Relevant bibliographies by topics / Visual communication Asia

Academic literature on the topic 'Visual communication Asia'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Visual communication Asia.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Visual communication Asia"

1

Yecies, Brian, Michael Keane, and Terry Flew. "East Asian audio-visual collaboration and the global expansion of Chinese media." Media International Australia 159, no. 1 (April 11, 2016): 7–12. http://dx.doi.org/10.1177/1329878x16640105.

Full text
Abstract:
This article investigates the significant re-orientation of audio-visual production in East Asia over the last few years brought about by the rise of China, beginning with the proposition that unprecedented change is occurring in East Asian media production. While the ‘Sinophone world’ has been the locus of critical analysis in the past, all eyes are now focused on China. Flows of knowledge, expertise and content are becoming significant in this mediascape, yet this dimension has been overlooked by most scholarship in the field. Conceptual and theoretical frameworks based on cross-border consumption of East Asian content require urgent revision. This article shows how media collaborations are changing global media practice and East Asian media flows through a variety of contemporary international collaborations, as well as relevant policy frameworks that impact, positively or negatively, productions by international partners working in film, television and online and mobile video content.
APA, Harvard, Vancouver, ISO, and other styles
2

Lim, Song Hwee. "New cinemas from Asia." New Cinemas: Journal of Contemporary Film 2, no. 2 (September 1, 2004): 71–72. http://dx.doi.org/10.1386/ncin.2.2.71/0.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Lent, John A. "Animation in South Asia." Studies in South Asian Film & Media 1, no. 1 (May 1, 2009): 101–17. http://dx.doi.org/10.1386/safm.1.1.101_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Abikeeva, Gul'nara, Birgit Beumers, Joël Chapron, and Martina Malacrida. "Special Feature: Central Asia." Studies in Russian and Soviet Cinema 4, no. 2 (July 2010): 187–90. http://dx.doi.org/10.1386/srsc.4.2.187_7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Cevallos-Solórzano, Gabriela, and Natalia Bailon-Moscoso. "Asia (2021)." Revista de Medicina y Cine 18, no. 4 (December 20, 2022): 411–18. http://dx.doi.org/10.14201/rmc.28954.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Rai, Amit S. "DIY Media in South Asia." BioScope: South Asian Screen Studies 12, no. 1-2 (June 2021): 64–67. http://dx.doi.org/10.1177/09749276211026061.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Ross, Fiona. "Historical Technological Impacts on the Visual Representation of Language with Reference to South-Asian Typeforms." Philological Encounters 3, no. 4 (November 27, 2018): 441–68. http://dx.doi.org/10.1163/24519197-12340054.

Full text
Abstract:
Abstract The scripts of South Asia, which mainly derive from the Brahmi script, afford a visible voice to the numerous linguistic communities that form over one fifth of the world’s population. However, the transition of these visually diverse scripts from chirographic to typographic form has been determined by historical processes that were rarely conducive to accurately rendering non-Latin scripts. This essay provides a critical evaluation of the historical technological impacts on typographic textual composition in South-Asian languages. It draws on resources from relevant archival collections to consider within a historical context the technological constraints that have been crucial in determining the textural appearance of South-Asian typography. In so doing, it seeks to elucidate design decisions that either purposely or unwittingly shaped subsequent and current typographic practice and questions the validity of the continued legacy of historical technological impacts for contemporary vernacular communication.
APA, Harvard, Vancouver, ISO, and other styles
8

Hudson, Dale. "Songs from India and Zanzibar: Documenting the Gulf in migration." Studies in South Asian Film & Media 10, no. 2 (December 1, 2019): 91–112. http://dx.doi.org/10.1386/safm_00008_1.

