Academic literature on the topic 'War poetry, English – History and criticism'
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Journal articles on the topic "War poetry, English – History and criticism"
Kinkley, Jeffrey C. "The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China. By David Der-Wei Wang. [Berkeley, Los Angeles and London: University of California Press, 2004. 402 pp. ISBN 0-520-23140-6.]." China Quarterly 182 (June 2005): 439–41. http://dx.doi.org/10.1017/s0305741005270261.
Full textMuttaleb, Fuad Abdul. "The Anti-War Poetry of Herbert Read: “Kneeshaw Goes to War” as an Example." World Journal of English Language 12, no. 5 (June 16, 2022): 334. http://dx.doi.org/10.5430/wjel.v12n5p334.
Full textArmstrong, Isobel. "The First Post: Victorian Poetry and Post-War Criticism." Journal of Victorian Culture 8, no. 2 (January 2003): 292–304. http://dx.doi.org/10.3366/jvc.2003.8.2.292.
Full textCarlson, David R. "Erasmus and the War-Poets in 1513." Erasmus Studies 34, no. 1 (2014): 5–49. http://dx.doi.org/10.1163/18749275-03401004.
Full textBula, Andrew. "Literary Musings and Critical Mediations: Interview with Rev. Fr Professor Amechi N. Akwanya." Journal of Practical Studies in Education 2, no. 5 (August 6, 2021): 26–31. http://dx.doi.org/10.46809/jpse.v2i5.30.
Full textRibeiro S C Thomaz, Julia. ""Knowing you will understand”: The Usage of Poetry as a Historical Source about the Experience of the First World War." Revista Alicantina de Estudios Ingleses, no. 31 (December 15, 2018): 109. http://dx.doi.org/10.14198/raei.2018.31.07.
Full textHuisman, Rosemary. "Facing the Eternal Desert: Sociotemporal Values in Old English Poetry." KronoScope 17, no. 2 (September 6, 2017): 231–53. http://dx.doi.org/10.1163/15685241-12341385.
Full textWolwacz, Andrea Ferras. "TOM PAULIN'S POETRY OF TROUBLES." Organon 34, no. 67 (December 9, 2019): 1–23. http://dx.doi.org/10.22456/2238-8915.96943.
Full textDeair, Raghad Shakir. "Fadwa Tuqan's Anti-War Poetry: A Cry against Zionism." Galore International Journal of Applied Sciences and Humanities 6, no. 1 (May 10, 2022): 44–52. http://dx.doi.org/10.52403/gijash.20220107.
Full textSarah Lee, Sze Wah. "Anglo-French Poetic Exchanges in the Little Magazines, 1908–1914." Modernist Cultures 16, no. 3 (August 2021): 340–66. http://dx.doi.org/10.3366/mod.2021.0338.
Full textDissertations / Theses on the topic "War poetry, English – History and criticism"
McArthur, Kathleen Maureen. "The heroic spirit in the literature of the Great War." Thesis, University of Cape Town, 1989. http://hdl.handle.net/11427/23680.
Full textRichards, Alan. "Not the way you thought it was, a paradoxical modernist aesthetic in Canadian poetry." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ60338.pdf.
Full textGoodland, Giles. "Modernist poetry and film of the Home Front, 1939-45." Thesis, University of Oxford, 1992. http://ora.ox.ac.uk/objects/uuid:cbc4f071-0e64-4a07-866d-ba83359262cb.
Full textLynch, Éadaoín. "'This may be my war after all' : the non-combatant poetry of W.H. Auden, Louis MacNeice, Dylan Thomas, and Stevie Smith." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/16566.
Full textBoykin, Dennis Joseph. "Wartime text and context Cyril Connolly's Horizon /." University of Sydney, 2007. http://hdl.handle.net/2123/1959.
Full textThis thesis examines the literary journal Horizon, its editor Cyril Connolly, and a selection of its editorial articles, poems, short stories and essays in the context of the Second World War, from 1939-45. Analyses of these works, their representation of wartime experience, and their artistic merit, serve as evidence of a shared and sustained literary engagement with the war. Collectively, they demonstrate Horizon’s role as one of the primary outlets for British literature and cultural discourse during the conflict. Previous assessments of the magazine as an apolitical organ with purely aesthetic concerns have led to enduring critical neglect and misappraisal. This thesis shows that, contrary to the commonly held view, Horizon consistently offered space for political debate, innovative criticism, and war-relevant content. It argues that Horizon’s wartime writing is indicative of the many varied types of literary response to a war that was all but incomprehensible for those who experienced it. These poems, stories and essays offer a distinctive and illuminating insight into the war and are proof that a viable literary culture thrived during the war years. This thesis also argues that Horizon, as a periodical, should be considered as a creative entity in and of itself, and is worthy of being studied in this light. The magazine’s constituent parts, interesting enough when considered separately, are shaped, informed, and granted new shades of meaning by their position alongside other works in Horizon. Chapters in the thesis cover editorials and editing, poetry, short stories, political essays, and critical essays respectively. Analyses of individual works are situated in the context of larger concerns in order to demonstrate the coherence of debate and discourse that characterised Horizon’s wartime run. In arguing that Horizon is a singular creative entity worthy of consideration in its own right, this thesis locates itself within the emerging field of periodical studies. Further, by arguing that the magazine demonstrates the value of Second World War literature, it articulates with other recent attempts to reassess the scope and quality of that literature. More specifically, this thesis offers the first focused and in-depth analysis of Horizon’s formative years.
