Relevant bibliographies by topics / Waka

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Waka'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Waka"

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Morris, Mark. "Waka and Form, Waka and History." Harvard Journal of Asiatic Studies 46, no. 2 (December 1986): 551. http://dx.doi.org/10.2307/2719143.

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Steiner, Christopher B., Jean Paul Delcourt, and Giovanni Franco Scanzi. "Potomo Waka." African Arts 21, no. 3 (May 1988): 84. http://dx.doi.org/10.2307/3336464.

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Carter, Steven D. "Waka and Things, Waka as Things by Edward Kamens." Monumenta Nipponica 75, no. 2 (2020): 317–21. http://dx.doi.org/10.1353/mni.2020.0025.

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Laviolette, Patrick. "‘My Waka Journey’." Anthropological Journal of European Cultures 28, no. 1 (June 1, 2019): 1–6. http://dx.doi.org/10.3167/ajec.2019.280103.

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It’s safe to say that the world of publishing is where much of my academic passion resides. After co-editing EASA’s flagship journal, Social Anthropology/Anthropologie Sociale, with Sarah Green for the past four years, what I feel I most strongly bring to AJEC is an interdisciplinary research profile and an international trajectory. With formative years in Edinburgh and London, I have been exposed to the diverse subfields of human ecology and medical anthropology as well as material, digital and visual culture studies. Indeed, much of my research has occurred in quite multi- or transdisciplinary settings, often dealing with the formulation of British and European sociocultural identities. This parallels the interests of many ethnographers who explore the anthropologies of the familiar or even ‘at home’ topics.
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'Aini, Zahratul, and Tatik Mariyatut Tasnimah. "Optimisme dalam Lirik Lagu Waka-Waka dan Tahayya (Soundtrack Piala Dunia)." Diwan: Jurnal Bahasa dan Sastra Arab 15, no. 2 (March 6, 2024): 108–20. http://dx.doi.org/10.15548/diwan.v15i2.1112.

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The FIFA World Cup is a prestigious football competition held every four years in a different country. The twenty-second world cup in 2022 will be held in Qatar. To enliven the competition, works of various forms emerged as participation that implied a message. The songs Waka-Waka (This Time for Africa) and Tahayya became the soundtrack of the World Cup held in South Africa and Qatar. In this study, researchers sought to uncover the concept of Optimism from two song lyrics from different countries and languages. The method used by the author in this research is descriptive and comparative method. The results showed a difference in the concept of Optimism in the two songs studied, the lyrics of the song Waka-Waka (This Time for Africa) imply the concept of Optimism that can be achieved individually without including elements of religion and solidarity in contrast to the lyrics of the song Tahayya which conveys religious messages as the basis for optimism.
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Oluremi, Tolulope. "Pragmeme of Waka Chants in selected Fidāʼu." Studies in Pragmatics and Discourse Analysis 2, no. 2 (December 31, 2021): 46–62. http://dx.doi.org/10.48185/spda.v2i2.202.

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The paper examined the discursive structure of waka chants as performed by Islamic clerics among the Yoruba Muslims at the event of fidāʼu. This attempt considers waka chants as pragmeme, with particular attention on the language and extra-linguistic cues deployed within the chants, and how the entire situational contexts which condition the waka chants regiment the language use. Eight documented waka chants in honour of some deceased Muslims in South-western Nigeria were sampled. The waka chants which were mainly in the Yoruba language as rendered by Muslim clerics were transcribed and translated to English language for the purpose of analysis. With insights from Mey’s theory of pragmeme, the paper ascertained that waka chants at the event of fidāʼu possess inherent pragmatic forces beyond their invocation to elucidate sermons and lives of a deceased Muslim. Such chants, this paper argues, perform socio-religious actions which are of immense benefits to the living.
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Perkinson, Eliza. "He waka eke noa!" Aotearoa New Zealand Social Work 32, no. 2 (August 5, 2020): 71–72. http://dx.doi.org/10.11157/anzswj-vol32iss2id745.

