Academic literature on the topic 'Watercolor painting 19th century'
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Journal articles on the topic "Watercolor painting 19th century"
Qu, Yifeng. "Interpretations of Rice Paper Watercolor Painting in Art Teaching." Review of Educational Theory 3, no. 1 (March 30, 2020): 62. http://dx.doi.org/10.30564/ret.v3i1.1635.
Full textDemchenko, Alexander I. "The Great Saratov Triad of the Early 20th Century." ICONI, no. 3 (2019): 52–64. http://dx.doi.org/10.33779/2658-4824.2019.3.052-064.
Full textFomicheva, Daria Vladimirovna. ""Picturesque graphics": three pencil technique, multi-layered charcoal drawing." Secreta Artis, no. 1 (July 11, 2021): 16–46. http://dx.doi.org/10.51236/2618-7140-2021-4-1-16-46.
Full textMishchenko, Iryna. "Nature and image: a city in the art of Chernivtsi of the 20th – the beginning of the 21st century." National Academy of Managerial Staff of Culture and Arts Herald, no. 2 (September 17, 2021): 149–53. http://dx.doi.org/10.32461/2226-3209.2.2021.239994.
Full textВажкая, М. А. "Icons from the collection of Tatyana Mavrina (1900–1996) in the Department of Private Collections of the Pushkin State Museum of Fine Arts." Iskusstvo Evrazii [The Art of Eurasia], no. 2(25) (June 30, 2022): 80–85. http://dx.doi.org/10.46748/arteuras.2022.02.007.
Full textYadav, Vishal. "RELIGION IN THE COLOR SYSTEM UNDER BADRINATH ARYA." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (December 31, 2014): 1. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3678.
Full textZherdiev, Vitalii V. "A.YE. BEIDEMAN’S MURALS IN ST. ALEXANDER NEVSKY CATHEDRAL IN PARIS IN CONNECTION WITH THE CRIMEAN PERIOD OF THE ARTIST’S OEUVRE." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 41 (2021): 149–62. http://dx.doi.org/10.17223/22220836/41/12.
Full textPardayev, Bakhtiyor A., and Mirolim I. Khudoiberdiyev. "TO DEVELOP THE SKILLS AND COMPETENCIES OF WATERCOLORS FOR FUTURE TEACHERS OF FINE ARTS." CURRENT RESEARCH JOURNAL OF HISTORY 03, no. 02 (February 1, 2022): 18–25. http://dx.doi.org/10.37547/history-crjh-03-02-04.
Full textTatham, David, Albert Boime, Elizabeth Johns, and John Wilmerding. "19th-Century American Painting." Art Journal 51, no. 4 (1992): 95. http://dx.doi.org/10.2307/777290.
Full textWrede, Maria, Maria Brynda, and Zofia Głowicka. "Informacja o zbiorach dawnego Muzeum Księży Marianów im. ks. Józefa Jarzębowskiego w Fawley Court (Wielka Brytania) – obecnie w Muzeum im. ks. Józefa Jarzębowskiego w Licheniu Starym koło Konina." Z Badań nad Książką i Księgozbiorami Historycznymi 14, no. 1 (March 24, 2020): 63–89. http://dx.doi.org/10.33077/uw.25448730.zbkh.2020.182.
Full textDissertations / Theses on the topic "Watercolor painting 19th century"
Hearn, Richard Paul Joseph. "The production of paintings in watercolours in early 19th century Britain : the shift from oil-supremacy to watercolour-ascendancy." Thesis, University of Sussex, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.358977.
Full textLee, Sai-chong Jack, and 李世莊. "China trade painting: 1750s to 1880s." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B45015442.
Full textGill, Laura Fox. "Peripheral vision : the Miltonic in Victorian painting, poetry, and prose, 1825-1901." Thesis, University of Sussex, 2017. http://sro.sussex.ac.uk/id/eprint/72673/.
Full textSprague, Abbie Noel. "The craftsman painters of the arts and crafts movement." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609045.
