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Relevant bibliographies by topics / Vox Aurea

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Journal articles

Academic literature on the topic 'Vox Aurea'

Author: Grafiati

Published: 26 July 2024

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Journal articles on the topic "Vox Aurea"

1

Kale, Ajinath, Vishwadeep Shelke, Yutian Lei, Anil Bhanudas Gaikwad, and Hans-Joachim Anders. "Voclosporin: Unique Chemistry, Pharmacology and Toxicity Profile, and Possible Options for Implementation into the Management of Lupus Nephritis." Cells 12, no. 20 (2023): 2440. http://dx.doi.org/10.3390/cells12202440.

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Calcineurin inhibitors (CNI) can suppress allo- and autoimmunity by suppressing T cell function but also have anti-proteinuric effects by stabilizing the cellular components of the kidney’s filtration barrier. Therefore, CNI are used in autoimmune kidney diseases with proteinuria. However, the traditional CNI, cyclosporine A and tacrolimus, have a narrow therapeutic range, need monitoring of drug levels, and their use is associated with nephrotoxicity and metabolic alterations. Voclosporin (VOC), a novel CNI, no longer requires drug level monitoring and seems to lack these adverse effects, although hypertension and drug–drug interactions still occur. VOC demonstrated efficacy superior to standard-of-care in controlling active lupus nephritis in the phase 2 AURA-LV and the phase 3 AURORA-1 trials and was approved for the treatment of active lupus nephritis. However, how to implement VOC into the current and changing treatment landscape of lupus nephritis is still debated. Here, we review the unique chemistry, pharmacology, and toxicity profile of VOC, summarize the efficacy and safety data from the AURA-LV and AURORA-1 trials, and discuss the following four possible options to implement VOC into the management of lupus nephritis, namely regarding B cell-targeting therapy with belimumab (BEL). These include: 1. patient stratification to either VOC or BEL, 2. VOC/BEL combination therapy, 3. VOC-BEL sequential therapy, or 4. alternative options for the rapid antiproteinuric effect of VOC.

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2

Shi, Tingting, Yuanzheng Yue, Man Shi, Min Chen, Xiulian Yang, and Lianggui Wang. "Exploration of Floral Volatile Organic Compounds in Six Typical Lycoris taxa by GC-MS." Plants 8, no. 10 (2019): 422. http://dx.doi.org/10.3390/plants8100422.

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Lycoris, which is known as the ‘Chinese tulip,’ has diverse flower colors and shapes, and some species have a delicate fragrance. However, limited studies have reported the volatile organic compounds (VOCs) of Lycoris. In this study, headspace solid-phase microextraction combined with gas chromatography-mass spectrometry was used to analyze the floral VOCs of six typical Lycoris taxa. Thirty-two VOCs were identified, including terpenoids, alcohols, esters, aldehydes, ketones, and phenols. The aldehyde and terpenoid contents in Lycoris aurea were higher than in the other taxa, and the ester and alcohol contents in L. sprengeri were the highest compared to all taxa tested. Compared with other species and cultivars, L. longituba and L. longituba var. flava were the two most scented taxa and the VOCs were dominated by terpenoids and esters. L. radiate and L. chinensis were two unscented taxa and, accordingly, the VOC content was weak. A partial least squares discriminate analysis of the floral VOCs among the six Lycoris taxa showed that the six taxa could be successfully separated. Moreover, the VOCs of L. longituba and L. longituba var. flava clustered together. β-Ocimene was verified as the most important aroma compound, as determined via the calculation of the variable importance in projection values and significance analysis. β-Ocimene and its trans isomer, trans-β-ocimene, had a high relative content in L. longituba, L. longituba var. flava, L. aurea, and L. chinensis but were not detected in L. sprengeri and L. radiata. These results indicate that floral VOCs might be selected during the evolutional processes of Lycoris, and β-ocimene could be the most typical VOC among the different Lycoris taxa.

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3

Thorel, Sylvie. "Bertrand et Mallarmé « en fleuron et cul-de-lampe invisibles »." Études françaises 52, no. 3 (2016): 93–110. http://dx.doi.org/10.7202/1038059ar.

