Relevant bibliographies by topics / Visual mode

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Visual mode'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Visual mode"

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Novak, Marko. "Visual as Multi-Modal Argumentation in Law." Bratislava Law Review 5, no. 1 (June 30, 2021): 91–110. http://dx.doi.org/10.46282/blr.2021.5.1.187.

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Although the legal context is a formalized framework, in judicial proceedings there is also room for multi-modal argumentation. To the traditional logical mode, multi-modal argumentation theory has added three additional modes (the so-called “alternate” modes: visceral, kisceral, and emotional). They complement the logical mode in unclear legal cases, those with vague and ambiguous premises (both legal and factual). What is discussed here is visual argumentation as part of the visceral mode. Visual arguments can be appropriate in legal argumentation as evidence used to determine the lower premise. However, “thick” visuals invite alternate arguments to be applied in legal argumentation. This “invitation” is not exactly the same as with “thick” verbal texts because what is at issue are different semiotic resources.
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Shane, Howard C., Meghan O'Brien, and James Sorce. "Use of a Visual Graphic Language System to Support Communication for Persons on the Autism Spectrum." Perspectives on Augmentative and Alternative Communication 18, no. 4 (December 2009): 130–36. http://dx.doi.org/10.1044/aac18.4.130.

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This paper addresses use of visual graphic language to promote learning and communication for individuals on the autism spectrum via a comprehensive framework. Specifically, visuals are used expressively (Visual Expressive Mode), receptively (Visual Instructional Mode), and to provide organization and structure (Visual Organizational Mode). Seven key communicative functions are defined and discussed, including protesting and refusal, organization and transitions, requests, directives, comments, questions, and social pragmatics. The nature of visual supports for each communicative function is described in detail.
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Leber, A. B., and H. E. Egeth. "Exploring mode selection in visual search." Journal of Vision 1, no. 3 (March 14, 2010): 108. http://dx.doi.org/10.1167/1.3.108.

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Hughes, J. M., Dong Mao, D. N. Rockmore, Yang Wang, and Qiang Wu. "Empirical Mode Decomposition Analysis for Visual Stylometry." IEEE Transactions on Pattern Analysis and Machine Intelligence 34, no. 11 (November 2012): 2147–57. http://dx.doi.org/10.1109/tpami.2012.16.

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Kim, Ji-won, and Ki-doo Kim. "The Determination of Multiplexing-Diversity Transition Mode in the Visual-MIMO System." Journal of Korean Institute of Communications and Information Sciences 41, no. 1 (January 31, 2016): 42–50. http://dx.doi.org/10.7840/kics.2015.41.1.42.

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Wroblewski, Dariusz, Brian A. Francis, Alfredo Sadun, Ghazal Vakili, and Vikas Chopra. "Testing of Visual Field with Virtual Reality Goggles in Manual and Visual Grasp Modes." BioMed Research International 2014 (2014): 1–10. http://dx.doi.org/10.1155/2014/206082.

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Automated perimetry is used for the assessment of visual function in a variety of ophthalmic and neurologic diseases. We report development and clinical testing of a compact, head-mounted, and eye-tracking perimeter (VirtualEye) that provides a more comfortable test environment than the standard instrumentation. VirtualEye performs the equivalent of a full threshold 24-2 visual field in two modes: (1) manual, with patient response registered with a mouse click, and (2) visual grasp, where the eye tracker senses change in gaze direction as evidence of target acquisition. 59 patients successfully completed the test in manual mode and 40 in visual grasp mode, with 59 undergoing the standard Humphrey field analyzer (HFA) testing. Large visual field defects were reliably detected by VirtualEye. Point-by-point comparison between the results obtained with the different modalities indicates: (1) minimal systematic differences between measurements taken in visual grasp and manual modes, (2) the average standard deviation of the difference distributions of about 5 dB, and (3) a systematic shift (of 4–6 dB) to lower sensitivities for VirtualEye device, observed mostly in high dB range. The usability survey suggested patients’ acceptance of the head-mounted device. The study appears to validate the concepts of a head-mounted perimeter and the visual grasp mode.
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Batic, Nidia, and Pier Giorgio Gabassi. "Visual Dominance in Olfactory Memory." Perceptual and Motor Skills 65, no. 1 (August 1987): 88–90. http://dx.doi.org/10.2466/pms.1987.65.1.88.

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The object of the present study was to verify the emergence of a ‘visual dominance’ effect in memory tests involving different sensory modes (sight and smell), brought about the preattentive mechanisms which select the visual sensory mode regardless of the recall task.
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Candea, Matei. "On Visual Coherence and Visual Excess." Social Analysis 63, no. 4 (December 1, 2019): 63–88. http://dx.doi.org/10.3167/sa.2019.630404.