Full text
Abstract:
Abstract With a primarily South Asian population, including both middle-class families and 'bachelors', the Gulf states unsettle assumptions about the Middle East and South Asia developed from western area studies. This article examines three documentaries ‐ From Gulf to Gulf to Gulf, Champ of the Camp and Sounds of the Sea ‐ that layer visual images of the Gulf with songs from India and Zanzibar. They document the inequities and the ways in which vulnerable populations navigate them to find dignity in a world that often dismisses them as victims (e.g., exploited migrants, oppressed women) or uses them to legitimize segregation in allegedly overcrowded cities. They reconfigure documentary practice to allow subjects to speak indirectly, protecting them from possible retaliation or stigma. By documenting through nonwestern popular songs, these films contribute to a recovery of connections between South Asia, the Gulf and East Africa that were interrupted by British colonialism and US imperialism.
APA, Harvard, Vancouver, ISO, and other styles
9

Lee, Sangjoon. "Creating an anti-communist motion picture producers’ network in Asia: the Asia Foundation, Asia Pictures, and the Korean Motion Picture Cultural Association." Historical Journal of Film, Radio and Television 37, no. 3 (March 10, 2016): 517–38. http://dx.doi.org/10.1080/01439685.2016.1157292.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Daliot-Bul, Michal. "Uncle Leo’s adventures in East Asia." Target. International Journal of Translation Studies 31, no. 1 (August 24, 2018): 25–49. http://dx.doi.org/10.1075/target.17114.dal.

Full text
Abstract:
Abstract The best-selling children’s book series Uncle Leo’s Adventures by Yannets Levi became a sensation in Israel when it was translated into several Asian languages including Korean, Chinese, English for the Indian sub-continent, and Japanese. More than just a simple story of cross-cultural exchange, the globalization of the series allows for a look into the ways editors and translators in different cultures handle translation as a cultural and economic opportunity. This article focuses on the Gordian knot that links translation to culturally specific preferences. Combining interviews with a comparative study of the different solutions to the translation of literary and visual elements used in Uncle Leo, it explores the relations between entrepreneurship and culture, the politics of culture, and the universality/cultural specificity of imagination and of being a child.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Visual communication Asia"

1

CHEUNG, Tit Leung. "Extending the local : documentary film festivals in East Asia as sites of connection and communication." Digital Commons @ Lingnan University, 2012. https://commons.ln.edu.hk/vs_etd/5.

Full text
Abstract:
East Asian cinema is receiving increasing global attention. This attention is not focused merely on the fiction and feature films produced in the region, but also on the documentaries produced there; films such as Petition (2009) by Chinese director Zhao Liang which premiered at Cannes Film Festival in 2009. This attention to East Asian documentary can be traced to the documentary film festivals organised in the region, particularly those that devote their programming to independent documentary productions from the region. These festivals open a window that enables such works to be exhibited for the rest of the world. But these festivals do not aim merely to exhibit and screen these works. They also pay attention to the filmmakers. The attendance of filmmakers at festivals has previously been assessed to be of low importance. By encouraging filmmakers to visit and participate the festivals examined here can be seen to represent shared concerns regarding the cultivation of documentary filmmaking in the Asian region. The four film festivals that serve to exemplify this are the Yamagata International Documentary Film Festival (YIDFF) in Yamagata, Japan; the Documentary Film Festival China (DOChina) in Beijing, China; the Taiwan International Documentary Festival (TIDF) in Taichung, Taiwan; and the Hong Kong’s Chinese Documentary Festival (CDF). Each festival forms the basis of a case study in the hope that the context of documentary film festivals in the East Asia can be delineated. Particular aspects of the festivals are discussed in relation to a significant underlying dimension that is identified in each of the festivals in question: the emphasis on communication in YIDFF that enhances the sense of connectedness in the participating festival community; the independent and underground status of DOChina that is embedded in the festival as a form of resistance to the state government; the relocation of TIDF to a government-supported museum contextualises the festival and draws on the general functions and purposes of a museum: exhibition, education and collection. The fourth case study examines the multi-faceted nature of CDF through the previously examined concepts to demonstrate the generalisability of the concepts to, and the inherent complexity of film festivals. A common theme underlies all of these concepts: a sense of the local, of ‘local-ness’. The ‘local’ here is a relative term that depends largely on where it is that these events regard as home. So, it is not merely the immediate locale of the festival that can be regarded as ‘local’; the ‘local’ can be extended to encompass the nation or the entire region if that is where ‘home’ has been identified. Such an extensive and fluid understanding of ‘local-ness’ not only defines those areas to which the festivals pay specific attention, it also furthers understanding of the festivals’ shared ambitions; ambitions rooted in the cultivation of a ‘local’ documentary filmmaking milieu.
APA, Harvard, Vancouver, ISO, and other styles
2

