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Books on the topic 'Visual consciousnes'

Author: Grafiati

Published: 30 June 2021

Last updated: 4 February 2022

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1

Miller, Steven M., ed. The Constitution of Visual Consciousness. Amsterdam: John Benjamins Publishing Company, 2013. http://dx.doi.org/10.1075/aicr.90.

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2

Chang, Shi-Kuo. Visual Languages. Boston, MA: Springer US, 1987.

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3

Visual analogy: Consciousness as the art of connecting. Cambridge, Mass: MIT Press, 1999.

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4

Perception, action, and consciousness: Sensorimotor dynamics and two visual systems. New York: Oxford University Press, USA, 2010.

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5

Exploring consciousness. Berkeley: University of California Press, 2002.

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6

Shi jue wen hua yu tu xiang yi shi yan jiu: The study of visual culture and image-consciousness. Beijing Shi: Beijing da xue chu ban she, 2011.

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7

The secret language of the mind: A visual inquiry into the mysteries of conciousness. San Francisco: Chronicle Books, 1996.

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8

Why red doesn't sound like a bell: Understanding the feel of consciousness. New York: Oxford University Press, 2011.

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9

Are you experienced?: How psychedelic consciousness transformed modern art. Munich: Prestel Verlag, 2011.

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10

Fiction and the camera eye: Visual consciousness in film and the modern novel. Ann Arbor, MI: University Microfilms International, 1985.

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11

The constitution of visual consciousness: Lessons from binocular rivalry / edited by Steven M. Miller, Monash University. Amsterdam: John Benjamins Publishing Company, 2013.

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12

Dekker, Ted. The Circle series: The visual edition of Black, Red, and White. Nashville, TN: Thomas Nelson Inc., 2009.

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13

Nestor, James. Get high now without drugs: Featuring more than 200 sensory tips and tricks for visual stimulation, lucid dreaming, compressing time, meditation, and more. San Francisco: Chronicle Books, 2009.

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14

Crick, Francis. The astonishing hypothesis: The scientific search for the soul. London: Simon & Schuster, 1994.

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15

Crick, Francis. The astonishing hypothesis: The scientific search for the soul. New York: Scribner, 1993.

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16

Get high now without drugs: Featuring more than 200 sensory tips and tricks for visual stimulation, lucid dreaming, compressing time, meditation, and more. San Francisco: Chronicle Books, 2009.

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17

2005), Biennale Jogja (8th. Pameran seni visual kontemporer Indonesia: Biennale Jogja VIII 2005 "Di sini dan kini" : consciousness of the here and now. Yogyakarta, Indonesia: Taman Budaya Yogyakarta, 2006.

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18

Crick, Francis. La búsqueda científica del alma: Una revolucionaria hipótesis para el siglo XXI. Madrid: Debate, 2000.

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19

Crick, Francis. The astonishing hypothesis: The scientific search for the soul. New York: Scribner, 1994.

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20

The astonishing hypothesis: The scientific search for the soul. London: Touchstone, 1995.

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21

Crick, Francis. The Astonishing hypothesis: The scientific search for the soul. New York, NY: Simon & Schuster, 1995.

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22

Schaefer-Simmeren, Henry. Consciousness of artistic form: A comparison of the visual, gestalt art formations of children, adolescents, and layman adults with historical art, folk art, and aboriginal art. Edited by Schaefer-Simmern Gertrude, Abrahamson Roy E, and Fein Sylvia. Berkeley, CA: Gertrude Schaefer-Simmern Trust, 2003.

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23

Yu ci, yi shi yu yi shu: Xu Tan "Guan jian ci" shi jue yu yan shi yan xiang mu dang an = Vocabulary, consciousness (yi shi), and art : the "Keywords" case files from Xu Tan's visual linguistic experiments. Guangzhou Shi: Ling nan mei shu chu ban she, 2011.

