Journal articles: 'Watkin'

1

Maclean, Rona. "John Henry Watkin." Psychiatric Bulletin 18, no. 12 (December 1994): 793. http://dx.doi.org/10.1192/pb.18.12.793.

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Davies, M. "David Watkin Davies." BMJ 348, jan27 19 (January 27, 2014): g309. http://dx.doi.org/10.1136/bmj.g309.

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Watkin, Jessica A. "Sending Care from Afar." Theater 52, no. 2 (May 1, 2022): 33–47. http://dx.doi.org/10.1215/01610775-9662208.

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Jessica Watkin works out her definition of Disability Dramaturgy and explains her artistic practice, which is rooted in personal care rather than professional extraction. As a Blind/Disabled artist, Watkin describes her relationship to Blind artist Alex Bulmer. Watkin reflects on the role of care in Bulmer’s Pandemic Postcards project, a series of twenty-one video “postcards” by Disabled artists around the world, hosted by the Harbourfront Centre in Toronto, Ontario. Watkin discusses the originating gesture of the project, a series of posts on Bulmer’s Facebook page titled Postcards from my Balcony, begun in March 2020 when the COVID-19 pandemic arrived in Toronto. As emanations of a care-based writing practice, these entirely textual “postcards” include image descriptions, written messages, and voice memos.

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Holman, Andrew. "In conversation with Scott Watkin." British Journal of Learning Disabilities 37, no. 3 (September 2009): 170–71. http://dx.doi.org/10.1111/j.1468-3156.2009.00565.x.

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Colman, David, and John P. McInerney. "Professor Watkin James Thomas, 1919–2005." Journal of Agricultural Economics 56, no. 3 (December 2005): 459–61. http://dx.doi.org/10.1111/j.1477-9552.2005.00025.x.

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Rees, Dom Daniel. "Book Review: The Watkin Path, an Approach to Belief: The Life of E.I. Watkein." Downside Review 125, no. 439 (April 2007): 150–54. http://dx.doi.org/10.1177/001258060712543906.

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Ziolkowski, Eric J. "Early Polemical Writings. Søren Kierkegaard , Julia Watkin." Journal of Religion 72, no. 2 (April 1992): 321. http://dx.doi.org/10.1086/488909.

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Peters, Lisa. "THE FALL OF THE HOUSE OF WYNNSTAY: THE 1885 ELECTION IN EAST DENBIGHSHIRE." Welsh History Review / Cylchgrawn Hanes Cymru 30, no. 3 (June 1, 2021): 350–82. http://dx.doi.org/10.16922/whr.30.3.3.

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In 1885, the two-member constituency of Denbighshire was divided and its electorate more than doubled. Both sitting members – George Osborne Morgan and Sir Watkin Williams-Wynn – sought to represent East Denbighshire. In this article, each candidate's election campaign is analysed and the extent to which it focused on the candidates themselves, rather than their political parties, is discussed. Sir Watkin's campaign was based on his family's longstanding political and economic links with the area, whilst Osborne Morgan was portrayed as a champion of Welsh Nonconformity. The article suggests that the result was not a straightforward victory for Welsh Liberalism, with deference being a key issue.

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Merle, Isabelle. "Le journal de Watkin Tench of the Marines." Genèses 43, no. 2 (2001): 6. http://dx.doi.org/10.3917/gen.043.0006.

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Gretton, George L. "Thomas Glyn Watkin, The Legal History of Wales." Edinburgh Law Review 11, no. 3 (September 2007): 460–61. http://dx.doi.org/10.3366/elr.2007.11.3.460.

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11

Krause, Thomas. "Watkin, Thomas Glyn, The Legal History of Wales." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 131, no. 1 (August 1, 2014): 731–33. http://dx.doi.org/10.7767/zrgga-2014-01118.

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12

Goss, Peter L. "Review: A History of Western Architecture by David Watkin." Journal of the Society of Architectural Historians 47, no. 1 (March 1, 1988): 79–80. http://dx.doi.org/10.2307/990261.

