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1
LEPRONI, CHIARA. "Henry Sidgwick e il dibattito tardo-vittoriano sull'idea di libertà." Doctoral thesis, Università Cattolica del Sacro Cuore, 2007. http://hdl.handle.net/10280/107.
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Il presente lavoro mira a collocare il pensiero di Henry Sidgwick (1838-1900) sul diritto alla libertà all'interno del background culturale inglese dell'epoca tardo-vittoriana, dedicando una particolare attenzione ad un confronto con la speculazione, il metodo ed i risultati ottenuti di due eminenti filosofi della medesima generazione, Thomas Hill Green (1836-1882) e Herbert Spencer (1820-1903).The study aims to connect the thought of Henry Sidgwick (1838-1900) about liberty with British intellectual background of the late-Victorian age, paying a special attention to a comparison of it with the philosophy, the methods and goals of two important philosophers of his generation, Thomas Hill Green (1836-1882) e Herbert Spencer (1820-1903).
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LEPRONI, CHIARA. "Henry Sidgwick e il dibattito tardo-vittoriano sull'idea di libertà." Doctoral thesis, Università Cattolica del Sacro Cuore, 2007. http://hdl.handle.net/10280/107.
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Il presente lavoro mira a collocare il pensiero di Henry Sidgwick (1838-1900) sul diritto alla libertà all'interno del background culturale inglese dell'epoca tardo-vittoriana, dedicando una particolare attenzione ad un confronto con la speculazione, il metodo ed i risultati ottenuti di due eminenti filosofi della medesima generazione, Thomas Hill Green (1836-1882) e Herbert Spencer (1820-1903).The study aims to connect the thought of Henry Sidgwick (1838-1900) about liberty with British intellectual background of the late-Victorian age, paying a special attention to a comparison of it with the philosophy, the methods and goals of two important philosophers of his generation, Thomas Hill Green (1836-1882) e Herbert Spencer (1820-1903).
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Paterlini, Riccardo <1985>. "Vittorini americano. La traiettoria americanistica di Elio Vittorini." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2017. http://amsdottorato.unibo.it/7836/1/paterlini_riccardo_tesi.pdf.
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Il lavoro di tesi indaga il percorso intellettuale del Vittorini americanista, dai primi anni ’30 al dopoguerra. Al centro dell’indagine si colloca la vicenda dell’antologia “Americana”, pubblicata nell’ottobre del ’42 dopo due anni di travagliate contrattazioni con il MinCulPop.The thesis investigates the intellectual contribution of Elio Vittorini to the American Literature, from the early 30s to the postwar period. The research focuses on the anthology "Americana", published in October 1942, after two years of troubled negotiations with MinCulPop.
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Belvedere, Antonio. "Pratiche dell'architettura in Vittorio Ugo." Versailles-St Quentin en Yvelines, 2014. http://www.theses.fr/2014VERS009S.
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Vittorio Ugo (Palerme, 1938-2005) est un architecte italien, connu en Italie et en France en tant que théoricien et critique d’architecture. Beaucoup moins connu est son œuvre architecturale, de 1957 à 1987, en tant que auteur de projets aux différentes échelles: architecture, urbanisme, design. En quelque manière, ces années préparent la deuxième phase de la biographie de Ugo, exclusivement consacré à la théorie de l'architecture. Pourtant, les projets et les réalisations de cette période dévoilent une personnalité d’architecte fort intéressant. Né d'une famille d'artistes et d’Ugo refuse bien tôt le chemin tracé par ses ancêtres, à la recherche d’une manière originelle d’être architecte, marquée par l’enracinement de l’architecture à son statut de « chose », de « fabrica », contre toute réduction à son « image » extérieure. En 1978, il s’installe à Paris pour assister aux débats qui ont lieu au sein de la prestigieuse Ecole des hautes études en sciences sociales, en suivant les séminaires dirigés par Louis Marin et Hubert Damisch. «[…] Que venait chercher Vittorio Ugo auprès de cette école de pensée sémiologique ?», se demandait Philippe Potié il y a quelques années. Comment expliquer le choix de Ugo de se consacrer exclusivement à la théorie, après vingt ans de fébrile activité dans le domaine de la conception architecturale? Par les moyens d’une étude de terrain tout à fait originelle et d’une recherche systématique dans les archives privées de l’architecte – jamais fouillées auparavant - la thèse trace un portrait inédit de Vittorio Ugo tout en retrouvant, dans la pratique du projet et du chantier, les racines majeures de sa pensée théoriqueVittorio Ugo (Palermo, 1938-2005) is an Italian architect, mostly known in Italy and France as theorist and a critic as well, Professor at University of Palermo from 1964 to 1987. Much less known is his architectural work as author of projects on different scales: architecture, urban-planning, design. The years from 1957 to 1987 represent a sort of long training period, which prepare the second phase of Ugo’s biography, devoted exclusively to the Theory of Architecture. Born from a family of artists - his grandfather was a sculptor, his father an architect - he was looking for an original way to be an architect, feeling an ethical need to see architecture from a scientific point of view. The main argument of this research, starts from the belief that the fame of Vittorio Ugo as a theorist, together with his open International impulse - France and Japan were his second homeland – conceals a complex "apprenticeship ", yet to be revealed. Many of his former pupils wondered who he was, where he came from, what had determined his passion of teaching and the care he devoted to his students. In 1978, he was living in Paris attending the heated debates that took place at the prestigious Ecole des hautes études en sciences sociales, inside the courses of Louis Marin and Hubert Damisch. «[. . . ] Que venait chercher Victor Hugo auprès de cette école de pensée sémiologique?» What was Vittorio Ugo looking for in that school of semiological thought? Philippe Potié was asking a few years ago. How to explain the choice of Ugo to devote himself to the Theory, after twenty years of designing?
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Cedrati, C. "LE RIME DI VITTORIO ALFIERI." Doctoral thesis, Università degli Studi di Milano, 2011. http://hdl.handle.net/2434/153114.
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This dissertation focuses on the Rime of Vittorio Alfieri (1749-1803), aiming to enlighten, through a thematic, stylistic and philological commentary of the lyrical works in their entirety, the most significant aspects of the corpus, which counts more than 450 texts, composed during the poet's entire life and included for the most part in the two collections of Rime (1789) and Parte seconda (1799) prepared by the author himself.
Although selections of Alfieri's poems have been repeatedly and effectively investigated from several perspectives, little has, however, been done to provide an encompassing commentary of the Rime, a lack which can be mainly ascribed to the problematical state of the critical edition, largely outdated by further discoveries of unknown poems after its first publication in 1933 and prepared by collating together only a few of the surviving manuscripts and the editiones principes.
The chronological method of analysis, allowed by the constant presence in the autographs of date and time of composition for each poem, and the renewed study of the manuscripts and the first editions have resulted in the overcoming of the issues connected with the complex tradition and in the developing of a wide and detailed analysis of the whole lyrical production, which thus has been profitably read as a diary in verses, a lyrical autobiography formed by fragments written day by day before the Vita scritta da esso.
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Aecherli, Claire-Line. "L'opera di Vittorini : uno studio strutturale." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66020.
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Marek, Heidi. "Elio Vittorini und die moderne europäische Erzählkunst : 1926-1939 /." Heidelberg : C. Winter, 1990. http://catalogue.bnf.fr/ark:/12148/cb366496644.
