Relevant bibliographies by topics / Visual notation

Academic literature on the topic 'Visual notation'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 January 2023

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Journal articles on the topic "Visual notation"

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Mancoridis, Spiros. "ISF: A Visual Formalism for Specifying Interconnection Styles for Software Design." International Journal of Software Engineering and Knowledge Engineering 08, no. 04 (December 1998): 517–40. http://dx.doi.org/10.1142/s0218194098000285.

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We have developed a framework for specifying high-level software designs. The core of the framework is a very simple visual notation. This notation enables designers to document designs as labelled rectangles and directed edges. In addition to the notation, our framework features a supporting formalism, called ISF (Interconnection Style Formalism). This formalism enables designers to customize the simple design notation by specifying the type of entities, relations, legal configurations of entities and relations, as well as scoping rules of the custom notation. In this paper we present the formal definition of ISF and use ISF to specify two custom design notations. We also describe how ISF specifications, using deductive database technology, are used to generate supporting tools for these custom notations.
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Mehdi, Chedly, A. V. Golovchenko, and V. I. Siplivy. "Historical Overview of Ways to Notate Visual Acuity Data." Medicina 9, no. 1 (2021): 69–78. http://dx.doi.org/10.29234/2308-9113-2021-9-1-69-78.

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A brief historical overview of visual acuity measurement methods is presented. The main methods of visual acuity data notation, formulas for translating data from one notation to another are analyzed. The problem of non-linearity of these transformations is highlighted, prohibiting direct comparison of similar studies, in case the statistical analysis was carried out in different notations. Decimal notation is traditionally used in the Russian school of ophthalmology, while logarithmic notation prevail in most of English-language publications. This fact prevents an adequate comparison of results in Russian and foreign studies.
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Tan, Siu-Lan. "Visual Representations of Music in Three Cultures: Commentary on Athanasopoulos and Moran." Empirical Musicology Review 8, no. 3-4 (October 24, 2013): 200. http://dx.doi.org/10.18061/emr.v8i3-4.3941.

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Athanasopoulos and Moran (2013) examined visual representations of brief melodic sequences (solo synthesized flute playing rising, falling, peak, and valley pitch contours) by British participants familiar with western standard notation, Japanese participants familiar with Japanese standard notation, and participants from the BenaBena tribe in Papua New Guinea who were unfamiliar with any literary or notational script. This commentary discusses the method, analysis, and implications of the findings, within the context of a multidirectional gain/loss perspective of the acquisition of skills in human development, as applied to musical notation.  
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Dobesova, Zdena. "Evaluation of Effective Cognition for the QGIS Processing Modeler." Applied Sciences 10, no. 4 (February 20, 2020): 1446. http://dx.doi.org/10.3390/app10041446.

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This article presents an evaluation of the QGIS Processing Modeler from the point of view of effective cognition. The QGIS Processing Modeler uses visual programming language for workflow design. The functionalities of the visual component and the visual vocabulary (set of symbols and line connectors) are both important. The form of symbols affects how workflow diagrams may be understood. The article discusses the results of assessing the Processing Modeler’s visual vocabulary in QGIS according to the Physics of Notations theory. The article evaluates visual vocabularies from the older QGIS 2.x and newer 3.x versions. The paper identifies serious design flaws in the Processing Modeler. Applying the Physics of Notations theory resulted in certain practical recommendations, such as changing the fill colour of symbols, increasing the size and variety of inner icons, removing functional icons, and using a straight connector line instead of a curved line. Another recommendation was to provide a supplemental preview window for the entire model in order to improve user navigation in huge models. Objective eye-tracking measurements validated some results of the evaluation using the Physics of Notations. The respondents read workflows to solve different tasks and their gazes were tracked. Evaluation of the eye-tracking metrics revealed the respondents’ reading patterns of the diagram. Evaluation using both Physics of Notation theory and eye-tracking measurements inspired recommendations for improving visual notation. A set of recommendations for users is also given, which can be applied easily in practice using a contemporary visual notation.
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Kalashnikov, V. G., G. R. Gabidullina, S. M. Mukhametshin, A. S. Galimova, and A. M. Ableeva. "Formal and Psychological Aspects of Modern Business Notations." SHS Web of Conferences 93 (2021): 01015. http://dx.doi.org/10.1051/shsconf/20219301015.