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Out of the response to Covid-19 emerged a message: he waka eke noa. This whakatauki, which directly translates to mean, “we are all in this together”, was used to unite Aotearoa New Zealand in our efforts against the virus. It refers to a waka of collective consciousness guiding us on the same journey. But were we united? Were we truly in this waka (canoe), of five million together?
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Lim, Chan Soo. "Monjuhyakushu and Teika‘s Waka." Journal of Japanese Studies 61 (September 15, 2020): 135–55. http://dx.doi.org/10.18841/2020.61.06.

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Poutu Morice, Margaret, Alayne Mikahere-Hall, Wiremu Woodard, Cherry Pye, Anna Hinehou Fleming, Verity Armstrong, Anna Poutu Fay, and Zoe Poutu Fay. "Waka Oranga: Personal Reflections." Ata: Journal of Psychotherapy Aotearoa New Zealand 23, no. 2 (February 27, 2020): 35–48. http://dx.doi.org/10.9791/ajpanz.2019.05.

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Being part of the journey of Waka Oranga has been deeply meaningful for all members and their whanau. Below are personal reflections from a range of members of the rōpū and their whānau, in which the writers explore the experience and meaning of their connection to and with this remarkable psychotherapy rōpū.
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Sobczyk, Małgorzata. "Japanese poems as magical formulas: Unveiling the connection to female physiology." Gdańskie Studia Azji Wschodniej, no. 24 (December 2023): 40–55. http://dx.doi.org/10.4467/23538724gs.23.022.19017.

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This paper explores the reinterpreted use of early Japanese short poems tanka (henceforth referred to as waka) as magical formulas, particularly examining Moto yori chiri ni majiwaru…, a pseudo-classical waka attributed to Izumi Shikibu (976–1031) (also to Ono no Komachi, a ninth-century court poetess) and Naniwazu ni saku ya…, a poem recorded in Kokin wakashū [Collection of Ancient and Modern Japanese Poems]. These examples, which are wellfounded in literature, illustrate how waka were repurposed for supernatural applications. The focus is on their practical role in female physiology, particularly as magical formulas to regulate menstrual cycles and ward off impurity caused by menstrual blood. The paper argues that these waka endured through their incorporation into talismans (gofu), and the study includes examples of talismans from the author’s private collection. Through this exploration, it sheds light on the dynamic interplay between waka, Buddhism, and ritualistic purity
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Dissertations / Theses on the topic "Waka"

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Engaz, Gregorio <1994&gt. "Il waka nel presente." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19426.

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L’oggetto di studio di questa tesi è il waka. In particolare si cercherà di illustrare quali siano i valori (politico-ideologico, identitario-culturale,…) e i ruoli (strumento politico, mezzo “patrimonializzante”, stimolo conoscitivo,…) del waka nel discorso pubblico e nella società del Giappone moderno e contemporaneo, attraverso l’analisi critica di vari documenti testuali (discorsi politici, articoli di giornale,…). La metodologia d’indagine avrà natura eclettica, in quanto si utilizzeranno concetti e strumenti analitici tratti da varie tradizioni di pensiero, quali l’Analisi critica del discorso (ACD) di Norman Fairclough, gli studi sulla formazione del canone letterario o le recenti teorie critiche sul patrimonio culturale (critical heritage studies).
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Eketone, Anaru D., and anaru eketone@stonebow otago ac nz. "Tapuwae: waka as a vehicle for community action." University of Otago. Department of Social Work and Community Development, 2005. http://adt.otago.ac.nz./public/adt-NZDU20070501.134015.