Full textHoene, Katherine Anne. "Tracing the Romantic impulse in 19th-century landscape painting in the United States, Australia, and Canada." Thesis, The University of Arizona, 2000. http://hdl.handle.net/10150/278748.
Full textDudley, Ian A. "Edward Goodall's 'Sketches in British Guiana' : art, anthropography and colonialism in 19th century Amazonia." Thesis, University of Essex, 2017. http://repository.essex.ac.uk/20121/.
Full textLam, Lai Sing. "Origins and development of the traditional Chinese roof : 16th century B.C.-19th century A.D." Thesis, Queensland University of Technology, 2001.
Find full textAnesti, Maria. "'La femme modèle' from the first communicant to the affectionate mother : a dialogue between painting and moral discourse under the early Third Republic (1870-1900)." Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/7574.
Full textPasco, Hélène. "When 19th century painters prepared organic-inorganic hybrid gels : physico-chemical study of « gumtions »." Electronic Thesis or Diss., Sorbonne université, 2019. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2019SORUS296.pdf.
Full textMediums were used by painters in order to modify the texture and drying properties of their paint. During the 19th century, British artists developed a particular medium made of siccative oil, mastic resin and lead acetate trihydrate. The so-called “gumtions” form gel-like materials in a relatively short time, outperforming the existing paint media. This thesis contributes unveiling the chemical processes involved in the formation and ageing of gumtions. As a first step, we focused on mastic resin since it is a key component for the preparation of gumtion. The triterpenic fraction of the resin was identified and quantified using GC and GC/MS. Moreover, we took advantage of Spectroscopic Ellipsometry so as to study the optical properties of varnish thin films as well as their behaviour (swelling) under various atmospheres. Then, we reproduced historical recipes that helped us afterwards to define simplified formulations to deepen the understanding of the chemical interactions between the gel components, made of oleanolic acid (commercial triterpenoid) and a lead compound (acetate or oxide). They were investigated at dierent scales by spectroscopic (FTIR, MASNMR) and supramolecular analyses (Cryo-TEM, SAXS). The use of these complementary techniques gives an overview of the gel’s structure and formation: rapidly, a coordination complex is formed between lead and the carboxylic acid moieties of the triterpenoids, that organizeinto2Dobjectsleadingtothesolid-likebehaviorofthematerial. After few months ageing, we observed the self-assembly of crystalline nanoparticles into lamellar structures, witnessing the dynamic occurring in the material even after gelation.bly of crystalline nanoparticles into lamellar structures, witnessing the dynamic occurring in the material even after gelation
Filippa, Kenne. "The object biography of Breakfast-Piece by Nicolaes Gillis : The reception of Netherlandish art in Sweden during the 19th century." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-182722.
Full textBooks on the topic "Watercolor painting 19th century"
19th century maritime watercolours. Newton Abbot: David & Charles, 1989.
Find full textSillevis, John. Dutch watercolours of the 19th century from the printroom of the Rijksmuseum Amsterdam. Amsterdam: Prentenkabinet Rijksmuseum, 1985.
Find full textNewall, Christopher. Victorian watercolours. Oxford: Phaidon, 1987.
Find full textGosudarstvennyĭ russkiĭ muzeĭ (Saint Petersburg, Russia), ed. Drawing and watercolours in Russian culture: First half of the 19th century. Saint Petersburg: Palace Editions, 2005.
Find full textMartha, Terrill, Shibuya Kuritsu Shōtō Bijutsukan, Nihon Keizai Shinbunsha, and Nabio Bijutsukan, eds. Amerika no suisaiga: Hoissurā kara Waiesu made = Contemplating the American watercolor : an artist's guide to the Transco Collection of 19th and 20th century watercolors. [Tokyo]: Shibuya Kuritsu Shōtō Bijutsukan, 1988.
Find full textde, Bodt Saskia, Sellink Manfred, Frick Art Museum (Pittsburgh, Pa.), Columbia Museum of Art, and Grand Rapids Art Museum, eds. Nineteenth century Dutch watercolors and drawings from the Museum Boijmans Van Beuningen, Rotterdam. Alexandria, VA: Art Services International, 1998.