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The article discusses the features of the transition to the sixth technological order based on the digitalization of the economy, informatization and computerization of all spheres of human life. The conclusion is made about the influence of the ongoing phase shift of the social order on the social and psychological features of modern man. In particular, the increasing role of visual culture and visual (visual-logical) thinking and the corresponding graphic language is noted. The advantages of such a graphic language in terms of information capacity are noted. There is a growing interest in visual forms of modeling production systems in the form of business notations for the purpose of analyzing business processes for their modeling and controlling. The essence and features of the business notation system in various versions are considered. The possibility of combining different business notation systems as different ways of describing a managed object is emphasized. The article focuses on the use of business notation as a means of developing managerial thinking of managers as a multidimensional and contextual visual-logical process that meets the requirements of the modern information environment.
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Rankin, Susan. "ON THE TREATMENT OF PITCH IN EARLY MUSIC WRITING." Early Music History 30 (September 8, 2011): 105–75. http://dx.doi.org/10.1017/s0261127911000039.

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When a practical way of recording music in writing was invented in the early ninth century, it defined neither the pitches of specific notes in a melody, nor the intervallic relations between successive notes. Nineteenth-century views of such notations considered them primitive; more recent descriptions have recognised that precise pitch notation was not a basic aim. But how did ninth-century neumatic notations deal with pitch, and, if the role of memory was not usurped by written records, what role did notation fulfil? In this study, the interaction of memory and writing is explored. Notations written by a French and by a German scribe (F-La MS 239 and S-SG MS 359) are seen to follow different strategies for the arrangement of signs above the text, striking divergent visual balances between pitch information and the text–music link. In each notation the reader is led along a path of recall, with more or less emphatic written signals provided as required.
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Bellini, P., P. Nesi, and M. B. Spinu. "Cooperative visual manipulation of music notation." ACM Transactions on Computer-Human Interaction 9, no. 3 (September 2002): 194–237. http://dx.doi.org/10.1145/568513.568515.

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Stoeckle, Hermann, John Grundy, and John Hosking. "A framework for visual notation exchange." Journal of Visual Languages & Computing 16, no. 3 (June 2005): 187–212. http://dx.doi.org/10.1016/j.jvlc.2004.08.002.

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Wong, Yetta Kwailing, and Isabel Gauthier. "A Multimodal Neural Network Recruited by Expertise with Musical Notation." Journal of Cognitive Neuroscience 22, no. 4 (April 2010): 695–713. http://dx.doi.org/10.1162/jocn.2009.21229.

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Prior neuroimaging work on visual perceptual expertise has focused on changes in the visual system, ignoring possible effects of acquiring expert visual skills in nonvisual areas. We investigated expertise for reading musical notation, a skill likely to be associated with multimodal abilities. We compared brain activity in music-reading experts and novices during perception of musical notation, Roman letters, and mathematical symbols and found selectivity for musical notation for experts in a widespread multimodal network of areas. The activity in several of these areas was correlated with a behavioral measure of perceptual fluency with musical notation, suggesting that activity in nonvisual areas can predict individual differences in visual expertise. The visual selectivity for musical notation is distinct from that for faces, single Roman letters, and letter strings. Implications of the current findings to the study of visual perceptual expertise, music reading, and musical expertise are discussed.
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Rodriguez, Mauricio. "‘Xa-lan’: Algorithmic Generation of Expressive Music Scores Based on Signal Analysis and Graphical Transformations." Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment 8, no. 4 (June 30, 2021): 83–85. http://dx.doi.org/10.1609/aiide.v8i4.12564.

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Xa-lan is a computer program written in Common-LISP to generate music scores with a high level of notational/symbolic expressivity. Generation is driven by audio-analysis of melodic profiles. Once a melodic contour is input to the software, graphic transformations of the original profile stochastically control the different notational elements of the score. The Xa-lan routines display their final output using the ‘Expressive Notation Package’ of PWGL, a LISP-based visual composition environment. A full range of traditional and non-conventional music notation elements can be algorithmically generated with Xa-lan, retrieving to the user a ‘ready-to-play’ or fully ex-pressive music score.
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Dissertations / Theses on the topic "Visual notation"

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Mazein, Alexander. "Visual representation of cellular networks." Thesis, University of Edinburgh, 2011. http://hdl.handle.net/1842/5295.