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Waka have a special place in the heart of many Maaori. The waka that brought the ancestors of the Maaori to Aotearoa and Te Waipounamu are valued symbols of identity, both culturally and metaphorically. With the effects of colonisation the use of waka as a means of transport disappeared leaving it to re-emerge in the 20th century as a symbol of the revitalisation of Maaori society. Through the construction of waka-taua, ocean going waka and the emergence of waka-ama as a sport, Maaori have endeavoured to reclaim their association to the seas and waterways of New Zealand. This research is a case study of Tupuwae, a kaupapa Maaori injury prevention project using traditional Maaori concepts regarding waka and applying it to a contemporary context. Tapuwae have used this attachment of Maaori to different forms of waka to associate the message of not drinking and driving using purpose-built waka-ama in the southern part of Te Waipounamu. This research identifies some of the wider outcomes that come from a kaupapa Maaori project, but, more importantly it identifies some of the processes that are important in implementing such a project by Maaori living in Otago, outside their tribal boundaries. This research also raises questions about the theoretical underpinnings of kaupapa Maaori theory and argues that there are two threads to this approach, one from a critical theory informed approach and the other from a native theory approach. Key words:Waka, Community Action, Community Development, Kaupapa Maaori, Maaori Development, Maaori Advancement, Native Theory.
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Buck-Albulet, Heidi. "Emotion und Ästhetik : das "Ashiwake obune" - eine Waka-Poetik des jungen Motoori Norinaga im Kontext dichtungstheoretischer Diskurse des frühneuzeitlichen Japan /." Wiesbaden : Harrassowitz, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2631104&prov=M&dok_var=1&dok_ext=htm.

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Lee, Soo Mi. "Princess Shokushi's poetry and its allusions to women's unseen narratives in the Genji Monogatari." Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/4174.

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This thesis aims to offer a scholarly approach to the poetics of Princess Shokushi, one of Japan’s most celebrated and influential female poets of the pre-modem era. Princess Shokushi is generally regarded as a poet of imagination, mainly because she wrote a number of passionate love poems despite her lifelong celibacy, imposed on her by her position as imperial princess. While some scholars conclude that Shokushi’s poetry came from her mastery of the traditional craft and a vigorous poetic imagination, others see her poetry as the personal expression of her innermost feelings and life experiences. Focusing on this controversy over whether or not her poetry is, in fact, based on real life experiences or merely invented—which some claim she did by exploiting the poetic conventions of the Japanese male poets of the day—this paper explores Shokushi’s distinctive poetic expression through her use of the literary technique called honka-dori, allusive variation. This research pays special attention to the poems that allude to The Tale ofGenii and reveals how Shokushi’s frequent allusions to this tale and its characters signal her profound interest in the story beyond the conventional literary trends of her time. Shokushi often refers to the specific female characters in her poems—Oigimi, Ukifune, and Lady Murasaki—, abandoned imperial princesses, whose lack of strong family support leaves them in close confinement deep in the mountains. By examining Shokushi’s poetry in the contexts of this narrative, ultimately, this paper will show how, in alluding to these female characters, Shokushi not only furthers her own image as an isolated imperial princess, but also throws light on these female characters’ inner sufferings, which are unknown to the male characters with whom they associate.
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Kottmann, Ilka, and n/a. "Te Waka! Life histories of two contemporary Polynesian voyaging canoes." University of Otago. Department of Anthropology, 2001. http://adt.otago.ac.nz./public/adt-NZDU20070517.130329.

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This thesis concerns the life-histories of the two contemporary Polynesian vovaging canoes from Aotearoa New Zealand. It documents the background, construction and voyages of Hawaiki Nui (1979 - 1986) built by Matahi Whakataka-Brightwell and Te Aurere (1992 - 1998) built by Hekenukumai Puhipi Busby. It also highlights the historical and cultural significance of waka for Maori and other indigenous Pacific peoples. Based on my field work as a participant in Maori voyaging between 1996 and 1998, I argue that this revival of waka voyaging reaffirms the cultural identities of contemporary Maori and other Polynesians. The case studies of Hawaiki Nui and Te Aurere confirm the ongoing significance of waka not only in Aotearoa New Zealand, but Pacific-wide. Contemporary Polynesian waka voyaging is historically significant as it revives unique Polynesian skills, such as traditional waka-building, navigation and sailing techniques. It is also culturally significant, as it reinforces central Maori (and Polynesian) cultural concepts, such as whakapapa (genealogy ties) and whanaungatanga (sense of belonging). At a time when Maori(as well as other indigenous Pacific peoples) are constantly negotiating and redefining their cultural boundaries within their respective socio-political contexts, Polynesian voyaging waka are reappearing as a strong symbol of Pacific Islanders� cultural identities. As a symbol of a shared seafaring past they create timeless platforms for Maori and other Polynesians to negotiate the boundaries of their cultures.
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Düchting, Wolfgang. "Dichten in der Gesellschaft Tanka-Klubs im modernen Japan unter besonderer Berucksichtigung des Einflusses von Maeda Yûgure /." Hamburg : Gesellschaft für Natur- und Völkerkunde Ostasiens, 2001. http://catalog.hathitrust.org/api/volumes/oclc/47823849.html.

