapters on the topic "Wedding dress"

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Kontou, Tatiana, Victoria Mills, and Kara Tennant. "Wedding dress and accoutrements." In Victorian Material Culture, 169–206. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315399980-47.

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Kontou, Tatiana, Victoria Mills, and Kara Tennant. "Image: Edward Killingworth Johnson, Drawing Depicting a Young Widow Holding her Wedding Dress." In Victorian Material Culture, 191. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315399980-53.

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"wedding dress." In The Fairchild Books Dictionary of Fashion. Fairchild Books, 2022. http://dx.doi.org/10.5040/9781501365287.3052.

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"Margarita’s Wedding Dress." In The Lima Reader, 32–36. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822373186-010.

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Palma, Ricardo. "Margarita’s Wedding Dress." In The Lima Reader, 32–36. Duke University Press, 2017. http://dx.doi.org/10.1215/9780822373186-009.

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"My Wedding Dress." In All That I Want to Forget, 35–36. The American University in Cairo Press, 2018. http://dx.doi.org/10.2307/j.ctv2ks6zft.12.

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"Introduction." In The Wedding Dress, ix—XXX. University of California Press, 2019. http://dx.doi.org/10.1525/9780520937192-001.

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"Bewilderment." In The Wedding Dress, 5–23. University of California Press, 2019. http://dx.doi.org/10.1525/9780520937192-002.

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"Fairies." In The Wedding Dress, 24–38. University of California Press, 2019. http://dx.doi.org/10.1525/9780520937192-003.

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"Immanence." In The Wedding Dress, 39–60. University of California Press, 2019. http://dx.doi.org/10.1525/9780520937192-004.

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Conference papers on the topic "Wedding dress"

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Liu, Yiwei, Yizhuo Zhang, Yu-Chih Wei, and Chi-Hua Chen. "Wedding Dress Question-Answering System." In 2020 IEEE International Conference on Consumer Electronics - Taiwan (ICCE-Taiwan). IEEE, 2020. http://dx.doi.org/10.1109/icce-taiwan49838.2020.9258264.

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Aini, Iut Nur, Amat Nyoto, and Agus Hery Supadmi Irianti. "The Development of Legha Sumenep Madura Bride Wedding Dress." In 2nd International Conference on Social, Applied Science, and Technology in Home Economics (ICONHOMECS 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200218.057.

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Luo, Xiaoyuan. "Analysed in western-style wedding dress style design changes." In 2016 5th International Conference on Social Science, Education and Humanities Research. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/ssehr-16.2016.196.

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Reports on the topic "Wedding dress"

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Kim, Jongeun. Post-Modern Korean Wedding Dress. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-704.

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Sparks, Diane, and Lizzy Searle. Flora: Dress for a Destination Beach Wedding. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-735.

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Rossol, Evelyn, and Kendra Lapolla. Wine Dyed: Multi-wear Sustainable Wedding Dress. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8852.

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Cook, Sasikarn Chatvijit, and Seoha Min. Exploring Sociology of Consumption of Wedding Dress Rentals in Thailand. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-385.

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Kimble, Sandra, and Karol Blaylock. The Historical Inspiration of Structuring Beauty: An Unconventional Wedding Dress. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-1194.

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Morgan, Courtney, Jennifer Paff Ogle, Karen H. Hyllegard, and Kelly L. Reddy Best. �I Kicked Those Babies Off and Put the Typical Lesbian Birkenstocks on:� Authentic Style-Fashion-Dress Negotiations of Lesbian Married Couples on Their Wedding Day. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8417.

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