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Development of advanced techniques for biological network visualisation is crucial for successful progress in the areas of systems-level biology and data-intensive bioinformatics. However, current techniques for biological network visualisation fall short of expectations for representing extensive biological networks. In order to provide really useful network visualisation tools, new approaches have to be proposed and applied alongside with those most powerful features of current visualisation systems. The resulting representation techniques have to be tested by applying to large-scale examples that would include metabolic, signaling and gene expression events. User survey should also be carried out to further prove the advantages of the new techniques. The present thesis describes an attempt to achieve the above objectives, by performing the following steps: 1) existing approaches in the area of network representation were analyzed and their shortcomings and advantages were defined; 2) new notation has been developed, in which, the defined best features of the existing systems were integrated with newly introduced potent features such as compact visualization, ‘functional gate’ and ‘identity gate’, 4) new framework was developed that allows managing large-scale networks that are represented on different levels of details and different levels of constrains, while keeping each diagram semantically unambiguous, 5) extensive examples, including genome-scaled human metabolic network and TNF-alpha receptor signalling network, were used to prove that the designed notation and the framework can be applied efficiently, and, finally, 6) a notation survey has been carried out to validate the advantages of the newly developed notation over the existing ones.
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Shortt, Marie Therese. "Patterning culture : developing a system for the visual notation of greetings." Thesis, University of Brighton, 2015. https://research.brighton.ac.uk/en/studentTheses/80e3b7e6-e439-4aaf-b27b-e888252b7930.

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This practice-based thesis examines ways in which the cultural patterning of greetings can be understood through their visualisation. The graphic design practice uses a range of digital tools and software to develop an animated graphic notation system for analysing nonverbal aspects of greetings both within and across cultures. The thesis explicates the process of this development and outlines its context and significance. Previous systems of visualisation devised by anthropologists for the study of greetings have stopped short of using contemporary digital technology. Further, although intercultural contact has increased, most existing greetings studies still focus on intracultural greetings.
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Tolmie, Julie, and julie tolmie@techbc ca. "Visualisation, navigation and mathematical perception: a visual notation for rational numbers mod1." The Australian National University. School of Mathematical Sciences, 2000. http://thesis.anu.edu.au./public/adt-ANU20020313.101505.

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There are three main results in this dissertation. The first result is the construction of an abstract visual space for rational numbers mod1, based on the visual primitives, colour, and rational radial direction. Mathematics is performed in this visual notation by defining increasingly refined visual objects from these primitives. In particular, the existence of the Farey tree enumeration of rational numbers mod1 is identified in the texture of a two-dimensional animation. ¶ The second result is a new enumeration of the rational numbers mod1, obtained, and expressed, in abstract visual space, as the visual object coset waves of coset fans on the torus. Its geometry is shown to encode a countably infinite tree structure, whose branches are cosets, nZ+m, where n, m (and k) are integers. These cosets are in geometrical 1-1 correspondence with sequences kn+m, (of denominators) of rational numbers, and with visual subobjects of the torus called coset fans. ¶ The third result is an enumeration in time of the visual hierarchy of the discrete buds of the Mandelbrot boundary by coset waves of coset fans. It is constructed by embedding the circular Farey tree geometrically into the empty internal region of the Mandelbrot set. In particular, coset fans attached to points of the (internal) binary tree index countably infinite sequences of buds on the (external) Mandelbrot boundary.
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Godwin, William Henry. "Formalizing graphical notations." n.p, 1998. http://ethos.bl.uk/.

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Algablan, Abdulaziz. "A Visual Notation and an Improvement for the Syntax of Larman’s Operation Contracts." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/34976.