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Berriel, Nádia Jorge 1983. "Antigone de Vittorio Alfieri : uma tradução." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270172.
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Orientador: Suzi Frankl SperberDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-22T02:08:04Z (GMT). No. of bitstreams: 1 Berriel_NadiaJorge_M.pdf: 849852 bytes, checksum: c58e0a274adf4d28a2ea692d6cd8ce13 (MD5) Previous issue date: 2012
Resumo: este trabalho consiste numa tradução da peça Antigone, do tragediógrafo italiano Vittorio Alfieri, escrita em 1776 em Florença, Itália. Esta tragédia revela inquietações artísticas e particularidades linguísticas que refletem o período que antecede o Risorgimento, tanto no âmbito político quanto no que se refere à cultura e ao idioma italiano. A presente dissertação apresenta também um perfil biográfico de Vittorio Alfieri, autor até o momento pouco conhecido no Brasil, a partir de estudo de sua autobiografia e de estudos publicados na Itália sobre sua obra e seu envolvimento com movimentos políticos que culminaram na Revolução Francesa
Abstract: this work consists on a translation of the play Antigone, by the Italian tragedy writer Vittorio Alfieri. The play was written in 1776 in Florence, Italy. This tragedy reveals artistic concerns and linguistic particularities that reflect the period of time that precedes the Risorgimento, both in a political extent as in where the Italian culture and language is concerned. The present dissertation presents also a biographic profile of Vittorio Alfieri, author until this moment little known in Brazil, based on the study of his autobiography and texts published in Italy about the author's work and involvement in political movements that led to the French Revolution
Mestrado
Teoria e Critica Literaria
Mestra em Teoria e História Literária
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Duarte, Adriana Cristina Vieira. "Frontiera: uma introdução a Vittorio Sereni." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-17112015-115719/.
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O poeta italiano Vittorio Sereni (1913-1983) é ainda inédito e pouco conhecido no Brasil. A fim de introduzir o autor ao público brasileiro, este trabalho tem como objeto de estudo seu livro de estreia, Frontiera, de 1941. A partir de um panorama que percorre de maneira sucinta o surgimento dos poetas modernos da Itália, e que situa o leitor acerca da posição ocupada por Vittorio Sereni nesse cenário, esta pesquisa investiga os caminhos cursados pelo poeta em sua juventude, no início de sua produção literária. Tal percurso, conforme se demonstrará, foi determinante para sua completa formação humana, cultural e intelectual, abrangendo, por exemplo, as aulas do filósofo Antonio Banfi na Universidade de Milão, a experiência como redator da revista \"Corrente di vita giovanile\", e a admiração e amizade com os poetas Eugenio Montale, Giuseppe Ungaretti e Umberto Saba. Ademais, este trabalho discute o polêmico tema do pertencimento ou não de Sereni ao movimento hermético italiano dos anos 30/40. Finalmente, por meio de análises de quatro poemas do livro selecionado, \"Inverno\", \"Inverno a Luino\", \"Strada di Zenna\" e \"Ecco le voci cadono\", serão especificadas algumas linhas temáticas centrais de Frontiera recorrentes em outras composições de sua primeira publicação.Italian poet Vittorio Sereni (1913-1983) is still unpublished and relatively unknown in Brazil. In order to introduce the author to the Brazilian public, this research studies his debut book, Frontiera, 1941. Through a brief overview of the history of the Italian modern poets, the present study investigates the path followed by Vittorio Sereni during his youth, at the beginning of his literary career. Such path, as will be shown later, was of the utmost importance for the poets humanitarian, cultural and intellectual development, and includes the philosophy lectures given by Antonio Banfi at the University of Milan, the time spent as a writer at the magazine \"Corrente di vita giovanile\" and the admiration of and friendship with fellow poets Eugenio Montale, Giuseppe Ungaretti and Umberto Saba. Moreover, this research addresses the controversial debate on whether Sereni integrated or not the Italian hermetic movement in the 1930s and 40s. Lastly, through the study of four poems from the selected book, \"Inverno\", \"Inverno a Luino\". \"Strada di Zenna\" e \"Ecco le voci cadono\", recurrent central themes in Frontiera will be presented and analyzed.
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Bortolini, Chiara <1987>. "Mario Luzi/Vittorio Sereni:incontro nella realtà." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3513.
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SACCONAGHI, CARLO. "VITTORIO SERENI TRADUTTORE DI EZRA POUND." Doctoral thesis, Università degli Studi di Milano, 2017. http://hdl.handle.net/2434/471648.
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My dissertation focuses on Vittorio Sereni’s translations of eight poems from Pound’s "Lustra", and investigates the influence that these translations exercised on Sereni’s own poetry.
The first chapter outlines the context in which the translations were conceived. I detail the main inputs through which Sereni approached Pound’s poems in the early 1950’s: Luciano Anceschi and the group of young poets — later organized in the Neo-Avant-Gardist “63 Group” — who considered Pound as a master; the praise for Pound that T.S. Eliot had stated on several occasions; and the “Pound case”, which stimulated political and poetical discussions among Italian intellectuals after his arrest, extradition and internment. In this context, Sereni translated some poems from Lustra at the insistence of Pound’s main Italian publisher, Vanni Scheiwiller.
The second chapter concerns the critical edition and a commentary of Sereni’s translations. In this section I collate the manuscripts, drafts and editions curated by Sereni and I record the author’s variants, which show the creative process preceding the final text. An overall interpretation of each poem is followed by a detailed analysis of Sereni’s stylistic choices and his translational attitude, which fluctuates between the assimilation and rejection of Pound’s technique.
The last chapter reveals how the translations of Pound’s poems inspired Sereni’s own poetry. While searching for a renewed poetic language, Sereni was deeply intrigued by Pound’s poems because of their original aesthetic paradigm. I identify several textual elements which show Pound’s influence on the poems that Sereni wrote immediately after his translations — such as the combination of different languages, the extension of the verses’ measure, the assimilation of rhetorical devices as the iteration, and also, according to Pound’s aesthetics habit, the insertion of literary references. These stylistic features are not present in Sereni’s writings which precede Pound’s translations, and they characterize Sereni’s third book, "Gli strumenti umani" (1965).
In conclusion, my research reveals the contribution that the translations from Pound’s early poems gave to the poetical development of Vittorio Sereni, and it represents a significant case study of the impact that Anglo-American modernist poetry had on the Italian post-hermetic poetic progress.
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BELVEDERE, Antonio. "Pratiche dell'architettura in Vittorio Ugo (1957-1987)." Doctoral thesis, Università degli Studi di Palermo, 2014. http://hdl.handle.net/10447/90994.