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Guiot, Hélène. "Waka et construction navale : mobilisation de l'environnement et de la société chez les anciens Polynésiens : approche ethno-archéologique." Paris 1, 1997. http://www.theses.fr/1997PA010688.

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Les chercheurs du domaine océanien ont perçu les bateaux des insulaires du pacifique comme le moyen de déplacement des populations anciennes qu'ils étudient. Or, avant d'être l'outil d'une société, le bateau est l'aboutissement d'un procès de production mise en oeuvre par cette même société dans le cadre de son domaine terrestre; le bateau est un matériau d'étude qui reflète les modes de vie et les comportements des sociétés, lorsqu'elles sont en mer surtout lorsqu'elles s'installent, vivent et se développent sur un territoire. Ce travail s'est orienté, dans une démarche ethno-archéologique, vers une étude technologique qui utilise la chaîne opératoire comme outil descriptif et analytique, afin d'exploiter le potentiel d'informations dont est porteur le Waka (terme adopté dans cette étude, qui désigne les embarcations proto-polynésiennes, à balancier ou à double coque) pour la compréhension des modes de vie de l'ancienne société polynésienne. Après avoir établi le procès opératoire de la construction d'un Waka à deux coques (Tipaerua) et d'un Waka à balancier (Va'a motu), à Tahiti, au moment du contact avec les européens, l'étude s'est élargie à un cadre géographique plus vaste, incluant des archipels de Polynésie occidentale et orientale. Cette démarche met en relief des questions d'ordre méthodologique ( limites d'une chaîne opératoire, définition de l'acte technique en Polynésie où le rituel est indissociable de l'action sur la matière). De plus, la construction du Waka, et le Waka lui-même, apparaît comme un fait social total. L'ancienne société polynésienne révèle une pratique efficace de l'agroforesterie et de la sylviculture, impliquant une connaissance intime de l'environnement végétal, et des croyances associées. La détermination de constantes synchroniques et diachroniques et la mise en évidence de la place fondamentale du Waka au sein des anciennes sociétés polynésiennes ouvrent de nouvelles voies de recherche archéologique, théorique ou de "terrain"
Archaeologists of the oceanian area have perceived boats of islanders of the pacific as the way of displacement of ancient populations that they study. Now, before to be the instrument of a human society, the boat is the outcome of a production process brought into action by this society within the framework of its terrestrial area ; the boat is a subject of study that reflects ways of life and behaviors of societies, when they are at sea and especially when they settle, live and develop on a territory. This work has oriented, in an ethno-archaeological view, to a technological study that uses the operating process as analytic and descriptive way, so as to take advantage of the potential of information typical of the waka (term adopted in this study, that designates proto-polunesian -outrigger or double hulled- boats) for the comprehension of ways of life of the ancient polynesian society. After having established the operating process of the construction of a double hulled waka (tipaerua) and an outrigger one (va'a motu) of Tahiti, to the time of the contact with Europeans, the study has widened to a vaster geographical framework, including archipelagoes of oriental and western Polynesia. This approach puts in relief of questions of methodological order (limits of an operating process, definition of the technical act in Polynesia where the ritual is highly complementary of the action on the matter). More, the construction of the waka, and the waka itself, appears as a total social fact (defined by mauss). The ancient polynesian society reveals an efficient practice of the forestry and the forestry, implying an intimate knowledge with the vegetable environment, and beliefs associated. The determination of synchronic and diachronic constants and the obviousness of the fundamental part of the waka for the ancient polynesian society open new prospects for the theoretical and field archaeological research
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Kamakura, Akihiko. "An analysis of the evolution of Japanese Waka poetics in the Heian Period: transformation from private to public." The Ohio State University, 1999. http://rave.ohiolink.edu/etdc/view?acc_num=osu1407233410.

