Relevant bibliographies by topics / Walter Burley Griffin

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  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Walter Burley Griffin'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "Walter Burley Griffin"

1

Wensing, Ed. "Walter Burley Griffin is Dead: Long Live Walter Burley Griffin's Planning Ideals!" Urban Policy and Research 31, no. 2 (June 2013): 226–40. http://dx.doi.org/10.1080/08111146.2013.782799.

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Griffin, Dustin. "The writings of Walter Burley Griffin." Australian Planner 45, no. 2 (June 2008): 67. http://dx.doi.org/10.1080/07293682.2008.9982659.

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Turnbull, Jeff. "The Architecture of Walter Burley Griffin: archetypal patterns." Fabrications 15, no. 1 (July 2005): 1–26. http://dx.doi.org/10.1080/10331867.2005.10525200.

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Rubbo, Anna. "MARION MAHONY AND WALTER BURLEY GRIFFIN: A CREATIVE PARTNERSHIP." Architectural Theory Review 1, no. 1 (April 1996): 78–94. http://dx.doi.org/10.1080/13264829609478264.

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Condello, Annette. "Garish Luxury and the “Constructed Landscape”: Transcending the Colour of Opals in the Griffins’ Capitol Theatre." Arts 7, no. 4 (October 3, 2018): 58. http://dx.doi.org/10.3390/arts7040058.

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Walter Burley Griffin and Marion Mahony Griffin synthesized a modern crystallized interior within their Capitol Theatre design (1920–24) in Melbourne. The Capitol’s auditorium, a mine-like cavity, houses a constructed landscape, elucidating the link between architecture and geological references. Ornamented with prefabricated stepped plasterwork, the auditorium is inserted with opal-coloured light technologies. Through the concept of the “constructed landscape”, this article traces the garish luxury elements found within the Griffins’ Capitol auditorium to understand the design associations between Paul Scheerbart’s Expressionist writings on crystal-glass iconography and William Le Baron Jenney’s symbolic crystal cave. The Griffins’ architectural contribution to the Australian entertainment industry conveys both Jugendstil garden effects and Mesoamerican echoes through its elaborative prismatic ridges. Owing to its transcendental opal allusions, the Capitol’s auditorium shows a constructed landscape model and constitutes a form of garish luxury, exemplifying early Australian glamour.
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Freestone, Robert. "Early Historic Preservation in Australia: The Walter Burley Griffin Connection." Landscape Journal 18, no. 1 (1999): 79–87. http://dx.doi.org/10.3368/lj.18.1.79.

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Clarke, Jane H. "Review: Walter Burley Griffin in America by Mati Maldre, Paul Kruty." Journal of the Society of Architectural Historians 55, no. 4 (December 1, 1996): 471–72. http://dx.doi.org/10.2307/991194.

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Lochhead, Ian. "Review: Beyond Architecture: Marion Mahony and Walter Burley Griffin-America, Australia, India." Journal of the Society of Architectural Historians 58, no. 2 (June 1, 1999): 199–201. http://dx.doi.org/10.2307/991485.

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Vernon, Christopher. "Harrison, Peter (ed. Robert Freestone), "Walter Burley Griffin: Landscape Architect" (Book Review)." Town Planning Review 67, no. 3 (July 1996): 381. http://dx.doi.org/10.3828/tpr.67.3.l6183204542753p1.

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Brockwell, Sallyha, and Christopher Chippindale. "Walter Burley Griffin and A Museum of Archaeology at the Heart of Australia’S Capital." Australian Archaeology 60, no. 1 (January 2005): 52–54. http://dx.doi.org/10.1080/03122417.2005.11681805.

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Dissertations / Theses on the topic "Walter Burley Griffin"

1

Banerji, Shiben. "Inhabiting the world : architecture, urbanism, and the global moral-politics of Marion Mahony and Walter Burley Griffin." Thesis, Massachusetts Institute of Technology, 2014. http://hdl.handle.net/1721.1/97375.

