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Books on the topic 'Vj'

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Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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1

D-Fuse, ed. VJ: Audio-visual art and VJ culture. London: Laurence King, 2006.

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2

Canadian Broadcasting Corporation. Training & Development, ed. The VJ Handbook. [Toronto]: CBC Training and Development, 1999.

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3

Liverpool. Central Library Marketing Unit., ed. VE/VJ day: Memories---. Liverpool: Central Library Marketing Unit, 1995.

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4

Christopher, Westhorp, ed. VJ Day in Photographs. London: Salamander, 1995.

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5

Smalley, Jonathan. The VJ hangover: Letters from the East. Lewes: Book Guild, 1987.

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6

Limited, Boojum Research. Cape Breton Development Corporation: Ecological engineering for VJ Bogs and data summary. Toronto, Ont: Boojum Research, 1990.

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7

López, Rafael A. Permuy. Unidades experimentales de la Legión Condor: Las escuadrillas VJ./88 y VB./88 en la Guerra Civil Española. [Valladolid]: Galland Books, 2013.

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8

Ferrier, Pierre. VJ Recombination. Springer, 2014.

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9

D-Fuse. VJ: Audio-Visual Art and VJ Culture. Laurence King, 2006.

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10

VJ: AUDIO-VISUAL ART + VJ CULTURE; ED. BY MICHAEL FAULKNER. LONDON: LAURENCE KING, 2006.

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11

Vj Day in Photographs. Random House Value Publishing, 1995.

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12

Westhorp, Christopher. VJ Day in Photographs. Salamander Books Ltd, 1997.

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13

Night Vj Got Saved. Christian Faith Publishing, 2016.

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14

Victorious: VE and VJ day memories. Leeds: Yorkshire Post Newspapers, 1995.

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15

Richards, Jeffrey. All Information about VJ Day, WWII: Things You Need to Know about VJ Day, WWII. Independently Published, 2022.

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16

All Information about VJ Day, WWII : Things You Need to Know about VJ Day, WWII: How Well Do You Know about VJ Day, WWII ? Independently Published, 2021.

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17

VJ: The unplugged adventures of MTV's first wave. New York: Atria Books, 2013.

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18

VJ: The Unplugged Adventures of MTV's First Wave. Atria Books, 2019.

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19

Provinça Françeskane Shqyptare: (e ripertrime në vj. 1906). Shkodër: Botime Françeskane, 2019.

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20

Insull, Vanya. Summer Favourites: Essential, Delicious Recipes from the Bestselling VJ Cooks. Allen & Unwin, 2023.

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21

Vjing. Lulu Press, Inc., 2011.

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22

VJing: By 375 Wikipedians. Greyscale Publishing, 2010.

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23

The VJ Book: Inspirations and Practical Advice for Live Visuals Performance. Feral House, 2005.

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24

VJ day: The end of WWII in the Pacific : 70th anniversary. Melbourne, Victoria, Australia: Wilkinson Publishing Pty Ltd, 2015.

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25

Telfer, Kevin. Summer Of '45: Stories and Voices from VE Day to VJ Day. White Lion Publishing Company, 2016.

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26

Road to Victory: D Day, June 1944 to VJ Day, August 1945. Tradeselect Limited, 2011.

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27

Publishing, Comicco. Blank Vj Comic Book: Draw Your Own Work and Hobby Comics Omg! Boom! Independently Published, 2019.

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28

Telfer, Kevin. The summer of '45: Stories and voices from VE Day to VJ Day. 2015.

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29

99 Years of Navy: From Victoria to Vj Day Through Three Pairs of Eyes. Cimino Publishing Group, 1995.

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30

Pine, Naomi. Tyrese Gibson Success Coloring Book: An American Singer, Songwriter, Rapper, Actor, Model, VJ and Screenwriter. Independently Published, 2019.

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31

Weinel, Jonathan. Synaesthetic Overdrive. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190671181.003.0007.

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This chapter discusses altered states of consciousness in audio-visual media, such as films, psychedelic light shows, and VJ performances. First, some background theory is introduced, explaining the main categories of film sound, and what research tells us regarding the way in which sound influences the perception of visual images and vice versa. Following this background section, a tour is provided through various films that represent altered states of consciousness, including surrealist movies, ‘trance films’, and Hollywood feature films. These demonstrate a progression, where more recent movies are able to make use of digital audio and visual effects to represent the subjective experience of altered states with improved accuracy. Meanwhile, beyond the traditional confines of the cinema, ‘expanded cinema’ works such as visual music, psychedelic light shows, and VJ performances have provided increasingly sophisticated synaesthetic experiences, which are designed to transform the consciousness of their audience.

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32

Serey, Ken. What's the Story? : You Ohio Neighbors Share Their War Memories: From Pearl Harbor to VJ Day. Chilidog Press LLC, 2022.

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33

Zagalo, Nelson, Óscar Mealha, Ana Isabel Veloso, and Liliana Costa. Videogame Sciences and Arts: 11th International Conference, VJ 2019, Aveiro, Portugal, November 27–29, 2019, Proceedings. Springer, 2019.

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34

Boeing B-29 Superfortress: The Ultimate Look : From Drawing Board to Vj-day (Schiffer Military History). Schiffer Publishing, 2005.

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35

Overy, Richard. World War II : the Definitive Visual History Vol 2: From the Invasion of Sicily to VJ Day. Welbeck Publishing Group Ltd., 2020.

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36

Videogame Sciences and Arts: 13th International Conference, VJ 2023, Aveiro, Portugal, November 28-30, 2023, Revised Selected Papers. Springer, 2024.