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La ricerca verte sulla figura di Vittorio Ugo (1938-2005), architetto e urbanista palermitano , docente presso la Facoltà di architettura di Palermo dal 1964 al 1987. Della complessa attività di Ugo, che nella seconda fase si svolge principalmente a Milano, la tesi mette a fuoco il periodo 1957-1987, anni che comprendono la formazione universitaria e la sua poco nota attività di architetto e urbanista a Palermo.Vittorio Ugo (Palermo, 1938-2005) is an Italian architect, mostly known in Italy and France as theorist and a critic as well, Professor at University of Palermo from 1964 to 1987. Much less known is his architectural work as author of projects on different scales: architecture, urban-planning, design. The years from 1957 to 1987 represent a sort of long training period, which prepare the second phase of Ugo’s biography, devoted exclusively to the Theory of Architecture. Born from a family of artists - his grandfather was a sculptor, his father an architect - he was looking for an original way to be an architect, feeling an ethical need to see architecture from a scientific point of view. The main argument of this research, starts from the belief that the fame of Vittorio Ugo as a theorist, together with his open International impulse - France and Japan were his second homeland – conceals a complex "apprenticeship ", yet to be revealed. Many of his former pupils wondered who he was, where he came from, what had determined his passion of teaching and the care he devoted to his students. In 1978, he was living in Paris attending the heated debates that took place at the prestigious Ecole des hautes études en sciences sociales, inside the courses of Louis Marin and Hubert Damisch. «[...] Que venait chercher Victor Hugo auprès de cette école de pensée sémiologique?» What was Vittorio Ugo looking for in that school of semiological thought? Philippe Potié was asking a few years ago. How to explain the choice of Ugo to devote himself to the Theory, after twenty years of designing?
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Franco, Lina. "Politiques de la litterature : elio vittorini et georges bataille." Paris 7, 2000. http://www.theses.fr/2000PA070030.
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Il s'agit d'une etude comparative relative aux annees 1920-1950 qui vise a mettre en evidence les choix litteraires accomplis par elio vittorini et georges bataille pendant la periode fasciste. La question politique-culture est posee a partir de l'analyse des cahiers de prison d'antonio gramsci ou l'ancien dirigeant du p. C. D'italie elabore la figure de << l'intellectuel organique >> (lieu d'unification de la theorie et de la pratique) et definit la nouvelle forme de << litterature nationale-populaire >>. Le travail essentiellement axe sur l'analyse des textes de fiction des deux ecrivains (notamment l'oeillet rouge et le bleu du ciel, dont il propose un commentaire) prend en compte aussi les autres ecrits (articles, journaux, essais) ou s'affirme la thematique politique. L'abandon de la publication des deux romans (dans le cas de vittorini et de l' oeillet rouge il est determine par l'intervention des autorites fascistes qui en commandent la saisie tandis que dans celui de bataille et du bleu du ciel il est voulu par l'ecrivain) relance la question de l'heteronomie de l'ecriture, de sa fonction critique et de la position de l'intellectuel a laquelle les deux prefaces redigees lors de la parution des deux romans apportent une reponse tout a fait differente. L'etude reserve une attention particuliere au corps comme lieu de l'expression et de la pratique de la revolte.
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Simionato, Mariasole <1993>. "PROGETTAZIONE LETTERARIA: ELIO VITTORINI SULLE TRACCE DI ERNEST HEMINGWAY." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/12302.
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La dissertazione prende avvio da una questione molto complessa, sulla quale sono già stati dedicati innumerevoli studi: l’influenza della narrativa americana subita da parte di Elio Vittorini. Il problema, tuttavia, non ha ancora una risoluzione definitiva, poiché vi sono ancora voci critiche discordanti che mettono in dubbio sia l’autenticità del romanzo vittoriniano, che pare contaminato dallo stile statunitense, sia il valore effettivo delle sue traduzioni americane, le quali talvolta assumono alcuni caratteri attribuibili più al traduttore che all’autore.
Questo testo affronta le apparenti insolvibili questioni, concentrandosi su un autore americano soltanto, Ernest Hemingway, poiché prendere in esame tutti i romanzieri tradotti dal siciliano, di cui sono riscontrabili le tracce nello stile, richiederebbe un tempo e un luogo più opportuno alla stesura di una ricerca così articolata: il focus su un unico autore permette, invece, di ottenere un lavoro più approfondito e di portare alla luce contenuti più concreti e, forse, originali.
Dopo aver dato ampio spazio a uni studio storico, sociologico e letterario del mito nei primi capitoli, la materia principale prende corpo nel quarto e quinto, laddove l'analisi prende in esame concretamente i due autori, cercando di effettuare un'indagine completa, che affronti tutte le possibile vie di comparazione.
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Segalini, Sara <1997>. "Elio Vittorini: la scrittura come impegno culturale e civile." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/20540.
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La tesi affronta le opere di Elio Vittorini prodotte durante il Ventennio fascista, partendo dalla pubblicazione del Garofano rosso fino al primo romanzo della Resistenza: Uomini e no. In un viaggio tra ricerca letteraria e impegno civile, tra la tradizione italiana/europea e quella americana, si analizza l'eredità culturale che Vittorini ha lasciato, soffermandosi in particolare sulla sintesi tra mondo personale dell'artista e sfera pubblica.
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Demozzi, Vittoria [Verfasser], and Viatcheslav [Akademischer Betreuer] Mukhanov. "On inflationary perturbations / Vittoria Demozzi. Betreuer: Viatcheslav Mukhanov." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2011. http://d-nb.info/1015084273/34.
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Neri, Laura. "Vittorio Sereni, Andrea Zanzotto, Giovanni Giudici : un'indagine retorica /." Bergamo : Sestante : Bergamo University Press, 2001. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=009422866&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
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Spano, Marco <1991>. "La Vittoria di Stalin e la Rivoluzione Culturale." Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/5786.
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Scrivo questa tesi, nella fiducia che essa rappresenti un’essenza nel barlume di cadaveri che per troppo tempo sono stati fervidi e iracondi punitori della nostra arte e cultura. Non una chiara luce si vede baluginare oltre la collina della rivoluzione, ma nutro la speranza che lo scritto possa rendere più decifrabile la crisi storica in cui cultura e arte sono precipitate, nei periodi in cui hanno dovuto affrontare il duro scontro con le dittature.
Sì, in alcuni momenti esse hanno rappresentato i mentori di una nuova era, quella delle avanguardie e si sono ben difese, oltraggiando le muse che sempre proteggono l’arte dalla politica.
I grandi veti, le perquisizioni, gli assembramenti sbagliati, hanno fatto sì che in un’epoca di terrore e quiete, segnata dai mass media e dalla fabbrica, tutto cadesse nel superfluo e nell’immagine.
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Schneider, Ulrike. "Der weibliche Petrarkismus im Cinquecento : Transformationen des lyrischen Diskurses bei Vittoria Colonna und Gaspara Stampa." Stuttgart Steiner, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&docl̲ibrary=BVB01&docn̲umber=016078634&linen̲umber=0001&funcc̲ode=DBR̲ECORDS&servicet̲ype=MEDIA.
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De, Marinis Elisa <1987>. "Vittorio Moschini (1896-1976). Protagonista e testimone della cultura." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/2801.
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Analisi dell'attività di Vittorio Moschini come direttore delle Gallerie dell'Accademia e come Soprintendente, con l'intento di comprendere le posizioni critiche nell'ambito del dibattito sul restauro delle opere d'arte e l'allestimento dei musei.
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Scardellato, Giovanna <1991>. "Vittorio Gassman tra teatro e cinema: Il caso Kean." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/8999.
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L'argomento che viene tratto all'interno della tesi riguarda la figura dell'attore nel teatro del Novecento ponendo a confronto il metodo utilizzato nella recitazione teatrale rispetto alle tecniche tipiche della rappresentazione cinematografica. Vittorio Gassman nella sua multiforme attività artistica affronta entrambe le tipologie di recitazione e ciò è riscontrabile nel caso dello spettacolo "Kean, genio e sregolatezza" che è stato trattato sia da un punto di vista critico sia in rapporto alle recensioni che sono state pubblicate su riviste e periodici del tempo.