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L’admiration bien connue de Mallarmé pour Aloysius Bertrand ne se limite pas à la filiation formelle du poème en prose, mais engage la question plus vaste de la musicalité. Bertrand posait dans Gaspard de la nuit la défaite de l’harmonie, que représentent la harpe, la viole et autres instruments à cordes associés au chant du ménestrel, comme une origine du volume dont il ne cessait de rappeler la dimension, et condition, livresque. Les indications typographiques de Bertrand à son éditeur Victor Pavie et les allusions métapoétiques de ses poèmes suggèrent qu’il a trouvé dans le poème en prose la forme appropriée à une époque où les développements de l’imprimerie ont achevé d’ensevelir le chant et les prestiges de la voix. Dans ces conditions, la typographie revêt une importance essentielle : compenser la perte du chant en s’instituant comme signature, au même titre que le « grain de la voix ». Mallarmé s’empare de la question du livre et de la voix à l’endroit où Bertrand l’avait abandonnée de manière à en faire maintenant celle du poète et du lecteur, donc, à assumer un nouveau mode d’intelligibilité du texte en sa production comme en sa réception. En confrontant les textes de Mallarmé à ceux de Bertrand, cet article montre que, là où le poète romantique aura éprouvé la mise en page du chant comme une perte, Mallarmé aura réussi à penser la voix muette du texte comme un objet positif rendant possible la pleine autonomie de l’écriture poétique.

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4

Johannßen, Dennis. "Jenseits von Aura und Erlebnis." Zeitschrift für kritische Theorie (ZkT) 18, no. 34/35 (2012): 236–54. http://dx.doi.org/10.28937/9783866746732_15.

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5

CHAKER, Khalid. "The antisynthetase syndrome: ‘‘welcome your patients and you will have the diagnosis’’." JOURNAL FRANCO-VIETNAMIEN DE PNEUMOLOGIE 6, no. 17 (2015): 42–46. http://dx.doi.org/10.12699/jfvp.6.17.2015.42.

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6

Steinmüller, Peter. "Befreit von der Aura der Rakete." VDI nachrichten 74, no. 46 (2020): 27. http://dx.doi.org/10.51202/0042-1758-2020-46-27-1.

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7

Päsler, Ralf G. "Zur Überlieferung der deutschen Übersetzungen der ‘Catena aurea’ des Thomas von Aquin." Zeitschrift für deutsches Altertum und deutsche Literatur 137, no. 2 (2008): 190–203. http://dx.doi.org/10.3813/zfda-2008-0011.

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8

Nihan, Christophe. "Nombres 5/11-31 et l’enfantement de la justice divine au sein de la communauté." Études théologiques et religieuses 72, no. 3 (1997): 429–36. http://dx.doi.org/10.3406/ether.1997.3478.

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Le lecteur raisonnable rencontre avec quelque appréhension le récit d'une ordalie : tout au plus celui-ci aura-t-il à ses yeux le charme délicieusement ambigu de l’obscurantisme. Si pourtant les traditions de l’Ancien Testament continuent aujourd’hui défaire entendre leurs voix, ce peut être aussi en raison du décentre -ment auquel elles nous obligent. Le texte suivant est donc une fable, explique Christophe Nihan : où le plus étrange et le plus distant se révèlent encore donner sens.

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9

Okiwelu, Benedict O. "La traduction des voix françaises en igbo : problèmes et solutions." Meta 44, no. 4 (2002): 650–60. http://dx.doi.org/10.7202/003761ar.

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Résumé Dans les départements des langues modernes européennes des universités nigérianes, les cours de traduction font partie intégrante du programme d'études mais sont limités à l'orientation français-anglais-français ou bien allemand-anglais-allemand. La traduction pratique du français-langue maternelle-français ne se conçoit guère à cause de notre tradition éducative coloniale. Ce travail aura ainsi pour tâche de traduire les voix françaises en igbo, une des trois principales langues du Nigeria, tout en soulevant les problèmes de traduction qui se posent et en proposant les solutions qui s'imposent.

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10

Lembke, Astrid. "Eine Heilige in Gesellschaft: Formen der Kooperation in der ›Legende von Prothus und Hyacinthus‹ bei Jacobus von Voragine, der Lichtenthaler Schreiberin Regula und Gottfried Keller." Beiträge zur Geschichte der deutschen Sprache und Literatur 141, no. 1 (2019): 53–79. http://dx.doi.org/10.1515/bgsl-2019-0003.

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Abstract This paper explores variations in portrayals of cooperation and friendship in legends of martyrs, focussing on the ›The Legend of Saints Protus and Hyacinth‹ in different historical contexts. When adapting the legend in the fifteenth-century, the compiler and copyist Sister Regula amended the standard ›Legenda Aurea‹ version by introducing an additional plot line recounting cooperation between two female martyrs. In turn, in the nineteenth century, the Swiss author Gottfried Keller dismissed the notion of spiritual friendship altogether and replaced it with the ideal of a hierarchical relationship between spouses.

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