Travis, Isabelle. "The poetry of pain : trauma, madness and suffering in post-World War II American poetry." Thesis, University of Reading, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.553108.
Full textKokotailo, Philip 1955. "Appreciating the present : Smith, Sutherland, Frye, and Pacey as historians of English-Canadian poetry." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39772.
Full text貝雪菁 and Suet-ching Whitty Bui. "A study of Du Fu's (712-770) war poems." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B43208757.
Full textMcWha, Matthew. "Voices of Vietnam : a monumental poetry of trauma." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=20448.
Full textEmig, Rainer. "The end of modernism in English poetry." Thesis, University of Oxford, 1992. http://ora.ox.ac.uk/objects/uuid:c02149d4-6f3b-4368-b20e-d8e669514ccf.
Full textBooks on the topic "War poetry, English – History and criticism"
Second World War poetry in English. London: Greenwich Exchange, 2013.
Find full textParfitt, George. English poetry of the First World War: Contexts and themes. London: Harvester Wheatsheaf, 1990.
Find full textSelf, David. Poetry of World War I. Cheltenham: Stanley Thornes (Publishers), 1989.
Find full text1968-, Lyon Philippa, ed. Twentieth-century war poetry. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2005.
Find full textBritish poetry of the Second World War. London: Macmillan, 1985.
Find full textBritish poetry of the Second World War. New York: St. Martin's Press, 1985.
Find full text1970-, Kendall Tim, ed. The Oxford handbook of British and Irish war poetry. Oxford: Oxford University Press, 2007.
Find full textThe ocean bards: British poetry and the war at sea, 1793-1815. Frankfurt am Main: Lang, 2008.
Find full textHahn, H. George. The ocean bards: British poetry and the war at sea, 1793-1815. Frankfurt am Main: Lang, 2008.
Find full textPoetry in the wars. Newark: University of Delaware Press, 1987.
Find full textBook chapters on the topic "War poetry, English – History and criticism"
"Modernism and criticism." In A Linguistic History of English Poetry, 169–214. Routledge, 2005. http://dx.doi.org/10.4324/9780203978702-14.
Full textCheney, Patrick. "Poetics." In The Oxford History of Poetry in English, 83–100. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198830696.003.0005.
Full textLight, Alison. "Outside History? Stevie Smith, Women Poets and the National Voice." In Alison Light - Inside History, 72–94. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474481557.003.0005.
Full textMcCarthy, Erin A. "Typography, Genre, and Authorship in The Passionate Pilgrim (1599) and Shake-speares Sonnets (1609)." In Doubtful Readers, 57–104. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198836476.003.0003.
Full textPennington, Donald. "John Edward Christopher Hill 1912–2003." In Proceedings of the British Academy Volume 130, Biographical Memoirs of Fellows, IV. British Academy, 2005. http://dx.doi.org/10.5871/bacad/9780197263501.003.0002.
Full textHaltrin-Khalturina, Elena V. "From the English Renaissance Literary History: Sherry, Puttenham, Spenser, and Shakespeare on Fictions." In “The History of Literature”: Non-scientific sources of a scientific genre, 132–58. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0684-0-132-158.
Full textEhlers, Sarah. "The Left Needs Rhythm." In Left of Poetry, 181–218. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469651286.003.0005.
Full textGlaser, Ben. "Introduction." In Critical Rhythm, 1–18. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823282043.003.0001.
Full textCreswell, Robyn. "Modernism in Translation." In City of Beginnings, 1–20. Princeton University Press, 2018. http://dx.doi.org/10.23943/princeton/9780691182186.003.0001.
Full textNorbrook, David. "‘A Fleet of Worlds’: Marvell, Globalisation, and Slavery." In Imagining Andrew Marvell at 400, 88–108. British Academy, 2022. http://dx.doi.org/10.5871/bacad/9780197267073.003.0006.
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