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This article reflects on the power and dangers of diagrams as a mode of anthropological exposition, comparing this particular form of non-text to the brief dalliance of mid-century anthropology with algebraic and logical formulae. It has been claimed that diagrams, like formulae, are clearer, simpler, or less deceptive than textual argument. By contrast, this article argues that diagrams are just as slippery and tricky as words, but that images and words slip and slide in different ways. Holding both diagrams and words together when building an argument enables not only a specific kind of rigor, but also moments of unexpected theoretical invention. This technique of holding together contrasting heuristics scales up as a productive epistemic device for anthropology more broadly.
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Hemalatha, G., Dr B. Anuradha, and Prof V. Adinarayana Reddy. "Processing of Visual Evoked Potentials using Mode Deviation." International Journal of Engineering Trends and Technology 24, no. 3 (June 25, 2015): 145–50. http://dx.doi.org/10.14445/22315381/ijett-v24p227.

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Szinte, Martin, Daniel M. van Es, and Tomas Knapen. "The visual selectivity of the default mode network." Journal of Vision 19, no. 10 (September 6, 2019): 212. http://dx.doi.org/10.1167/19.10.212.

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Dissertations / Theses on the topic "Visual mode"

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Chou, Chien. "Effects of visual information presentation mode and testing mode on skill analysis training in an interactive video setting /." The Ohio State University, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487682558444435.

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Engell, Jessen Maria Elisabeth. "Conversion as a narrative, visual, and stylistic mode in William Blake's works." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:0238fceb-5538-4a7b-903d-5952bf777286.

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This study suggests that Blake’s works can be understood as ‘conversion works,’ which seek to facilitate a broadly defined perceptual, spiritual, and intellectual conversion in the reader/viewer. This conversion is manifested in various ways in the texts, images, narrative structures, and style of Blake’s works. Part I discusses the genesis of the narrative of Blake’s own conversion and introduces critical discussions of the conversion narrative as a genre, showing how the predominant interpretative paradigm of the conversion narrative (as an autobiographical reportage describing a one-off experience) is challenged by the shapes that conversion narratives have taken throughout history, suggesting a broader definition of conversion literature. In Part II, I analyze Blake’s depictions of Christ in his illustrations to Night Thoughts in relation to eighteenth-century Moravian art, and the way in which they are later used in The Four Zoas. I discuss how Milton can be understood as a multilayered conversion narrative, how the manifestation of conversion in Jakob Boehme’s works might have influenced it, and how a related conversion is manifested in Jerusalem (1804-20). Finally, I show how Blake represents conversion in his illustrations to Pilgrim’s Progress and the Book of Job, emphasizing the importance of vision and the inclusion of protagonist and viewer in the divine body. Together, these analyses show conversion as a gradually developing presence in Blake’s works, exploring the conversion moment as a way into the shared salvific space of the body of Christ for fictive characters, author, and reader or viewer together.
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Muñoz, Benavent Pau. "Robot Visual Servoing Using Discontinuous Control." Doctoral thesis, Universitat Politècnica de València, 2017. http://hdl.handle.net/10251/90430.