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System operation contracts were introduced by C. Larman as an application of the notion of Design by Contract (DbC) to the description of high-level system operations derived from requirements. A system operation contract specifies an operation in terms of changes induced in the domain. In the Responsibility Driven Development (RDD) process proposed by Larman, operation contracts play an important role in identifying and assigning systems' responsibilities, and help construct a sound design in later phases. Larman's notation for operation contracts is textual. In this thesis, we propose an alternative visual notation for operation contracts. As part of the process for the definition of this visual notation, we extended and clarified some informal aspects of Larman's notation in order to better accurately capture important aspects of system operations. Our extension allows the specification of data constraints, alternatives, and the temporal dimension of created domain objects, in addition to the description of changes in the state and associations of domain objects. The syntax of the visual notation for operation contracts aims to be cognitively effective and to reuse available UML notation. New visual elements were introduced only in the absence of corresponding elements in the UML. Elements reused from the UML are slightly modified to enhance their cognitive effectiveness. The introduced elements, on the other hand, are designed with the goal of not conflicting with the general theme of the UML. We used The Physics of Notations as a general guide and evaluation criteria. The Physics of Notations is a leading evaluation and design theory for visual models in software engineering. We propose a prototype tool (ViOpContract) that implements the proposed visual notation for operation contracts. ViOpContract is an Eclipse plug-in tool that helps to draw and manage visual operation contracts. The tool provides the capability to generate contracts in textual form from visual contracts.
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Tolmie, Julie. "Visualisation, navigation and mathematical perception : a visual notation for rational numbers mod 1." View thesis entry in Australian Digital Theses Program, 2000. http://thesis.anu.edu.au/public/adt-ANU20020313.101505/index.html.

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Wiltshire, Eric Scott. "The effects of visual and aural congruence on the sight-reading of music notation /." Thesis, Connect to this title online; UW restricted, 2006. http://hdl.handle.net/1773/11245.

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Stark, Jeannette. "Using Secondary Notation to Influence the Model User's Attention." Doctoral thesis, Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2018. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-226605.

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Recently cognitive principles have been discussed for Conceptual Modeling with the aim to increase domain understanding, model comprehension and modeling efficiency. In particular, the principle of Perceptual Discriminability, which discusses the visual differences of modeling constructs, reveals potential for model comprehension if human attention is influenced in a way that important modeling constructs are more easily detected, and can hence faster be processed. Yet, so far no conditions how the human gaze can be influenced have been defined and evaluated for Conceptual Modeling. This dissertation extends Perceptual Discriminability for conditions to attract human attention for those constructs that are important for model comprehension. Furthermore, these conditions are applied to constructs of two different modeling grammars in general as well as to elements of the process flow of Business Process Models. To evaluate the results a laboratory experiment of extended Perceptual Discriminability is described in which significant differences have been identified for process flow comprehension. For the demonstration of the potential of extended Perceptual Discriminability BPMN secondary notation is improved by emphasizing those constructs that are most important for model comprehension. Therefore, those constructs that are important for model comprehension have been identified within a content analysis and have been worked on according to the conditions of extended Perceptual Discriminability for those visual variables that are free for an application in secondary notation.
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Athanasopoulos, Georgios. "Scoring sounds : the visual representation of music in cross-cultural perspective." Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/7799.

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This thesis argues that a performer’s relationship with a musical score is an interaction largely defined by social and cultural parameters, but also examines whether disparate musical traditions show any common underlying tendencies regarding the perceived relationship between musical sound and visual representation. The research brings a novel, cross-cultural perspective to bear on the topic, combining a systematic, empirical study with qualitative fieldwork. Data were collected at five sites in three countries, involving: classically-trained musicians based in the UK; traditional Japanese musicians both familiar and unfamiliar with western standard notation; literate Eastern Highlanders from Port- Moresby, Papua New Guinea; and members of the BenaBena tribe, a non-literate community in Papua New Guinea. Participants heard short musical stimuli that varied on three musical parameters (pitch, duration and attack rate) and were instructed to represent these visually so that if another community member saw the marks they should be able to connect them with the sounds. Secondly, a forced-choice design required participants to select the best shape to describe a sound from a database. Interviews and fieldwork observations recorded how musicians engaged with the visual representation of music, considering in particular the effects of literacy and cultural parameters such as the social context of music performance traditions. Similarities between certain aspects of the participants’ responses suggest that there are indeed some underlying commonalities among literate participants of any cultural background. Meanwhile, the overall variety of responses suggests that the association between music and its visual representation (when it takes place) is strongly affected by ever-altering socio-cultural parameters.
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Kolsoe, Ágústsdóttir Hallveig Guony. "Looking at sound, listening to image." Thesis, Brunel University, 2012. http://bura.brunel.ac.uk/handle/2438/7624.

