Books on the topic 'Voice attributes'

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1

Eble, Diane. Knowing the voice of God: Discover God's unique language for you. Grand Rapids, Mich: Zondervan, 1996.

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2

1912-, Templeton John, ed. How large is God?: Voices of scientists and theologians. Philadelphia: Templeton Foundation Press, 1997.

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3

Richardson, John. Between Speech, Music, and Sound. Edited by Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.47.

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This chapter discusses the growing tendency toward aestheticization of the spoken voice in cinema. It provides a taxonomy of different means of speech aestheticization, including poetic speech; accelerated and decelerated speech; wordy or dialogue-heavy soundtracks; heightened voice and dialogue in literary adaptations; fetishization of the voice; technologically manipulated speech; aesthetically marked speech resulting from distinct physical or psychological attributes; comic timing as musicality in speech; and interaction of voices with environmental sounds or aestheticized non-diegetic sounds. Undoubtedly, this phenomenon is bound up with proliferation of digital technologies, which means that previous inaudible sounds can be perceived with increased clarity and sonic manipulation is accomplished with little effort. Occupying a liminal zone between speech and song, flowing speech in cinema is suspended in the middle stage of what Rick Altman calls “audio dissolve,” where the actor in a musical inflects her speech aesthetically while transitioning into song and dance.
4

Hoover, Jon. Ḥanbalī Theology. Edited by Sabine Schmidtke. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199696703.013.014.

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The Ḥanbalīs, as the most consistently traditionalist of the Sunnī law schools, had a disproportionate impact on the development of Islamic theology by providing a unified voice againstKalām. Many Ḥanbalīs rejectedKalāmreinterpretation (taʾwīl) of anthropomorphism in the Qurʾān and Hadith and took a non-cognitive approach that affirmed God’s attributes without inquiring into their meaning or modality (bi-lā kayf). In the eleventh to thirteenth centuries, Abū Yaʿla, Ibn ʿAqīl, and Ibn Jawzī adoptedKalāmviews to varying degrees but faced stiff opposition from within their own Ḥanbalī ranks. In the fourteenth century Ibn Taymiyya also rejectedKalāmtheology but sought to interpret the meanings, although not the modalities, of God’s attributes to accord with his unique vision of God’s perpetual creativity. Ibn Taymiyya’s theological ideas were further developed by his student Ibn Qayyim al-Jawziyya and adopted by the Wahhābīs in the eighteenth century.
5

Kennerley, David. Sounding Feminine. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190097561.001.0001.

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This book examines the uses and meanings of women’s voices in British society and musical culture between 1780 and 1850. As previous scholars have argued, during these decades patriarchal power increasingly came to rest upon a particular understanding of the essentially different nature of male and female physiology and psychology. As a result, this book contends, the female voice—believed to blend both physical and mental attributes—became central to maintaining, and challenging, gendered power structures. The book argues that the varying ways women used their voices—the sounds that they made, as much as the words they spoke or sang—were understood by contemporaries as aural markers of different kinds of femininity. Consequently, contemporary divisions over feminine ideals were both expressed and contested through women’s use of their voices and audiences’ responses to them. Following an introduction that lays out the book’s theoretical frameworks and main arguments, the first three chapters explore how contemporary responses to different styles of female vocality were shaped by class, religious, and national discourses, through an exploration of conduct literature, letters, diaries, life-writing, and music criticism and reportage in newspapers and periodicals. Two case studies then extend the argument further through detailed analysis of the use and meaning of women’s voices on the part of both amateur and professional female singers respectively. A closing epilogue draws together the book’s major themes and discusses their implications for the gender history of this period.
6

Harley, Heidi. The “bundling” hypothesis and the disparate functions of little v. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198767886.003.0001.

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Following Pylkkänen (2002), among others, many of the functions of the vP have been distributed between two independent projections: VoiceP and vP. Pylkkänen proposed a “bundling” parameter: some languages project a single bundled Voice/vP, and all functions depend on that single projection, and others project VoiceP and vP separately, and functions are distributed. The chapter first reviews the roles ascribed to these projections: (i) external argument introduction, (ii) event argument introduction, (iii) accusative case checking, (iv) introduction of causative or inchoative semantics, (v) verbalizing of nonverbal material, and (vi) demarcating a cycle. The chapter then reviews support for Pylkkänen’s parametric view of Voice-bundling from, e.g., Hiaki, Turkish, Korean, and English. Results on causatives from Key (2013) and Jung (2014) suggest that the projection sequence dominating v may form part of a predetermined projection hierarchy. The constraint against stacking productive morphological causatives may thus be attributed to the extended verbal projection.
7

Fairhurst, Michael. Biometrics: A Very Short Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780198809104.001.0001.