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This work presents different proposals to deal with common problems in robot visual servoing based on the application of discontinuous control methods. The feasibility and effectiveness of the proposed approaches are substantiated by simulation results and real experiments using a 6R industrial manipulator. The main contributions are: - Geometric invariance using sliding mode control (Chapter 3): the defined higher-order invariance is used by the proposed approaches to tackle problems in visual servoing. Proofs of invariance condition are presented. - Fulfillment of constraints in visual servoing (Chapter 4): the proposal uses sliding mode methods to satisfy mechanical and visual constraints in visual servoing, while a secondary task is considered to properly track the target object. The main advantages of the proposed approach are: low computational cost, robustness and fully utilization of the allowed space for the constraints. - Robust auto tool change for industrial robots using visual servoing (Chapter 4): visual servoing and the proposed method for constraints fulfillment are applied to an automated solution for tool changing in industrial robots. The robustness of the proposed method is due to the control law of the visual servoing, which uses the information acquired by the vision system to close a feedback control loop. Furthermore, sliding mode control is simultaneously used in a prioritized level to satisfy the aforementioned constraints. Thus, the global control accurately places the tool in the warehouse, but satisfying the robot constraints. - Sliding mode controller for reference tracking (Chapter 5): an approach based on sliding mode control is proposed for reference tracking in robot visual servoing using industrial robot manipulators. The novelty of the proposal is the introduction of a sliding mode controller that uses a high-order discontinuous control signal, i.e., joint accelerations or joint jerks, in order to obtain a smoother behavior and ensure the robot system stability, which is demonstrated with a theoretical proof. - PWM and PFM for visual servoing in fully decoupled approaches (Chapter 6): discontinuous control based on pulse width and pulse frequency modulation is proposed for fully decoupled position based visual servoing approaches, in order to get the same convergence time for camera translation and rotation. Moreover, other results obtained in visual servoing applications are also described.
Este trabajo presenta diferentes propuestas para tratar problemas habituales en el control de robots por realimentación visual, basadas en la aplicación de métodos de control discontinuos. La viabilidad y eficacia de las propuestas se fundamenta con resultados en simulación y con experimentos reales utilizando un robot manipulador industrial 6R. Las principales contribuciones son: - Invariancia geométrica utilizando control en modo deslizante (Capítulo 3): la invariancia de alto orden definida aquí es utilizada después por los métodos propuestos, para tratar problemas en control por realimentación visual. Se apuertan pruebas teóricas de la condición de invariancia. - Cumplimiento de restricciones en control por realimentación visual (Capítulo 4): esta propuesta utiliza métodos de control en modo deslizante para satisfacer restricciones mecánicas y visuales en control por realimentación visual, mientras una tarea secundaria se encarga del seguimiento del objeto. Las principales ventajas de la propuesta son: bajo coste computacional, robustez y plena utilización del espacio disponible para las restricciones. - Cambio de herramienta robusto para un robot industrial mediante control por realimentación visual (Capítulo 4): el control por realimentación visual y el método propuesto para el cumplimiento de las restricciones se aplican a una solución automatizada para el cambio de herramienta en robots industriales. La robustez de la propuesta radica en el uso del control por realimentación visual, que utiliza información del sistema de visión para cerrar el lazo de control. Además, el control en modo deslizante se utiliza simultáneamente en un nivel de prioridad superior para satisfacer las restricciones. Así pues, el control es capaz de dejar la herramienta en el intercambiador de herramientas de forma precisa, a la par que satisface las restricciones del robot. - Controlador en modo deslizante para seguimiento de referencia (Capítulo 5): se propone un enfoque basado en el control en modo deslizante para seguimiento de referencia en robots manipuladores industriales controlados por realimentación visual. La novedad de la propuesta radica en la introducción de un controlador en modo deslizante que utiliza la señal de control discontinua de alto orden, i.e. aceleraciones o jerks de las articulaciones, para obtener un comportamiento más suave y asegurar la estabilidad del sistema robótico, lo que se demuestra con una prueba teórica. - Control por realimentación visual mediante PWM y PFM en métodos completamente desacoplados (Capítulo 6): se propone un control discontinuo basado en modulación del ancho y frecuencia del pulso para métodos completamente desacoplados de control por realimentación visual basados en posición, con el objetivo de conseguir el mismo tiempo de convergencia para los movimientos de rotación y traslación de la cámara . Además, se presentan también otros resultados obtenidos en aplicaciones de control por realimentación visual.
Aquest treball presenta diferents propostes per a tractar problemes habituals en el control de robots per realimentació visual, basades en l'aplicació de mètodes de control discontinus. La viabilitat i eficàcia de les propostes es fonamenta amb resultats en simulació i amb experiments reals utilitzant un robot manipulador industrial 6R. Les principals contribucions són: - Invariància geomètrica utilitzant control en mode lliscant (Capítol 3): la invariància d'alt ordre definida ací és utilitzada després pels mètodes proposats, per a tractar problemes en control per realimentació visual. S'aporten proves teòriques de la condició d'invariància. - Compliment de restriccions en control per realimentació visual (Capítol 4): aquesta proposta utilitza mètodes de control en mode lliscant per a satisfer restriccions mecàniques i visuals en control per realimentació visual, mentre una tasca secundària s'encarrega del seguiment de l'objecte. Els principals avantatges de la proposta són: baix cost computacional, robustesa i plena utilització de l'espai disponible per a les restriccions. - Canvi de ferramenta robust per a un robot industrial mitjançant control per realimentació visual (Capítol 4): el control per realimentació visual i el mètode proposat per al compliment de les restriccions s'apliquen a una solució automatitzada per al canvi de ferramenta en robots industrials. La robustesa de la proposta radica en l'ús del control per realimentació visual, que utilitza informació del sistema de visió per a tancar el llaç de control. A més, el control en mode lliscant s'utilitza simultàniament en un nivell de prioritat superior per a satisfer les restriccions. Així doncs, el control és capaç de deixar la ferramenta en l'intercanviador de ferramentes de forma precisa, a la vegada que satisfà les restriccions del robot. - Controlador en mode lliscant per a seguiment de referència (Capítol 5): es proposa un enfocament basat en el control en mode lliscant per a seguiment de referència en robots manipuladors industrials controlats per realimentació visual. La novetat de la proposta radica en la introducció d'un controlador en mode lliscant que utilitza senyal de control discontínua d'alt ordre, i.e. acceleracions o jerks de les articulacions, per a obtindre un comportament més suau i assegurar l'estabilitat del sistema robòtic, la qual cosa es demostra amb una prova teòrica. - Control per realimentació visual mitjançant PWM i PFM en mètodes completament desacoblats (Capítol 6): es proposa un control discontinu basat en modulació de l'ample i la freqüència del pols per a mètodes completament desacoblats de control per realimentació visual basats en posició, amb l'objectiu d'aconseguir el mateix temps de convergència per als moviments de rotació i translació de la càmera. A més, es presenten també altres resultats obtinguts en aplicacions de control per realimentació visual.
Muñoz Benavent, P. (2017). Robot Visual Servoing Using Discontinuous Control [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/90430
TESIS
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Maiti, Dipayan. "Multiset Model Selection and Averaging, and Interactive Storytelling." Diss., Virginia Tech, 2012. http://hdl.handle.net/10919/28563.