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Gardner, W. J. R. "Lt Cdr David Watkin Waters RN, FSA, FRHistS, FRIN." Mariner's Mirror 99, no. 2 (May 2013): 136–37. http://dx.doi.org/10.1080/00253359.2013.785130.

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HOWE, N. G. "Sir Watkin Williams Wynn, 4th Baronet: An Unconventional Politician?*." Parliamentary History 31, no. 2 (June 2012): 190–205. http://dx.doi.org/10.1111/j.1750-0206.2012.00314.x.

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15

Moore, P. G. "Edward Emrys Watkin (1900–1978): marine zoologist and educator." Archives of Natural History 49, no. 2 (October 2022): 364–71. http://dx.doi.org/10.3366/anh.2022.0797.

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The Welsh marine zoologist, Edward Emrys Watkin (1900–1978), studied the population dynamics of Cardigan Bay herring stocks in the 1920s and subsequently worked on amphipod crustaceans in the Clyde Sea Area in Scotland. His published works span a transitional period in the history of biology, when natural history was being formalized into ecology. A graduate, and a staff member, of the University College of Wales, Aberystwyth, for 45 years he inspired students with his teaching. His experiences as a teacher and examiner were called upon when, in 1965 and 1971, he edited and co-wrote Biology (with Herbert Tisdale Conway and John Brinley Jones), a textbook on biology for pupils seeking the General Certificate of Education (GCE) O-level qualification. However, the impact of Watkins’s book was lessened because of competition from Donald Gordon Mackean’s Introduction to biology published first in 1962.

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Watkin, Jessica, and Salima Punjani. "Connecting the Space between Us: An Interview with Multisensory Artist Salima Punjani." Canadian Theatre Review 190 (April 1, 2022): 24–28. http://dx.doi.org/10.3138/ctr.190.005.

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This interview between co-editor Jessica Watkin and Disability artist Salima Punjani delves deeply into Punjani’s multi-sensory art practice, what it was like to create art that structures care during the COVID-19 pandemic, and, ultimately, her vision for centring slowness and rest as a method for gathering people in art spaces.

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17

Freeman, P. W. M. "Mommsen, Hubner, Haverfield, Watkin and Corpus Inscriptionum Latinarum vol. VII." Journal of the History of Collections 26, no. 3 (June 5, 2014): 423–37. http://dx.doi.org/10.1093/jhc/fhu020.

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18

Chandler, Eliza, Bojana Coklyat, Shannon Finnegan, and Jessica Watkin. "Access Entanglements: Approaching Accessible Publishing Through Engagement and Dissensus." Public 33, no. 66 (September 1, 2022): 33–41. http://dx.doi.org/10.1386/public_00115_3.

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A conversation between artists Bojana Coklyat, Shannon Finnegan, Jessica Watkin, and scholar and curator Dr. Eliza Chandler which approaches access and publishing from the vantage of centring disability and its multi-sensorial ways of knowing, engaging with concepts of care, crip time, interdependence and collaboration, the limitations of access as “inclusion,” disability as creatively generative, and access as a distinct methodology for artmaking.

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19

Edwards, Gavin. "From Chester to Quimper via Sydney: Watkin Tench in Revolutionary France." Literature & History 11, no. 2 (November 2002): 1–18. http://dx.doi.org/10.7227/lh.11.2.2.

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Foster, David R. "The Ecological History of European Forests. Keith J. Kirby , Charles Watkin." Quarterly Review of Biology 75, no. 3 (September 2000): 341. http://dx.doi.org/10.1086/393572.

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21

Schröder, Ludger, David John Watkin, Alain Cousson, Richard Ian Cooper, and Werner Paulus. "CRYSTALSenhancements: refinement of atoms continuously disordered along a line, on a ring or on the surface of a sphere." Journal of Applied Crystallography 37, no. 4 (July 17, 2004): 545–50. http://dx.doi.org/10.1107/s0021889804009847.