Find full textVirginia, Anderson, Fogg Art Museum, and Harvard University Art Museums, eds. The last Ruskinians: Charles Eliot Norton, Charles Herbert Moore, and their circle. Cambridge, Mass: Harvard University Art Museums, 2007.
Find full textVisions of Venice. Newton Abbot: David & Charles, 1990.
Find full textYale Center for British Art., ed. British watercolors: Drawings of the 18th and 19th centuries from the Yale Center for British Art. New York: Hudson Hills Press, in association with the Yale Center for British Art and the American Federation of Arts, 1985.
Find full textW, Huseman Ben, and Amon Carter Museum of Western Art., eds. Wild river, timeless canyons: Balduin Möllhausen's watercolors of the Colorado. Fort Worth, Tex: Amon Carter Museum, 1995.
Find full textBook chapters on the topic "Watercolor painting 19th century"
Eitner, Lorenz. "French Landscape." In An Outline of 19th Century European Painting, 197–223. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-8.
Full textEitner, Lorenz. "David and His School." In An Outline of 19th Century European Painting, 15–54. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-2.
Full textEitner, Lorenz. "British Neoclassicism and William Blake." In An Outline of 19th Century European Painting, 75–99. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-4.
Full textEitner, Lorenz. "English Landscape." In An Outline of 19th Century European Painting, 121–54. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-6.
Full textEitner, Lorenz. "Edouard Manet, 1832-1883." In An Outline of 19th Century European Painting, 289–312. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-11.
Full textEitner, Lorenz. "Academic and Salon Painters." In An Outline of 19th Century European Painting, 269–87. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-10.
Full textEitner, Lorenz. "Francisco José de Goya y Lucientes, 1746-1828." In An Outline of 19th Century European Painting, 55–73. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-3.
Full textEitner, Lorenz. "Impressionism." In An Outline of 19th Century European Painting, 334–418. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-13.
Full textEitner, Lorenz. "Edgar Degas, 1834-1917." In An Outline of 19th Century European Painting, 313–31. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-12.
Full textEitner, Lorenz. "Introduction." In An Outline of 19th Century European Painting, 1–13. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-1.
Full textConference papers on the topic "Watercolor painting 19th century"
Lu, Zhang. "THE INTERTEXTUALITY OF RUSSIAN LITERATURE AND RUSSIAN PAINTING IN THE 19TH CENTURY." In INNOVATIONS IN THE SOCIOCULTURAL SPACE. Amur State University, 2020. http://dx.doi.org/10.22250/iss.2020.21.
Full textFarhangpour, Yasaman. "THE EFFECTS OF AESTHETIC HEDONISM IN PAINTING RESTORATION IN THE 19TH CENTURY." In 2nd Arts & Humanities Conference, Florence. International Institute of Social and Economic Sciences, 2018. http://dx.doi.org/10.20472/ahc.2017.002.001.
Full textZhang, Xiaojie. "The Painting Technical Characteristics and Sources of Hungarian Painter MihALy MunkACsy in the 19th Century." In 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icadce-18.2018.65.
Full textMorozova, Anna Valentinovna. "THE DEVELOPMENT OF RUSSIAN PERCEPTION OF SPANISH PAINTING IN THE PERIOD FROM THE MIDDLE OF THE 19TH CENTURY TO THE BEGINNING OF THE 20TH CENTURY." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b41/s12.004.
Full textIstrate, George Dan. "The image of the other in titles pertaining to visual arts. References to painting." In International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/56.
Full textKushida, Maria. "Образ писателя-художника как коммуникативный феномен." In Пражская Русистика 2020 – Prague Russian Studies 2020. Charles University, Faculty of Education, 2020. http://dx.doi.org/10.14712/9788076032088.16.
Full textNivat, Georges. "“TRACTS OF RUSSIAN MEMORY” OR THE MAIN “NESTS” OF MEMORY IN RUSSIA." In 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2022. http://dx.doi.org/10.21638/11701/9785288062353.02.
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