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King, Jeanette Margaret. "Eke ki runga i te waka: the use of dominant metaphors by newly-fluent Māori speakers in historical perspective." Thesis, University of Canterbury. Maori and Indigenous Studies, 2007. http://hdl.handle.net/10092/977.

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In language revitalisation movements the main impetus and passion is often provided by adults who, as second language speakers, have gained fluency in their heritage language. As parents and teachers these adults often have vital roles in the ongoing transmission of the heritage language. This study is based on interviews with thirty-two Māori adults who have each made a strong commitment to becoming a fluent speaker of Māori. The study posited that the informants would have a strongly-held worldview which enabled them to engage with and maintain a relationship with the Māori language. This worldview is expressed through a range of metaphors, the four most frequent being: LANGUAGE IS A PATH, LANGUAGE IS A CANOE, LANGUAGE IS FOOD, LANGUAGE LEARNER IS A PLANT. The worldview articulated by these metaphors has a quasi-religious nature and draws on elements of New Age humanism, a connection with Māori culture and ancestors as well as kaupapa Māori (Māori-orientated and controlled initiatives). The source domains for these metaphors are traced through a study of various Māori sources from the 19th century through to the present day. This study shows how exploitation of these metaphors has changed throughout this time period leading to their current exploitation by the newly-fluent informants. The metaphors preferred by the informants were contrasted with the prominent metaphor LANGUAGE IS A TREASURE, the entailments of which were found to be more relevant to the experience of native speakers. The informants' experience also contrasts with the focus of language planners in that the informants are more focussed on how the Māori language is important for them personally than how they contribute to the revitalisation of the Māori language. These findings have implications for the revitalisation of the Māori language and have relevance for other endangered languages.
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Buck-Albulet, Heidi Motoori Norinaga. "Emotion und Ästhetik das "Ashiwake-obune" - eine Waka-Poetik des jungen Motoori Norinaga im Kontext dichtungstheoretischer Diskurse des frühneuzeitlichen Japan." Wiesbaden Harrassowitz, 2002. http://deposit.ddb.de/cgi-bin/dokserv?id=2631104&prov=M&dok_var=1&dok_ext=htm.

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Books on the topic "Waka"

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Bunko, Daitōkyū Kinen, ed. Waka. [Tokyo]: Daitōkyū Kinen Bunko, 2003.

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century, Jōkaku active 12th, and Reizei-ke Shiguretei Bunko, eds. Waka shogakushō: Kuden waka shakushō. Tōkyō: Asahi Shinbunsha, 2005.

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Reimeikai, Tokugawa. Waka dairin shō. Sanzenshu waka. Wasuregusa. Kyōto-shi: Shibunkaku Shuppan, 1990.

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1922-, Inukai Kiyoshi, ed. Waka daijiten. Tōkyō: Meiji Shoin, 1986.

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Dunfawa, Atiku Ahmad. Ma'aunin waka. Kano: Garkuwa Publishers, 2003.

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Imadegawa, Harusue. Waka shokugenshō. Tōkyō: Heibonsha, 2007.

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Takano, Haruyo. Genji monogatari no waka: Genjimonogatari no waka. Tōkyō: Kasama Shoin, 2011.

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"Waka Bungaku Daijiten" Henshū Iinkai. Waka bungaku daijiten: Dictionary of waka poetry. Chiba-ken Chiba-shi: Koten Raiburarī, 2014.

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1956-, Kanechiku Nobuyuki, and Tabuchi Kumiko 1957-, eds. Waka o rekishi kara yomu: Waka Bungakkai ronshū. Tōkyō: Kasama Shoin, 2002.