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The programCRYSTALS[Betteridge, Carruthers, Cooper, Prout & Watkin (2003).J. Appl. Cryst.36, 1487] has been extended to include an option for the refinement of a continuous electron density distribution lying along a line, a ring or on the surface of a sphere. These additional non-atomic electron distributions can be refined in any combination with traditional anisotropically distributed spherical atoms, including the refinement of `partial' atoms overlapping with the special electron distributions.

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22

Collins, Anna, Richard I. Cooper, and David J. Watkin. "Structure matching: measures of similarity and pseudosymmetry." Journal of Applied Crystallography 39, no. 6 (November 10, 2006): 842–49. http://dx.doi.org/10.1107/s0021889806038489.

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A sizeable proportion of structures withZ′ = 2 are thought to exhibit pseudosymmetry, but establishing the extent of the deviation from true symmetry is problematic. By considering both the conformational similarity between the independent molecules and the way in which they are related in space, assessment of the pseudosymmetry of a structure becomes possible. A method of matching two groups of atoms where both these factors are quantified usingCRYSTALS[Betteridge, Carruthers, Cooper, Prout & Watkin (2003).J. Appl. Cryst.36, 1487] is described.

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23

Carter, Rand. "Review: German Architecture and the Classical Ideal by David Watkin, Tilman Mellinghoff." Journal of the Society of Architectural Historians 48, no. 2 (June 1, 1989): 189–90. http://dx.doi.org/10.2307/990362.

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Fernández Hernández, Gonzalo. "D. Watkin. German architecture and the classical ideal 1740-1840. Londres, 1988." Estudios humanísticos. Geografía, historia y arte, no. 10 (February 9, 2021): 282. http://dx.doi.org/10.18002/ehgha.v0i10.6762.

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Cooper, Richard Ian, Bruce M. Foxman, and Lin Yang. "CIF applications. XVI.CIF2CRY: for CIF input into theCRYSTALSprogram." Journal of Applied Crystallography 37, no. 4 (July 17, 2004): 669–71. http://dx.doi.org/10.1107/s0021889804009112.

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CIF2CRYis a program for converting structural data and reflection data contained in a CIF into instructions to be read by theCRYSTALSprogram [Betteridge, Carruthers, Cooper, Prout & Watkin (2003).J. Appl. Cryst.36, 1487]. The program can be used, for example, to read in CIFs that are archived by crystallographic journals, allowing users to study and re-refine published structures. Multiple data blocks in one CIF can be converted into a continuous file ofCRYSTALSinstructions, including an instruction for running user-specified calculations after each structure has been input. The program uses the CIFtbx Fortran library.

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Yahnke, Robert. "Grandpa, Do You Know Who I Am? By Harrington, E. and Watkin, J." Journal of Intergenerational Relationships 9, no. 1 (January 2011): 111–14. http://dx.doi.org/10.1080/15350770.2011.544224.

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Sawyer, Sean. "Review: Sir John Soane: Enlightenment Thought and the Royal Academy Lectures by David Watkin." Journal of the Society of Architectural Historians 56, no. 1 (March 1, 1997): 113–14. http://dx.doi.org/10.2307/991229.

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28

Bolton, Carol. "Through Spanish Eyes: Robert Southey's Double Vision in Letters from England: By Don Manuel Alvarez Espriella (1807)." Victoriographies 2, no. 1 (May 2012): 1–14. http://dx.doi.org/10.3366/vic.2012.0056.