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Thesis: Ph. D., Massachusetts Institute of Technology, Department of Architecture, February 2015.
Cataloged from PDF version of thesis.
Includes bibliographical references (pages 271-295).
This dissertation revises the history of internationalism through a study of the American architects Marion Mahony and Walter Burley Griffin, who practiced in the United States, Australia, and India between 1895 and 1949. Unlike previous studies of internationalism, which have focused exclusively on the transfer of architectural and planning knowledge from the putative 'West' to the 'non-West', this dissertation uncovers a global formulation of community proposed within the colonipl periphery. It does so through a sustained analysis of two objects by Mahony and Griffin: Magic of America, an unpublished memoir and political treatise consisting of correspondence and essays, which Mahony compiled and edited between 1938 and 1949, and Castlecrag, a residential suburb along Sydney's Middle Harbour, which Mahony and Griffin developed between 1920 and 1935. Delineating the scope and provenance of their theoretical writings on imperialism, democracy, international conflict, and trade, as well as their design of common property at Castlecrag, this study charts the emergence of a non-nationalist alternative to empire. Concomitantly, it argues that the conceptual sources and motivations for this alternative, global community were far removed from instrumental politics, and flowed instead from a moral-philosophical thesis that evaluative meaning existed in our relations with others. Finally, this dissertation examines how Mahony's and Griffin's written and built work was shaped by the dialectic offin-de-siecle utopianism and International Socialism.
by Shiben Banerji.
Ph. D.
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2

Nichols, David, and david nichols@deakin edu au. "Leading lights: The promotion of garden suburb plans and planners in interwar Australia." Deakin University. School of Australian and International Studies, 2001. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20061208.082527.

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This thesis explores interwar town planning in Australia, focusing on the period of large-scale urban expansion in the 1920’s. It problematises aspects of Australia’s urban planning history, particularly the 1920s ‘garden suburb. It also investigates the question of the use of international planning ideas in Australia, and the assertion or creation of authority by the Australian planning movement. The thesis additionally investigates the use of authoritative planning rhetoric for commercial or creative advantage. The thesis argues that the majority of innovative planning projects in the interwar years took place in the formation and foundation of the garden suburb. It shows that the garden suburb – assumed in much planning history to be an inferior form of Ebenezer Howard’s ‘garden city’ ideal – has, in fact, a number of precedents in 19th century Australian suburbia, some of which were retained in 20th century commercial estate design. Much of the Australian town planner’s authority at this time required recognition and awareness of the interests and needs of the general public, as negotiated through land vendors. As Australians looked to the future, and to the US for guidance, they were invited to invest in speculative real estate development modelled on this vision. The thesis concentrates primarily on the lives, careers and work of the British-Australian architect-planner Sir John Sulman; the Chicagoan architect-planners Marion Mahony and Walter Burley Griffin; and the Australian surveyor-planner Saxil Tuxen. These individuals were among the most prominent planners in Australia in the interwar years. All designed Australian garden suburbs, and combined advocacy with practice in private and public spheres. The thesis examines images and personas, both generic and individual, of the planner and the vendor. It shows that the formulation of the garden suburb and design practices, and the incorporation of international elements into Australian planning, are important in the creation of planning practice and forms. It also outlines the way these continue to have significant impact, in diverse and important ways, on both the contemporary built environment and planning history itself.
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Njoo, Alex Haw Gie, and alexnjoo@bigpond net au. "Organic architecture : its origin, development and impact on mid 20th century Melbourne architecture." RMIT University. Architecture and Design, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20090326.160848.

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Australia in the early 50s followed a decade or so of frenzy activities in the visual arts. This resurgence of Australian art which led to its recognition in the UK and the United States also brought about a renewed recognition in the quality of domestic architecture. New boundaries in the design of the Australian home were being redefined, both in theory as well as in practice. Although the decades between the two Great Wars saw the importation of such influences as the Californian Bungalow and Art Deco styles (shades of Dudok, Mendelsohn etc.), it was during the post-war years that the term organic architecture that was much discussed by a wide range of practitioners of the time. This research aims to trace the journey of organic architecture from its origin to Australia and provide some insight into the workings of those who claimed to have practiced it.
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Turnbull, Jeffrey John. "The Architecture of Newman College." 2004. http://repository.unimelb.edu.au/10187/4871.

