Academic literature on the topic 'Warlpiri (Australian people) Art'
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Journal articles on the topic "Warlpiri (Australian people) Art"
Meakins, Felicity, and Carmel O’Shannessy. "Typological constraints on verb integration in two Australian mixed languages,." Journal of Language Contact 5, no. 2 (2012): 216–46. http://dx.doi.org/10.1163/19552629-006001001.
Full textCurran, Georgia. "Desert Dreamers: With the Warlpiri People of Australia, by Barbara Glowczewski." Anthropological Forum 27, no. 3 (June 27, 2017): 281–83. http://dx.doi.org/10.1080/00664677.2017.1345454.
Full textShaw, Margaret. "AARTI: Australian Art Index." Art Libraries Journal 11, no. 1 (1986): 17–20. http://dx.doi.org/10.1017/s0307472200004454.
Full textBeudel, Saskia, and Margo Daly. "Gallant Desert Flora: Olive Pink’s Australian Arid Regions Flora Reserve." Historical Records of Australian Science 25, no. 2 (2014): 227. http://dx.doi.org/10.1071/hr14016.
Full textWilczyńska, Elżbieta. "The Return of the Silenced: Aboriginal Art as a Flagship of New Australian Identity." Australia, no. 28/3 (January 15, 2019): 71–84. http://dx.doi.org/10.7311/0860-5734.28.3.07.
Full textButler, Sally. "Inalienable Signs and Invited Guests: Australian Indigenous Art and Cultural Tourism." Arts 8, no. 4 (December 6, 2019): 161. http://dx.doi.org/10.3390/arts8040161.
Full textDaley, Linda. "This Photograph, These People and the Invention of Australian Indigenous Art." Third Text 24, no. 6 (October 29, 2010): 665–79. http://dx.doi.org/10.1080/09528822.2010.517915.
Full textHARRIS, AMANDA. "Representing Australia to the Commonwealth in 1965: Aborigiana and Indigenous Performance." Twentieth-Century Music 17, no. 1 (October 24, 2019): 3–22. http://dx.doi.org/10.1017/s1478572219000331.
Full textCox, Anna, and Victoria Clydesdale. "Re-engaging disenfranchised Australian youth with education through explorations of self-identity, experiences and expression in Art." Polish Journal of Educational Studies 71, no. 1 (December 1, 2018): 171–84. http://dx.doi.org/10.2478/poljes-2018-0014.
Full textGoldstein, Ilana Seltzer. "Visible art, invisible artists? the incorporation of aboriginal objects and knowledge in Australian museums." Vibrant: Virtual Brazilian Anthropology 10, no. 1 (June 2013): 469–93. http://dx.doi.org/10.1590/s1809-43412013000100019.
Full textDissertations / Theses on the topic "Warlpiri (Australian people) Art"
Rivett, Mary I. "Yilpinji art 'love magic' : changes in representation of yilpinji 'love magic' objects in the visual arts at Yuendumu /." Title page, table of contents and abstract only, 2005. http://web4.library.adelaide.edu.au/theses/09ARAH.M/09arah.mr624.pdf.
Full textCoursework. "January, 2005" Bibliography: leaves 108-112.
Stotz, Gertrude, and mikewood@deakin edu au. "Kurdungurlu got to drive Toyota: Differential colonizing process among the Warlpiri." Deakin University, 1993. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20051110.142617.
Full textCarroll, Peter J. "The old people told us: verbal art in Western Arnhem Land." Phd thesis, University of Queensland, 2022. http://hdl.handle.net/1885/268560.
Full textLang, Ian William, and n/a. "Conditional Truths: Remapping Paths To Documentary 'Independence'." Griffith University. Queensland College of Art, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20031112.105737.
Full textNiblett, Michael. "Text and context : some issues in Warlpiri ethnography." Master's thesis, 1992. http://hdl.handle.net/1885/112873.
Full textStotz, Gertrude. ""Kurdungurlu got to drive Toyota": differential colonizing process among the Warlpiri." Phd thesis, 1993. http://hdl.handle.net/1885/268808.
Full textSathre, Eric L. "Everyday illness : discourse, action, and experience in the Australian desert." Phd thesis, 2003. http://hdl.handle.net/1885/148617.
Full textDussart, Francoise. "Warlpiri women's yawulyu ceremonies : a forum for socialization and innovation." Phd thesis, 1988. http://hdl.handle.net/1885/112716.
Full textMacneil, Roderick Peter. "Blackedout : the representation of Aboriginal people in Australian painting 1850-1900." 1999. http://repository.unimelb.edu.au/10187/1063.
Full textThe figures of Aboriginal people formed a significant presence in Australian painting from the moment of first contact in the late eighteenth century until well into the nineteenth century. I argue that in paintings of the Australian landscape, as well as in portraiture and figure studies produced in the second half of the nineteenth century, images of Aboriginal people were used to signify the primordial difference of the antipodean landscape. In these paintings, Aboriginality emerged as a motif of Australia’s precolonial past: a timeless, arcadian realm that preceded European colonisation, and in which Aboriginal people enjoyed uncontested possession of the Australian landscape. This uncolonised landscape represented the antithesis of colonial civilisation, both spatially and temporally distinct from the colonial nation.