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In Letters from England, written ostensibly from Don Manuel Espriella to his family at home in Spain, Southey declares he will also incorporate ‘what I think respecting this country and these times’ (‘Letter to Charles Watkin Williams Wynn’). One of the aspects of society that concerned Southey was the state of the labouring classes and the detrimental effect of industrialisation on rural life. His Spanish tourist, who is ‘bigoted to his religion, and willing to discover such faults and such symptoms of declining power here as may soothe or gratify [his] natural inferiority’, makes a comparative study of the treatment of the poor in England and Spain (‘Letter to Charles Watkin Williams Wynn’). Espriella comments negatively on the growth of manufacturing industries, the effects of the enclosure acts, and the migration of rural communities to the cities. He suggests that the English nation has lost its once stable social order, when landowners and religious institutions felt a moral obligation for the welfare of the peasantry. And, despite Southey's antipathy towards the Catholic faith after his visits to Spain (in 1795–6 and 1800–1), he states Espriella's conviction that shared religious belief is a cohesive force that binds hierarchical society together. With the help of his Spanish alter-ego, Southey invokes an idealised, English feudal past to oppose contemporary legislative solutions to rural poverty, such as workhouses and poor laws. Espriella's reverence for ancient historical sites, his criticism of commercialism, and his concern that new religious sects will imperil the religious and social order, would seem to belie his nationality and his youth. However, they complement Southey's argument that the treatment of the rural poor is one more symptom of how far England has travelled from its Arcadian past. In this article, the ‘double vision’ of Letters from England is examined to demonstrate how Southey interweaves the observations of his European commentator into the British social politics that he seeks to present.

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Smerick, Christina. "Christopher Watkin, Difficult Atheism: Post-Theological Thinking in Alain Badiou, Jean-Luc Nancy, and Quentin Meillassoux." Derrida Today 9, no. 2 (November 2016): 202–8. http://dx.doi.org/10.3366/drt.2016.0134.

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30

Harding, Brian. "Christopher Watkin: Difficult atheism: post-theological thinking in Alain Badiou, Jean-Luc Nancy and Quentin Meillassoux." International Journal for Philosophy of Religion 74, no. 3 (August 10, 2013): 359–62. http://dx.doi.org/10.1007/s11153-013-9418-1.

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31

Morris, P. Sean. "Book Review: Kenneth Watkin, Fighting at the Legal Boundaries: Controlling the Use of Force in Contemporary Conflict." Political Studies Review 16, no. 1 (October 25, 2017): NP48. http://dx.doi.org/10.1177/1478929917723871.

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Harrison, R. "Shorter notice. The Collected Works of Jeremy Bentham: Political Tactics. M James, C Blamires, C Pease-Watkin [edd]." English Historical Review 115, no. 462 (June 2000): 744. http://dx.doi.org/10.1093/enghis/115.462.744.

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Harrison, R. "Shorter notice. The Collected Works of Jeremy Bentham: Political Tactics. M James, C Blamires, C Pease-Watkin [edd]." English Historical Review 115, no. 462 (June 1, 2000): 744. http://dx.doi.org/10.1093/ehr/115.462.744.

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34

Evans, Dai Morgan. "Et in Arcadia? The Problems with Ruins." Antiquaries Journal 84 (September 2004): 411–22. http://dx.doi.org/10.1017/s0003581500045959.

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The value of ‘the Ruin’ as a stimulus to reflection on the past and the passage of time was well recognized in the eighteenth and into the nineteenth centuries.1 An essential part of the organic, and therefore changing, ethos of the ruin was that it should be associated with whatever natural vegetation was appropriate and in a state of decay. This is summed up by the Revd William Gilpin's statement in 1786: ‘A Ruin is a sacred thing. Rooted for ages in the soil; assimilated to it and become, as it were, part of it; we consider it as a work of nature, rather than of art'.2 In 1982 David Watkin further concluded that a constant feature of the Picturesque is the subordination of architectural to associational values, which leads to the evocative powers of ruins and also the insistence that architecture is seen as part of its environment.3 Following this approach the ruin is thus seen as in decay (ruined), softened by vegetation and an integral part of its wider environment.

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Harman, Jason. "Christopher Watkin, Difficult Atheism: Post-Theological Thinking in Alain Badiou, Jean-Luc Nancy, and Quentin Meillassoux, Review by Jason Harman." Symposium 16, no. 2 (2012): 270–73. http://dx.doi.org/10.5840/symposium201216242.

