Academic literature on the topic 'Vladimir Nabokov (1899-1977)'
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Journal articles on the topic "Vladimir Nabokov (1899-1977)"
Kiššová, Mária. "Mimesis, interpretation and the human condition." Ars Aeterna 7, no. 2 (December 1, 2015): 1–22. http://dx.doi.org/10.1515/aa-2015-0007.
Full textSaeverot, Herner. "Rhetorical Caricature: An Educational Reading of Nabokov's Treatment of Freud." Phenomenology & Practice 5, no. 1 (June 4, 2011). http://dx.doi.org/10.29173/pandpr19837.
Full textDissertations / Theses on the topic "Vladimir Nabokov (1899-1977)"
Smirnova, Nadejda. "Esthétique romanesque de Vladimir Nabokov : périodes européenne et américaine." Avignon, 2006. http://www.theses.fr/2006AVIG1083.
Full textFrom his early European short stories until his latest American novels, Vladimir Nabokov focused his efforts essentially on literary creation. In the first part of this thesis, the study of aesthetics in his works during his European period basically centres in the very early stages of artistic awareness. In the second part, the transformation from Russian writer to American writer is studied throught the first novels of the American period, thanks to the aesthetic alteration this metamorphosis brought about. Finaly, in hte third part, the narrative and philosophical theories of the twentieth century lead us to study the issue of identity, the author's role, his relationship with the hero and with the reader and, to a larder extent, the ontological status of the individual in the literary universe of Vladimir Nabokov
Tolstoy, Anastasia. "Vladimir Nabokov and the aesthetics of disgust." Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669858.
Full textCaulton, Andrew, and n/a. "Vladimir Nabokov, 1938 : the artistic response to tyranny." University of Otago. Department of English, 2006. http://adt.otago.ac.nz./public/adt-NZDU20060808.090922.
Full textStefanova, Silvia. "Les genres romanesques dans l'oeuvre de Vladimir Nabokov." Paris 3, 2000. http://www.theses.fr/2000PA030186.
Full textHamrit, Jacqueline. "Frontières et limites dans l'œuvre de Valdimir Nabokov." Lille 3, 2003. http://www.theses.fr/2003LIL30042.
Full textGuy, Laurence. "Vladimir Nabokov, romancier russe, ou "le plus solitaire et arrogant de tous"." Paris 4, 1994. http://www.theses.fr/1994PA040286.
Full text"Lolita is famous, not I. I am an obscure, doubly obscure, novelist with an unpronounceable name". By this assertation, Vladimir Nabokov wants us to be aware of the question his entire oeuvre makes us ask about the enigmatic person who really stands from the very beginning of his career until the very last novel, in the special shadow of the famous American writer he became, while the most extravagant part of the author's ego never stopped to make his "stunning show" on the "metanovel" 's stage, while this "charactorial" self was demonstrating a certain type of cosmopolitism and polylinguism, some secret part of the nabokovian identity was playing a more subtile music. We shall examine the different ways, especially the metaphorical ones, by which Nabokov creates his paradoxal autobiography, exploring for that purpose what Philippe Lejeune called the "fantasmatic deal" (in Le pacte autobiographique, Paris, 1975, Seuil). Between the acrobatic arlequin and the pale iridescence of the soul, between the colored circle with spectacular clowns and the transparence of transcendence, something had to be said in the cryptographic manner about the Russian essence of "the loneliest and most arrogant" of the emigres writers
Machu, Didier. "Corps et representation dans l'oeuvre de vladimir nabokov." Paris 7, 1999. http://www.theses.fr/1999PA070057.
Full textGarziano-Vassilieva, Svetlana. "La poétique autobiographique de Vladimir Nabokov dans le contexte de la culture russe et occidentale." Lyon 3, 2009. https://scd-resnum.univ-lyon3.fr/out/theses/2009_out_garziano-vassilieva_s.pdf.