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This study engaged with the architecture of the ‘Initial Structure’ at Newman College, 1915-1918, so as to establish this building’s place in the oeuvre of Walter Burley Griffin (1876-1937). Griffin’s architecture at Newman College was unparalleled in Melbourne yet it has never been the subject of a comprehensive study. Further, a measure for Griffin’s creative method and architectural style has not been developed to date although much scholarship has been devoted to the identification of events and works in Griffin’s career. Furthermore a substantive analysis of the architecture of Walter Burley Griffin was lacking that defined and distinguished his work from that of the so-called ‘Prairie School’, and of Frank Lloyd Wright.
Walter Burley Griffin was the conceptual designer of Newman College, while Marion Mahony Griffin (1871-1961), his wife and architectural practice partner was its facilitator. An evaluation of Griffin’s university education, 1895-1899, drew out the compositional concepts of parti, types and architectonics, as his own preferred means of working. Griffin’s mature style in the college design was also indebted to his architectural practice and experiences in Chicago, 1899-1914. An initial assumption in this study was that Griffin was eclectic, as were the American predecessors he admired, Thomas Jefferson and Henry Hobson Richardson, as were Griffin’s contemporaries, Louis Henri Sullivan and Frank Lloyd Wright. Thus the sources of Griffin’s architectural ideas, elements, and methods of composition, have been traced in this study.
American campus designs were surveyed and comparisons made with the other three late 19th Century college buildings at the University of Melbourne to distinguish Griffins’ innovations in college planning, construction and form at Newman College. The description of the commissioning, committee-work and program for the Newman College building revealed the social and political idealism that linked Griffin with his supporters among Melbourne’s Roman Catholic community. Griffin worked with ‘structure’ in mind, both compositional and constructional. Particular partis, typologies and architectonic patterns have been 3 identified in the compositional structures of the college building design. Similarly Griffin’s adaptations of new and exploratory building techniques were investigated.
Griffin’s sources were not only American. He derived inspiration equally from seminal European and Asian precedents, which provided instances of an underlying compositional structure. In the architecture of Newman College the composite plans, mixed construction techniques and materials, and richly layered forms allowed Griffin scope to express ideal college purposes, spiritual universality, and organic wholeness.
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Books on the topic "Walter Burley Griffin"

1

Peter, Harrison. Walter Burley Griffin, landscape architect. [Canberra]: National Library of Australia, 1995.

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2

Griffin, Walter Burley. Walter Burley Griffin in America. Urbana: University of Illinois Press, 1996.

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3

Harrison, Peter. Walter Burley Griffin: Landscape architect. [Canberra]: National Library of Austrailia, 1995.

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Griffin, Walter Burley. The writings of Walter Burley Griffin. New York: Cambridge University Press, 2008.

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5

Adrienne, Kabos, and Weirick James, eds. Building for nature: Walter Burley Griffin and Castlecrag. Castlecrag, NSW, Australia: Walter Burley Griffin Society, 1994.

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6

Grand obsessions: The life and work of Walter Burley Griffin and Marion Mahony Griffin. Camberwell, Vic: Lanter/Penguin Books, 2009.

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7

Griffin, Walter Burley. The Griffins in Australia and India: The complete works and projects of Walter Burley Griffin and Marion Mahony Griffin ; edited by Jeff Turnbull and Peter Y. Navaretti. Victoria, Australia: Miegunyah Press, 1998.

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8

Kruty, Paul, and Mati Maldre. Walter Burley Griffin in America. University of Illinois Press, 1995.

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Kruty, Paul, and Mati Maldre. Walter Burley Griffin in America. University of Illinois Press, 2000.

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Walter Burley Griffin: A re-view. Clayton, Vic., Australia: Monash University Gallery, 1988.

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