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The Multiset Sampler [Leman et al., 2009] has previously been deployed and developed for efficient sampling from complex stochastic processes. We extend the sampler and the surrounding theory to model selection problems. In such problems efficient exploration of the model space becomes a challenge since independent and ad-hoc proposals might not be able to jointly propose multiple parameter sets which correctly explain a new pro- posed model. In order to overcome this we propose a multiset on the model space to en- able efficient exploration of multiple model modes with almost no tuning. The Multiset Model Selection (MSMS) framework is based on independent priors for the parameters and model indicators on variables. We show that posterior model probabilities can be easily obtained from multiset averaged posterior model probabilities in MSMS. We also obtain typical Bayesian model averaged estimates for the parameters from MSMS. We apply our algorithm to linear regression where it allows easy moves between parame- ter modes of different models, and in probit regression where it allows jumps between widely varying model specific covariance structures in the latent space of a hierarchical model. The Storytelling algorithm [Kumar et al., 2006] constructs stories by discovering and con- necting latent connections between documents in a network. Such automated algorithms often do not agree with userâ s mental map of the data. Hence systems that incorporate feedback through visual interaction from the user are of immediate importance. We pro- pose a visual analytic framework in which such interactions are naturally incorporated in to the existing Storytelling algorithm through a redefinition of the latent topic space used in the similarity measure of the network. The document network can be explored us- ing the newly learned normalized topic weights for each document. Hence our algorithm augments the limitations of human sensemaking capabilities in large document networks by providing a collaborative framework between the underlying model and the user. Our formulation of the problem is a supervised topic modeling problem where the supervi- sion is based on relationships imposed by the user as a set of inequalities derived from tolerances on edge costs from inverse shortest path problem. We show a probabilistic modeling of the relationships based on auxiliary variables and propose a Gibbs sampling based strategy. We provide detailed results from a simulated data and the Atlantic Storm data set.
Ph. D.
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Yamada-Rice, D. "An enquiry into young children's interaction with, and comprehension of, the visual mode in Japan." Thesis, University of Sheffield, 2013. http://etheses.whiterose.ac.uk/3773/.

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Söderström, Carina. "Garderobstaktik som visuell retorik : En kvalitativ studie av tre Youtube-influencers argumentation för en hållbar personlig still." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-444268.