Wu, Gang. "Images of China and the United States in each other's newspapers a visual content analysis of three Chinese and three U.S. newspapers /." abstract and full text PDF (free order & download UNR users only), 2006. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1438940.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

McWhinnie, Louise J. I. Art History &amp Art Education College of Fine Arts UNSW. "An inquiry into the study of visual communication by international asian students within the context of an Australian university." Awarded by:University of New South Wales. Art History & Art Education, 2008. http://handle.unsw.edu.au/1959.4/43574.

Full text
Abstract:
Extant bodies of research identify the dilemmas encountered by, and adaptive strategies of international Asian students (IAS) undertaking second language undergraduate study. However no substantive research has explored the existence of subject specific dilemmas that such students encounter in the study of design within a western setting. Doctoral work exploring design education is rare. This study addresses the gap in the research record by investigating the specifics of the study of visual communication by IAS attending an Australian university. Through the voices of the IAS and academics, the specific nature of the manifestation, understanding and misunderstanding of such dilemmas is explored. Together with the investigation of visual communication, the author discloses the nature of perception and misconception between a group of design academics and a cohort of IAS. The study uses complementary methodologies, synthesising quantitative and qualitative data. The study's statistical data was generated from 460 first and second year student surveys. This was undertaken over a three-year period, with resultant data sub-categorised to enable a representation of the IAS to emerge through identification of their particular motivations, expectations and actualisation of dilemmas within the context of the wider undergraduate cohort. The author develops and utilises an explanatory framework after Pierre Bourdieu, to analyse data emanating from interviews with multiple participants of an established population of academics and IAS. She explores the perceptions of their realities and the construction of their representations, as located through both their convergence and divergence. The study's paradigm is constructed by the field of design, as an objective world and site of the inquiry. Viewing the study's data through this conceptual framework, the author constructs a representation of the field and educational site using socio-cultural structures and the populations' multiple realities. The study reports on the layers and contradictions of communication, miscommunication, myth and fiction, constructed through the educational field. This is further interrogated to reveal the arbitrary structure of the field, its pedagogy and creation of its internal logic by which the field is perpetuated and student performances reproduced. The outcomes of the investigation include a detailed identification of lA design students' disclosures of the dilemmas of expectation versus experience, and the systematic misperception of paradoxes within the pedagogy of visual communication, presented as convergent and divergent expectations of the IAS and academics.
APA, Harvard, Vancouver, ISO, and other styles
4

Cousineau, Halie J. "Collaborative Reflexive Photography: An Alternative Communication Tool for RuralDevelopment in Sembalun, Indonesia." Ohio University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1470828430.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

TSAI, MIN-WEI, and 蔡岷洧. "A Research Based on Communication Studies And Semiology to Explore The Trigger Factor of Imagination in The University Visual Education Curriculum─The Case of Department of Digital Media Design in Asia University." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/52745637920954043415.

Full text
Abstract:
碩士
亞洲大學
數位媒體設計學系碩士班
101
When students in the design process, have a chance because the triggering imagination to improve the design and application of thinking, And improve the quality of the work. This research mainly triggered by experimental course to the imagination of students, to explore digital media design students in the learning process of visual design knowledge. The experiment is divided into two parts, The first part: "Photo" and "Image" and other materials into a narrative, Students to observe and sorted out before and put into operation after the results of the design differences; Part II: From the perspective of semiology spread through qualitative research methods to analyze students' work on the design of visual symbols, design techniques as well as messaging works, Summarized the students on this curriculum in experimental design imagination produced on the steps, Techniques and reflection. 　This research shows that students in the design, with imagination be triggered and operation Projected onto design works to produce a different thinking. Communication through the perspective of semiology decodes it and found that When imagination is triggered, Students work on the design of picture, Will begin to join the main body metaphorically, The concept is similar even do meaning extends Think of through objects, regroup, adding, replacing, etc. so that works more creatively. in the meaning to convey on Students Categories by experience, to explore illustrations, theme interpretation in three aspects, so that works to achieve the effect of visual metaphors. Such results for the future creation of imaginative visual design education help, Refer for future researchers summarized the results of the research curriculum planning.
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Visual communication Asia"

1

Mazaar, Bazaar: Design and visual culture in Pakistan. Karachi: Oxford University Press, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Rethinking Visual Narratives from Asia: Intercultural and Comparative Perspectives. Hong Kong University Press, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Canepa, Matthew. Cross-Cultural Communication in the Hellenistic Mediterranean and Western and South Asia. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780195386844.003.0014.

