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Books on the topic 'Visual arts practice'

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Author: Grafiati

Published: 10 December 2022

Last updated: 20 February 2023

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1

Corner, Lee. Code of practice for the visual arts. London: National Artists Association, 1995.

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2

Sullivan, Graeme. Art practice as research: Inquiry in visual arts. 2nd ed. Thousand Oaks [Calif.]: Sage Publications, 2010.

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3

Sullivan, Graeme. Art practice as research: Inquiry in visual arts. 2nd ed. Thousand Oaks [Calif.]: Sage Publications, 2010.

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4

Sullivan, Graeme. Art practice as research: Inquiry in the visual arts. Thousand Oaks, Calif: Sage Publications, 2005.

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5

Sullivan, Graeme. Art practice as research: Inquiry in the visual arts. 2nd ed. Thousand Oaks [Calif.]: Sage Publications, 2010.

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6

Art practice as research: Inquiry in the visual arts. Thousand Oaks, Calif: Sage Publications, 2005.

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7

Baldwin, Jonathan. Visual communication: From theory to practice. Lausanne [Switzerland]: AVA, 2006.

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8

Newsletter, Artists. The code of practice for the visual arts for artists. Newcastle upon Tyne: Artists Newsletter Publications, 2003.

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9

Corner, Lee. The code of practice for the visual arts for artists. Newcastle upon Tyne: Artists Information Company, 2003.

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10

Frascara, Jorge. Communication design: Principles, methods, and practice. New York: Allworth Press, 2004.

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11

Frascara, Jorge. Communication design: Principles, methods, and practice. New York: Allworth Press, 2004.

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12

Newsletter, Artists. an: Behind the scenes : presenting artists and contemporary visual arts practice. Newcastle upon Tyne: Artists Newsletter Publications, 2005.

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13

Al-Yahyai, Fakhriya. A practice based investigation into the significance and potential of fabric in contemporary visual arts. Leicester: De Montfort University, 2004.

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14

Woodcraft, Jeanne. Transcription, appropriation plagiarism imitation or copy: Transcriptive practice within computer imagery and the visual arts. [London]: Middlesex University, 1992.

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15

1960-, Blake Nayland, Rinder Lawrence, and Scholder Amy, eds. In a different light: Visual culture, sexual identity, queer practice. San Francisco: City Lights Books, 1995.

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16

Payne, Siobhán Marie. A change in understanding, a change in teaching: The process of changing our understanding of the visual arts leading to a change in teaching practice. (s.l: The Author), 2002.

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17

Watkins, Raymond. Late Bresson and the Visual Arts. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462983649.

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The color films of French film director Robert Bresson (1901-99) have largely been neglected, despite the fact that Bresson himself considered them to be more fully realized reflections of his aspirations for the cinema. This study presents a revised and revitalized Bresson, comparing his late style to painterly innovations in color, light, and iconography from the Middle Ages to the present, to abstract painting in France after World War II, and to affinities with the avant-garde movements of Surrealism, Constructivism, and Minimalism. Drawing on media archeology, this study views Bresson's work through such allied visual arts practices as painting, photography, sculpture, theater, and dance.

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18

Digital visual culture: Theory and practice. Bristol, UK: Intellect, 2009.

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19

Elliott, Bridget Jane. Dangerous goods: Feminist visual art practices. Edmonton: Edmonton Art Gallery, 1990.

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20

Valjakka, Minna, and Meiqin Wang, eds. Visual Arts, Representations and Interventions in Contemporary China. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462982239.

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This edited volume provides a multifaceted investigation of the dynamic interrelations between visual arts and urbanization in contemporary Mainland China with a focus on unseen representations and urban interventions brought about by the transformations of the urban space and the various problems associated with it. Through a wide range of illuminating case studies, the authors demonstrate how innovative artistic and creative practices initiated by various stakeholders not only raise critical awareness on socio-political issues of Chinese urbanization but also actively reshape the urban living spaces. The formation of new collaborations, agencies, aesthetics and cultural production sites facilitate diverse forms of cultural activism as they challenge the dominant ways of interpreting social changes and encourage civic participation in the production of alternative meanings in and of the city. Their significance lies in their potential to question current values and power structures as well as to foster new subjectivities for disparate individuals and social groups.

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21

1950-, Block Jacqueline, ed. Perception, design, and practice. Englewood Cliffs, N.J: Prentice-Hall, 1985.

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22

Martinez, Benjamin. Perception, design, and practice. Englewood Cliffs, N.J: Prentice-Hall, 1985.

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23

Anderson, Adele. Visual in Performance Practice: Interdisciplinary Perspectives. Inter-Disciplinary Press, 2012.

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24

Sullivan, Graeme. Art Practice as Research: Inquiry in the Visual Arts. Sage Publications, Inc, 2004.

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25

Sullivan, Graeme. Art Practice as Research: Inquiry in the Visual Arts. Sage Publications, Inc, 2004.

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26

Schilo, Ann. Visual Arts Practice and Affect: Place, Materiality and Embodied Knowing. Rowman & Littlefield International, 2016.