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Under det senaste årtiondet har sociala medier använts av mode-influencers till att sprida sina budskap om personlig stil. Med de senaste årens klimatintresse har början till ett skifte skett från att uppmuntra till konsumtion till att i stället skapa medvetenhet om textilindustrins negativa påverkan på miljön. Syftet med denna masteruppsats är att göra en visuell kulturstudie av tre av dessa influencers argumentation genom de filmer de publicerar på Youtube. Den undersöker hur de använder visuell retorik i filmerna för att göra ett trovärdigt intryck och på så vis locka till sig en allt större följarskara och få betalda samarbeten, utan att uppmuntra till onödig konsumtion. I studien ingår sammanlagt nio filmer som publicerades under 2019 och 2020. Filmerna analyseras med hjälp av visuell retorik som kvalitativ metod och tolkas med visuell retorik och produktion av social och kulturell identitet som teoretiska utgångspunkter. En analys av tittarnas kommentarer på filmerna används för att validera resultatet av tolkningen. De tre studerade Youtube-kanalerna ökade sitt antal prenumeranter med i genomsnitt 64 % under den tid som studien pågick och alla tre influencers får betalda samarbeten som de helt eller delvis kan försörja sig på. De undersöker noga de företag de inleder samarbete med och undviker varumärken som inte är accepterade av deras tittare som etiska och miljömässigt hållbara. Alla de tre influencers som ingår i studien använder samma typ av visuell huvudargumentation för att övertyga sina tittare om vikten av en hållbar garderob. De visar exempel på hur de själva kombinerar sina egna kläder på nya sätt för att skapa en personlig stil utan att behöva köpa nytt. Studien visar dock att filmernas innehåll är mindre viktigt än hur trovärdig influencern uppfattas av sina tittare. En tolkning av tittarnas kommentarer ger att de i första hand är intresserade av hur influencern producerar sin identitet med hjälp av kläder och utseende, för att själva inspireras till att hitta sin personliga stil. Genom att efterlikna deras stil kommunicerar de grupptillhörighet med den influencer de följer och får på så sätt del av samma sociala status.
During the last decade, fashion influencers have used social media channels to spread the word about personal style. Due to the global focus on the climate change the content has begun to shift from a consumption culture to creating awareness about the negative influence of the textile industry on the environment. The purpose of this study is to examine three of these influencers’ argumentation in the videos they publish on YouTube. It investigates how the influencers use visual rhetoric to make a trustworthy impression to increase the number of followers and get paid sponsorships, without supporting unnecessary consumption. The study investigates a total of nine videos published on YouTube during 2019 and 2020. The visual content is processed using a qualitative method and analysed with a focus on the theoretical perspectives of visual rhetoric and production of social identity. The written follower comments, of the videos, are used to validate the result of the analysis. The three YouTube channels increased the number of followers with an average of 64 % during the study and the influencers are all in paid collaborations that represent all, or a part of, their total income. They thoroughly research the company before adding a new sponsorship and avoid brands that are not accepted by their followers to be ethical and sustainable. All the three influencers participating in the study use the same principal visual rhetoric arguments to convince the followers of the advantage of a sustainable style. They show a vast variety of outfit combinations using the limited amount of clothes in their wardrobes to create a personal style without the need of adding new clothes. The result of the study indicates, however, that the content of the videos is of less importance than how trustworthy the influencer is perceived by the followers. An analysis of the viewer comments suggest that their primary interest is to get inspiration from how the influencer produces identity through dress and appearance. By emulating their personal style, the followers hope to gain membership of the influencer’s community and achieve similar social status.
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Söderström, Carina. "Garderobstaktik som visuell retorik : En kvalitativ studie av tre Youtube-influencers argumentation för en hållbar personlig stil." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-444268.