Full text
Abstract:
This chapter deals with West–Asian cross-cultural interaction that developed during the Hellenistic period in the aftermath of Alexander’s conquest of the Persian Empire as the land and sea routes between the Mediterranean and India opened up. Despite their constant warfare, the kings that dominated this region established diplomatic ties influenced by a rich range of linguistic, visual, spatial, and ritual idioms. Canepa views Mauryan pillars and inscribed edicts issued by the emperor Aśoka as responses both to local South Asian traditions of religion and empire, and also to those of the Achaemenids and Seleucids. The cross-cultural interaction of this period not only transformed contemporary worldviews and traditions, but also formed the basis for future exchanges among the Romans, Arsacids, Kuṣāṇas, and Sasanians.
APA, Harvard, Vancouver, ISO, and other styles
4

Chandler, Daniel, and Rod Munday. A Dictionary of Media and Communication. Oxford University Press, 2020. http://dx.doi.org/10.1093/acref/9780198841838.001.0001.

Full text
Abstract:
Over 3,600 entries ‘…not only a dictionary of communication and media but also a liberal education that enables users to see interesting relationships between many of the concepts it discusses.’ Professor Arthur Asa Berger, San Francisco State University This authoritative and up-to-date A–Z offers points of connection between communication and media and covers all aspects of interpersonal, mass, and networked communication, including digital and mobile media, advertising, journalism, social media, and nonverbal communication. In this new edition, over 2,000 entries have been revised and more than 500 have been newly added to include current terminology and concepts such as artificial intelligence, cisgender, fake news, hive mind, use theory, and wikiality. It bridges the gap between theory and practice and contains many technical terms that are relevant to the communication industry, including dialogue editing, news aggregator and primary colour correction. Additional material includes a biographical notes appendix, and entries are complemented by approved web links which guide further reading. This is an indispensable guide for undergraduate students of media and communication studies and also for those taking related subjects such as television studies, video production, communication design, visual communication, marketing communications, semiotics, and cultural studies.
APA, Harvard, Vancouver, ISO, and other styles
5

Brosius, Christiane. Empowering Visions: The Politics of Representations in Hindu Nationalism (Anthem South Asian Studies). Anthem Press, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Brosius, Christiane. Empowering Visions: The Politics of Representations in Hindu Nationalism (Anthem South Asian Studies). Anthem Press, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Jonker, Louis C., Angelika Berlejung, and Izak Cornelius, eds. Multilingualism in Ancient Contexts: Perspectives from Ancient Near Eastern and Early Christian Contexts. African Sun Media, 2021. http://dx.doi.org/10.52779/9781991201171.

Full text
Abstract:
Multilingualism remains a thorny issue in many contexts, be it cultural, political, or educational. Debates and discourses on this issue in contexts of diversity (particularly in multicultural societies, but also in immigration situations) are often conducted with present-day communicational and educational needs in mind, or with political and identity agendas. This is nothing new. There are a vast number of witnesses from the ancient West-Asian and Mediterranean world attesting to the same debates in long past societies. Could an investigation into the linguistic landscapes of ancient societies shed any light on our present-day debates and discourses? This volume suggests that this is indeed the case. In fourteen chapters, written and visual sources of the ancient world are investigated and explored by scholars, specialising in those fields of study, to engage in an interdisciplinary discourse with modern-day debates about multilingualism. A final chapter – by an expert in language in education – responds critically to the contributions in the book to open avenues for further interdisciplinary engagement – together with contemporary linguists and educationists – on the matter of multilingualism.
APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Visual communication Asia"

1

Bilal, Muhammad Yasir, Rana Muhammad Amir Latif, N. Z. Jhanjhi, and Mamoona Humayun. "The Impact of the ICT in the Analysis of Visual Attention Using Facial Expressions of the Students." In ICT Solutions for Improving Smart Communities in Asia, 185–99. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-7114-9.ch009.