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24

Visual Attention And Consciousness. Psychology Press, 2012.

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25

Friedenberg, Jay. Visual Attention and Consciousness. Psychology Press, 2012. http://dx.doi.org/10.4324/9780203073858.

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26

Friedenberg, Jay. Visual Attention and Consciousness. Taylor & Francis Group, 2012.

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27

Visual Masking: Studying Perception, Attention, and Consciousness. Elsevier Science & Technology Books, 2013.

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28

Holt, Jason. Blindsight & The Nature of Consciousness. Broadview Press, 2003.

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29

Stafford, Barbara Maria. Visual Analogy: Consciousness as the Art of Connecting. The MIT Press, 2001.

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30

Visual thought: The depictive space of perception. Amsterdam: John Benjamins Publishing Company, 2007.

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31

Cowey, Alan. TMS and visual awareness. Edited by Charles M. Epstein, Eric M. Wassermann, and Ulf Ziemann. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780198568926.013.0027.

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This article describes the ways in which transcranial magnetic stimulation (TMS) can be a means of studying consciousness by interfering with the physical occurrences of the brain. The focus of this article is aspects of consciousness, i.e. being aware or unaware, and their cerebral basis. TMS has been used to demonstrate regional cortical functional specialization. The reasons for the effects caused by TMS are still not fully known. Further work must be done in order to address this problem. TMS can briefly impose (or disrupt) rhythmic discharge in the underlying cortex and some of these rhythms are thought to be important for selective attention and awareness. TMS can disrupt activity in underlying brain tissue with millisecond precision but thus far it is usually used in isolation. When combined with event-related potentials and functional magnetic resonance imaging its usefulness will expand.

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32

The first half second: The microgenesis and temporal dynamics of unconscious and conscious visual processes. Cambridge, MA: MIT Press, 2005.

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33

Haluk, Öğmen, and Breitmeyer Bruno G, eds. The first half second: The microgenesis and temporal dynamics of unconscious and conscious visual processes. Cambridge, Mass: MIT Press, 2006.

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34

The First Half Second: The Microgenesis and Temporal Dynamics of Unconscious and Conscious Visual Processes. The MIT Press, 2006.

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35

Albertazzi, Liliana. Visual Thought: The depictive space of perception (Advances in Consciousness Research). John Benjamins Pub Co, 2006.

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36

H, Challis Bradford, and Velichkovskiĭ B. M, eds. Stratification in cognition and consciousness. Amsterdam: J. Benjamins, 1999.

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37

Murata, Junichi. Colours and sounds: the field of visual and auditory consciousness. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199594900.013.0009.

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38

Exploring Consciousness. University of California Press, 2004.

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39

Carter, Rita. Exploring Consciousness. University of California Press, 2002.

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40

Prinz, Jesse. Is Consciousness a Trick or a Treat? Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199367511.003.0011.

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Dennett often argues that consciousness is an illusion, which we should aim to explain away. But his debunking claims are rarely met with approval. This paper provides a strategy for demystifying consciousness, while accepting the force of Dennett's critical project. While Dennett is probably wrong to claim that visual imagery is encoded in mental pictures or linguistic descriptions of such pictures, he's probably right that an adequate phenomenology of visual imagery will preserve the content and structure of the representations employed by subpersonal processes. And while conscious experience is richer than Dennett believes, we often think we are experiencing the world in richer detail than we actually are. But attention is at play wherever we find conscious experience. And an account of conscious conscious experience that begins from this fact—Attention to Intermediate-level Representations—suggests a way of naturalizing qualia that even Dennett could learn to love.

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41

Noë, Alva. Is the Visual World a Grand Illusion? (Journal of Consciousness Studies Controversies in Science & the Humanities). Imprint Academic, 2002.

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42

Weinel, Jonathan. Inner Sound. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190671181.001.0001.