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This thesis discusses my new sound drawing practice and its development throughout the course of my practice-based PhD research at Brunel School of Arts. “Sound drawing” is a general term that I have chosen to use to describe a body of visual artworks that instigated the composition of soundscapes as well as the design of an audiovisual performance instrument. I will start by giving a clear picture of the musical and visual arts background that led up to my current sound drawing practice. Then I will go through the individual works created between 2008 and 2012 that have contributed the most to the development of sound drawing. I will discuss how performance sketches ... (2009) instigated the shift from composing graphic scores to sound drawing when I was confronted with drawing my graphic scores in real time. In 31 (sound) studies on paper (2010-2011), the sound drawing process began to mature through a closer examination of the visual imagery, drawing materials, physical gestures and the overall sound production. As I started to develop solo performance projects based on my sound drawing practice, I looked back to the compositions projection-reaction (2008-2009) and de (re)construction (2009) which suggested how I might return to using the medium of video. My most recent work, drawalineandlistentoit and R=15 (2012), seems to constitute a point where all the different strands in my works of the preceding four years come together to produce an intricate collaboration between sound, image and performer. Working with the sound drawings within a performance context, a registration of the sonic event occurs, a form of score is created – and at the same time sound is mixing and moving into the space through the audio software Plogue Bidule, while a visual projection is constructed in realtimev through the VPT software.
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Books on the topic "Visual notation"

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Gordon, Edwin. The aural-visual experience of music literacy: Reading and writing music notation. Chicago: GIA Publications, 2004.

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Christina, Matawa, and University of London. Institute of Education, eds. Focus on music 2: Exploring the musicality of children and young people with retinopathy of prematurity. London: Institute of Education, University of London, 2009.

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Ockelford, Adam. Shape in music notation. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199351411.003.0010.

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This chapter explores how perceptual domains function in the auditory and visual modalities, and sets out a model, using ‘zygonic’ theory, showing how different forms of mapping between the two may logically occur in cognition. Such mappings enable the perceived shapes of patterns in sound to be represented as two-dimensional visual shapes. Four types of inter-domain relationship are identified: ‘regular’, ‘irregular’ (the latter being ‘indirect’ or ‘arbitrary’) and ‘synaesthetic’. ‘Regular’, ‘indirect’ and ‘arbitrary’ representations are somewhat analogous to the threefold typology of signs defined in Peircean semiotics: icon, index and symbol. The new model is tested in the context of (1) young children’s ‘picture’ scores, (2) blind children’s tactile representations of pitch, (3) Western staff notation, (4) music in braille, (5) guitar chord symbols and (6) a synaesthete’s representation of patterns in sound. The implications for musicians and for musicological and music-psychological understanding and future research are discussed.
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George, Susan Ella. Visual Perception of Music Notation: On-Line and Off-Line Recognition. IRM Press, 2005.

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Visual Perception of Music Notation: On-Line and Off-Line Recognition. IRM Press, 2004.

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Rashada, Shareef. My First Book of Songs: 38 Songs Arranged in the Visual Music Notation System. Lulu Press, Inc., 2021.

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Rashada, Shareef. My First Book of Songs: 38 songs arranged in the Visual Music Notation System™. Lulu.com, 2021.

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Rashada, Shareef. Songbook for a Major: Learning to Play the EasyKey Way Using the Visual Music Notation System. Lulu Press, Inc., 2021.

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Rashada, Shareef. Songbook for Bb Major: Learning to Play the EasyKey Way Using the Visual Music Notation System. Lulu Press, Inc., 2021.

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Rashada, Shareef. Songbook for G Major: Learning to Play the EasyKey Way Using the Visual Music Notation System. Lulu Press, Inc., 2021.

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Book chapters on the topic "Visual notation"

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Criminisi, Antonio. "Background geometry and notation." In Accurate Visual Metrology from Single and Multiple Uncalibrated Images, 25–39. London: Springer London, 2001. http://dx.doi.org/10.1007/978-0-85729-327-5_3.

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Williamson, Beth. "The work of notation in the visual culture of medieval devotion." In Material Cultures of Music Notation, 98–108. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429342837-9.

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Haag, Florian, Steffen Lohmann, Stephan Siek, and Thomas Ertl. "QueryVOWL: A Visual Query Notation for Linked Data." In The Semantic Web: ESWC 2015 Satellite Events, 387–402. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-25639-9_51.

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Arcaini, Paolo, Silvia Bonfanti, Angelo Gargantini, and Elvinia Riccobene. "Visual Notation and Patterns for Abstract State Machines." In Software Technologies: Applications and Foundations, 163–78. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-50230-4_12.

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Jakšić, Aleksandar, Robert B. France, Philippe Collet, and Sudipto Ghosh. "Evaluating the Usability of a Visual Feature Modeling Notation." In Software Language Engineering, 122–40. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-11245-9_7.

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Čerāns, Kārlis, Agris Šostaks, Uldis Bojārs, Juris Bārzdiņš, Jūlija Ovčiņņikova, Lelde Lāce, Mikus Grasmanis, and Artūrs Sproģis. "ViziQuer: A Visual Notation for RDF Data Analysis Queries." In Metadata and Semantic Research, 50–62. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14401-2_5.

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Genon, Nicolas, Daniel Amyot, and Patrick Heymans. "Analysing the Cognitive Effectiveness of the UCM Visual Notation." In Lecture Notes in Computer Science, 221–40. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-21652-7_14.

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Breitenbücher, Uwe, Tobias Binz, Oliver Kopp, Frank Leymann, and David Schumm. "Vino4TOSCA: A Visual Notation for Application Topologies Based on TOSCA." In On the Move to Meaningful Internet Systems: OTM 2012, 416–24. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-33606-5_25.

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Genon, Nicolas, Patrick Heymans, and Daniel Amyot. "Analysing the Cognitive Effectiveness of the BPMN 2.0 Visual Notation." In Software Language Engineering, 377–96. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-19440-5_25.

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Weerasiri, Denis, Moshe Chai Barukh, Boualem Benatallah, and Cao Jian. "CloudMap: A Visual Notation for Representing and Managing Cloud Resources." In Advanced Information Systems Engineering, 427–43. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-39696-5_26.

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Conference papers on the topic "Visual notation"

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Caire, Patrice, Nicolas Genon, Patrick Heymans, and Daniel L. Moody. "Visual notation design 2.0: Towards user comprehensible requirements engineering notations." In 2013 IEEE 21st International Requirements Engineering Conference (RE). IEEE, 2013. http://dx.doi.org/10.1109/re.2013.6636711.

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"Design and notation." In 2012 IEEE Symposium on Visual Languages and Human-Centric Computing (VL/HCC 2012). IEEE, 2012. http://dx.doi.org/10.1109/vlhcc.2012.6344475.

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"Symbols and notation." In 2012 IEEE Symposium on Visual Languages and Human-Centric Computing (VL/HCC 2012). IEEE, 2012. http://dx.doi.org/10.1109/vlhcc.2012.6344488.

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Spence, Robert, and Leah Redmond. "A New Notation for Interactive Systems." In AVI '20: International Conference on Advanced Visual Interfaces. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3399715.3399940.

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Popescu, George, and Alain Wegmann. "Using the Physics of Notations Theory to Evaluate the Visual Notation of SEAM." In 2014 IEEE 16th Conference on Business Informatics (CBI). IEEE, 2014. http://dx.doi.org/10.1109/cbi.2014.21.

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Humphrey, M. C. "Creating reusable visualizations with the Relational Visualization Notation." In Proceedings Visualization 2000. VIS 2000. IEEE, 2000. http://dx.doi.org/10.1109/visual.2000.885676.

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Bajaj, Divya, Martin Erwig, Danila Fedorin, and Kai Gay. "A Visual Notation for Succinct Program Traces." In 2021 IEEE Symposium on Visual Languages and Human-Centric Computing (VL/HCC). IEEE, 2021. http://dx.doi.org/10.1109/vl/hcc51201.2021.9576441.