Full text
Abstract:
Measuring and analyzing the student's visual attention are significant challenges in the e-learning environment. Machine learning techniques and multimedia tools can be used to examine the visual attention of a student. Emotions play a vital impact in understanding or judging the attention of the student in the class. If the student is interested in the lecture, the teacher can judge it by reading his emotions, and the learning has increased, and students can pay more attention to the classroom, authors say. The study explores the effect on the brand reputation of universities of information and communication technology (ICT), e-service quality, and e-information quality by focusing on the e-learning and fulfillment of students.
APA, Harvard, Vancouver, ISO, and other styles
2

Xuan, Xuejun, and Chi Yao. "Customized Generation and Creative Practice of Asian Games Kinetic Sports Pictograms in Game Engine." In Frontiers in Artificial Intelligence and Applications. IOS Press, 2023. http://dx.doi.org/10.3233/faia220721.

Full text
Abstract:
Kinetic pictograms are more effective in communication and easier to attract attention compared to static pictograms. The kinetic sports pictograms of the 19th Asian Games continues the visual identity of the Games, showing the beauty of the flowing lines while also enhancing the overall publicity effect of the Asian Games visual design. Starting from the technical selection, this paper explains the process of creating and practicing the Customized Generation of kinetic sports pictograms in the game engine through the difficult breakthroughs in action design, graphic personalization and spatial deformation, combining the laws of sports. Thus, it also provides some reference and thinking for the expansion and innovative practice of game engines in different creative application scenarios.
APA, Harvard, Vancouver, ISO, and other styles
3

Cheok, Adrian David, Owen Noel Newton Fernando, Nimesha Ranasinghe, Kening Zhu, and Chamari Edirisinghe. "BlogWall." In Mobile Information Communication Technologies Adoption in Developing Countries, 205–17. IGI Global, 2011. http://dx.doi.org/10.4018/978-1-61692-818-6.ch014.

Full text
Abstract:
Since the invention, the mobile phone is becoming more and more popular to lead the communication sector and it has been the spirit of personal communication from the beginning of 80s. Furthermore, developing countries which have always been on the search for affordable communication solutions found mobile communication the most popular method. Low cost communication, infrastructure, and maintenance are some of the key reasons that make mobile technologies popular in developing countries. Statistics depict that the usage of short messages is one of the main communication method in developing countries and most of the organizations are using SMS (Short Message Service) as a tool to assist people, especially in African and Asian continents. Sri Lanka, as a developing country, has a unique culture which has emerged scaling many centuries, mixing with various neighboring cultures. Recently the western cultural influence has dramatically changed the various cultural aspects of the urban population. The rapid economic growth, the changes in agriculture based economic environment, advances in communication and media, and globalization trends has transformed the cultural experiences of Sri Lankans. Taking into account the speedy progress of the mobile technology, especially the SMS, the evolution of the Sri Lankan way of living which has absorbed the culture that has developed with the use of mobiles, and the long literary history where poetry had played a major role in communication, we are observing the suitability of the Blogwall system, an interactive system which operates on user SMS and provides opportunities for creative poetry by combining visual art and poetry.
APA, Harvard, Vancouver, ISO, and other styles
4

Glick, Joshua. "Numbering Our Days in Los Angeles, USA." In Los Angeles Documentary and the Production of Public History, 1958-1977. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520293700.003.0008.