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37

Road To Victory Dday 1944 To Vj Day 1945 Classic Rare And Unseen Photographs From The Daily Mail. Atlantic Publishing,Croxley Green, 2010.

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38

Videogame Sciences and Arts: 12th International Conference, VJ 2020, Mirandela, Portugal, November 26-28, 2020, Revised Selected Papers. Springer International Publishing AG, 2022.

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39

Veiga, Xosé Ramón. VJ/4-Poder y territorio en la España del siglo XIX: De las Cortes de Cádiz a la Restauración. Servizo de Publicacións e Intercambio Científico da USC, 2014.

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40

Barham, Jeremy. The Music of Gustav Mahler in Experimental Film Contexts. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.003.0015.

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The anniversary years of the composer Gustav Mahler (150 years of his birth in 2010, 100 years of his death in 2011) took place in the age of digital media, whose technological possibilities afforded strikingly diverse opportunities to mark the occasion. Various experimental sound and video artists, produced audiovisual translations and interpretations of the composer’s music at this time, including Danish composer Henrik Marstal with VJ Dark Matters, and Austrian experimental composer Fennesz with Berlin-based video artist Lillevan. Building on a tradition which had begun in the 1990s, this repertoire is examined here from the theoretical and historical perspectives of “visual music” and intermediality.

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41

Hale's Handful... Up From The Ashes: The Forging Of The Seventh Air Force From The Ashes Of Pearl Harbor To The Triumph Of VJ-Day. School of Advanced Airpower Studies, Maxwell Air Force Base, Ala.: Air University Press, 2002.

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42

Nice, Geoffrey, and Nevenka Tromp. International Criminal Tribunals and Cooperation with States. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190272654.003.0023.

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This chapter examines the cooperation between Serbia and the International Criminal tribunal for Former Yugoslavia (ICTY) though reconstruction of how the OTP obtained records of the Supreme Defence Council (SDC), a collective Commander-in-Chief of the Yugoslav Army (VJ: Vojska Jugoslavije) from 1992 to 2003. Recent experience in the former Yugoslavia, in particular with Serbia, shows that the leading political elites will rarely be open and will do everything possible to control and limit post-conflict narratives. This proposition will be illustrated by analysing the way the de facto and de jure powers of Slobodan Milošević as president of Serbia (1990-1998) and of the FRY (1998-2000) would have been revealed through the SDC collection of documents generated by the highest state bodies in charge of commanding the armed forces during the Croatian, BiH, and Kosovo indictment periods that were incompletely and grudgingly produced by Serbia to the ICTY for its use.

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43

紀念抗日戰爭暨二次世界大戰勝利六十周年: The commemoration of the 60th anniversary of VJ day, WWII. [s.l.]: [s.n.], 2005.

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44

Gallicchio, Marc. Unconditional. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190091101.001.0001.

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Signed on September 2, 1945, by Japanese and Allied leaders, the instrument of surrender formally ended the war in the Pacific and brought to a close one of the most cataclysmic engagements in history. VJ (Victory over Japan) Day had taken place about two weeks earlier, in the wake of atomic bombs being dropped on Hiroshima and Nagasaki and the Soviet Union’s entrance into the war. In the end, the surrender itself fulfilled FDR’s commitment that it be “unconditional.” Though readily accepted as war policy at the time, after Roosevelt’s death in April 1945, popular support for unconditional surrender wavered, particularly when the bloody campaigns on Iwo Jima and Okinawa made clear the cost of military victory against Japan. The war’s end in Europe spurred calls in Congress, particularly among anti-New Deal Republicans, to shift the American economy to peacetime and bring home troops. Even after the atomic bombs had been dropped, Japan continued to seek a negotiated surrender, further complicating the debate. Though this was the last time Americans would impose surrender unconditionally, questions surrounding it continued at home through the 1950s and 1960s, when liberal and conservative views reversed, and particularly in Vietnam and the definition of “peace with honor.” It remained controversial through the ceremonies surrounding the fiftieth anniversary and the Gulf War, when the subject revived. This book describes the surrender in its historical moment, revealing how and why the event unfolded as it did and the principal figures behind it

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45

Weinel, Jonathan. Inner Sound. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190671181.001.0001.

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Inner Sound explores how altered states of consciousness have shaped the design of electronic music and audio-visual media. The book begins by discussing consciousness, and how this may change during states such as dreaming, psychedelic experience, meditation, and trance. Next, a variety of shamanic traditions are reviewed, in order to explore how indigenous societies have reflected visionary experiences through visual art and music. This provides the necessary background from which to consider how analogue and digital audio technologies enable specific capabilities for representing or inducing altered states of consciousness in psychedelic rock, electronic dance music, and electroacoustic music. Developing the discussion to consider sound in the context of audio-visual media, the role of altered states of consciousness in films, visual music, VJ performances, interactive video games, and virtual reality applications is also discussed. Through the analysis of these examples, the author uncovers common mechanisms, and ultimately proposes a conceptual model for ‘Altered States of Consciousness Simulations’. This theoretical model describes how sound can be used to simulate various subjective states of consciousness from a first-person perspective, in an interactive context. Throughout the book, the ethical issues regarding altered states of consciousness in electronic music and audio-visual media are also explored, ultimately allowing the reader to consider not only the design of Altered States of Consciousness Simulations, but also the implications of their use for digital society. In this way, Inner Sound explores the limits of technology for representing and manipulating consciousness, at the frontiers of electronic music and art.

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