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Books on the topic 'Visual ecology'

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1

R, Green Patrick, ed. Visual perception, physiology, psychology, and ecology. London: L. Erlbaum, 1985.

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2

Bruce, Vicki. Visual perception: Physiology, psychology and ecology. 2nd ed. Hove: Erlbaum, 1990.

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3

R, Green Patrick, Georgeson Mark A, and Bruce Vicki, eds. Visual perception: Physiology, psychology, and ecology. 4th ed. [New York]: Psychology Press, 2003.

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4

1957-, Stackhouse Jennifer, ed. Trees: A visual guide. Chichester: Bonnier, 2008.

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5

Regards imaginaires: Essais préliminaires à une écologie visuelle. Paris: L'Harmattan, 2003.

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6

Amanda, McConnell, and DeCambra Maria 1970-, eds. The sacred balance: A visual celebration of our place in nature. New York: Greystone Books, 2002.

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7

Barbara, Taylor. Atlas visual de los animales. Madrid: Bruño, 1992.

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8

Jon, Raymond. Why we work here: The ecology of the visual arts in Oregon. [Eugene, Or.]: Lone Goose Press, 2013.

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9

Ocean: A visual encyclopedia. New York: Dorling Kindersley, 2015.

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10

Flagstaff, Ariz ). Ecology of Rock Art Symposium (1994. Rock art as visual ecology: Proceedings from the Ecology of Rock Art Symposium, International Rock Art Congress, Flagstaff, Arizona, 1994. Tucson, Ariz: American Rock Art Research Association, 1997.

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11

Bird: The definitive visual guide. London: Dorling Kindersley, 2009.

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12

Agnew, Brad, John Allen Gifford, and Drew Edmondson. The Illinois River survey: A visual record. [Bloomington, Ind.]: Xlibris Corp., 2011.

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13

El paisaje visual de la ciudad: Ensayos sobre la patología del ambiente diseñado. 2nd ed. Mexico]: Universidad Autónoma Metropolitana--Azacapotzalco, 2009.

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14

Visual guide to native and naturalized coastal county plants from Santa Cruz to Mendocino. [Mill Valley, Calif.?]: Pikkdata, 2002.

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15

Hayden, Thomas. Earthpulse: The essential visual report on global trends. Washington, D.C: National Geographic, 2008.

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16

McCandless, David. The visual miscellaneum: A colorful guide to the world's most consequential trivia. New York: Collins Design, 2009.

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17

Hayden, Thomas. Earthpulse: The essential visual report on global trends. Washington, D.C: National Geographic, 2008.

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18

Stoli︠a︡rov, B. A. Ėkologii︠a︡ vizualʹnosti i izobrazitelʹnoe iskusstvo: Metodologicheskiĭ sbornik = Fine arts and ecology of visual aspects : collection of metodological articles. Sankt-Peterburg: Gos. Russkiĭ Muzeĭ, 2006.

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19

Sipes, James L. Creating Green Roadways: Integrating Cultural, Natural, and Visual Resources into Transportation. Washington, DC: Island Press/Center for Resource Economics, 2013.

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20

Lecturas y escrituras del hábitat construido: Propuesta para la comprensión de los modos de habitar a través de la imagen visual. Bogotá: Universidad Nacional de Colombia, Sede Bogotá, 2007.

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21

Linnér, Björn-Ola. Att lära för överlevnad: Utbildningsprogrammen och miljöfrågorna 1962-2002. Lund: Arkiv, 2005.

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22

M, Schwartz Joan, and Ryan James R, eds. Picturing place: Photography and the geographical imagination. London: I.B. Tauris, 2003.

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23

Green reads: Best environmental resources for youth, k-12. Santa Barbara, Calif: Libraries Unlimited, 2009.

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24

Baylor, Byrd. The desert is theirs. New York: Aladdin Books, 1987.

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25

Moscardo, Gianna. Designing interpretive signs: Principles in practice. Golden, Colo: Fulcrum Pub., 2007.

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26

Spencer-Hall, Alicia. Medieval Saints and Modern Screens. NL Amsterdam: Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462982277.