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Under det senaste årtiondet har sociala medier använts av mode-influencers till att sprida sina budskap om personlig stil. Med de senaste årens klimatintresse har början till ett skifte skett från att uppmuntra till konsumtion till att i stället skapa medvetenhet om textilindustrins negativa påverkan på miljön. Syftet med denna masteruppsats är att göra en visuell kulturstudie av tre av dessa influencers argumentation genom de filmer de publicerar på Youtube. Den undersöker hur de använder visuell retorik i filmerna för att göra ett trovärdigt intryck och på så vis locka till sig en allt större följarskara och få betalda samarbeten, utan att uppmuntra till onödig konsumtion. I studien ingår sammanlagt nio filmer som publicerades under 2019 och 2020. Filmerna analyseras med hjälp av visuell retorik som kvalitativ metod och tolkas med visuell retorik och produktion av social och kulturell identitet som teoretiska utgångspunkter. En analys av tittarnas kommentarer på filmerna används för att validera resultatet av tolkningen. De tre studerade Youtube-kanalerna ökade sitt antal prenumeranter med i genomsnitt 64 % under den tid som studien pågick och alla tre influencers får betalda samarbeten som de helt eller delvis kan försörja sig på. De undersöker noga de företag de inleder samarbete med och undviker varumärken som inte är accepterade av deras tittare som etiska och miljömässigt hållbara. Alla de tre influencers som ingår i studien använder samma typ av visuell huvudargumentation för att övertyga sina tittare om vikten av en hållbar garderob. De visar exempel på hur de själva kombinerar sina egna kläder på nya sätt för att skapa en personlig stil utan att behöva köpa nytt. Studien visar dock att filmernas innehåll är mindre viktigt än hur trovärdig influencern uppfattas av sina tittare. En tolkning av tittarnas kommentarer ger att de i första hand är intresserade av hur influencern producerar sin identitet med hjälp av kläder och utseende, för att själva inspireras till att hitta sin personliga stil. Genom att efterlikna deras stil kommunicerar de grupptillhörighet med den influencer de följer och får på så sätt del av samma sociala status.
During the last decade, fashion influencers have used social media channels to spread the word about personal style. Due to the global focus on the climate change the content has begun to shift from a consumption culture to creating awareness about the negative influence of the textile industry on the environment. The purpose of this study is to examine three of these influencers’ argumentation in the videos they publish on YouTube. It investigates how the influencers use visual rhetoric to make a trustworthy impression to increase the number of followers and get paid sponsorships, without supporting unnecessary consumption. The study investigates a total of nine videos published on YouTube during 2019 and 2020. The visual content is processed using a qualitative method and analysed with a focus on the theoretical perspectives of visual rhetoric and production of social identity. The written follower comments, of the videos, are used to validate the result of the analysis. The three YouTube channels increased the number of followers with an average of 64 % during the study and the influencers are all in paid collaborations that represent all, or a part of, their total income. They thoroughly research the company before adding a new sponsorship and avoid brands that are not accepted by their followers to be ethical and sustainable. All the three influencers participating in the study use the same principal visual rhetoric arguments to convince the followers of the advantage of a sustainable style. They show a vast variety of outfit combinations using the limited amount of clothes in their wardrobes to create a personal style without the need of adding new clothes. The result of the study indicates, however, that the content of the videos is of less importance than how trustworthy the influencer is perceived by the followers. An analysis of the viewer comments suggest that their primary interest is to get inspiration from how the influencer produces identity through dress and appearance. By emulating their personal style, the followers hope to gain membership of the influencer’s community and achieve similar social status.
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Siganos, Ioannis. "Pulse mode light sensing using four-layer semiconductor structures and their application in neural networks." Thesis, Monterey, Calif. : Naval Postgraduate School, 2008. http://edocs.nps.edu/npspubs/scholarly/theses/2008/Dec/08Dec%5FSiganos.pdf.

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Thesis (M.S. in Applied Physics)--Naval Postgraduate School, December 2008.
Thesis Advisor(s): Karunasiri, Gamani ; Tummala, Murali. "December 2008." Description based on title screen as viewed on January 29, 2009. Includes bibliographical references (p. 69-71). Also available in print.
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Childers, Chadwick T. "Instrument choice of fifth grade boys and girls aural and visual preference based on presentation mode." FIU Digital Commons, 2004. http://digitalcommons.fiu.edu/etd/2331.

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The general purpose of this research was to determine if a lesson including gender will influence the instrument selection process of fifth grade children. Subjects were two homogeneous groups of fifth grade students from Miami, Florida. Each group received a lesson concerning five acoustic musical instruments: the clarinet, flute, saxophone, trumpet, and drums with photos and music excerpts. The control group did not receive a gender lecture nor did the photographs depict anyone playing the instrument. Overwhelmingly, drums were the instrument of choice in both groups. As a result a second experiment was designed to replicate experiment 1, but drums were removed from the choices and the trombone was substituted as a "male' instrument. It was concluded that gender did have an effect on the instrument selection process in young children.
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Fitzpatrick, Dale Mary. "The effects of visual format and mode of presentation on nonnative speaker comprehension of verbal information." Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/28223.

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The purpose of this study was to gather data on nonnative speakers' comprehension of spoken language presented via the audio mode (sound only) or the video mode (sound + picture). More specifically, the research examined the effects of three visual formats (or picture content)--contained in the video channel—on comprehension of verbal information carried in the audio channel of broadcast news stories. The three visual formats under investigation were: (1) high redundancy (HR): voice-over-film with similar verbal and visual content; (2) low redundancy (LR): voice-over-film with dissimilar verbal and visual content, and (3) talking head: newscaster only presentation, without film. A smaller follow-up study examined the effect of visuals with a group of subjects of higher second-language proficiency. The procedure utilized a between-and-within-subjects design and nine news stories videotaped from CBC television, categorized according to visual format. Stimulus news stories were presented to subjects via either the video or audio mode. After each story, actual comprehension o£ verbal information was measured using a test of cued-recall and perceived language comprehension was measured using a self-reporting question. In the video mode, subjects were also asked to rate the difficulty of each story. The results of an analysis of variance indicated that, under the conditions of the present study, subjects scored significantly higher on a test o£ cued recall when news stories were presented via the video mode. Significant differences were also found between language comprehension scores for each of the visual formats. Highest scores were obtained for the HR stories, and lowest scores for the TH stories. From the results of the follow-up study, it appears the comprehension-facilitating effect of visuals is not as strong for subjects of higher proficiency. Results are discussed in light of literature on media and learning, the relationship between aural and visual channels, visual format effects and television news, listening comprehension, and visual information processing. Implications and suggestions for further study are presented.
Education, Faculty of
Language and Literacy Education (LLED), Department of
Graduate
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Books on the topic "Visual mode"

1

Tate, Sharon Lee. The fashion handbook: A guide to your visual image. 2nd ed. New York, NY: HarperCollins, 1991.