Full textThe doctoral thesis “Vladimir Nabokov’s Autobiographical Poetics in the Russian and Occidental Culture’s Context” examines the question of the autobiographical genre’s status in Nabokov’s work on the example of the Russian version Other Shores [Другие берега, 1954] of his autobiography. The Nabokov’s autobiographical work, Other Shores in Russian and Speak, Memory [1967] in English, is a peculiar example of the autobiography that creates an artistic writing conjugating the notions of truth and fiction and based on the situation of multilingualism (the autobiographic project of this writer is declined in three languages: Russian, English and French). The Nabokov’s autobiographic writing is closely linked with its poetic writing. The autobiographic "I" introduced in Drugie berega / Speak, Memory is composed of epic "I", poetic "I" and philosophical "I". The Nabokov’s autobiography is studied in the context of his work (fictional, biographical and poetic) as well as in a broader context, that of Russian and Western European literature and philosophy. The analysis of these problems allows clearing innovative features and modernity of the Nabokov’s autobiography: his profoundly philosophical, figurative and thematic character. In his autobiographic text, our author puts forward relations between fiction and reality, between truth, wrong and plausibility, the reports of time and space, of past, present and future, thematic and figurative networks which structure the autobiographic space, the condition of exile, the metaphor of the body, figures of Fate and Mnemosyne and also the image of the reader
Poulin, Isabelle. "Discours litteraire et discours didactique : Vladimir Nabokov, professeur de littératures." Paris 10, 1993. http://www.theses.fr/1993PA100059.
Full textLivry, Anatoly. "Nietzsche et Nabokov." Nice, 2011. http://www.theses.fr/2011NICE2011.
Full textNietzsche and Nabokov have a lot in common: they were both stateless, they chose Switzerland as their country of exile; both lost their father and a brother, they both used to frequent the same circles, even though there was one generation between them. Therefore, the question arises: in what way did the senior of the two, who wrote in German, influence his junior counterpart, a writer working in three languages, bridging many contemporary cultures? This thesis attempts to address this question. Besides the direct and indirect links, thanks to which Nabokov better understood Nietzsche’s works, this dissertation seeks to document what the writer actually did extract from his readings of Nietzsche, attempts to get to grips with the perfect mastery of the Hellenic culture, to explore the ancient Helladic cults, to partly understand ancient Greek, and, above all, to acquire a certain familiarity with the work of Hellenistic writers explained by Nietzsche in his role as an educator. In keeping with Nietzsche’s ideas elaborated in his first masterpiece, The Birth of Tragedy, Nabokov chose Socrates, Dionysos’s enemy, as the adversary. Nabokov’s strong anti-Socratism absorbed him for the first part of his life when he wrote in Russian. He emerged victorious and continued to go back to Nietzschéen ideas when he wrote in English, raising them to glory in Lolita, Ada, or Ardor : a family chronicle and Pale Fire. As a result, the totality of concepts introduced by Nietzsche in philosophy – “eternal recurrence”, “will to power”, “small man”, “superman” – take their place in Nabokov’s works up to the point where they are made to appear more than once embodied in Zarathoustra the Dionysian and Nietzsche. The Nabokov studies are badly affected by the scientific imposture that was introduced in the French University via the USSR (ex. Buhks) ; the critic part of our thesis proves the lack of culture and the nuisance of this Soviet publications
Books on the topic "Vladimir Nabokov (1899-1977)"
Vladimir Nabokov. Houndmills, Basingstoke: Mamcillan, 1993.
Find full textRampton, David. Vladimir Nabokov. Basingstoke: MacmillanP., 1993.
Find full textCouncil, British, ed. Vladimir Nabokov. Plymouth [England]: Northcote House in association with the British Council, 1999.
Find full textRampton, David. Vladimir Nabokov. New York: St. Martin's Press, 1993.
Find full textBoyd, Brian. Vladimir Nabokov. London: Chatto & Windus, 1990.
Find full textBoyd, Brian. Vladimir Nabokov. London: Chatto & Windus, 1992.
Find full textBoyd, Brian. Vladimir Nabokov. London: Chatto & Windus, 1992.
Find full textBrian, Boyd. Vladimir Nabokov. London: Chatto & Windus, 1992.
Find full textBrian, Boyd. Vladimir Nabokov. London: Chatto & Windus, 1990.
Find full textBoyd, Brian. Vladimir Nabokov: The American years. Princeton, N.J: Princeton University Press, 1991.
Find full textBook chapters on the topic "Vladimir Nabokov (1899-1977)"
"Vladimir Nabokov (1899-1977)." In The Twentieth-Century American Fiction Handbook, 96–100. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444393675.ch18.
Full text"Vladimir Nabokov (1899 –1977)." In The Columbia Companion to the Twentieth-Century American Short Story, 399–403. Columbia University Press, 2004. http://dx.doi.org/10.7312/gelf11098-081.
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