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Devitt, Emma. "The Consultant InterviewSara Watkin, Andrew Vincent Oxford University Press 2012 Price £24.99. Pp 281 ISBN 978 0 19 959480 1." British Journal of Hospital Medicine 73, no. 4 (April 2012): 237. http://dx.doi.org/10.12968/hmed.2012.73.4.237a.

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37

Desroches, Dominic. "Historical Dictionary of Kierkegaard's PhilosophyJulia Watkin Collection «Historical Dictionaries of Religions, Philosophies, and Movements Series» Londres, Scarecrow Press, 2001, 432 p." Dialogue 44, no. 2 (2005): 405–7. http://dx.doi.org/10.1017/s0012217300006314.

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Wamalwa, Mercy N., James Owuoche, Joshua Ogendo, and Ruth Wanyera. "Multi-Pathotype Testing of Selected Kenyan Wheat Germplasm and Watkin Landraces for Resistance to Wheat Stripe Rust (Puccinia striiformis f. sp tritici) Races." Agronomy 9, no. 11 (November 18, 2019): 770. http://dx.doi.org/10.3390/agronomy9110770.

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Wheat stripe rust, caused by Puccinia striiformis f. sp. tritici (Pst), is one of the key diseases of economic importance in wheat worldwide. Host resistance, which follows the gene-for-gene hypothesis between the host and pathogen, has been used in wheat lines to resolve resistance specificities and postulate resistant genes. The objective of this study was to elucidate stripe rust resistance in a collection of Kenyan wheat lines and Watkin landraces to identify new sources of stripe rust (Yr) resistance. In this study, the resistance in twenty wheat lines was determined by comparing their infection type with those of twenty differential lines using isolates representing twelve Puccinia striiformis races from Kenya, Denmark, U.K., Sweden, and Eritrea at the seedling stage. Among the twenty wheat lines, none was resistant to all the twelve Pst races and isolate DK02d/12 (“Kranich” race) was virulent on all the genotypes except wheat genotype “Kenya Tai.” This genotype (“Kenya Tai”) had the highest resistance as it was resistant to all the twelve stripe rust races used in this study. From this study, the introduction and utilization of wheat genotypes with adult plant resistant (APR) stripe rust genes, such as Yr15, are important in breeding wheat genotypes with effective resistance to wheat stripe rust in Kenya and worldwide.

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Petrie, Duncan. "A Changing Visual Landscape: British Cinematography in the 1960s." Journal of British Cinema and Television 15, no. 2 (April 2018): 204–27. http://dx.doi.org/10.3366/jbctv.2018.0415.

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British cinema of the 1960s offers a productive terrain for the consideration of the significance and contribution of the cinematographer, a rather neglected and marginalised figure in British cinema studies. The work of British practitioners certainly achieved new levels of international recognition during this period, with the award of five Oscars for Best Cinematography between 1960 and 1969, equalling the total from the previous twenty years. A survey of the films made in Britain during the decade also reveals a gradual transformation in visual style: from a predominance of black and white to the ubiquity of colour; from hard-edged, high-contrast lighting to a softer, more diffused use of illumination; from carefully composed images and minimal camera movement to a much freer, more mobile and spontaneous visual register; from the aesthetics of classicism to a much more self-conscious use of form appropriate to a decade associated with a new emphasis on spectacle and sensation. This article will examine major achievements in 1960s British cinematography, focusing on the factors noted above and giving particular consideration to the contribution of a small number of key practitioners including Walter Lassally, David Watkin, Nicolas Roeg and Freddie Young, who individually and collectively helped to affirm the 1960s as a particularly creative period in British cinema.

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SOKOLOV, IGOR M. "A taxonomic review of the anilline genus Zeanillus Jeannel (Coleoptera: Carabidae: Bembidiini) of New Zealand, with descriptions of seven new species, re-classification of the species, and notes on their biogeography and evolution." Zootaxa 4196, no. 1 (November 20, 2016): 1. http://dx.doi.org/10.11646/zootaxa.4196.1.1.