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Chakravarthy, Ajay, Richard Beales, Yvonne Jung, Sebastian Wagner, Christoph Jung, Angelos Yannopoulous, Stefanos Koutsoutos, Rolf Schiffmann, Rolf Hedtke, and Ignace Saenen. "A Notation Based Approach to Film Pre-vis." In 2010 Conference on Visual Media Production (CVMP). IEEE, 2010. http://dx.doi.org/10.1109/cvmp.2010.15.

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Negru, Stefan, Florian Haag, and Steffen Lohmann. "Towards a unified visual notation for OWL ontologies." In the 9th International Conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2506182.2506192.

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Johnston, Christopher T., Paul Lyons, and Donald G. Bailey. "A Visual Notation for Processor and Resource Scheduling." In 4th IEEE International Symposium on Electronic Design, Test and Applications (delta 2008). IEEE, 2008. http://dx.doi.org/10.1109/delta.2008.76.

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Reports on the topic "Visual notation"

1

Rigotti, Christophe, and Mohand-Saïd Hacid. Representing and Reasoning on Conceptual Queries Over Image Databases. Aachen University of Technology, 1999. http://dx.doi.org/10.25368/2022.89.

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Abstract:
The problem of content management of multimedia data types (e.g., image, video, graphics) is becoming increasingly important with the development of advanced multimedia applications. Traditional database management systems are inadequate for the handling of such data types. They require new techniques for query formulation, retrieval, evaluation, and navigation. In this paper we develop a knowledge-based framework for modeling and retrieving image data by content. To represent the various aspects of an image object's characteristics, we propose a model which consists of three layers: (1) Feature and Content Layer, intended to contain image visual features such as contours, shapes,etc.; (2) Object Layer, which provides the (conceptual) content dimension of images; and (3) Schema Layer, which contains the structured abstractions of images, i.e., a general schema about the classes of objects represented in the object layer. We propose two abstract languages on the basis of description logics: one for describing knowledge of the object and schema layers, and the other, more expressive, for making queries. Queries can refer to the form dimension (i.e., information of the Feature and Content Layer) or to the content dimension (i.e., information of the Object Layer). These languages employ a variable free notation, and they are well suited for the design, verification and complexity analysis of algorithms. As the amount of information contained in the previous layers may be huge and operations performed at the Feature and Content Layer are time-consuming, resorting to the use of materialized views to process and optimize queries may be extremely useful. For that, we propose a formal framework for testing containment of a query in a view expressed in our query language. The algorithm we propose is sound and complete and relatively efficient.
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2

Rigotti, Christophe, and Mohand-Saïd Hacid. Representing and Reasoning on Conceptual Queries Over Image Databases. Aachen University of Technology, 1999. http://dx.doi.org/10.25368/2022.89.

Full text
Abstract:
The problem of content management of multimedia data types (e.g., image, video, graphics) is becoming increasingly important with the development of advanced multimedia applications. Traditional database management systems are inadequate for the handling of such data types. They require new techniques for query formulation, retrieval, evaluation, and navigation. In this paper we develop a knowledge-based framework for modeling and retrieving image data by content. To represent the various aspects of an image object's characteristics, we propose a model which consists of three layers: (1) Feature and Content Layer, intended to contain image visual features such as contours, shapes,etc.; (2) Object Layer, which provides the (conceptual) content dimension of images; and (3) Schema Layer, which contains the structured abstractions of images, i.e., a general schema about the classes of objects represented in the object layer. We propose two abstract languages on the basis of description logics: one for describing knowledge of the object and schema layers, and the other, more expressive, for making queries. Queries can refer to the form dimension (i.e., information of the Feature and Content Layer) or to the content dimension (i.e., information of the Object Layer). These languages employ a variable free notation, and they are well suited for the design, verification and complexity analysis of algorithms. As the amount of information contained in the previous layers may be huge and operations performed at the Feature and Content Layer are time-consuming, resorting to the use of materialized views to process and optimize queries may be extremely useful. For that, we propose a formal framework for testing containment of a query in a view expressed in our query language. The algorithm we propose is sound and complete and relatively efficient.
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