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1926-, Shimazu Tadao, and Ariyoshi Tamotsu 1927-, eds. Kinsei no waka. Tōkyō: Benseisha, 1994.

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Book chapters on the topic "Waka"

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Hepburn, Christopher. "Fluid Mechanics, or On Interpreting Waka Musically." In Defining Waka Musically, 39–62. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-36716-8_3.

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Hepburn, Christopher. "Liquid Love, or On Five Premodern Songs of Male Love." In Defining Waka Musically, 63–80. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-36716-8_4.

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Hepburn, Christopher. "Cursed Questions, or An Introduction to Defining Waka Musically." In Defining Waka Musically, 1–10. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-36716-8_1.

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Hepburn, Christopher. "Dissolve, or Revisiting Defining Waka Musically." In Defining Waka Musically, 81–87. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-36716-8_5.

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Hepburn, Christopher. "Foreplay, or on Defining Waka Musically." In Defining Waka Musically, 11–38. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-36716-8_2.

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Tashiro, Kazuha. "Mount Fuji and waka poetry." In Multidisciplinary Studies of the Environment and Civilization, 69–75. Abingdon, Oxon ; New York, NY : Routledge, 2017. | Series:: Routledge, 2017. http://dx.doi.org/10.4324/9781315190273-6.

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Zhao, Yue. "A Study on the Word “Sleeve” in Japanese Waka." In Proceedings of the 2022 International Conference on Diversified Education and Social Development (DESD 2022), 30–36. Paris: Atlantis Press SARL, 2022. http://dx.doi.org/10.2991/978-2-494069-37-4_6.

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Cucinelli, Diego. "幻の春の声. 近現代日本文学における「亀鳴く」/ The illusory voice of the spring: the motif of ‘crying turtle’ in modern and contemporary Japanese literarure." In Studi e saggi, 29–50. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-260-7.02.

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The turtle (kame) is of great importance in East Asian culture and it is seen as a supernatural creature. In Japanese literature, we can find examples of the turtle in works dating back to the Nara period, such as Tangokuni fudoki and Nihonshoki. Just like the crane, the turtle is a symbol of longevity. However, from the Kamakura period a new and unique interpretation of the turtle as the “singing/crying turtle” makes its appearance. Of this topos, known as kame naku, we can find only very few examples in literature until the Meiji era and the most known are the waka anthologies Shinsen waka rokujō and Fuboku wakashō, and Kyokutei Bakin’s kigo collection Haikai saijiki shiorigusa. However, from the beginning of the modern age, kame naku has been used by many poets as a kigo connected to spring and its frequency has hugely increased. After the war, it began to appear not only in poetry but also in novels and essays. The best known examples of this being Mishima Yukio’s short novel Chūsei, Uchida Hyakken’s essay Kame naku ya, Kawakami Hiromi’s work Oboreru. Using kame naku as a keyword, in this paper we will analyze the attitudes and approaches of modern and contemporary poets and novelists toward the topos.
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Sawyer, Caroline. "In the Waka of Kupe: The Long Journey to Aotearoa New Zealand." In Ius Comparatum - Global Studies in Comparative Law, 517–62. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-99508-3_12.

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Nagatsuka, Takashi, and Ching-chih Chen. "Global Memory Net Offers New Innovative Access to Tsurumi’s Old Japanese Waka Poems and Tales, and Maps." In Digital Libraries: Implementing Strategies and Sharing Experiences, 149–57. Berlin, Heidelberg: Springer Berlin Heidelberg, 2005. http://dx.doi.org/10.1007/11599517_17.

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Conference papers on the topic "Waka"

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Li, Yaling. "Research on Rhetoric Art of Japanese Waka." In 2016 International Conference on Economy, Management and Education Technology. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemet-16.2016.331.