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This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention: consideration of hagiography as media. More precisely, hagiography is most productively understood as cinematic media. Medieval mystical episodes are made intelligible to modern audiences through reference to the filmic - the language, form, and lived experience of cinema. Similarly, reference to the realm of the mystical affords a means to express the disconcerting physical and emotional effects of watching cinema. Moreover, cinematic spectatorship affords, at times, a (more or less) secular experience of visionary transcendence: an 'agape-ic encounter'. The medieval saint's visions of God are but one pole of a spectrum of visual experience which extends into our present multi-media moment. We too conjure godly visions: on our smartphones, on the silver screen, and on our TVs and laptops. This book places contemporary pop-culture media - such as blockbuster movie The Dark Knight, Kim Kardashian West's social media feeds, and the outputs of online role-players in Second Life - in dialogue with a corpus of thirteenth-century Latin biographies, 'Holy Women of Liège'. In these texts, holy women see God, and see God often. Their experiences fundamentally orient their life, and offer the women new routes to knowledge, agency, and belonging. For the holy visionaries of Liège, as with us modern 'seers', visions are physically intimate, ideologically overloaded spaces. Through theoretically informed close readings, Medieval Saints and Modern Screens reveals the interconnection of decidedly 'old' media - medieval textualities - and artefacts of our 'new media' ecology, which all serve as spaces in which altogether human concerns are brought before the contemporary culture's eyes.
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27

Visual Ecology. Princeton University Press, 2014.

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28

Cronin, Thomas W., N. Justin Marshall, S. Johnsen, and Eric J. Warrant. Visual Ecology. Princeton University Press, 2014.

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29

Cronin, Thomas W., Sönke Johnsen, N. Justin Marshall, and Eric J. Warrant. Visual Ecology. Princeton University Press, 2014.

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30

Malizia, Diana. Visual Guide to Ecology. Rosen Publishing Group, 2017.

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31

Visual Guide to Ecology. Rosen Publishing Group, 2017.

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32

Malizia, Diana. Visual Guide to Ecology. Rosen Publishing Group, 2017.

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33

Bruce, Vicki, Patrick R. Green, Mark A. Georgeson, and Mark A. Georgeson. Visual Perception: Physiology, Psychology and Ecology. Taylor & Francis Group, 2014.

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34

Bruce, Vicki, Patrick R. Green, and Mark A. Georgeson. Visual Perception: Physiology, Psychology and Ecology. Taylor & Francis Group, 2014.

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35

Visual Perception: Physiology, Psychology and Ecology. 3rd ed. Psychology Press, 1996.

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36

Bruce, Vicki, Patrick R. Green, and Mark A. Georgeson. Visual Perception: Physiology, Psychology and Ecology. Taylor & Francis Group, 2014.

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37

Bruce, Vicki, Patrick R. Green, and Mark A. Georgeson. Visual Perception: Physiology, Psychology and Ecology. Taylor & Francis Group, 2014.

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38

Visual Perception: Physiology, Psychology And Ecology. 3rd ed. Psychology Press (UK), 1996.

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39

Visual Guide to the Environment. Rosen Publishing Group, 2017.

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40

Malizia, Diana. Visual Guide to the Environment. Rosen Publishing Group, 2017.

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41

Malizia, Diana. Visual Guide to the Environment. Rosen Publishing Group, 2017.

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42

Blackbirch Visual Encyclopedias - Natural Science (Blackbirch Visual Encyclopedias). Blackbirch Press, 2002.

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43

Trees: A Visual Guide. University of California Press, 2008.

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44

Polar Lands (Visual Reference Library). Franklin Watts Ltd, 2001.

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45

Palmer, Joy. Oceans (Visual Reference Library). Franklin Watts Ltd, 2003.

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46

Rainforest (Visual Reference Library). Franklin Watts Ltd, 2001.

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47

Group, Diagram. Environment: An Illustrated Guide to Science (Science Visual Resources). Chelsea House Publications, 2006.

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48

Barbara, Taylor. Atlas Visual de Animales. Editorial Bruno, 1992.

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49

Suzuki, David T., Amanda McConnell, and Maria DeCambra. The Sacred Balance: A Visual Celebration of Our Place in Nature. Greystone Books, 2003.

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50

Rose, Gillian, and Divya P. Tolia-Kelly. Visuality/Materiality: Images, Objects and Practices. Taylor & Francis Group, 2016.

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