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Visual design in dress. 3rd ed. Upper Saddle River, N.J: Prentice Hall, 1996.

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Visual design in dress. 2nd ed. Englewood Cliffs, N.J: Prentice-Hall, 1987.

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Foster, Vanda. A visual history of costume: The nineteenth century. London: Batsford, 1992.

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DeLong, Marilyn Revell. The way we look: A framework for visual analysis of dress. Ames: Iowa State University Press, 1987.

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Finkelstein, Joanne. The art of self invention: Image and identity in popular visual culture. London: I.B. Tauris, 2007.

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Fahlander, Fredrik. Chapter 12 The partial and the vague as a visual mode in Bronze Age rock art. Manchester: Manchester University Press, 2020.

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Panin, Giorgio. Model-Based Visual Tracking. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2011. http://dx.doi.org/10.1002/9780470943922.

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Hitoshi, Sasaki. Dual processing model of visual information: Cortical and subcortical processing. Hauppauge, N.Y: Nova Science Publishers, 2009.

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Panin, Giorgio. Model-based visual tracking: The OpenTL framework. Hoboken, N.J: Wiley, 2011.

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Book chapters on the topic "Visual mode"

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McDonnell, Mark. "VISUAL-BLOCK Mode." In Pro Vim, 109–17. Berkeley, CA: Apress, 2014. http://dx.doi.org/10.1007/978-1-4842-0250-0_8.

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Shen, Cheng-dong, and Si-kun Li. "Fast Prediction Mode Decision Algorithm for H.264 Based on Hierarchical Mode Classification Framework." In Advances in Visual Computing, 882–90. Berlin, Heidelberg: Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11919629_88.

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Ehrenberg, Shantel. "A Kinaesthetic Mode of Attention." In Kinaesthesia and Visual Self-Reflection in Contemporary Dance, 99–141. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73403-9_3.

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Wu, Dajun, Keng Pang Lim, Si Wu, Zhicheng Zhou, and Chi Chung Ko. "Fast Intra 4X4 Mode Elimination Approaches for H.264." In Visual Content Processing and Representation, 37–43. Berlin, Heidelberg: Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11738695_6.

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Smith, Jordan P., Mohamed Shehata, Ramsey G. Powell, Peter F. McGuire, and Andrew J. Smith. "Physiological Features of the Internal Jugular Vein from B-Mode Ultrasound Imagery." In Advances in Visual Computing, 312–19. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-50832-0_30.

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Stark, Lawrence W., Charles Neveu, and V. V. Krishnan. "Mode switching in control of accommodation." In Accommodation and Vergence Mechanisms in the Visual System, 225–34. Basel: Birkhäuser Basel, 2000. http://dx.doi.org/10.1007/978-3-0348-7586-8_20.

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Nieto, Marcos, Luis Salgado, and Narciso García. "Fast Mode Decision Based on Activity Segmentation in H.264/AVC Encoding." In Visual Content Processing and Representation, 146–52. Berlin, Heidelberg: Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11738695_20.

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Sutton, Damian. "The Sublime as a Mode of Address in Contemporary Environmental Photography." In Contemporary Visual Culture and the Sublime, 176–88. New York : Routledge, 2017. | Series: Routledge advances in art and visual studies ; 24: Routledge, 2017. http://dx.doi.org/10.4324/9781315299150-13.

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Kim, Taeho, and Jechang Jeong. "Fast Intra Mode Decision Using the Angle of the Pixel Differences along the Horizontal and Vertical Direction for H.264/AVC." In Advances in Visual Computing, 648–56. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-33191-6_64.

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Mikelberg, Frederick S., and Stephen M. Drance. "The Mode of Progression of Visual Field Defects in Glaucoma." In Documenta Ophthalmologica Proceedings Series, 387–90. Dordrecht: Springer Netherlands, 1985. http://dx.doi.org/10.1007/978-94-009-5512-7_56.

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Conference papers on the topic "Visual mode"

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Yamamoto, Teruki, Takaaki Fukuyama, Yo Murao, and Hajime Enomoto. "Subjective mode regions of picture and painting of 3D pictures." In Visual Communications '93, edited by Barry G. Haskell and Hsueh-Ming Hang. SPIE, 1993. http://dx.doi.org/10.1117/12.157997.