Full text
Abstract:
This chapter considers more resistant forms of national remembrance than those created for the bicentennial celebrations. As Hollywood docudrama incorporated minorities into a streamlined vision of the American social fabric, alternative films depicted a more contentious relationship between a historic present and past. This chapter argues for the persistence of filmmakers’ interest in documentary, even as they experimented with other media or blended fiction and nonfiction. Long-form films and photo-books by the collective Visual Communications (Wataridori: Birds of Passage [1974] and In Movement: A Pictorial History of Asian America [1977]), documentaries made from the collaboration between anthropologist Barbara Myerhoff and director Lynne Littman (Number Our Days [1976]), and the artisanal filmmaking of Charles Burnett (Killer of Sheep [1977]) presented more nuanced stories about the resilience of the city’s marginalized communities. Their work on Asian Americans in Little Tokyo, elderly Jews in Venice, and African Americans in Watts denounced national myths of bootstrap individualism and upward mobility, as well as industrial decentralization and uneven downtown redevelopment under the Bradley administration.
APA, Harvard, Vancouver, ISO, and other styles
5

Bejenke, Christel J. "Intraoperative awareness." In Handbook of Communication in Anaesthesia & Critical Care. Oxford University Press, 2010. http://dx.doi.org/10.1093/oso/9780199577286.003.0023.

Full text
Abstract:
Intraoperative awareness (IOA) represents a range of heterogeneous experiences and is a topic of considerable relevance, not only to anaesthetists, but to all theatre staff. This chapter focuses on communications that the anaesthetist may find helpful in ameliorating or preventing adverse sequelae associated with IOA. This is a well-described, infrequent complication of general anaesthesia which can have serious long-term psychological consequences. First recognized as a medical complication in 1846, there have been numerous reports since the 1950s. Considerable research has been devoted to its understanding and prevention over the past two decades. IOA has increasingly come to the attention of clinicians, patients and the media. It is also a medico-legal issue and high compensation awards have been made. The ASA practice advisory for anaesthesiologists states that, ‘Intraoperative awareness occurs when a patient becomes conscious during a procedure performed under general anaesthesia and subsequently has recall of these events.’ This may include: sensations of weakness; inability to communicate, move or scream; auditory and tactile perceptions; feelings of helplessness; acute fear, panic and pain; believing to have been abandoned and betrayed; and being dead, or about to die. Explicit awareness (declarative memory) permits conscious recall of intraoperative events such as auditory, visual and tactile experiences, paralysis and pain. There is a striking similarity of experiences among patients, but only a minority (35 % ) may inform their anaesthetists. Explicit awareness has been the subject of the majority of investigations related to IOA and is the main topic of this chapter. Implicit awareness (non-declarative memory): information can be recollected but cannot be recalled or consciously retrieved. There is strong evidence for auditory information-processing of material relevant to the patient’s well-being, whether beneficial or threatening. The overall incidence of IOA varies, but has been reported to be between 0.1 and 0.9 % with 30 000–40 000 cases annually in the USA. However, the true incidence of recall is probably underestimated. According to a 2010 report by the ASA closed claims project, IOA occurs in less than 1 in 700 cases. Causes were largely attributed to light anaesthesia and anaesthetic delivery problems.
APA, Harvard, Vancouver, ISO, and other styles
6

Fagan, Brian. "Travel as Commodity." In From Stonehenge to Samarkand. Oxford University Press, 2006. http://dx.doi.org/10.1093/oso/9780195160918.003.0016.

Full text
Abstract:
Thomas Cook started it all with his meticulously organized archaeological tours up the Nile. He harnessed the revolutionary technologies of Victorian travel to a growing desire on the part of the middle class to explore the world and its ancient history. Cook was the first to realize the potential of the railroad for group tours. A devout Baptist and an advocate for temperance, he began his business by organizing rail excursions to temperance meetings in nearby towns in central England. The enterprise was so successful that he took advantage of steamships and continental railroads to organize what we now call package tours to France and Germany. From that, it was not much more difficult to organize tours to Egypt and the Holy Land, now readily accessible thanks to the new technology for Victorian travel: the railroad, the steamship, and the telegraph. Then, in the twentieth century, came ocean liners, massive cruise ships, and the Boeing 707, followed by the jumbo jet, all of which together made archaeological travel part of popular culture. We live in a completely accessible world of intricate airline schedules and instant communication, where you can visit the great moiae of Easter Island as easily as you can take a journey to Stonehenge or the Parthenon, the difference being a longer flight and the need for the correct visas and a foreign rental car at the other end. And if you become sick or injured, you can be evacuated from most places within hours: Peter Fleming or Ella Maillart would have been in real trouble had they become sick or injured in the vast expanses of central Asia. We forget that to travel east of the Holy Land was considered highly adventurous until after World War II, and that central Asia was virtually inaccessible to outsiders until the late twentieth century. Much of the adventure of archaeological travel has vanished since the 1960s in a tidal wave of mass tourism and its attendant businesses. Leisure travel is now the world’s largest industry, and the mainstay of many national economies, including that of Egypt, where at last count six mil-lion tourists visit each year. According to Statistics Canada, global cultural tourism will grow at a rate of about 15 percent annually through the year 2010.
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Visual communication Asia"