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Berizzi, Elena <1995>. "La Giornata della Vittoria: propaganda o sentita festa popolare?" Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17099.
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Il presente lavoro intende approfondire l’evoluzione della Giornata della Vittoria, cioè la celebrazione della vittoria degli Alleati sul nazifascismo, tenutasi annualmente il 9 maggio in Unione sovietica e oggi in Russia. Nel primo capitolo si fornirà un inquadramento storico generale: verrà descritta la nascita di questa festa, si cercheranno di capire le cause socio-politiche della sua cancellazione nel 1947, quelle della sua ricomparsa nel 1965 e l’importanza che la Giornata ha avuto in seguito. I capitoli successivi analizzeranno i mutamenti nelle narrazioni storiche a proposito della vittoria avvenuti nell'URSS della perestrojka e nella Russia degli anni Novanta, approfondendo poi il caso della Lettonia. In seguito si affronterà la trasformazione della festa nella Federazione Russa, per comprendere meglio il ruolo di sempre maggior rilievo che essa ricopre sotto il governo Putin. Si studieranno le strumentalizzazioni della vittoria sovietica portate avanti dalla leadership russa, considerandone motivazioni e conseguenze anche a livello internazionale. Infine, si illustreranno i movimenti di massa legati al Giorno della vittoria nati “dal basso” negli ultimi anni, che complicano la spiegazione forse semplicistica sulla popolarità della Giornata della Vittoria in Russia dovuta alla mera propaganda politica. Considerando la centralità del problema dell’identità nazionale nella Russia attuale e ritenendone la memoria collettiva uno dei fattori principali, questa analisi intende offrire strumenti ulteriori per approfondire le specificità e le contraddizioni della Russia di oggi.
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Morsi, Gamal. ""Amerika ist immer woanders" : die Rezeption des American Dream in Italien; ein exemplarischer Vergleich anhand der Prosa Cesare Paveses und Elio Vittorinis /." Marburg : Tectum Verl, 2001. http://catalogue.bnf.fr/ark:/12148/cb38879614t.
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Colla, Vittoria <1993>. "Children’s socialization, involved parenting, and the construction of the family-school partnership in everyday family interactions: a study on parent-assisted homework as a morally dense educational arena." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2022. http://amsdottorato.unibo.it/10217/1/Vittoria%20Colla%20PhD%20thesis.pdf.
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This study investigates an activity that takes place at the intersection between family and school and plays a key role in the building of the family-school partnership largely promoted by education policies: parent-assisted homework. Even though this topic is not new in pedagogical research, what is innovative about this study is the focus on naturally occurring parent-child conversations during homework. Adopting a phenomenological approach to the study of educational events and relying on conversation analysis, the present study analyzes 62 video-recorded sessions of parent-assisted homework collected in 19 Italian families with children aged 6-10 years old (i.e., attending primary school). The analysis of parent-child interactions reveals that parent-assisted homework is not only a site for formal learning but also and primarily a morally dense educational arena. Through the ‘small talks’ that accompany the completion of homework exercises, parents and children evoke and co-construct moral ideologies concerning topics as diverse as learning, school rules and standards, ‘good, involved parenting’, the family-school partnership, children’s autonomy, virtue, time management, and the organization of knowledge and authority in interaction. By taking part in everyday homework interactions, children are educated to culture-specific ethical systems and socialized into morally competent members of their communities, while parents implement the family-school partnership and comply with the model of “involved parent” proposed by pedagogical research and policies. Providing empirical evidence for the moral and educational relevance of ordinary family talk, this study contributes to pedagogical research on family life and promotes parents’ reflexivity about their mundane interactive activities.
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Amorim, Luís da Silva. "Vittorio Gregotti-o pensamento e o Centro Cultural de Belém." Master's thesis, Instituições portuguesas -- -Universidade Lusíada -- -Departamento de Arquitectura (Lisboa), 2001. http://dited.bn.pt:80/30432.
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Scaccianoce, Giosuè Luisetti Federico. "Pier Vittorio Tondelli, Camere separate e il romanzo di formazione." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2006. http://dc.lib.unc.edu/u?/etd,444.
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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2006.Title from electronic title page (viewed Oct. 10, 2007). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Romance Languages and Literatures (Italian)." Discipline: Romance Languages; Department/School: Romance Languages.
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Avery, Victoria Jane. "The early works of Alessandro Vittoria (c.1540-c.1570)." Thesis, University of Cambridge, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310880.
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Kerimoglu, Kagan. "Vittorio Storaro: How to maintain artistic style in digital cinematography." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2018. http://www.nusl.cz/ntk/nusl-392819.
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Pompili, A. "The contribution of Vittorio Spinazzola to the excavation of Pompeii." Thesis, University of Manchester, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.699810.
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Schurr, Claudia-Elisabetta. "Vittoria Colonna und Michelangelo Buonarroti : Künstler- und Liebespaar der Renaissance /." Tübingen : G. Narr, 2001. http://catalogue.bnf.fr/ark:/12148/cb38879826c.
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Pezzutti, Margherita <1993>. "Memoria e identità nel Museo della Battaglia di Vittorio Veneto." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/13545.
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Lo studio si concentra sull’analisi delle fonti in merito all’identità culturale e alle istituzioni museali, per passare all’esame del Museo della Battaglia di Vittorio Veneto e all’interessante caso che esso costituisce, trattando un argomento così delicato e così legato sia nazionale che, in particolar modo, a quella locale. Si prendono in esame le varie funzioni primarie del museo, in particolare il modo in cui questo si rivolge all’utenza per sensibilizzarla alla questione della guerra e della pace. L’indagine prende in considerazione i dati anagrafici dei visitatori, ovvero età e provenienza, per cercare di ricostruire la tipologia preferenziale di utenza, e comprende l’analisi di un questionario sottoposto ad un campione di cittadini di Vittorio Veneto, per comprendere quale sia la rilevanza di tale istituzione presso la propria comunità di riferimento, soprattutto dopo il suo recente rinnovo, a livello storico, culturale ed identitario.
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Antropoff, Matthias von [Verfasser], Vittoria [Akademischer Betreuer] Borsò, and Frank [Akademischer Betreuer] Leinen. "Das Messianische im Werk von Álvaro Mutis: von der Substanzlosigkeit zur Bedeutsamkeit von Präsenz / Matthias von Antropoff. Gutachter: Vittoria Borsò ; Frank Leinen. Betreuer: Vittoria Borsò." Düsseldorf : Universitäts- und Landesbibliothek der Heinrich-Heine-Universität Düsseldorf, 2011. http://d-nb.info/1015458645/34.
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Nasra, Khira. "La littérature d'opposition en Italie sous le fascisme : Vittorini, Pratolini, Bilenchi, Cassola." Paris 3, 1988. http://www.theses.fr/1989PA030090.