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Hu, Qiang, Zhiru Shi, Xiaoyun Zhang, and Zhiyong Gao. "Early SKIP mode decision based on Bayesian model for HEVC." In 2015 Visual Communications and Image Processing (VCIP). IEEE, 2015. http://dx.doi.org/10.1109/vcip.2015.7457828.

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Zhang, Zhenming, Guangxi Zhu, Shengkui Dai, Feng Wang, and Lei Xie. "Improved intra prediction mode-decision method." In Visual Communications and Image Processing 2005. SPIE, 2005. http://dx.doi.org/10.1117/12.632497.

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Garg, Rahul, Munish Jindal, and Mohit Chauhan. "Statistics based fast intra mode detection." In Visual Communications and Image Processing 2005. SPIE, 2005. http://dx.doi.org/10.1117/12.633389.

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Xiao, Siyang, Yan Liu, and Jiayao Wang. "Research on qCreativeq Visual Thinking Mode in Visual Communication Design." In 2017 7th International Conference on Mechatronics, Computer and Education Informationization (MCEI 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/mcei-17.2017.191.

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Zhang, Li, and Wen Su. "Innovation Study of Visual Thinking Mode in Visual Communication Design." In 2018 International Conference on Social Science and Education Reform (ICSSER 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icsser-18.2018.27.

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Wang, Bei, and Mo Wang. "Research on qCreativeq Visual Thinking Mode in Visual Communication Design." In 2017 7th International Conference on Social science and Education Research (SSER2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/sser-17.2018.36.

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Jia, Kaiyuan, Chen Chen, Xiandong Meng, Shuyuan Zhu, and Bing Zeng. "Mode-dependent transforms based on elliptical model for high efficiency video coding." In 2016 Visual Communications and Image Processing (VCIP). IEEE, 2016. http://dx.doi.org/10.1109/vcip.2016.7805583.

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Lu, Jiyuan, Peizhao Zhang, Hongyang Chao, and Paul Fisher. "Inter-mode decision with varied computational complexity." In Visual Communications and Image Processing 2010, edited by Pascal Frossard, Houqiang Li, Feng Wu, Bernd Girod, Shipeng Li, and Guo Wei. SPIE, 2010. http://dx.doi.org/10.1117/12.863438.

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Frimout, Emmanuel D., Jan Biemond, and Reginald L. Lagendijk. "Trick mode solutions for MPEG tape recording." In Visual Communications and Image Processing '94, edited by Aggelos K. Katsaggelos. SPIE, 1994. http://dx.doi.org/10.1117/12.185973.

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Reports on the topic "Visual mode"

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Reeves, Adam. A Model for Visual Attention. Fort Belvoir, VA: Defense Technical Information Center, February 1987. http://dx.doi.org/10.21236/ada179589.

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Reeves, Adam. A Model for Visual Attention. Fort Belvoir, VA: Defense Technical Information Center, April 1988. http://dx.doi.org/10.21236/ada193061.

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Sekuler, Robert. Model-Driven Study of Visual Memory. Fort Belvoir, VA: Defense Technical Information Center, December 2004. http://dx.doi.org/10.21236/ada435772.

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Amit, Yali, and Donald Geman. A Computational Model for Visual Selection. Fort Belvoir, VA: Defense Technical Information Center, April 1998. http://dx.doi.org/10.21236/ada344220.

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Hirsch, Joy. Limits of Human Visual Discrimination: Toward a General Model of Visual Geometry. Fort Belvoir, VA: Defense Technical Information Center, March 1990. http://dx.doi.org/10.21236/ada226826.

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Krauter, Kerry. Single-Mode VISAR. Office of Scientific and Technical Information (OSTI), November 2007. http://dx.doi.org/10.2172/926025.

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Manyashin, A. V. Visual design of simulation model components in Stamm 4.1. OFERNIO, July 2020. http://dx.doi.org/10.12731/ofernio.2020.24556.

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Verghese, Preeti. A Model for Visual Decision Making Under Time Pressure. Fort Belvoir, VA: Defense Technical Information Center, September 2009. http://dx.doi.org/10.21236/ada567154.

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Breuel, Thomas M. Indexing for Visual Recognition from a Large Model Base. Fort Belvoir, VA: Defense Technical Information Center, August 1990. http://dx.doi.org/10.21236/ada229320.

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Finkel, Leif H. Visual Perception of Depth-from-Occlusion: A Neural Network Model. Fort Belvoir, VA: Defense Technical Information Center, July 1992. http://dx.doi.org/10.21236/ada253343.

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