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Biometrics is the scientific discipline of identifying individuals by means of the measurement of unique personal attributes, such as facial appearance, fingerprints, iris patterning, the voice, the way we write, and the way we walk. The new technologies of biometrics have a wide range of practical applications, from securing mobile phones and laptops to establishing identity in bank transactions, travel documents, and national identity cards. Biometrics: A Very Short Introduction considers the capabilities of biometrics-based identity checking and looks at the basic techniques in use today, developments in system design, and emerging technologies. It also explores the benefits and limitations of biometrics technologies, and how they can effectively support our increasingly interconnected society.
8

Wood, Jim, and Alec Marantz. The interpretation of external arguments. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198767886.003.0011.

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This chapter examines the syntactic and semantic properties of heads, e.g. Voice, Appl, and little p, that add participants to events. Instead of assuming that such heads exist as distinct primitives in the functional lexicon, it is proposed that there is one such head, which can get different interpretations depending on how it is merged into the structure. The chapter’s approach attributes the relative uniformity of the expression of argument structure to the principles that interpret syntactic structure semantically; thus, syntax is truly autonomous, with the atoms of syntactic representations carrying no inherent semantic values. Once syntactic heads are absolved from the necessity of explicitly carrying certain features relevant to their interpretation, a sparse inventory of functional heads can be developed. The system is applied to a set of constructions that present distinct challenges to theories that demand a kind of transparent reflection of argument structure in underlying syntactic representations.
9

Templeton, John Marks. How Large Is God: The Voices of Scientists and Theologians. Templeton Foundation Press, 1996.

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10

Noam, Vered. John Hyrcanus and a Heavenly Voice. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198811381.003.0003.

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This chapter treats the second-generation Hasmonean figure John Hyrcanus to whom the virtues of leadership, priesthood, and prophecy are attributed. This ascription is reflected not only in Josephus and rabbinic literature but also receives a hostile twist in the Dead Sea Scrolls. Based on an earlier stratum from a lost Aramaic chronicle, the legend recounts an announcement of military victory by a heavenly voice in the temple. In essence this tale belongs to a genre identified as priestly temple legends. This priestly legend was in turn integrated into both the Josephan and the rabbinic contexts. The new rabbinic setting in effect “rabbinized” the image of John Hyrcanus and inverted the message of the story, using it to announce the end of the era of prophecy. In contrast, Josephus underscored the merit of prophecy and retained the full image of John as a political and military leader. For both corpora, Hyrcanus represents the acme of the Hasmonean rulership.
11

Anderson, Lorraine. Whole-Mind Graduate Attributes for the Twenty-First Century: Interdisciplinary Voices from Higher Education. Taylor & Francis Group, 2017.

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12

Anderson, Lorraine. Whole-Mind Graduate Attributes for the Twenty-First Century: Interdisciplinary Voices from Higher Education. Taylor & Francis Group, 2017.

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13

Alexiadou, Artemis. Ergativity in Nominalization. Edited by Jessica Coon, Diane Massam, and Lisa Demena Travis. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198739371.013.15.

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This chapter provides a further investigation into the hypothesis that deverbal nominalizations across languages show an ergative case-marking pattern. It is argued that this is attributed to the presence of a defective v (or Voice) in their syntactic representation. The main concern of the chapter is to address the question what it is about nounness that obligatorily triggers the presence of an ergative case pattern. It is argued that this follows from the requirement that nominalizers embed structures that do not project external arguments. Specifically, the presence of a nominalizer head in a syntactic structure creates an environment in which only one argument can receive structural Case. As a result, an ergative case pattern emerges.
14

Wilson Kimber, Marian. The Odyssey of a Nice Girl. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040719.003.0001.

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Ruth Suckow’s novel, The Odyssey of a Nice Girl (1925), based on her elocution school experiences, demonstrates how gender shaped women’s artistic lives in the Progressive era. Elocution enhanced men’s careers, yet women’s voices were for education or domestic entertainment. However, changing social roles allowed for women to adopt elocutionary performance as a mode of expression. Women’s educations at elocution schools allowed them undertake careers as professional performers and teachers. Female elocutionists’ desire to embody acceptable feminine attributes and to separate themselves from morally suspect actresses influenced their performances, presented as highbrow interpretations of great literature. The decline of elocution was in part due to the backlash against the professionalization of women in the field.
15

Moseley, Mason W. Tracing the Roots of the Protest State in Argentina. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190694005.003.0005.

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The fifth chapter introduces the case of Argentina, a country where protest has taken root as a common characteristic of everyday political life over the past two decades. The chapter begins by analyzing the history of protest from Carlos Menem’s election in 1989 to the current Fernández de Kirchner government, arguing that it has indeed crystallized as a routine form of political participation in this regime. I attribute this trend to the weakness of political institutions and strength of Argentine civil society: the two pillars of the protest state. I then proceed to utilize survey data and protest events count data to support this argument, demonstrating that not only has protest become more common over the past two decades, but that it has consolidated as a common mode of political voice for Argentine citizens across demographic groups and the political spectrum.
16

Szczepaniak-Gillece, Jocelyn. Nostalgia for the Dark. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190689353.003.0002.

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This chapter discusses the movie palace’s decline and the beginnings of the neutralized movie theater from the 1920s to 1932. While much scholarship has attributed the transition to either economics after the Depression or the emergence of sound, the chapter argues for the importance of modernist architectural trends, such as the work of Le Corbusier, and new dimensions of spectatorship invested in attention. Modern machine culture reinforced the need for a theater structure that would make spectators into parts of a filmic assembly line. Ben Schlanger emerges as the loudest voice of neutralization, demanding a “slaughtering” of unnecessary decoration in the urban movie theater. His and multiple lighting designers’ work with light and darkness in the theater exemplify the upheavals in 1920s–1930s exhibition: from a theater with a panoply of effects to one centered on the dramatic play of light and dark within the film and its environment.
17

Smith, Jeremy L. Governmental Interference as a Shaping Force in Elizabethan Printed Music. Edited by Patricia Hall. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199733163.013.9.

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The Elizabethan era is widely viewed as a time in England when the quality as well as the quantity of music reached unprecedented heights, a condition often attributed to the beneficial effects of an active press and a musically sympathetic and religiously moderate queen. This chapter examines how royal and courtly governmental interference shaped printed music in this notably fertile period. More specifically, it considers two exemplary events that profoundly influenced the ballad and the art music of the era: the admonition of ballad writer William Elderton and the granting of a royal patent of monopoly to Thomas Tallis, William Byrd, which involved many other composers of the art-music tradition. It explains how both events affected the politicization of Elizabethan music; how Tallis, Byrd, and others used the patent as a means to voice Catholic positions; and how Elderton discovered the potency of propagandized fiction.
18

Trivellato, Francesca. The Promise and Peril of Credit. Princeton University Press, 2019. http://dx.doi.org/10.23943/princeton/9780691178592.001.0001.

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This book takes an incisive look at pivotal episodes in the West's centuries-long struggle to define the place of private finance in the social and political order. It does so through the lens of a persistent legend about Jews and money that reflected the anxieties surrounding the rise of impersonal credit markets. By the close of the Middle Ages, new and sophisticated credit instruments made it easier for European merchants to move funds across the globe. Bills of exchange were by far the most arcane of these financial innovations. Intangible and written in a cryptic language, they fueled world trade but also lured naive investors into risky businesses. This book recounts how the invention of these abstruse credit contracts was falsely attributed to Jews, and how this story gave voice to deep-seated fears about the unseen perils of the new paper economy. It locates the legend's earliest version in a seventeenth-century handbook on maritime law and traces its legacy all the way to the work of the founders of modern social theory—from Marx to Weber and Sombart. Deftly weaving together economic, legal, social, cultural, and intellectual history, the book describes how Christian writers drew on the story to define and redefine what constituted the proper boundaries of credit in a modern world increasingly dominated by finance.
19

Jacob, Margaret C. The Secular Enlightenment. Princeton University Press, 2019. http://dx.doi.org/10.23943/princeton/9780691161327.001.0001.

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This is a panoramic account of the radical ways that life began to change for ordinary people in the age of Locke, Voltaire, and Rousseau. In this book, familiar Enlightenment figures share places with voices that have remained largely unheard until now, from freethinkers and freemasons to French materialists, anticlerical Catholics, pantheists, pornographers, readers, and travelers. The book reveals how this newly secular outlook was not a wholesale rejection of Christianity but rather a new mental space in which to encounter the world on its own terms. It takes readers from London and Amsterdam to Berlin, Vienna, Turin, and Naples, drawing on rare archival materials to show how ideas central to the emergence of secular democracy touched all facets of daily life. Human frailties once attributed to sin were now viewed through the lens of the newly conceived social sciences. People entered churches not to pray but to admire the architecture, and spent their Sunday mornings reading a newspaper or even a risqué book. The secular-minded pursued their own temporal and commercial well-being without concern for the life hereafter, regarding their successes as the rewards for their actions, their failures as the result of blind economic forces.

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