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Ikegami, Aiha, and Takafumi Nakanishi. "Interpretable Predictive Results in Classification of Waka Poets." In 2022 12th International Congress on Advanced Applied Informatics (IIAI-AAI). IEEE, 2022. http://dx.doi.org/10.1109/iiaiaai55812.2022.00092.

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Gaddam, A., K. O. Lundqvist, J. Citizen, and D. B. Calixto. "IoT and wireless sensor network for interactive waka structure." In 2017 Eleventh International Conference on Sensing Technology (ICST). IEEE, 2017. http://dx.doi.org/10.1109/icsenst.2017.8304501.

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Juzoji, Hiroshi, Isao Nakajima, Futoshi Ohyama, Masuhisa Ta, Naokazu Hamamoto, and Atsushi Nakajima. "Waka of the Nara Period and MultiMedia Virtual Laboratory - Content Preparation for Broadband Satellites." In 21st International Communications Satellite Systems Conference and Exhibit. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2003. http://dx.doi.org/10.2514/6.2003-2427.

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Nishikawa, Naoki, and Naoko Tosa. "Iroha Pad: A Waka Composing and Playing Interface Using the Anagram of the Iroha Poem." In 2011 Second International Conference on Culture and Computing (Culture Computing). IEEE, 2011. http://dx.doi.org/10.1109/culture-computing.2011.44.

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Folorunso, S. O., O. O. Banjo, J. B. Awotunde, and F. E. Ayo. "Machine Learning Analysis of Music Based on Music Information Retrieval Tasks." In International Workshop on Social Impact of AI for Africa 2022. AIJR Publisher, 2024. http://dx.doi.org/10.21467/proceedings.157.3.

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Music Information Retrieval (MIR) methods extracts from music high-level information like classification, musical feature extraction, song similarity and tonality. Musical genre is one of the orthodox methods of describing musical content and a significant part of MIR. At present, few MIR research has been done on Nigerian songs. So, this paper proposed to build a genre classification model based on Mel Spectrogram of audio songs. The process first converts ORIN audio dataset to Mel Spectrogram and extract numerical information from it using the Histogram of Oriented Gradient (HOG) and apply machine learning (ML) models to accurately categorize the songs into different genres of Apala, Fuji, Juju, Highlife and Waka. Support Vector Machine (SVM) with 4 different kernels, with 10- cross validation method were applied and assessed based on Accuracy and Receiver operating characteristics (ROC).
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Waldin, Jeremy, and Ben Baty. "Recovering the Waiho – Emergency response and recovery of the Waiho River Bailey Bridge." In IABSE Congress, Christchurch 2021: Resilient technologies for sustainable infrastructure. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2021. http://dx.doi.org/10.2749/christchurch.2021.0537.

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<p>Waiho – (verb) (-ngia,-tia) <i>to let be, leave alone, put, place, ignore.</i></p><p>SH6 Waiho Bailey Bridge is located just south of Franz Josef township in the South Island of New Zealand and is a critical connection for the West Coast. The Bailey bridge was first constructed in 1990 and has since been raised and extended three times due to significant aggradation of the riverbed. During a massive storm event on March 26, 2019 the northern abutment and northern- most pier were washed out leading to collapse of several spans of the bridge. The cost caused by the loss of the bridge was estimated to be in the order of $2-3M per day. Consequently, there was intense pressure on Waka Kotahi NZ Transport Agency to restore access across the river.</p><p>As Team Leader and Deputy Team Leader of the West Coast Bridge Management Contract, Jeremy Waldin and Ben Baty led the $6.5M emergency recovery managing an emergency response team which worked across multiple organisations to recover this 170m long bridge in just 18 days.</p>
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Mondol, Md Abu Sayeed, Ifat A. Emi, Sirat Samyoun, M. Arif Imtiazur Rahman, and John A. Stankovic. "WaDa." In UbiComp '18: The 2018 ACM International Joint Conference on Pervasive and Ubiquitous Computing. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3267305.3267660.

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Pham, Nhat, Tuan Dinh, Zohreh Raghebi, Taeho Kim, Nam Bui, Phuc Nguyen, Hoang Truong, et al. "WAKE." In MobiSys '20: The 18th Annual International Conference on Mobile Systems, Applications, and Services. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3386901.3389032.