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Le sujet traite dans ma these concerne la litterature d'opposition en italie. C'est ainsi que j'ai evoque certains auteurs qui naquirent et vecurent sous le fascisme : elio vittorini, vasco pratolini, carlo cassola et romano bilenchi qui ont porte dans leurs ecrits un temoignage de la realite fasciste. Avant d'analyser quelques oeuvres de ces ecrivains, il m'a semble necessaire dans une premiere partie et pour mieux apprehender les themes evoques, de placer dans son contexte historique, social et culturel la periode fasciste en essayant de definir le fascisme et l'ideologie de mussolini et d'expliquer comment un regime totalitaire ait pu s'installer pendant vingt ans dans une italie aux tendances monarchiques. Au cours de cette periode, ont emerge de jeunes ecrivains qui eprouvaient le besoin de relater et de resister par le texte a la dictature. Ils s'attachaient surtout a depeindre la vie quotidienne. Les oeuvres analysees dans mon travail : conversazione in siilie, il garofano rosso, il quartiere, cronache di poveri amanti, il capofabbrica, fausto et anna entrent dans le cadre de cette litterature qui prenait ainsi contact avec le peuple, d'ou l'apparition et le rapide developpement des fragments descriptifs ou autobiographiques : choses vues". L'ecrivain sentait le desir de comprendre et de surmonter le besoin de reagir contre la misere bien reelle, sa fonction etait de proteger l'homme contre "les offenses". Les oeuvres choisies dans mon etude (conversation en sicile et l'oeillet rouge) traduisent a mon avis le mieux "le monde offense" pour lequel l'ecrivain et surtout vittorini s'est tant battu en denoncant l'oppression fasciste et l'hypocrisie du regimeMY THESIS DEALS WITH OPPOSITION LITTERATURE AND ITS REPRESENTATIVES. THAT IS VITTORINI, CASSOLA, PRATOLINI, CASSOLA AND BILENCHI LIVING WITNESSES OF THE FASCIT REALITY. IT EVOKES AND DEFINES THE SOCIAL, HISTORICAL AND CULTURAL CONTEXT HAVING FAVORED THE UPRISING OF MUSSOLINI'S IDEOLOGY AS WELL AS IT ANALYSES THE ENDURING AND PERMANENT CHARACTER OF SUCH AND IDEOLOGY FOR A 20 YEARS PERIOD. THESE REASONS UNDERLYING SUCH AND EVOLUTION ARE ON THE ONE HAND THE FIRST WORLD WAR IMPACT OVER THE COUNTRY ON THE ECONOMIC AS WELL AS CULTURAL PLANS. ON THE OTHER HAND, THE GOUVERNMENT'S INCAPACITY TO GIVE A PROPER ANSWER IN FRONT OF SUCH AN DANGER. IT TURNS OUT TO BE AN ECONOMIC AS WELL AS A STATE CRISIS. SUCH A CLIMATE HAS UNDOUBTEDLY FAVORED THE UPRISING OF FASCISM AS WELL AS ITS CONSOLIDATION. THE ONLY POSSIBLE ANSWER TO SUCH AN EVOLUTION WAS THE GIVING BIRTH TO AN INTELLECTUAL OPPOSITION MOVEMENT, FOLLOWED BY AN UNSUCCESSFUL ATTEMPT TO RECUPERATE IT BY THE FASCIST GOVERNMENT. WRITING AS THE ONLY MEANS TO RESIST FASCIST IDEOLOGY, HAS GONE ON ASSERTING ITS EXISTENCE WITH INCREASING strength. IT IS A LITTERARY "GENRE" THE INSPIRATION OF WHICH DERIVES FROM DAILY LIFE AND POINTING OUT THE EMINENTLY OPPRESSIVES AND HYPOCRITICAL NATURE OF THE FASCIST IDEOLOGY AS WELL AS THE IMMUTABLE CHARACTER OF ITS PREESTABLISHED HIERARCHY
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Bonetto, Valentina Beatrice <1989>. "Elio Vittorini e il mito americano. La ricerca dell'altrove in epoca fascista." Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/6133.
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L'argomento principale della tesi si sviluppa in riferimento alla figura di Elio Vittorini e al suo interesse nei confronti del mito americano, che viene contestualizzato nella dimensione storica del fascismo. Partendo da un'analisi biografica dell'autore, successivamente viene dedicato uno spazio alla definizione e alle motivazioni del mito americano stesso dal punto di vista di Vittorini ma anche di altri intellettuali a lui contemporanei. Viene inoltre descritta la sua attività di traduttore e infine vengono analizzati i romanzi di Hemingway come modelli di letteratura americana.
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Martorelli, Ugo. "Redeat verum studi sulla tecnica poetica dell'Alethia di Mario Claudio Vittorio." Stuttgart Steiner, 2006. http://d-nb.info/988745232/04.
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Brundin, Abigail Sarah. "Vittoria Colonna, 1490-1547 : Petrarchism and Evangelism in sixteenth-century Italy." Thesis, University of Cambridge, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368619.
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Dietz, Thomas Michael S. M. Massachusetts Institute of Technology. "The road from pope to king : il Corso Vittorio Emanuele, II." Thesis, Massachusetts Institute of Technology, 2005. http://hdl.handle.net/1721.1/33601.
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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2005.Vita.
Includes bibliographical references (p. 84-88).
The formal unification of the Kingdom of Italy in 1861, and the later addition of the Roman capital in 1870, sparked criticism from Papal authorities and fostered a growing secularist sentiment among royal political leaders. Yet the Kingdom of Italy also sought to mediate those differences, having formed a liberal constitutional monarchy under the former King of Savoy, Carlo Alberto (and later, his son, Vittorio Emanuele II). This thesis will address the urban manifestation of the conflicted relationship between the Papacy and the new royal government of the Kingdom of Italy in Rome, with a particular regard for the manner in which the Corso Vittorio Emanuele II portrays the Risorgimento king. The Corso Vittorio Emanuele II also serves as the means by which French and British models operative in Italy can be evaluated, with the consequences of this urban intervention analyzed in relation to the particular practice of conservation employed in Italy at the conclusion of the nineteenth-century. The history of this urban intervention will first be indexed against three successive periods in the royal Italian government (the Destra, Sinistra, and Giolittian parliaments), all of which proposed differing visions for the new capital. The history of Roman urban planning will then be considered with regard to the pre-Risorgimento initiatives of Pope Pius IX and Cardinal Merode, the municipal :Development Plan of 1873, and the later royal Development Plan of 1883 (the plan that generally defined the avenue's construction).
(cont.) The Corso Vittorio Emanuele II will then be investigated in greater depth, paying particular attention to the Development Plans of 1873 and 1883, the official Variant of 1886 (which was actually built), and a selection of other unofficial counterproposals. The intention is to demonstrate that the Italian admiration for British political and conservation models- which do have a common philosophical basis-were somewhat contradictory in application, resulting in a uniquely modern approach to urbanism in Rome and a surprisingly respectful treatment of ecclesiastical structures (even despite the ongoing conflict between Papal and royal authorities).
by Thomas Michael Dietz.
S.M.
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Massaccesi, Cristina. "Intertext and postmodern space in the work of Pier Vittorio Tondelli." Thesis, University College London (University of London), 2007. http://discovery.ucl.ac.uk/1446025/.
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This thesis deals with the work of Pier Vittorio Tondelli (1955-91) and concerns the way in which the greater permeability of cultural borders and speed of information exchanges affects the production of contemporary fiction and makes national literatures open to permeation by other cultures. Tondelli provides in this respect an interesting case study since his works display a particular bent for hybridization, both of language and content. This thesis examines his literary and non-literary production, paying particular attention to intertextual and intercultural relations and to questions of cultural and virtual space. In contrast to the existing critical tradition on Tondelli it devotes equal attention to style and content. Fifteen years after Tondelli's death it is time for a different approach to his work in particular it is important to read it through an intertextual perspective. Through a close textual analysis of his works, regarded as a complex patchwork of references (including film and music as well as literature), I intend to determine a typology of the different relations he established with his models in different texts and at different stages of his career. The contextualization of these relations and the analysis of certain recurrent narrative themes, such as separation and the journey, offers a new perspective on Tondelli's works. The thesis is divided into four chapters. The first introduces two theories postmodernism and intertextuality that are central in the analysis of Tondelli's fiction. It also presents the literary production of Alberto Arbasino as a major influence on his works. The other three chapters focus on Tondelli's principal works of fiction.
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Dorigo, Martina <1990>. "Catalogo dei dipinti del Museo Diocesano "Albino Luciani" di Vittorio Veneto." Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/6663.
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Il presente lavoro vuole essere un catalogo dei dipinti conservati presso il Museo Diocesano “Albino Luciani” di Vittorio Veneto. Partendo dall'analisi dei materiali d’archivio conservati presso l’Ufficio Arte Sacra e l’Archivio Diocesano, si è voluto procedere alla catalogazione delle opere pittoriche ancora non studiate e alla revisione delle schede essenziali già esistenti di parte dei dipinti presenti nel Museo. Si è rivelato necessario, in diversi casi, modificare i dati essenziali (titolo, datazione, attribuzione), oltre che raccogliere, dove possibile, bibliografia di riferimento, arricchendo anche le singole schede con un commento critico.
Infine, si è voluto procedere nell'analisi dell’origine di tale istituzione museale inserendola all'interno della normativa di tutela e valorizzazione dei beni ecclesiastici e analizzandone la storia, gli spazi espositivi e le finalità.
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Klier, Alexander. "Umweltethik: wider die ökologische Krise ein kritischer Vergleich der Positionen von Vittorio Hösle und Hans Jonas." Marburg Tectum-Verl, 2000. http://deposit.d-nb.de/cgi-bin/dokserv?id=2992397&prov=M&dok_var=1&dok_ext=htm.
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Piller, Maike Charlotte. "Kultur und Literatur : Sizilienbilder in Luigi Pirandellos "Novelle per un anno" und Elio Vittorinis "Conversazione in Sicilia" /." kostenfrei, 2009. http://media.obvsg.at/AC07677974-2001.
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Marciano', Maria Flavia <1993>. "Bompiani, editore-intellettuale e Vittorini, intellettuale-editore (1933-1943): due officine a confronto." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15724.
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Elio Vittorini e Valentino Bompiani sono testimoni dello stretto rapporto che intercorreva tra autore ed editore durante il decollo dell’editoria moderna in Italia. Tale rapporto di stretta collaborazione ha avuto inizio nel 1939 fino alla fine del secondo conflitto mondiale. L’anno 1943 tuttavia rappresenta un anno cruciale per l’editoria italiana. La censura si fa sempre più agguerrita ed è proibita la diffusione dei libri di autori “nemici”. I bombardamenti e le ristrettezze della guerra rendono il lavoro editoriale più difficoltoso nella produzione e nella diffusione dei libri. A questo si aggiunge lo spostamento della sede della casa editrice Bompiani da Milano a Firenze. Nel capoluogo lombardo Vittorini si ritrova a coordinare il lavoro degli altri autori che si rivolgono a lui per avere tutte le direttive necessarie, creative ed amministrative. L’autore siciliano tuttavia sente l’esigenza di dedicare maggior tempo all'attività politica, a scapito dell’attenzione posta al lavoro editoriale, soprattutto in seguito al suo arresto. L’insieme di questi elementi contribuiscono a rendere la collaborazione tra l’editore milanese e Vittorini più tesa e irrequieta in particolare durante la fine dello stesso anno. Questa tesi si propone di sviscerare il rapporto autore-editore durante gli anni a cavallo tra le due grandi guerre, in particolare quello tra Valentino Bompiani ed Elio Vittorini, cercando di capire quali interessi comuni li unissero e quali incomprensioni irrisolvibili abbiano infine portato Vittorini ad abbandonare la casa editrice.
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Orlando, Vincent d'. "L'écriture en accusation : engagement et modernité dans l'oeuvre narrative et critique d'Elio Vittorini." Paris 3, 1994. http://www.theses.fr/1995PA030038.
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L'oeuvre narrative d'elio vittorini (1908-1966) est consideree aujourd'hui comme la part congrue d'une activite intellectuelle essentiellement tournee vers le debat et la polemique. Si l'on excepte "conversation en sicile" les oeuvres de vittorini sont tombees dans l'oubli. L'ecrivain sicilien lui-meme. Par la difficulte a achever ses recits donne l'impression d'etre le pr culte a achever ses recits donne l'impression d'etre le premier cont empteur de sa production narrative. La tebdabce du lecteur est donc d'aller puiser la verite de vittorini dans les marges de ses recits en analysant l'important travail critique,journalistique et editioral de l'operateur culturel". Notre these,par l'analyse systematique des oeuvres de fiction et des articles critiques ou theoriques ecrits par vittorini se propo se de depasser l'opposition traditionnelle entre l'ecrivain et le publiciste pour montrer la coherence qu'offre le parcours d'un intellecturel resolument engage dans la modernite. Au prix,toutefois comme le signe d'une inadequation entre la force d'un projet et la realite d'une thematique litteraire sicilienne et paysanne inca pable d'echapper a une vision nostalgique du mondeThe narrative works of elio vittorini (1908-1966) are now considered with debate and controversy. Apart from "conversation in sicily" his works have sunk into oblivion,because he found it hard to complete his stories,the sicilian writer himself often seemed to be the first to scorn his own narrative production. The reader consequently tends to draw vittorini's truth from outside his narration through an analysis of the impressive critical,journalistic and editorial production of the "cultural operator". By a systematic study of vittorini's fiction,critical articles and theoretical contributions,our dissertation means to transcend the traditional opposition between the writer and the publicist and to reveal the coherence of thought running through the work of an in tellectual imbedded in modernity. In order to this,we can envisage the narrative silence of the latter period as an imbalance between his creative intention and th reality of his literary theme both sicilian and rustic - that cannot elude a nostalgic vision of the world. As a minor part of an intellectual exploration essentially
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Brunelli, Silvia <1993>. "Il festival del teatro del Vittoriale come impresa culturale: il caso Tener-a-mente." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/14361.
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Lo scopo di questo elaborato è quello di chiarire quali sono le fondamenta sulle quali è nato ed è cresciuto il festival del teatro del Vittoriale degli Italiani. Attraverso l’analisi dei cambiamenti dei quali fu protagonista il festival dalla sua nascita avvenuta negli anni Cinquanta fino ad oggi, si vuole dimostrare come la nuova gestione da parte dell’associazione culturale Ilsensoeilsuono, che dal 2011 ad oggi è responsabile del festival dell’Anfiteatro del Vittoriale Tener-a-mente, aprendo le porte a nuove scelte artistiche e gestionali, è riuscita a dare nuova vita alla storica rassegna estiva. Si illustrano infatti non solo i cambiamenti a livello artistico e culturale ma soprattutto a livello di amministrazione e di scelte gestionali al fine di osservare come le vesti del festival si siano tramutate sempre di più in quelle di una vera e propria impresa culturale. Attraverso questo studio si intende riconoscere al festival Tener-a-mente la volontà nel perseguire l’obiettivo di proporre ogni stagione un’offerta ampia ed internazionale ma pur sempre affiancata da progetti culturali validi. A questo scopo vengono presentati i progetti che possono definirsi “Eventi OFF” del festival, chiaramente proposti al fine di incrementare la proposta strettamente culturale ed educativa della rassegna.
La ricerca è suddivisa in tre sezioni principali: la prima parte, strettamente storiografica, serve per poter contestualizzare la realtà nella quale oggi si trova il teatro; l’obiettivo è quello di ricreare la storia che ha portato d’Annunzio ad acquistare la proprietà e a farla diventare il Vittoriale degli Italiani. Una seconda parte, anch’essa dal carattere storiografico, si focalizza invece sul rapporto tra d’Annunzio e il teatro e sulle esigenze che lo spinsero a voler progettare un teatro all’aperto stabile. In questa sezione si elencano anche le molte rappresentazioni che dagli anni Cinquanta in poi si sono tenute sul palcoscenico del teatro. La terza parte, determinante per dimostrare la crescita del festival, metterà a confronto le gestioni e direzioni artistiche che dal 2000 fino alla nascita nel 2011 di Tener-a-mente si sono susseguite; l’analisi si basa principalmente sull’andamento stagione per stagione, evidenziando le novità apportate e le criticità alla quali invece non si è stati in grado di dare soluzione. Attraverso l’uso di dati messi a disposizioni da coloro che hanno gestito il festival si riscontra che, seppur la loro buona gestione ha sicuramente aiutato la rassegna a rialzarsi dalla più difficile situazione degli anni precedenti, non si arrivò ad ottenere grandi numeri. Motivo che spinse la Fondazione a puntare su un nuovo progetto, quello di Tener-a-mente, e sui tanti cambiamenti che sono stati fatti.
Nel corso degli anni la crescita economica e di posizionamento sono state esponenziali e hanno portato il festival ad essere ritenuto uno tra i più importanti festival estivi del nostro Paese.
Un’ultima sezione è dedicata ad un breve approfondimento sull’importanza economica nella pratica di definizione del prezzo per un’impresa culturale. Parlando di un teatro che può contenere al massimo 1700 spettatori e che non riceve grandi finanziamenti pubblici, si vuole dimostrare quanto è determinante la consapevolezza nell’operatore di dover utilizzare un buon strumento per decidere il prezzo dei vari biglietti.
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Saggiomo, Vittorio [Verfasser]. "Ion transport across membranes mediated by a dynamic combinatorial library / Vittorio Saggiomo." Kiel : Universitätsbibliothek Kiel, 2010. http://d-nb.info/1019984619/34.
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Southerden, Francesca Emily. "'Geografie e topografie': Landscapes of Desire in the Poetry of Vittorio Sereni." Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.487066.
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This thesis is a monograph on the poetry of Vittorio Sereni [1913-83] which treats all four of his principal collections: Frontiera [1941], Diano d'Algena [1947], Gli st11lmenti umani [1965] and Stella vanabi/e [1981]. It focuses on his redefinition of the lyric'!' and his establishment of new and highly original modes for its construction in poetic space. The later poetry (post-1960) is presented as the place in which this revision of the poetic subject comes to the fore, and I demonstrate how Sereni's textual landscape is co-ordinated in such a way as to communicate the extraneous qualities of a subject exiled to a space outside of the securer domain oflyric verse. Importandy, Sereni's subject is exiled linguistically as much as physically, and I advocate an interdisciplinary approach to interpreting his poetry which bridges psychoanalysis and linguistics. My study is set apart from existing scholarship in making the text the focus of analysis, which permits a greater degree of insight into the specifically poetic characteristics of Sereni's crisis of identity and its expression in language. Two main dimensions of Sereni's poetry are revisited and reassessed. The first is the role of liminality, which I present as a condition of writing and as a sign of the presence of a desiring subject whose most desired object is the complete poem or total identity which eludes him; the second is his debt to tradition and to a whole series of authors, including Dante, Petrarch, Leopardi and Montale, who mediate his contact with a textual beyond which slips further and further from view. Deixis is the syntactical matrix Sereni uses to communicate these facets of 'desire-space' and it emerges as the binding unit between one tradition and the next as well as what measures the distance between them. I argue that Sereni's unique brand of experimentalism develops from this point and that he represents a unique moment in the history of twentieth-century Italian poetry in the way in which he adapts preexisting models oflyric discourse to new modes of expression.
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Bassi, Umberto. "L'eslege nobile nel Saul Di Vittorio Alfieri, un'ipotesi interpretativa del personaggio principale." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0016/MQ54978.pdf.
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Beltramo, Georgia. "Inventare una strega : Intrighi e malefici alla corte di Vittorio Amedeo II." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSE2105.
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Le 14 décembre 1716 au château de Miolans commençait l’exténuant interrogatoire de Clara Maria Ribolletta, une jeune femme, «née à Asti, âgée d’environ 17 ou 18 ans», accusée de sorcellerie et de crime de lèse majesté et, finalement, pendue. Dans le dossier contenant son procès on croise également les destins de deux autres femmes, Gerolama Cuore et Marianna Muratore, toutes les deux camarades de Clara dans l'Institut d’Opéra de Turin. Dans une série discontinue d’aveux et de rétractations, de pressions psychologiques et de tortures physiques, apparaissent des trames effilochées de relations à peine ébauchées, et à resituer dans des contextes différents bien que liés. En lisant les réponses de Clara à ceux qui l’interrogent – juges séculaires appartenant au sénat des Savoies – on se demande pourquoi une fille seule, mais déjà intégrée dans les structures de charité, accuse la plupart des membres de sa propre famille, désormais bien éloignée, « d’être des sorciers marqués par le démon » et d’avoir produit un maléfice, par ordre du puissant prince de Savoie, la condamnant à mort. A l’exception notable de Sabina Loriga, les historiens qui ont jusqu'à ici abordé ce cas se sont essentiellement limités à le placer dans le cadre du bien connu bras de fer entre l'Eglise et l'Etat. Dans ces mêmes années, en effet, les deux pouvoirs s'opposaient entre eux pour l'extension ou la conservation des leurs compétences juridictionnelles. Dans cette perspective, les « inciarmi » et les maléfices seraient une occasion de conflit parmi de nombreuses autres, utilisées par le roi pour faire valoir avec force sa propre ligne vis-à-vis de l’Église catholique romaine. Nous nous trouvons dans le période exacte pendant laquelle les tribunaux civil et ecclésiastique se battent durement pour établir leurs compétences respectives sur les procédures nées autour de nombreux cas de baptêmes forcés infligés par les catholiques aux juifs. Malgré cela, dans le procès que j’examine, aucun acte d'évocation avait été accompli par la magistrature contre l'Inquisition ; l'Eglise, de son côté, n’avait pas revendiqué sa compétence légitime sur l’affaire Ribolletta. Enfin, pour tenter de comprendre les motifs qui avaient régi les comportements et les choix des participant au procès, il fallait nécessairement parcourir d’autres voies explicatives. « La complexité irrésolue de l'approche biographique » m'a permis d'affronter une série de problèmes fondamentaux pour le résultat de la recherche, à partir de la dialectique entre les normes et les comportements, entre les individus et les institutions, jusqu’au choix des différents échelles d'analyse, jusqu’à arriver aussi au rapport, souvent ambigu mais vraiment riche de possibilités heuristiques, qui lie l’histoire à la littérature. L'effronterie irréductible avec laquelle Clara s’accuse et accuse sa propre famille de sorcellerie, ainsi que la richesse extraordinaire de détails qu’elle raconte aux enquêteurs, sont des scènes méphistophéliques dignes des meilleures pages de Il Maestro e Margherita et semblent faire de l'accusée un cas vraiment exceptionnel, pour certains aspects proche de celui du Menocchio de Carlo Ginzburg: il n’y a aucun