I argue that prior to Federation in 1901, Australian national identity was dependent upon the recognition and construction of a ‘difference’ that was seen to be implicit within the Australian landscape itself. This sense of difference derived from the settlers’ perception of the Australian environment, and became embodied in those objects which appeared most ‘different’ from settlers’ notion of the familiar. Colonial artists drew upon an iconography based upon this recognition of difference to signify the geographical identity of the landscape which they painted. Aboriginal people were central to these icons of ‘Australian-ness’. Further, the association of Aboriginal people with a precolonial Australia served to rationalise acts of colonial dispossession.
Representations of Aboriginal people dressed in a traditional manner, as well as those in which they are portrayed in European costume as ‘white but not quite’, underwrote colonial assertions of Aboriginal ‘primitiveness’ and precluded Aboriginal participation in the foundation of the Australian nation. The strengthening nationalist movement of the 1880s and 1890s meant that a new iconography was needed, one in which the triumph of the white settler culture over indigenous cultures could be celebrated. As a result, Aboriginal people began to disappear from the canvases of Australian artists, replaced by ‘white Aborigines’, who symbolised a new depth in the relationship between setter-Australia and the landscape itself. As well and more broadly, they were replaced by the image of the white frontiersman, the leitmotif of settler culture. This exclusion of Aboriginal people from the conceptualisation of the Australian nation reflects not only their ‘disenfranchisement’ within Australian society, but more significantly reveals the effectiveness with which a visual discourse of ‘Australia’ painted Aboriginal people out of existence.
Keller, Christiane. "'Nane Narduk Kunkodjgurlu Namarnbom' : 'This is my idea' : innovation and creativity in contemporary Rembarrnga sculpture from the Maningrida region." Phd thesis, 2006. http://hdl.handle.net/1885/151065.
Full textBooks on the topic "Warlpiri (Australian people) Art"
Remembering the future: Warlpiri life through the prism of drawing. Canberra, ACT: Aboriginal Studies Press, 2014.
Find full textMichaels, Eric. Bad Aboriginal art: Tradition, media, and technological horizons. Minneapolis: University of Minnesota Press, 1994.
Find full textWarlukurlangu Artists (Group : N.T.) and Australian Institute of Aboriginal Studies., eds. Kuruwarri =: Yuendumu doors. Canberra: Australian Institute of Aboriginal Studies, 1987.
Find full textCommissioner, Australia Aboriginal Land. Jila (Chilla Well) Warlpiri Land claim: Report. Canberra: Australian Govt. Pub. Service, 1988.
Find full textGlowczewski, Barbara. Les rêveurs du désert: Aborigènes d'Australie, les Warlpiri. Paris: Plon, 1989.
Find full textJordan, Ivan. Their way: Towards an indigenous Warlpiri Christianity. Darwin NT: Charles Darwin University, 2003.
Find full textSimpson, Jane Helen. Warlpiri morpho-syntax: A lexicalist approach. Dordrecht: Kluwer Academic, 1991.
Find full textThe Manga-Manda settlement, Phillip Creek: An historical reconstruction from written, oral, and material evidence. [Townsville, Old., Australia]: Material Culture Unit, James Cook University of North Queensland, 1985.
Find full textWalbiri iconography: Graphic representation and cultural symbolism in a central Australian society. Chicago: University of Chicago Press, 1986.
Find full textGlowczewski, Barbara. Du rêve à la loi chez les aborigènes: Mythes, rites et organisation sociale en Australie. Paris: Presses universitaires de France, 1991.
Find full textBook chapters on the topic "Warlpiri (Australian people) Art"
Glowczewski, Barbara. "Warlpiri Dreaming Spaces: 1983 and 1985 Seminars with Félix Guattari." In Indigenising Anthropology with Guattari and Deleuze, 81–113. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474450300.003.0003.
Full textVaarzon-Morel, Petronella. "Reconfiguring Relational Personhood among Lander Warlpiri." In People and Change in Indigenous Australia. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824867966.003.0005.
Full textBurke, Paul. "Bold Women of the Warlpiri Diaspora Who Went Too Far." In People and Change in Indigenous Australia. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824867966.003.0002.
Full textMulvaney, Ken. "Without them – what then? People, petroglyphs and Murujuga." In Histories of Australian Rock Art Research, 155–72. ANU Press, 2022. http://dx.doi.org/10.22459/ta55.2022.09.
Full textCarroll, Alison. "People and Partnership: An Australian Model for International Arts Exchanges — The Asialink Arts Program, 1990–2010." In Contemporary Asian Art and Exhibitions: Connectivities and World-making. ANU Press, 2014. http://dx.doi.org/10.22459/caae.11.2014.11.
Full textGlowczewski, Barbara. "Lines and Criss-Crossings: Hyperlinks in Australian Indigenous Narratives." In Indigenising Anthropology with Guattari and Deleuze, 281–96. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474450300.003.0010.
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