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Bane, K. L. F., P. B. Wilson, and T. Weiland. "Wake fields and wake field acceleration." In AIP Conference Proceedings Volume 127. AIP, 1985. http://dx.doi.org/10.1063/1.35182.

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Reports on the topic "Waka"

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Stupakov, Gennady. Wake and Impedance. Office of Scientific and Technical Information (OSTI), October 2000. http://dx.doi.org/10.2172/784754.

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Wilson, P. B. Wake field accelerators. Office of Scientific and Technical Information (OSTI), February 1986. http://dx.doi.org/10.2172/5890155.

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Ortega, J. M. Passive Wake Vortex Control. Office of Scientific and Technical Information (OSTI), October 2001. http://dx.doi.org/10.2172/15006847.

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West, James C. Ship-Wake Scattering Calculations. Fort Belvoir, VA: Defense Technical Information Center, December 2002. http://dx.doi.org/10.21236/ada409517.

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Hartman, Michael, and Richard Styles. Vessel Wake Prediction Tool. Engineer Research and Development Center (U.S.), January 2020. http://dx.doi.org/10.21079/11681/35153.

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Moriarty, Patrick, Nicholas Hamilton, Mithu Debnath, Rebecca Fao, Jason Roadman, Jeroen van Dam, Tommy Herges, et al. American WAKE experimeNt (AWAKEN). Office of Scientific and Technical Information (OSTI), May 2020. http://dx.doi.org/10.2172/1659798.

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von Balthasar, Hans Urs. waga shisou no gairan. Saint John Publications, 2023. http://dx.doi.org/10.56154/q7.

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Bain, Rachel, Richard Styles, and Jared Lopes. Ship-induced waves at Tybee Island, Georgia. Engineer Research and Development Center (U.S.), December 2022. http://dx.doi.org/10.21079/11681/46140.

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Commercial vessels transiting the Savannah entrance channel intermittently generate large wake events at Tybee Island, Georgia, creating a potential hazard for beachgoers. However, not all commercial vessels generate large wakes, and the relationship between vessel dimensions, operating conditions, wake height, and drawdown magnitude is unclear. This study evaluates bathymetric data, high-frequency wave and vessel wake measurements, and broadcast vessel identification over a 4-month period with the goal of providing a quantitative characterization of vessel wake conditions at Tybee Island. Data from 1,386 cargo vessel passages and 202 tanker passages indicate that vessel dimensions (length and beam) are positively correlated with drawdown magnitude and secondary wake height, although large vessels do not consistently generate large wakes. Container ships, which tended to travel faster than tankers, corresponded to the largest wakes in the dataset. A further hypothesis is that tidally modulated energy dissipation may favor smaller vessel wake uprush at low tide and larger uprush at high tide, but this idea cannot be confirmed without additional measurements to quantify nonlinear wave propagation on the beach face. Based on the collected data, the study concludes with four recommendations for reducing risk to beachgoers.
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Agrimson, Erick Paul, James Flaten, Mara Blish, Rachel Hedden, and Amanda Grove. High Altitude Thermal Wake Investigation. Ames (Iowa): Iowa State University. Library. Digital Press, January 2013. http://dx.doi.org/10.31274/ahac.8151.

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Styles, Richard, Rachel Bain, and Anthony Priestas. Method to evaluate vessel wake forces on wetland scarps. Engineer Research and Development Center (U.S.), September 2022. http://dx.doi.org/10.21079/11681/45304.

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This Coastal and Hydraulics engineering technical note (CHETN) presents a methodology to compute normal forces on wetland perimeters with vertically scarped edges. The approach uses an empirical algorithm that predicts the normal force given the offshore vessel wake height, period, and water depth at a given point. Wave impact forces are measured using load cells, which have not been applied previously to marsh settings. Load cell and vessel wake measurements from two field sites are combined to generate an empirical transfer function relating forces to incoming vessel wake characteristics.
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