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27

Schilo, Ann. Visual Arts Practice and Affect: Place, Materiality and Embodied Knowing. Rowman & Littlefield International, 2016.

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28

Schilo, Ann. Visual Arts Practice and Affect: Place, Materiality and Embodied Knowing. Rowman & Littlefield Publishers, Incorporated, 2016.

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29

Communication Design: Principles, Methods, and Practice. Allworth Press, 2004.

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30

Transforming Christian Thought in the Visual Arts: Theology, Aesthetics, and Practice. Taylor & Francis Group, 2021.

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31

Beaumont, Sheona, and Madeleine Emerald Thiele. Transforming Christian Thought in the Visual Arts: Theology, Aesthetics, and Practice. Taylor & Francis Group, 2021.

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32

Beaumont, Sheona, and Madeleine Emerald Thiele. Transforming Christian Thought in the Visual Arts: Theology, Aesthetics, and Practice. Taylor & Francis Group, 2021.

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33

Malina, Roger F., and Sean Cubitt. Practice of Light: A Genealogy of Visual Technologies from Prints to Pixels. MIT Press, 2014.

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34

Practice of Light: A Genealogy of Visual Technologies from Prints to Pixels. MIT Press, 2014.

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35

Malina, Roger F., and Sean Cubitt. Practice of Light: A Genealogy of Visual Technologies from Prints to Pixels. MIT Press, 2014.

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36

Cubitt, Sean. Practice of Light: A Genealogy of Visual Technologies from Prints to Pixels. MIT Press, 2014.

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37

Geahigan, George. Career Education in the Visual Arts: Representative Programs and Practice : Monograph No. 2. Natl Art Education Assn, 1989.

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38

Jayne, Earnscliffe, and Arts Council of Great Britain., eds. In through the front door: Disabled people and the visual arts : examples of good practice. London: Arts Council of Great Britain, 1992.

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39

Creating Digital Resources for the Visual Arts: Standards and Good Practice (Oxford Text Archive). Oxbow Books Limited, 2000.

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40

Manghani, Sunil. Image Studies: Theory and Practice. Taylor & Francis Group, 2012.

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41

Manghani, Sunil. Image Studies: Theory and Practice. Taylor & Francis Group, 2012.

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42

Manghani, Sunil. Image Studies: Theory and Practice. Taylor & Francis Group, 2012.

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43

Manghani, Sunil. Image Studies: Theory and Practice. Taylor & Francis Group, 2012.

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44

A practice based investigation into the significance and potential of fabric in contemporary visual arts. Leicester : De Montfort University, 2004., 2004.

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45

(Editor), Lawrence Rinder, Nayland Blake (Editor), and Amy Scholder (Editor), eds. In a Different Light: Visual Culture, Sexual Identity, Queer Practice. City Lights Books, 1995.

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46

(Editor), Lynn S. Bustle, and Lynn Sanders-Bustle (Editor), eds. Image, Inquiry, and Transformative Practice: Engaging Learners in Creative and Critical Inquiry Through Visual Representation (Counterpoints (New York, N.Y.), Vol. 203.). Peter Lang Publishing, 2003.

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47

Volz, Jim. Introduction to Arts Management. Bloomsbury Publishing Plc, 2017. http://dx.doi.org/10.5040/9781474239820.

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Introduction to Arts Management offers a unique, dynamic and savvy guide to managing a performing or visual arts organization, be that an arts center, theatre, museum, art gallery, symphony orchestra, or other arts company. For those training to enter the industry, workers in arts administration, or those seeking to set up their own company, the wealth of expert guidance and direct, accessible style of this authoritative manual will prove indispensable. Gathering best practices in strategic planning, marketing, fundraising and finance for the arts, the author shares practical, proven processes and valuable tools from his work with over 100 arts companies and professional experience producing over 100 music, dance, theatre and visual arts events. Unique features include: boilerplate guides for marketing and fundraisinga sample Board of Trustee contractspecific budget checklistsday-to-day working tools that can be immediately instituted in any arts organizationresources at the end of each chapter designed to help readers consider and implement the strategies in their own practice. Interviews with arts leaders offer insights into the beginnings and growth of significant arts institutions, while examples based on real situations and successful arts organizations from both North America and Britain illustrate and underpin the strategic and practical advice. Expanded from the author’s highly successful How to Run a Theatre, this edition offers both trainees and seasoned professionals the hands-on strategic leadership tools needed to create, build and nurture a successful career in the challenging world of arts administration and management.

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48

Töpffer, Rodolphe. Inventing Comics: A New Translation of Rodolphe Töpffer's Reflections on Graphic Storytelling, Media Rhetorics, and Aesthetic Practice. Parlor Press, 2017.

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49

Inventing Comics: A New Translation of Rodolphe Töpffer's Reflections on Graphic Storytelling, Media Rhetorics, and Aesthetic Practice. Inkshed, 2017.

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50

Gibson, Michael R., and Keith M. Owens. Dialectic: A Scholarly Journal of Thought Leadership, Education and Practice in the Discipline of Visual Communication Design - Volume II, Issue I - Summer 2018. Michigan Publishing, 2018.

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