1

Maleshkova, Jeni, Matthew Purver, Oliver Grau, and Julien Pansiot. "Presentation and communication of visual artworks in an interactive virtual environment." In SIGGRAPH Asia 2013 Posters. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2542302.2542346.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Gershikov, Evgeny, and Moshe Porat. "On optimal coding of visual information for Rate-Controlled communication." In 2008 4th IEEE/IFIP International Conference on Central Asia on Internet (ICI 2008). IEEE, 2008. http://dx.doi.org/10.1109/canet.2008.4655324.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Wei, Chao, Haoming Chen, Mingli Song, Ming-Ting Sun, and Kevin Lau. "A capture-to-display delay measurement system for visual communication applications." In 2013 Asia-Pacific Signal and Information Processing Association Annual Summit and Conference (APSIPA). IEEE, 2013. http://dx.doi.org/10.1109/apsipa.2013.6694358.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Ni, Xueyan, and Ruhua Zhang. "Visual Communication Design of Image Multidimensional Visualization Fusion System Based on Machine Learning." In 2022 2nd Asia-Pacific Conference on Communications Technology and Computer Science (ACCTCS). IEEE, 2022. http://dx.doi.org/10.1109/acctcs53867.2022.00037.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Manaka, Keisuke, Liyuan Chen, Hiromasa Habuchi, and Yusuke Kozawa. "Proposal of Equal-Weight (2, 2) Visual Secret Sharing Scheme on VN-CSK Illumination Light Communication." In 2019 IEEE VTS Asia Pacific Wireless Communications Symposium (APWCS). IEEE, 2019. http://dx.doi.org/10.1109/vts-apwcs.2019.8851645.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Fu, Ling, and Jing Hu. "Research on the Teaching Mode of Visual Communication Design and Integration of Various Disciplines in Basic Education." In IPEC 2021: 2021 2nd Asia-Pacific Conference on Image Processing, Electronics and Computers. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3452446.3452688.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Nobbs, Karinna, Matteo Montecchi, Hannah Kontu, and Kat Duffy. "AN EXPLORATORY INVESTIGATION OF THE STRATEGIC USE OF VISUAL SOCIAL MEDIA PLATFORMS BY UK FASHION BRANDS FOR MARKETING COMMUNICATION." In Bridging Asia and the World: Globalization of Marketing & Management Theory and Practice. Global Alliance of Marketing & Management Associations, 2014. http://dx.doi.org/10.15444/gmc2014.07.09.04.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

van Swaaij, Michael F., Francky V. Catthoor, and Hugo J. De Man. "Novel regular-array ASIC architecture for 2-D ROS sorting." In Visual Communications, '91, Boston, MA, edited by Kou-Hu Tzou and Toshio Koga. SPIE, 1991. http://dx.doi.org/10.1117/12.50365.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Lu, Ligang, Zhou Wang, Jack L. Kouloheris, and Alan C. Bovik. "Human-visual-system-based scalable video coding and communications." In Photonics Asia 2002, edited by LiWei Zhou, Chung-Sheng Li, and Yoshiji Suzuki. SPIE, 2002. http://dx.doi.org/10.1117/12.481590.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Casey, Shawn P., Wu Kaijie, Lei Xuping, and Ren Qiushi. "Implantable Antenna for Visual Prostheses." In Asia Communications and Photonics Conference. Washington, D.C.: OSA, 2012. http://dx.doi.org/10.1364/acp.2012.af4b.21.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Visual communication Asia' for particular source types:
Journal articles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography