Academic literature on the topic 'Vocal music – 19th century – History and criticism'
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Journal articles on the topic "Vocal music – 19th century – History and criticism"
Vojvodić Nikolić, Dina D. "PREDLOG ODREĐENjA POJMA MUZIČKA KRITIKA I TIPOLOGIJE KRITIČKIH TEKSTOVA MEĐURATNOG DOBA U SRBIJI." Nasledje Kragujevac XX, no. 55 (2023): 299–312. http://dx.doi.org/10.46793/naskg2355.299vn.
Full textRusu-Persic, Dalia. "Critical reception of late 19th century Iași-based music. Alexandru Flechtenmacher." Artes. Journal of Musicology 18, no. 1 (March 1, 2018): 190–206. http://dx.doi.org/10.2478/ajm-2018-0012.
Full textBatsak, K. Yu. "Italian opera stars of the Kharkiv stage: the 80s of the 19th – early 20th centuries." Aspects of Historical Musicology 18, no. 18 (December 28, 2019): 89–119. http://dx.doi.org/10.34064/khnum2-18.06.
Full textZhang, Yi. "Analysis of German art song style and singing." Journal of Arts, Society, and Education Studies 6, no. 1 (May 8, 2024): 8–14. http://dx.doi.org/10.69610/j.ases.20240508.
Full textGlinternik, Eleonora M. "Russian Design Graphics in Art Studies of the 19th–21st Centuries." Vestnik of Saint Petersburg University. Arts 13, no. 1 (2023): 166–87. http://dx.doi.org/10.21638/spbu15.2023.108.
Full textMajer-Bobetko, Sanja. "Between music and ideologies: Croatian music criticism from the beginning to World War II." Muzyka 63, no. 4 (December 31, 2018): 55–64. http://dx.doi.org/10.36744/m.344.
Full textBurtsev, Mуkyta. "Christian images in chamber vocal music of Western Europe of the 19–20th centuries." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 66, no. 66 (April 9, 2023): 27–41. http://dx.doi.org/10.34064/khnum1-66.02.
Full textVasic, Aleksandar. "The beginnings of Serbian music historiography: Serbian music periodicals between the world wars." Muzikologija, no. 12 (2012): 143–64. http://dx.doi.org/10.2298/muz120227007v.
Full textWilson, Pat H. "Singing Our Songs: Celebrating Australian Music Theatre repertoire." Australian Voice 22 (2021): 9–15. http://dx.doi.org/10.56307/bxzp3343.
Full textRossikhina, Maryna. "The influence of the Italian vocal school on the professional formation of Ukrainian singers (the end of the XVIII – the beginning of the XIX century)." Collection of scientific works “Notes on Art Criticism”, no. 39 (September 1, 2021): 219–25. http://dx.doi.org/10.32461/2226-2180.39.2021.238727.
Full textDissertations / Theses on the topic "Vocal music – 19th century – History and criticism"
Peter, Timothy Layne. "Johann Mattheson's "Das Lied des Lammes": Progressive tendencies in the evangelist recitatives." Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186414.
Full textForward, David William. "The keyboard repertory as a reflector of art nouveau in music /." Title page, contents and introduction only, 1993. http://web4.library.adelaide.edu.au/theses/09PH/09phf745.pdf.
Full textRushing-Raynes, Laura. "A history of the Venetian sacred solo motet (c. 1610--1720)." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185473.
Full textDeruchie, Andrew. "The French symphony at the fin de siècle style, culture, and the symphonic tradition /." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115596.
Full textPrevious critics have viewed this repertoire primarily with limited structuralist methodologies. The results have often been unhappy: all of these symphonies are in some ways formally idiosyncratic and individual, and their non-conforming aspects have tended to puzzle or disappoint. My study draws on recent methods developed by Warren Darcy, Scott Burnham, and others that emphasize the dynamic and teleological qualities of musical form. This more supple approach allows a fuller appreciation of the subtle and sophisticated ways in which individual works unfold formally, and the spectrum of procedures French composers employed.
My study demonstrates that the factors shaping the French symphony in this period included imperatives of progress as well as the popularity of the symphonic poem. Some of the earlier symphonists covered in this study also felt the need to confront Wagner's influential theoretical writings: mid -century he had famously proclaimed the death of the symphony. As many writers have argued, the archetypal heroic "plot" that Beethoven's symphonies express embodies the subject-laden values---notions of individual freedom and faith in the self---that prevailed in his time. Different inflections of this plot by French symphonists, I argue, reflect the variegated ways fin-de-siec1e French culture had received these values.
Stanek, Mark C. "Guitar in the opera literature : a study of the instrument's use in opera during the 19th and 20th centuries." Virtual Press, 2004. http://liblink.bsu.edu/uhtbin/catkey/1285408.
Full textSchool of Music
Chung, Kyung-Young. "Reconsidering the Lament: Form, Content, and Genre in Italian Chamber Recitative Laments: 1600-1640." Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc4668/.
Full textMulvey, Margaret N. "The School Fugue: Its Place in the Organ Repertoire of the French Symphonic School, a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, D. Buxtehude, C. Franck, P. Eben, F. Mendelssohn, R. Schumann, M. Reger and Others." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278639/.
Full textSchuppener, James Gregory. "Felix Mendelssohn-Bartholdy, director of music for the Berlin Court: Influences upon his unaccompanied compositions written for the Berlin "Domchor"." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185735.
Full textReilly, Olivia. "An epicure in sound : Samuel Taylor Coleridge and music." Thesis, University of Oxford, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.719835.
Full textClayden, Mark John. "Music, timbre, colour in fin-de-Siècle Vienna : Zemlinsky, Schreker, Schoenberg." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:73c4d92f-5754-43d0-b07d-31975ad0539c.
Full textBooks on the topic "Vocal music – 19th century – History and criticism"
The Neapolitan canzone in the early nineteenth century as cultivated in the Passatempti musicali of Guillaume Cottrau. Lanham: Lexington Books, 2015.
Find full textGareth, Williams. Valleys of song: Music and society in Wales 1840-1914. Cardiff: University of Wales Press, 1998.
Find full textFallows, David. Songs and musicians in the fifteenth century. Aldershot: Variorum, 1996.
Find full textTaruskin, Richard. Music in the nineteenth century. New York: Oxford University Press, 2009.
Find full textFallows, David. Songs and musicians in the fifteenth century. Aldershot, Hampshire, Great Britain: Variorum, 1996.
Find full textMusic in the nineteenth century. New York: W. W. Norton, 2013.
Find full textTunley, David. The eighteenth century French cantata. 2nd ed. Oxford [England]: Clarendon Press, 1997.
Find full textLongyear, Rey M. Nineteenth-century romanticism in music. 3rd ed. Englewood Cliffs, N.J: Prentice Hall, 1988.
Find full textMark, Palkovic, ed. Harp music in the nineteenth century. Bloomington: Indiana University Press, 1992.
Find full textJewishness, Jewish identity and music culture in 19th-century Europe. Bologna (Italy): UT Orpheus, 2020.
Find full textBook chapters on the topic "Vocal music – 19th century – History and criticism"
Meddegoda, Nishadi Prageetha. "THE PRODUCTION OF TABLA IN SRI LANKA." In Refining versus Simplification in Transmission and Performance / Humans and their Musical Instruments as Part of Nature, 123–40. Logos Verlag Berlin, 2023. http://dx.doi.org/10.30819/5685.09.
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