doute que Clara entretienne quelques parentés avec le célèbre oxymore « l'exceptionnel normal » inventé par Edoardo Grendi à propos du meunier frioulan. Cependant une différence fondamentale passe entre les deux cas: si Menocchio a affaire aux livres, qu’il lit et interprète jusqu’à formuler une théorie cosmogonique originale et exceptionnelle, utilisée par Ginzburg comme emblème d'une « circularité » culturelle touchant de differents milieux sociaux, Clara est une femme analphabète, elle ne dispose pas de livres avec lequels dialoguer, mais seulement de différents contextes sociaux dans lesquels elle a vécu. C’est pourquoi son histoire, accompagnée de celle des deux autres accusées et reconstruite par une rigourouse contextualisation des dynamiques relationnellesOn December 14th 1716, in the Miolans Castle, the gruelling questioning of Clara Maria Ribolletta began. She was a young woman from Asti, of 17-18 years of age, who was placed on trial for witchcraft and treason, and finally hanged. In the archival pile that contains the juridical process, one can find the fates of other two women, Cattarina and Marianna, both of them partner of Clara in the social assistance institute of Torino. In a discontinuous succession of confessions and retractions, psychological coercions and physically inflicted tortures, one can glimpse a series of networks of relationships, all of them to be retraced, reconstructed and reconducted in diverse and reciprocal contexts. Reading Clara’s answers to the questioners - secular judges members of the Savoy Senate, the highest judiciary in the State - it is important to ask and understand why a so young girl accuses herself and a part of her family, already far from her, of “being sorcerers branded by the devil” and having damned Savoy Prince on the behalf of others, causing his death. With the exception of Sabrina Loriga - whose work I'm going to explore in more detail in my thesis - all historians who have so far come across this case have only mentioned it in passing and simply considered it as a part of the all too familiar arm wrestle between Church and state, who fought to widen or preserve their jurisdictional areas. In this perspective, the «inciarmi» and the curse would be configured as an occasion for conflict employed by the sovereign in order to lead the battle against the Roman Church. Hence, it is in this same period that we find that the civil and the ecclesiastical courts confronted each other harshly. Their aim was to stabilize the right in the processual procedures around the numerous forced baptisms that Catholics infringed to Jews. But, in this case, no avocation act has been fulfilled by the judiciary at the Inquisition's expenses, nor the church claimed its legitimate right on the cause. Hence, trying to get the reasons which leaded behavior and choices of the participants to this process, it is necessary to follow other paths.«La complessità irresoluta dell’approccio biografico» allowed me to deal with a series of fundamental issues related to the research outcome : form the dialectics which constantly appears among rules and behaviours, individuals and institutions, to different approach of study until the complex, ambiguous, though rich of heuristic possibility, relationship between history and literature. The unyelding impudence that Clara accuses of witchcraft herself and her family with and the richness in details when she tells to the magistrates, despite of her being illiterate, about satanic scenes worthy comparable to the best pages of Il maestro e margherita seme to make the accused such an eccepirò al case for some aspects not so different from menocchio by Ginzburg: no doubt, actually, that Clara too has some relations with the wellknown oxymoron "the normal exceptional" coined by edoardo grendi right about the friulian miller.The two cases are however fundamentally different in one respect. Menocchio deals with books: he reflects and ponders until he formulates a cosmogonic theory that is at the same time exceptional and original. Ginzburg will use his theory as emblematic of a broader process of cultural circularity that involves different social strata. Clara, however, is illiterate and has no books to dialogue with; rather, she can relate only to the various social contexts in which she has ended up living. This is why her story, together with that of the other two accused, retraced through the contextualisation of relations and individual acts that had a role in the trial, represents and emphasises that exceptionality. With her story, it is possible to bring the belief in witchcraft back to the framework of individual behaviours, choices and aims, rather than leaving it to the formal framework of cultural categories
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Angelini, Nicola. "The posthumous dimension of the poetry of Vittorio Sereni and Giorgio Caproni." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/9093/.
Full textAbstract:
In 1936 Olga Franzoni, Caproni’s girlfriend, dies of septicaemia. In 1943 Sereni is taken prisoner, thus beginning a two-year period of captivity. The impact of these episodes on Caproni’s and Sereni’s poetry has been thoroughly analysed, and to conceive of them as watersheds in the individual path of either poet thus comes as natural. However, what critics have less organically delved into is the possibility of considering these episodes as pivotal in shaping a more definite turning point, representing the moment from which Caproni’s and Sereni’s poetry becomes, in many respects, ‘posthumous’. Building on Giulio Ferroni’s idea of ‘postumo’, this study seeks to propose a critical lens through which to examine the oeuvre of both Sereni and Caproni. Through recourse to categories such as ‘end’ and ‘after’, I will explore the thematic implications of the nexus between poetry and experience for both Sereni and Caproni.
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Insero, Serena. "Vittorio Alfieri et le genre autobiographique : la Vita entre réalité et imagination." Thesis, Université de Lorraine, 2014. http://www.theses.fr/2014LORR0284/document.
Full textAbstract:
Cette recherche a voulu analyser l'écart entre la dimension littéraire de la page autobiographique et la réalité de l'expérience existentielle de l'auteur. On sait, en effet, qu'à partir d'un emploi fonctionnel et pertinent des éléments paratextuels, l'écrivain de la Vita construit une image héroïque et idéale de lui-même, en mettant en évidence plus ou moins de façon volontaire les aspects de sa personnalité hors du commun qui lui ont permis de s'autodéclarer Héros littéraire.Cette analyse ne reparcourira pas donc les nœuds fondamentaux autour desquels s'articule l'histoire de l'autobiographie comme genre littéraire du XVIIIe siècle, mais elle cherchera à rendre la véritable image de l'auteur, à partir des événements racontés dans la Vita. Dans ce but, on a entrelacé des approches de lecture différentes, bien que complémentaires, de l'autobiographie d'Alfieri qui justifient le sectionnement de cette thèse en trois parties: ) La “Vita » comme mémoire sélective; 2) Des silences autobiographiques et des nouvelles d'Alfieri; 3) La mémoire des chosesThis research work wants to analyse the difference between the literary side of the author’s biography and his real existential experience.The first part of the research, “La Vita come memoria selettiva”, deals with the author’s workshop and wants to analyse the elaborative phases of the autobiographical text, supplied with manuscript 13 and 24.The first paragraph of the thesis, whose title is “Presenza e significato del paratesto nella Vita”, analyses the textual apparatus of the autobiography. The second paragraph, “Figure e Figuranti nella Vita”, analyses the characters,mentioned and unmentioned, in the autobiographic work. At the end, the third paragraph, “Francesco Elia, il servo che dirige il suo padrone. Aspetti della commedia settecentesca nella Vita”, concentrates on the study of the servant’s character.The second part, written in an innovative tone, wants to study the personality of Alfieri in depth.The last chapter, “La memoria delle cose”,concentrates on a series of objects of different importance in the author’s autobiography that is full of consonances and discordances between reality and imagination