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Based upon external features of adults of the genus Zeanillus ten species are recognized, seven of which are new to science. Because of significant morphological differences, all species are arranged in four subgenera: the nominotypical subgenus Zeanillus, including Z. phyllobius (Broun), Z. punctigerus (Broun), and Z. nunni, new species (New Zealand, South Island, Otago, Trotters George); the monobasic subgenus Brounanillus, new subgenus, including Z. pallidus (Broun); the monobasic subgenus Nunnanillus, new subgenus, including Z. pellucidus, new species (New Zealand, South Island, Otago, Oamaru); and the most species-rich subgenus Otagonillus, new subgenus, including Z. brouni, new species (New Zealand, South Island, Otago, Oamaru), Z. lescheni, new species (New Zealand, South Island, Southland, Waikaia Forest), Z. carltoni, new species (New Zealand, South Island, Otago, Mount Watkin), Z. montivagus, new species (New Zealand, South Island, Otago, North Rough Ridge), and Z. nanus, new species (New Zealand, South Island, Otago, Waipori River Valley). Based on new morphological data, a redescription of genus, redescriptions of previously described species, and descriptions of all new taxa are given and a taxonomic key for all known species is provided. Maps of species distributions and illustrations of main taxonomic characters used in the text are also included. Some biogeographic/evolutionary aspects of Zeanillus origin and diversification are discussed.

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Edwards, E. J., and Thomas Vranken. "“Oscar Wilde's Book”: Early American Reviews of The Picture of Dorian Gray." PMLA/Publications of the Modern Language Association of America 133, no. 1 (January 2018): 199–204. http://dx.doi.org/10.1632/pmla.2018.133.1.199.

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Oscar wilde's only novel, the picture of dorian gray, first appeared in the july 1890 issue of the american periodical lippin- cott's Monthly Magazine? While the sometimes acrimonious reception of the novel in Britain has been routinely noted, less scholarly attention has been paid to the reception of Dorian Gray in the United States. Even when scholars allude to the reaction of the press there, they do so almost always as an afterthought—as a way of juxtaposing the novel's censorious reception in Britain with its supposedly more positive reception across the Atlantic. Thus, in the introduction to his definitive edition of Dorian Gray for Oxford University Press, Joseph Bristow comments in a footnote that he has “found no evidence of outright hostility towards The Picture of Dorian Gray in the American press,” before outlining “the trouncing that Wilde … experienced” in Britain“ (ln101). Similarly, in his general introduction to the ”uncensored“ Dorian Gray for Harvard University Press, Nicholas Frankel notes of the novel, ”To be sure, appreciative and sensitive reviews appeared in Britain and America, but a significant segment of the British press reacted with outright hostility, condemning the novel as ‘vulgar,’ ‘unclean,’ ‘poisonous,’ ‘discreditable,’ and ‘a sham’“ (5). In her contribution on Wilde in the series Bloom's How to Write about Literature, Amy Watkin is even more Manichaean: ”Americans loved it,“ she declares. ”English reviewers did not“ (129).

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Desroches, Dominic. "Julia Watkin, Historical Dictionary of Kierkegaard’s Philosophy. Lanham, Maryland, Scarecrow Press (coll. « Historical Dictionaries of Religions, Philosophies, and Movements », 33), 2001, xx-411 p." Laval théologique et philosophique 61, no. 1 (2005): 216. http://dx.doi.org/10.7202/011519ar.

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Pugsley, David. "The Italian Legal Tradition. By THOMAS GLYNN WATKIN. [Ashgate/Dartmouth. 1997. xiv, 265 and (Index) 14pp. Paperback £18.75 net. ISBN 1–84–014062–3.]." Cambridge Law Journal 58, no. 1 (March 1999): 222–59. http://dx.doi.org/10.1017/s0008197399331111.

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Neufeld, Dane. "Difficult Atheism: Post-Theological Thinking in Alain Badiou, Jean-Luc Nancy and Quentin Meillassoux. By Christopher Watkin. Pp. 281. Edinburgh, Edinburgh University Press, 2011, $101.00." Heythrop Journal 55, no. 4 (May 19, 2014): 755–56. http://dx.doi.org/10.1111/heyj.12120.