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Inner Sound explores how altered states of consciousness have shaped the design of electronic music and audio-visual media. The book begins by discussing consciousness, and how this may change during states such as dreaming, psychedelic experience, meditation, and trance. Next, a variety of shamanic traditions are reviewed, in order to explore how indigenous societies have reflected visionary experiences through visual art and music. This provides the necessary background from which to consider how analogue and digital audio technologies enable specific capabilities for representing or inducing altered states of consciousness in psychedelic rock, electronic dance music, and electroacoustic music. Developing the discussion to consider sound in the context of audio-visual media, the role of altered states of consciousness in films, visual music, VJ performances, interactive video games, and virtual reality applications is also discussed. Through the analysis of these examples, the author uncovers common mechanisms, and ultimately proposes a conceptual model for ‘Altered States of Consciousness Simulations’. This theoretical model describes how sound can be used to simulate various subjective states of consciousness from a first-person perspective, in an interactive context. Throughout the book, the ethical issues regarding altered states of consciousness in electronic music and audio-visual media are also explored, ultimately allowing the reader to consider not only the design of Altered States of Consciousness Simulations, but also the implications of their use for digital society. In this way, Inner Sound explores the limits of technology for representing and manipulating consciousness, at the frontiers of electronic music and art.

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43

Weinel, Jonathan. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190671181.003.0001.

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This introduction to Inner Sound: Altered States of Consciousness in Electronic Music and Audio-Visual Media outlines the background, aims, and scope of the book. The chapter begins by introducing altered states of consciousness through a description of visual hallucinations, which may have provided a basis for some of the oldest-known artworks. Next, a brief historical overview of altered states is given, from ancient shamanic traditions and cults, to modern-day use of psychedelic drugs such as LSD. The use of altered states in these contexts has resulted in a variety of associated art, literature, music, films, and video games, which in recent years have been rendered with the aid of new sound and audio-visual technologies. These works provide the main focus of Inner Sound, which explores the relationship of altered states of consciousness with electronic music and audio-visual media, in order to develop a conceptual theory of ‘Altered States of Consciousness Simulations’.

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44

Continuum of Consciousness: Aesthetic Experience and Visual Art in Henry James's Novels. Lang Publishing, Incorporated, Peter, 2013.

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45

Weinel, Jonathan. Synaesthetic Overdrive. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190671181.003.0007.

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This chapter discusses altered states of consciousness in audio-visual media, such as films, psychedelic light shows, and VJ performances. First, some background theory is introduced, explaining the main categories of film sound, and what research tells us regarding the way in which sound influences the perception of visual images and vice versa. Following this background section, a tour is provided through various films that represent altered states of consciousness, including surrealist movies, ‘trance films’, and Hollywood feature films. These demonstrate a progression, where more recent movies are able to make use of digital audio and visual effects to represent the subjective experience of altered states with improved accuracy. Meanwhile, beyond the traditional confines of the cinema, ‘expanded cinema’ works such as visual music, psychedelic light shows, and VJ performances have provided increasingly sophisticated synaesthetic experiences, which are designed to transform the consciousness of their audience.

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46

Hatwell, Yvette. Touching for Knowing: Cognitive Psychology of Haptic Manual Perception (Advances in Consciousness Research). John Benjamins Pub Co, 2003.

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47

The Quest for Consciousness: A Neurobiological Approach. Roberts & Company Publishers, 2004.

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48

(Editor), Tomaso Vecchi, and Gabriella Bottini (Editor), eds. Imagery And Spatial Cognition: Methods models and cognitive assessment (Advances in Consciousness Research). John Benjamins Publishing Co, 2006.

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49

Cohen, David. The Secret Language of the Mind: A Visual Enquiry into the Mysteries of Consciousness. Mitchell Beazley, 1997.

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50

Journal of Consciousness Studies : Art and the Brain Part II (Investigations Into the Science of Art) (Journal of Consciousness Studies: Controversies in Science & the Humanities). Imprint Academic, 2000.

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