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Boothby, William. "Fighting at the Legal Boundaries: Controlling the Use of Force in Contemporary Conflict by K WATKIN [OUP, Oxford, 2016, 631pp, ISBN 9780190457976, £91.00 (h/bk)]." International and Comparative Law Quarterly 66, no. 1 (December 21, 2016): 257–58. http://dx.doi.org/10.1017/s0020589316000488.

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Abramson, Daniel M. "John Soane: An Accidental Romantic Gillian Darley Sir John Soane and the Country Estate Ptolemy Dean Sir John Soane: The Royal Academy Lectures John Soane David Watkin." Journal of the Society of Architectural Historians 60, no. 3 (September 2001): 352–55. http://dx.doi.org/10.2307/991764.

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Zargar-Shoshtari, Kamran, Pranav Sharma, and Philippe E. Spiess. "Re: Oliver W. Hakenberg, Eva M. Compérat, Suks Minhas, Andrea Necchi, Chris Protzel, Nick Watkin. EAU Guidelines on Penile Cancer: 2014 Update. Eur Urol 2015;67:142–50." European Urology 67, no. 6 (June 2015): e109-e110. http://dx.doi.org/10.1016/j.eururo.2014.12.014.

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Bordeleau, Anne. "‘The Professor’s Dream’: Cockerell’s Hypnerotomachia Architectura?" Architectural History 52 (2009): 117–45. http://dx.doi.org/10.1017/s0066622x00004160.

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In 1849, after teaching architectural history at the Royal Academy in London for just under a decade, the architect Charles Robert Cockerell (1788-1863) exhibited ‘The Professor’s Dream’, a graphic synopsis of the history of architecture (Fig. 1). Produced in an era dominated by historicism, the drawing operates between the two poles of historical relativism, negotiating the line between accumulation and rationalization. Some nineteenth-century architects, indiscriminately collecting, understood each style to have emerged from the particular conditions of their times, considering them distinct and yet equally valid. Other architects, critically ordering, privileged one style over another, variously justifying themselves on religious, technical, moral or structural imperatives. Cockerell’s ‘Dream’ is ambiguously positioned as a place of showing and a means of knowing, speaking both of an homage to the past and a vision of progress, apparently flattening a thousand years of history but inherently offering the depth of historical experience. David Watkin, Peter Kohane and, more recently, in the context of an exhibition at the Royal Academy, Nick Savage, have interrogated the drawing, the first two paralleling it with Francesco Colonna’s Hypnerotomachia Poliphili (1499), the latter framing it within a tradition of systematic charting of history, and suggesting a possible link to geological charts. While all these interpretations certainly stand, it is essential to recast them within a larger discussion of Cockerell’s understanding of history. Substantiating the different readings of the drawing — against Cockerell’s earlier drawings and surveys, within his architectural theory as expounded in his Royal Academy lectures, and in the larger perspective of the interests he cultivated since the 1820s — this essay brings to the fore the tension between ordering and experiencing, revealing how the architect was interested in the latent interstices between history and time.

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Sigot, Nathalie. "Jeremy Bentham, rights, representation and reform nonsense upon stilts and other writings on the French revolution éd. par Scholfied, ph, Pease-Watkin, C. et Blamires, C. Oxford : Clarendon press, 2002." Cahiers d Économie Politique 48, no. 1 (2005): 203. http://dx.doi.org/10.3917/cep.048.0203.

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50

Robinson, O. F. "Thomas Glyn Watkin, AN HISTORICAL INTRODUCTION TO MODERN CIVIL LAW Aldershot: Ashgate, 1999. Laws of the Nations Series, ix and 498 pp (incl index). ISBN 85521 851 8 (hb). £65." Edinburgh Law Review 4, no. 2 (May 2000): 252. http://dx.doi.org/10.3366/elr.2000.4.2.252.

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Journal articles on the topic 'Watkin'

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